Images of Old Hawaiʻi

by 1 Comment

Haleʻakala

Orphaned when young and with only an 8th grade education, Charles Reed Bishop arrived in the Islands on October 12, 1846 and became an astute financial businessman, and one of the wealthiest men in the kingdom from banking, agriculture, real estate and other investments.

In early 1847, Bishop met Bernice Pauahi Paki (she was still a student at the Chiefs’ Children’s School;) despite the opposition of Pauahi’s parents who wanted her to marry Lot Kapuaiwa (later, Kamehameha V,) Bishop courted and married Pauahi in 1850.

For the first few months of their marriage, Pauahi and Charles lived in homes of Judge Lorrin Andrews, first in his downtown residence, and later in a cottage in upper Nuʻuanu Valley, opposite the site of the present Maunaʻala (Royal Mausoleum.)

Like many Hawaiian homes of the time, this one had a name, Wananakoa, for the grove of koa trees in the yard. This was only temporary – they were building a home on property Bishop bought on the Diamond Head/Mauka corner of Hotel and Alakea Streets.

Meanwhile, Pauahi’s father, Paki, had completed the construction of his new residence on King Street (between Fort and Alakea.) (Bishop Street had not been built, yet, the property would be on the ʻEwa/Mauka corner of what is now Bishop and King Streets.)

This new home replaced Paki’s prior modest, thatched-roof home he called ʻAikupika (‘Egypt’) that had been on the same piece of property. (ʻAikupika is where Pauahi was born.)

The name Paki gave his new home has been translated by some as ‘House of the Sun’ or Haleakala, but he probably meant it to be Haleʻakala or the ‘Pink House,’ after the color of the stone used in its construction. (Kanahele)

By the standards of the day, Haleʻakala was a splendid structure that was probably the equal of any of the better homes and gardens in town.

It was a large two-story stone-and-frame building with lanai (porches), supported by pillars on both first and second floors, extending around at least three sides of the house. Its extensive gardens combined shrubbery, flowers and trees and included the special tamarind tree planted at Pauahi’s birth.

Clarice B Taylor stated that he really built the house “hoping Pauahi would marry Prince Lot and make her home with her parents.” It was bigger than he and his wife needed; Paki had sold his lands at Mākaha to raise the money for its construction. (Kanahele)

Paki and his wife Laura Konia raised Pauahi there. When Liliʻuokalani was born, she was hanai (adopted) to Paki and Konia. The two girls attended the Chief’s Children’s School (Royal School,) a boarding school, together, and were known for their studious demeanor.

The history of the home goes beyond the Paki family living quarters; some other interesting bits of Hawaiian history happened here.

Liliʻuokalani and John Dominis were married at Haleʻakala, “I was engaged to Mr Dominis for about two years and it was our intention to be married on the second day of September, 1862. … our wedding was delayed at the request of the king, Kamehameha IV, to the sixteenth of that month”.

“It was celebrated at the residence of Mr and Mrs Bishop, in the house which had been erected by my father, Paki, and which … is still one of the most beautiful and central of the mansions in Honolulu.”

“To it came all the high chiefs then living there, also the foreign residents; in fact, all the best society of the city. My husband took me at once to the estate known as Washington Place, which had been built by his father, and which is still my private residence.” (Queen Liliʻuokalani)

“There was a Baptism at the Residence of the Honorable CR Bishop, “Haleʻakala;” baptized was the child of the honorable (Princess Ruth) Keʻelikolani and JY Davis, and he was called, “Keolaokalani Paki Bihopa.”

The Honorable CR Bishop and Pauahi were those who bestowed the name, and Rev C Corwin is the one who performed the baptism.” (Hoku o ka Pakipika, February 2, 1863) (Keolaokalani was hanai to Pauahi; unfortunately, he died later that year.)

Duke Kahanamoku was born at Haleʻakala on August 24, 1890. (With respect to his name “Duke,” he was named after his father. The elder Kahanamoku was born during the Duke of Edinburgh’s visit to the islands in 1869 and was named after him.)

Haleʻakala was converted to Arlington Hotel.

On the afternoon of January 16, 1893, 162 sailors and Marines aboard the USS Boston in Honolulu Harbor came ashore. The property that Liliʻuokalani was raised in (Haleʻakala) served as ‘Camp Boston,’ the headquarters for the USS Boston’s landing force at the time of the overthrow of the Hawaiian monarchy, January 17, 1893.

In 1901, Honolulu had three high-class hotels, the Hawaiian Hotel (in downtown Honolulu, now the State Art Museum on Hotel Street,) the Arlington Hotel and the Moana Hotel (in Waikiki.)

“The Arlington Hotel has, for its principal building, a house once occupied by a Hawaiian princess, by whose estate it is now leased to the hotel proprietor (Thomas E Krouse.”) (Chipman, 1901) Krouse, unfortunately, committed suicide at the Arlington the next year.

“A Mrs Dudoit ran the place for a while as a boarding house, and she was followed by a Mr Hamilton Johnson. Both these houses were, however, on a small scale. Just seven and a half years ago it became known as the Arlington, six cottages were attached, the aviary and the cages of animals so familiar to us all were added.” (Pacific Commercial Advertiser, September 6, 1900)

“The place was maintained as a chief’s residence for many years. It can only have been turned to other uses during the past fifteen years at the outside. Mrs Bernice Pauahi Bishop left the estate to her husband, who turned the property over to the Kamehameha estates.” (Sereno Bishop; Pacific Commercial Advertiser, September 6, 1900)

“(Haleʻakala) has a most unique and interesting history. It is one of the most historic spots in all Honolulu, embracing as it does the scenes of joyousness under royalty, through the stirring days of ’93 … the pettinesses of a boarding house and down to the present day as the Arlington Hotel.” (Pacific Commercial Advertiser, September 6, 1900)

“The estate which had been so dear to us both in my childhood, the house built by my father, Paki, where I had lived as a girl, which was connected with many happy memories of my early life, from whence I had been married to Governor Dominis,”

“I could not help feeling ought to have been left to me. … This wish of my heart was not gratified, and at the present day strangers stroll through the grounds or lounge on the piazzas of that home once so dear to me.” (Liliʻuokalani)

Follow Peter T Young on Facebook 

Follow Peter T Young on Google+ 

Follow Peter T Young on LinkedIn  

Follow Peter T Young on Blogger

© 2015 Hoʻokuleana LLC

by Leave a Comment

The Spirit of Liliʻuokalani

Her Majesty Lydia Liliu Loloku Walania Wewehi KamakaehaaKapaakea, Our beloved Queen Liliʻuokalani

Ua hānau ‘ia ma ka lā ‘elua o Kepakemapa, makahiki ‘umikumamāwalukanakolukumamāwalu
Poni ‘ia Ka Mō‘ī Wahine O Hawai‘i ma ka lā iwakāluakumamāiwa o Ianuari, makahiki ‘umikumamāwalukanaiwakumamākahi
Ua moe kau a ho‘oilo ma ka lā ‘umikumamākahi o Nowemapa, makahiki ‘umikumamāiwa‘umikumamāhiku
Ola mau ka Mō‘ī Wahine aloha ma nā pu‘uwai ‘onipa‘a o kāna po‘e aloha!

Born September 2, 1838
Invested as Queen Monarch of Hawaii on January 29, 1891
Entered into eternal sleep on November 11, 1917
Our Queen lives forever in the steadfast hearts of her cherished people!
(Plaque at The Spirit of Liliʻuokalani)

In 1975, the Hawai‘i State Legislature in Act 173: found “that the state capitol should exemplify and symbolize the character and spirit of Hawaiʻi, its past, its present and its future.

It further found, “that the representation of the monarchy in the state capital will bring to the people of the State, and our many visitors, increased awareness, and a permanent reminder of the people who played important roles in the development of Hawaiʻi”.

As such, “The Spirit of Liliuokalani (is) to be placed for permanent display at the state capitol.” (Legislature)

‘The Spirit of Liliuokalani,’ as the statue is known, is a 6-foot sculpture by artist Marianna Pineda. It was dedicated April 10, 1982, after being cast in Boston and shipped to Hawaiʻi. A similar, smaller (4-foot) statue stands in the courtyard of the Queen Liliʻuokalani Children’s Center in Kalihi.

“The statue is a visual reminder of the trust she (Liliʻuokalani) left and reminds us (of) the work we have to do with Hawaiʻi’s orphans and destitute children.” (Claire Asam, Star Bulletin)

The statue presents the queen simultaneously as a sovereign, staunch nationalist and composer.

In her left hand, she holds three significant documents that represent her accomplishments to multiple constituents: the sheet music for “Aloha ‘Oe”; a page of the 1893 Hawai‘i constitution; and the Kumulipo, the ancient creation chant that she translated into English during her imprisonment in 1895. (Imada)

The Queen’s statue is between the State Capitol and ʻIolani Palace. By being in that particular site, the Queen is not “simply keeping an eye on the Legislature”, but she walks amongst the people. (Manalo-Camp)

She walks free from her imprisonment at ʻIolani Palace, facing Washington Place and her presence on the site of the last major anti-annexation protest site affirms the ties between the people who loved their land and loved their Queen. (Manalo-Camp)

(Marianna Pineda (1925–1996) was an American realist sculptor who was born in Evanston, Illinois. She was married to the sculptor, Harold Tovish.)

Follow Peter T Young on Facebook 

Follow Peter T Young on Google+ 

Follow Peter T Young on LinkedIn  

Follow Peter T Young on Blogger

© 2015 Hoʻokuleana LLC

The_Spirit_of_Liliuokalani
The_Spirit_of_Liliuokalani
The Spirit of Liliuokalani-plaque
The Spirit of Liliuokalani
The Spirit of Liliuokalani
Liliuokalani
Liliuokalani
Liliuokalani_outside_Washington_Place_in_1893
JohnBennett-Great Grandfather Samuel Nowlein with the deposed Queen at Washington Place
JohnBennett-Great Grandfather Samuel Nowlein with the deposed Queen at Washington Place
Liliuokalani_in_1917
Liliuokalani_in_1917
Aloha_Oe-Sheet_Music-Cover
Aloha_Oe-Sheet_Music-Cover

by Leave a Comment

Puʻu ʻOhau

Fishers generally refer to it as ‘Red Hill;’ its volcanic cinder, partially collapsed and exposed on the seaward side, gives it an easy name.  It’s not just a marker; fishers troll offshore with great success.

Nearshore is a marine fisheries management area; you can catch fish for personal consumption, but there is no aquarium fish collection permitted.

The hill is actually named Puʻu ʻOhau (hill of dew) and is the most conspicuous coastal landmark on the low coastal cliffs between Keauhou Bay (to the north) and Kealakekua (on the south;) it marks the boundary between North and South Kona.

Although the entire landform may be the “puʻu,” according to McCoy … the archaeological evidence tends to indicate that the area was used for general habitation purposes and was not reserved for only burial or other ritual uses that might be considered exclusionary.

This archaeological evidence suggests that there may have been a land use distinction between the flat bench and the steeper slopes of the puʻu although they are part of the same landform.

The matter of a burial on the puʻu helps us remember some others.

With the recent construction and extension of the Ane Keohokālole Highway from Palani road to Hina Lani, many in West Hawaii (although they generally reference the road as “Ane K”) are becoming more familiar with the name Keohokālole.

Analeʻa, Ane or Annie Keohokālole was a Hawaiian chiefess; she was born at Kailua-Kona, Hawaiʻi in 1816.  Through her father, she was descended from Kameʻeiamoku and Keaweaheulu, two of the four Kona Uncles that supported Kamehameha I.

Her first marriage was to John Adams Kuakini; they had no children.  Kuakini was an important adviser to Kamehameha I in the early stages of the Kingdom of Hawai‘i.

When the Kingdom’s central government moved to Lāhainā in 1820, Kuakini’s influence expanded on Hawaiʻi Island, with his appointment as the Royal Governor of Hawaiʻi Island, serving from 1820 until his death in 1844.

During his tenure, Kuakini built some of the historical sites that dominate Kailua today.  The Great Wall of Kuakini, probably a major enhancement of an earlier wall, was one of these.

The Great Wall of Kuakini extends in a north-south direction for approximately 6 miles from Kailua to near Keauhou, and is generally 4 to 6-feet high and 4-feet wide;’ the Great Wall of Kuakini separated the coastal lands from the inland pasture lands.

Speculation has ranged from military/defense to the confinement of grazing animals; however, most seem to agree it served as a cattle wall, keeping the troublesome cattle from wandering through the fields and houses of Kailua.

Kuakini also built Huliheʻe Palace; it was completed in 1838, a year after the completion of Mokuʻaikaua Church (Lit., section won (during) war,) the first stone church on the Island of Hawaiʻi.

In 1833, Analeʻa married Caesar Kapaʻakea, a chief of lesser rank and her first cousin. Caesar’s father, Kamanawa II was no ‘ordinary’ ranking chief; he was the grandson of Kameʻeiamoku, one of the ‘royal twins.’

He was named after his famous grand uncle, the other royal twin.  (The twins are on Hawaiʻi’s Royal Coat of Arms; Kameʻeiamoku is on the right holding a kahili and Kamanawa on the left holding a spear.)

Caesar’s father has one other notable distinction; he was found guilty of poisoning his wife (Caesar’s mother) and was the first to be hanged for murder under the newly formed constitution and penal laws (1840.)

OK, back to Caesar and Analeʻa – they had several children.  Most notable were a son, who on February 13, 1874 became King Kalākaua, and a daughter, who on January 29, 1891 became Queen Liliʻuokalani – the Kalākaua Dynasty that ruled Hawaiʻi from 1874 to 1893.

Oh, the burial at Puʻu ʻOhau?  Ane Keohokālole’s mother, Kamaeokalani (Kamae) is buried at its top.

When I was at DLNR, the matter of dealing with the burial came up within the first few days of my term (in 2003.)  Back in 1999, members of the ʻOhana Keohokālole requested that protective measures be put in place on the puʻu.

The matter was on the Hawaiʻi Island Burial Council’s agenda; the family’s suggested means of protection is the construction of a six (6) foot rock wall around Puʻu ʻOhau.  After talking with family members, it was decided to order the wall to be placed on the 120-foot contour.

The image shows Puʻu ʻOhau (Google Earth.)  In addition, I have added other images in a folder of like name in the Photos section on my Facebook and Google+ pages.

Follow Peter T Young on Facebook  

Follow Peter T Young on Google+  

Follow Peter T Young on LinkedIn   

© 2015 Hoʻokuleana LLC

by Leave a Comment

Queen Kapiʻolani’s Canoe

In April 1887, Queen Kapiʻolani and Princess Liliʻuokalani traveled to England to participate in the celebration of Queen Victoria’s Golden Jubilee.  They first sailed to San Francisco, traveled by train across the North American continent, spent some time in Washington and New York; they then sailed to England.

Upon their return from Europe, Queen Kapiʻolani and her entourage stopped again in Washington, DC. At that time, they toured the National Museum, later to become the Smithsonian Museum of Natural History. As a result of that visit, Queen Kapiʻolani gifted the museum with a Hawaiian outrigger canoe to add to their collection.  (OHA)

“The royal yacht of Queen Kapiʻolani of Hawaii is in the National museum, and may be passed and re-passed without attracting the notice of the sight-seeker.”

“High against the eastern wall it is placed, and from the floor little can be seen except the small sail of straw. This royal boat was once a log, and with rude instruments was hollowed into the semblance of a canoe, making a craft 18 feet long and but 18 inches wide.”

“It is such a boat as the Hawaiians used long before Columbus sailed on his voyage to a new country, and it was in such a boat that the Hawaiians sailed from the western Islands in the Pacific to the Samoan islands.”

“The little craft is what is known as an outrigger canoe, and has a small float extended on arms from either side of the canoe. This plan renders it impossible for the boat to be upset.”

“The sail is of the rudest kind, made of plaited straw, supported on rudely-hewn masts.  In the boat is a gourd to be used for bailing out the water and also a net with which to catch fish.”

“In such a boat the proud queen of the Hawaiians went forth, on the waters of her country to woo the cool breezes of the ocean. In the bottom of the boat is found the strangest thing of all, a small English flag of the commonest type, which the queen was wont to place in the stern of her pleasure boat.”

“… Liliʻuokalani was asked lately if she remembered this craft of her royal sister-in-law, and answered that she did most distinctly, and even related the circumstance which led to the boat being given to the museum.”

She noted, “I accompanied Queen Kapiʻolani on her visit to England in 1887, and on our return we stopped for some time in this city. One day I accompanied the queen and her party, consisting of Col. Boyd, Col Iaukea and Gen. Dominis, to the museum.”

“After looking around the different apartments the curator showed us a boat, something like a canoe, with a man at the bow, and asked the queen if our canoes were like that in Hawaii. The queen, said yes, and that she would be pleased to contribute one to the museum on her return to her own country.” (Washington Post; Decatur Daily, August 30, 1897)

When Queen Kapiʻolani sent this fishing canoe to the Smithsonian, it was already quite old. A hole at the bottom of the canoe suggests that it had hit a reef and would have been difficult to repair. (Smithsonian)

Outrigger canoes of this kind were formerly quite extensively used for fishing and other purposes by the natives in Hawaiʻi, in the Sandwich Islands, but in recent years they have been superseded by boats more conventional in their construction and better adapted to the needs of the fisherman.  (Smithsonian)

This is an open, sharp-ended, round-bottomed, keelless dugout canoe, with low superstructure fastened to upper part of hull, and provided with small balance log lashed to the ends of two outriggers.  It is rigged with a single mast and loose-footed spritsail.  (Smithsonian)  The canoe was added to the Smithsonian collection on January 25, 1888.

The canoe was refurbished for a subsequent display in the National Museum of Natural History exhibit “Na Mea Makamae o Hawaiʻi – Hawaiian Treasures,” 2004-2005.

Smithsonian Center for Materials Research and Education (SCMRE) collaborated closely with the National Museum of Natural History to restore a 19th-century Hawaiian outrigger canoe; it is reportedly the oldest existing Hawaiian canoe in the world.

In the years since Hawaii’s Queen Kapiʻolani presented the canoe to the Smithsonian, the boat’s wood had deteriorated. A SCMRE team, including a senior furniture conservator, restored the bow, stern and an outrigger boom and replaced the original coconut-fiber lashings. Wherever possible they used materials that were both handmade and native to Hawaii.  (Smithsonian)

Throughout the years of late-prehistory, AD 1400s – 1700s, and through much of the 1800s, the canoe was a principal means of travel in ancient Hawaiʻi.  Canoes were used for interisland and inter-village coastal travel.

Most permanent villages initially were near the ocean and at sheltered beaches, which provided access to good fishing grounds, as well as facilitating convenient canoe travel.

Although the canoe was a principal means of travel in ancient Hawaiʻi, extensive cross-country trail networks enabled gathering of food and water and harvesting of materials for shelter, clothing, medicine, religious observances and other necessities for survival.

These trails were usually narrow, following the topography of the land.  Sometimes, over ‘a‘ā lava, they were paved with water-worn stones.   Back then, land travel was only foot traffic, over little more than trails and pathways.

The image shows Kapiʻolani’s Canoe in the Na Mea Makamae o Hawaiʻi exhibit at the National Museum of Natural History, 2004–2005.  In addition, I have included other related images in a folder of like name in the Photos section on my Facebook and Google+ pages.

Follow Peter T Young on Facebook  

Follow Peter T Young on Google+    

Follow Peter T Young on LinkedIn   

© 2015 Hoʻokuleana LLC

by Leave a Comment

Charles John Wall

Charles John Wall was born in Dublin, Ireland, on December 23, 1827.  He married Elizabeth Evans (Miller) Wall; they had 10-children: Thomas E Wall; Emily Wall; Charles Wall; William Albert Wall; Henry Wall; Walter (Walt) Eugene Wall; Arthur Frederick Wall; Alford Wall; Ormand E Wall and Alice Wall

In 1880, the family came to Honolulu by way of California.  Wall (and some of his children) left some important legacies in Hawaiʻi.  Charles was an important nineteenth century Honolulu architect, some of the buildings he designed are still here; several have been lost, but not forgotten.

Charles J Wall participated, or led the design of ʻIolani Palace, Kaumakapili Church, Lunalilo Home and the Music Hall/Opera House.

ʻIolani Palace

The design and construction of the ʻIolani Palace took place from 1879 through 1882; three architects were involved: Thomas J Baker, Charles J Wall and Isaac Moore. The Baker design generally held in the final work.

A quarrel broke out between Baker, Samuel C Wilder (Minister of the Interior) and the Superintendent of Public Works.  Shortly after the cornerstone was laid on December 31, 1879; Baker apparently ended his connection with the Palace.

He was succeeded by Wall, who had recently arrived in the Islands and was “employed to make the detail drawings from the first architect’s plans.”

According to the March 31, 1880 Hawaiian Gazette, Wall had “skillfully modified and improved” some of the objectionable features of the original design.  (Peterson)  Wall was succeeded by Isaac Moore after about nine months.

ʻIolani Palace was the official residence of both King Kalākaua and Queen Lili‘uokalani. After the overthrow of the monarchy, ʻIolani Palace became the government headquarters for the Provisional Government, Republic, Territory and State of Hawai‘i.

During WWII, it served as the temporary headquarters for the military governor in charge of martial law in the Hawaiian Islands.  Government offices vacated the Palace in 1969 and moved to the newly constructed capitol building on land adjacent to the Palace grounds.

Click HERE for a Link to additional information on ʻIolani Palace:

Kaumakapili Church

Starting in 1837, “the common Hawaiian folk of Honolulu” started petitioning Rev. Hiram Bingham, head of the Hawaiian Mission, to establish a second church or mission in Honolulu (Kawaiahaʻo being the first.)

It started as a thatched-roof adobe structure erected in 1839 on the corner of Smith and Beretania Streets.  The adobe building was torn down in 1881 to make way for a new brick edifice.

King Kalākaua took great interest in the church and wanted an imposing church structure with two steeples.  His argument was, “…that as a man has two arms, two eyes, two ears, two legs, therefore, a church ought to have two steeples.”

The cornerstone for the new church was laid on September 2, 1881 by Princess Liliʻuokalani (on her birthday.)  Seven years later the new building was completed.

It was an imposing landmark, first of its kind, and visible to arriving vessels and land travelers.  It was dedicated on Sunday, June 10, 1888.  In January, 1900, disaster struck.  The Chinatown fire engulfed the entire building leaving only the brick walls standing.

On May 7, 1910, the congregation broke ground for the third church building.  It was dedicated on June 25, 1911, the same day in which the 89th Annual Conference of the Hawaiian Evangelical Association (ʻAha Paeʻaina) was hosted by the church.

Click HERE for a Link to additional information on Kaumakapili Church:

Lunalilo Home

The coronation of William Charles Lunalilo took place at Kawaiahaʻo Church in a simple ceremony on January 9, 1873. He was to reign as King for one year and twenty-five days, succumbing to pulmonary tuberculosis on February 3, 1874.

His estate included large landholdings on five major islands, consisting of 33 ahupuaʻa, nine ‘ili and more than a dozen home lots. His will established a perpetual trust under the administration of three trustees to be appointed by the justices of the Hawaiian Supreme Court.

Lunalilo was the first of the large landholding aliʻi to create a charitable trust for the benefit of his people.  The purpose of his trust was to build a home to accommodate the poor, destitute and infirm people of Hawaiian (aboriginal) blood or extraction, with preference given to older people.

In 1879 the land for the first Lunalilo Home was granted to the estate by the Hawaiian government and consisted of 21 acres in Kewalo, near the present Roosevelt High School.

The construction of the first Lunalilo Home at that site was paid for by the sale of estate lands. The Home was completed in 1883 to provide care for 53 residents. An adjoining 39 acres for pasture and dairy was conveyed by the legislative action to the Estate in 1888.

After 44 years, the Home in Kewalo (mauka) had deteriorated and became difficult and costly to maintain. The trustees located a new 20-acre site in Maunalua on the slopes of Koko Head.

Click HERE for a Link to additional information on Lunalilo:

Music Hall – Opera House

In 1881, a Music Hall was built across the street from ʻIolani Palace, where Ali‘i regularly joined the audiences at performances. Queen Lili‘uokalani is even said to have written her own opera.  (Ferrar)  It was built by the Hawaiian Music Hall Association.

The building was first called the Music Hall, but shortly after its transfer to new owners, the name was changed to the Royal Hawaiian Opera House.  (Daily Bulletin, February 12, 1895)

Despite its name, the Opera House was not primarily a venue for classical entertainment. Many of its bookings were melodramas and minstrel shows, two very popular forms of theater at the time.  Then, it was the first house to show moving pictures in Hawaiʻi.

The building was of brick 120 by 60 feet on the ground floor and walls forty feet high and twenty inches thick. The front door was ten feet wide, opening into a vestibule 16 by 27 feet. The seating capacity of the house was 671 persons. The stage was forty feet deep and provided with a complete set of scenery, traps and all necessary paraphernalia. (Hawaiian Star, February 12, 1895)

“Originally there were two (private) boxes. One on the right of the stage looking out was regarded as the property of the late King Kalākaua, who had subscribed liberally to the stock of the Association.  The box on the opposite side was owned by the present proprietors, Messrs. Irwin & Spreckels. About two years ago two boxes wore opened above those mentioned for letting to whomever first applied for thorn on any occasion.”  (Daily Bulletin, February 12, 1895)

Click HERE for a Link to additional information on the Opera House:

Wall died at Honolulu on December 26, 1884.

The image shows some of Wall’s designs – ʻIolani Palace, Kaumakapili Church, Lunalilo Home and the Opera House.  In addition, I have added others similar images in a folder of like name in the Photos section on my Facebook and Google+ pages.

Follow Peter T Young on Facebook  

Follow Peter T Young on Google+ 

Follow Peter T Young on LinkedIn  

© 2015 Hoʻokuleana LLC