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May 3, 2016 by Peter T Young Leave a Comment

Kamakahonu

“The view of the king’s camp was concealed only by a narrow tongue of land, consisting of naked rocks, but when we had sailed round we were surprised at the sight of the most beautiful landscape.”

“We found ourselves in a small sandy bay of the smoothest water, protected against the waves of the sea; on the bank was a pleasant wood of palm-trees, under whose shade were built several straw houses …”

“… to the right, between the green leaves of the banana-trees, peeped two snow-white houses, built of stone after the European fashion, on which account this place has the mixed appearance of a European and Owhyee village”.

“(T)o the left, close to the water, on an artificial elevation, stood the morai (heiau) of the king, surrounded by large wooden statues of his gods, representing caricatures of the human figure.” (Kotzebue, visiting in 1816)

Several large and densely populated Royal Centers were located along the shoreline between Kailua and Hōnaunau. One such center was located along the north end of Kailua Bay at Kamakahonu.

Kamakahonu (lit. turtle eye) was possibly established as early as the sixteenth century by ʻUmi-a-Līloa. It was during the early nineteenth century that Keawe a Mahi, a kahu of Keaweaheulu presided over Kamakahonu, and upon the death of Keawe a Mahi, Kamakahonu became the residence of Kamehameha I.

During Kamehameha’s tenure at Kamakahonu several structures were erected using both traditional materials and techniques and more “modern” materials and techniques.

Kamehameha first moved into the former residence of Keawe a Mahi. He then built another house on the seaward side of that residence, that was referred to as hale nana mahina ‘ai.

This house was built high on stones and faced directly upland toward the planting fields of Kūāhewa. Like an observation post this house afforded a view of the farm lands and was also a good vantage point to see canoes coming from South Kona and from the Kailua vicinity. (Rechtman)

Much of the following is from John Papa ‘Īʻi’s book, ‘Na Hunahuna no ka Moʻolelo Hawaii’ (Fragments of Hawaiian History;) he was a member of the Kamehameha household.

‘I‘i describes that the “King erected three houses thatched with dried ti leaves,” a sleeping house (hale moe) and separate men’s (hale mua) and women’s (hale ‘āina) eating houses. The hale ‘āina belonged to Kaʻahumanu, and as ‘I‘i described:

“This house had two openings in the gable end toward the west, and close to the second opening was the door of the sleeping house. A third opening was in the end toward the upland.”

“There were three openings in the sleeping house. The one in the middle of the west end, one which served as a window on the upland side of the southwest corner, and one mauka of the window. This window lay beyond the men’s house (mua) on the south. The door mauka of the window was the one entered when coming from the men’s house.”

“The door of the men’s house closest to the sleeping house was the one used to go back and forth between these two houses. There was also a door in the end wall on the west side of this house, and two small openings in the south seaward corner, one in the upper side and one on the lower side of the corner.”

“These faced the many capes of Kona and took in the two extremities of this tranquil land and the ships at anchor. However, should the ships be more to the ocean side, only the masts were visible.”

“A fifth opening was a little on the seaward side of the northeast corner, where the upland side of the men’s house extended a little beyond the sleeping house, and it was only through this entrance that the men went in and out. It was near the door that was used to enter from the sleeping house.”

“Near the door facing westward in the mua, was the king’s eating place. On the upper side were large and small wooden containers that served as bowls and platters, together with a large poi container always filled with poi from the king’s lands.”

“The men’s eating house, the sleeping house, and the women’s eating house were at the end of a 7- to 8-foot stone wall that ran irregularly from there to the shore at the back of the hale nana mahina ‘ai. Outside of the wall was the trail for those who lived oceanward of Kamakahonu. Immediately back of the wall was the pond of Alanaio, where stood some houses.”

“Two eating houses were built for Kaheiheimālie and her daughter, Kekāuluohi, opposite the three houses thatched with ti leaves. They stood back of the kou trees growing there at Kamakahonu, both facing northwest.”

“Kaheiheimālie’s eating house had two doors, but Kekāuluohi’s had but one door. In front of her house was a bathing pool, at the upper bank of which were some small houses and that of the king.”

“A stone house was built between the three houses thatched with ti and those of these chiefesses. Its builder was either a Frenchman or a Portuguese named Aikona. He was skilled in such work…”

“When Aikona began building the end and side walls of the house at Kamakahonu he built a third wall between them and arranged stones in the center of this middle wall to from a door.”

“The walls rose together until the house, from one end to the other, was finished. When Aikona later removed the stones set up in the doorway of the center wall, the doorway looked like the fine arched bridge of Pualoalo at Peleula in Honolulu.”

“As he removed the stones, Aikona explained that had they been piled inexpertly, the whole house might have collapsed. This house was well completed.”

“In the stone house were stored the king’s valuables and those of Aikona’s. These valuables were kegs of rum and gunpowder and guns, of which the guns and powder were placed on the inside near the inner wall. “

“Later, another storehouse was built in Kamakahonu, on the north side of the hale nana mahina ‘ai. It had stone walls and was constructed like a maka halau. The upper of its two stories was for storing tapa, pa‘u, malos, fish nets, lines, and olona fiber; and all other goods went into the lower story.”

“The thatching was of sugar-cane leaves, the customary thatching on the house along that shore. Dried banana trunk sheaths were used for the inside walls and were cleverly joined from top to bottom. Banana trunk sheaths were also used in the hale nana mahina ‘ai.”

“After these houses were built, another heiau house, called Ahuʻena, was restored (ho‘ala hou). This house stood on the east side of the hale nana mahina ‘ai, separated from it by about a chain’s distance.”

“The foundation of Ahuʻena was a little more than a chain from the sand beach to the westward and from the rocky shore to the eastward. Right in front of it was a well-made pavement of stone which extended its entire length and as far out as the place where the waves broke.” (ʻĪʻi, Na Hunahuna no ka Moʻolelo Hawaiʻi’ (Fragments of Hawaiian History))

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Kamakahonu map by Rockwood based on Ii-Rechtman
Kamakahonu map by Rockwood based on Ii-Rechtman
kamehameha_at_kamakahonu-HerbKane
kamehameha_at_kamakahonu-HerbKane
Temple_on_the_Island_of_Hawaii_by_Louis_Choris_ink,ink_wash_and_watercolor_over_pencil_1816
Temple_on_the_Island_of_Hawaii_by_Louis_Choris_ink,ink_wash_and_watercolor_over_pencil_1816
Map of Kailua Bay-Kekahuna-BishopMuseum
Map of Kailua Bay-Kekahuna-BishopMuseum
Kailua_Bay-Landing-Map-Wall-Reg2560 (1913)-Kamakahonu_site_on_left
Kailua_Bay-Landing-Map-Wall-Reg2560 (1913)-Kamakahonu_site_on_left
Kailua-Bay-Kamakahonu-Ka_Hale_Pua_Ilima_Foundation-HenryEPKekahuna-BishopMuseum-SP_201853
Kailua-Bay-Kamakahonu-Ka_Hale_Pua_Ilima_Foundation-HenryEPKekahuna-BishopMuseum-SP_201853
James_Gay_Sawkins,_England,_1806-1878,_Kailua-Kona_with_Hualalai,_Hulihee_Palace_and_Church-Kamakahonu is at left_1852
James_Gay_Sawkins,_England,_1806-1878,_Kailua-Kona_with_Hualalai,_Hulihee_Palace_and_Church-Kamakahonu is at left_1852
Hale ʻIli Maiʻa, the Royal storehouse of King Kamehameha I, Kailua, Kona, Hawaii.
Hale ʻIli Maiʻa, the Royal storehouse of King Kamehameha I, Kailua, Kona, Hawaii.
Kamakahonu-DMY
Kamakahonu-DMY
Kamakahonu_DMY
Kamakahonu_DMY
Kamakahonu_Cove-1954 (Ahuena Heiau Inc)
Kamakahonu_Cove-1954 (Ahuena Heiau Inc)
Kamakahonu,_Kona
Kamakahonu,_Kona
Kamakahonu DMY
Kamakahonu DMY
Kailua Bay aerial 1960s
Kailua Bay aerial 1960s
Kailua Bay aerial 1940s
Kailua Bay aerial 1940s
King_Kamehameha_Hotel-(the_former_hotel)-1960s-1970s
King_Kamehameha_Hotel-(the_former_hotel)-1960s-1970s

Filed Under: Ali'i / Chiefs / Governance, Hawaiian Traditions, Place Names Tagged With: Kona, Hale Nana Mahina Ai, Kailua-Kona, Kamakahonu, Ahuena Heiau, Royal Footsteps Along The Kona Coast, Kamehameha, Kona Coast, Keawe a Mahi, Hale Mua, Hawaii, Hale Moe, Hawaii Island, Hale Aina

April 16, 2016 by Peter T Young 2 Comments

Hoʻopuloa

Edward G Wingate, USGS topographical engineer, was mapping the summit of Mauna Loa in 1926, changing campsites as the work progressed. On April 10 his camp was along the 11,400-foot elevation, well into the desolate upland above the Kau District.

An earthquake wakened the campers about 0145; as they drifted back to sleep, a further series of quakes had them sitting up, talking, and wondering. About 0330 Wingate braved the cold and wind; with a blanket wrapped around him, he went outside and stood bathed in reddish light. (USGS)

“About 3 am April 10 (1926,) glowing lava spouted along the upper 3 miles of cones and pits of the Mauna Loa rift belt, immediately south of Mokuʻāweoweo, the summit crater. “The actual beginning shown at Kilauea by seismographic tremor was 1:36 am, followed by two pronounced earthquakes.” (Jaggar)

For three days the HVO party surveyed the sources of the eruption; then they descended and moved into Kona District, where roads, houses, and other property were threatened by the flows. Wingate and his crew stayed behind. Much of the area already mapped was under fresh lava, and there was a lot of remapping to do. (USGS)

“A crack only 1 to 3 feet wide opened southward from a point tangent to the ease edge of the bottom of the south pit of Mokuʻāweoweo, vomited out pumiceous silvery pāhoehoe froth lava, and extended itself S.30oW. past the next two pits and over the brow of the mountain down to an elevation of 12,400 feet.” (Jaggar)

“Fortunately the main gushing of this first phase ceased about 5 am the same forenoon, after flowing 5 hours. … (Then,) The vent crack was splitting itself open downhill. The source pāhoehoe changed itself by stirring into scoriaceous aa half a mile from the vents”.

“(T)he Honomalino flow to the west finally dominated, … This was also aa. … It crossed the belt road at 12:22 pm April 16, 3 miles above Hoʻopuloa village.” (Jaggar)

“In 1926, there was a brief summit eruption, followed by 14 days of eruption on the southwest rift zone. A flow from this rift zone passed through a South Kona forest, crossed the main road on April 16, and pooled behind the coastal village of Hoʻopuloa.”

Perhaps a hundred people were waiting around the Hoʻopuloa Church, on the uphill side of the road, and at the Kana‘ana house opposite, on the downhill side of the road. They had seen and heard the flow, 15-20 feet high and more than 500 feet wide, as it moved through the forest uphill.

When it neared the road, people who lived on the Kona side of the flow moved off to the north, and those who lived on the Ka‘u side moved to the south, so they could go home after the road was closed. (USGS)

Tom Jaggar scratched marks about a foot apart across the rutted, gravel road (the only road) between the Kona and Ka‘u Districts. A lava flow was approaching, and Jaggar wanted to measure the flow’s speed as it crossed the road.

Jaggar recorded that it reached the uphill, inland side of the road at 12:22 at an estimated speed of about 7 feet/minute; within two minutes the road was crossed. Jaggar and his assistant, HS Palmer, stayed on the Ka‘u side. (USGS)

“When it got close to the upland of Hoʻopuloa, the flow of lava separated into two, and one of the flows went straight for the village of Hoʻopuloa and the harbor, and the second flow went towards the village of Miloliʻi. The fiery lava engulfed the harbor and village of Hoʻopuloa, and now they are but a heap of pāhoehoe lava.”

“According to eyewitnesses of this engulfing lava, it was frightening seeing the lava coming down, and others say that it was truly awesome watching the flowing lava and its sweeping aside of all obstructions in its path.”

“The last word heard before the Hoku went to the press was that this Wondrous Woman of Halemaʻumaʻu returned to her Palace at Kilauea, and she is bringing to life her fires at the famed crater of Halemaʻumaʻu.”

“Perhaps her rage has been quenched as the skin of that woman has touched the sea, but the memory of the tragedy which befell the people of that section of Kona is heartbreaking.” (Hoku o Hawaii, April 20, 1926)

One enterprising youth used his small truck to haul water from the Hoʻopuloa tanks to Miloliʻi, the end of the road.

When the flow reached the sea, he and his truck were cut off; he later took his truck apart and transported it piece by piece by outrigger canoe to the road on the Kona side of Hoʻopuloa. (USGS)

“Between 0400 and 0900 HST on April 18, the flow buried the village, wharf and harbor and entered the ocean. As soon as lava began falling into the sea, steam shot up in jets. Hundreds of dead fish floated along the edge of the turbulent water that spread out from the contact area of hot rock and cold ocean.”

Hawaiians from Miloliʻi came in their canoes and gathered the dead fish for salting and preserving. Jaggar collected some dead, floating fish and noted that they were perfectly fresh and in no sense cooked. (USGS)

Destruction of the village was gradual and complete. … This was Hawaiian Volcano Observatory’s first real experience with property destruction by a lava flow. (USGS)

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Hoopuloa
Hoopuloa
Hoopuloa_lava_flow-1926
Hoopuloa_lava_flow-1926
Hoopuloa lava flow
Hoopuloa lava flow
Monument to Catholic church engulfed by lava, Hoopuloa, So. Kona, Hawaii Island-PP-29-6-031
Monument to Catholic church engulfed by lava, Hoopuloa, So. Kona, Hawaii Island-PP-29-6-031
Hoopuloa Landing-taken from anchorage-1904
Hoopuloa Landing-taken from anchorage-1904
Hoopuloa Landing-PP-29-6-002-1916
Hoopuloa Landing-PP-29-6-002-1916
Hoopuloa landing from Mauna Loa eruption, Hawaii Island - April 18, 1926-PP-29-6-013
Hoopuloa landing from Mauna Loa eruption, Hawaii Island – April 18, 1926-PP-29-6-013
Hoopuloa -June 21, 1926 (man by sign -- 1926 flow)-HMCS
Hoopuloa -June 21, 1926 (man by sign — 1926 flow)-HMCS
Hoopuloa -- June 21, 1926 (lava entering sea)-HMCS
Hoopuloa — June 21, 1926 (lava entering sea)-HMCS
Hoopuloa -- June 21, 1926 (large boulders in foreground)-HMCS
Hoopuloa — June 21, 1926 (large boulders in foreground)-HMCS
Hoopuloa -- June 21, 1926 (five figures near boardwalk)-HMCS
Hoopuloa — June 21, 1926 (five figures near boardwalk)-HMCS
Hoopuloa -- June 21, 1926 (figure near low peak)-HMCS
Hoopuloa — June 21, 1926 (figure near low peak)-HMCS
Hoopuloa -- June 21, 1926 (edge of lava flow)-HMCS
Hoopuloa — June 21, 1926 (edge of lava flow)-HMCS
Hoopuloa - June 21, 1926 (canoe on sea)-HMCS
Hoopuloa – June 21, 1926 (canoe on sea)-HMCS
Hoopuloa -- June 21, 1926 (brush in foreground -- lava)-HMCS
Hoopuloa — June 21, 1926 (brush in foreground — lava)-HMCS
Stamp with Hoopuloa postmark
Stamp with Hoopuloa postmark
Milolii_Beach Lots-Hoopuloa-Milolii-GoogleEarth
Milolii_Beach Lots-Hoopuloa-Milolii-GoogleEarth
Hoopuloa-Milolii-USGS-1925
Hoopuloa-Milolii-USGS-1925

Filed Under: Place Names Tagged With: Hawaii, Eruption, Mauna Loa, Volcano, Kona, Hoopuloa

March 11, 2016 by Peter T Young 4 Comments

Kona Coast

“Her name was Woman … Her other name was Excitement … She belonged to Hawaiʻi’s Kona Coast like the surf riders and the beach bums.”

Whoa, let’s look back …

Richard Allen Boone was born June 18, 1917 in Los Angeles County, California; his father was a descendant of Squire Boone who was the younger brother of frontiersman Daniel Boone. Like Daniel Boone, Richard Boone had a heroic side: was an aerial gunner in the Navy during World War II. (Bloom)

Following the war, he studied with the New York Actors Studio on the GI Bill. In 1947 he made his Broadway debut with Judith Anderson’s Medea, and made his motion picture debut in 1951 in The Halls of Montezuma.

His career in motion pictures, often cast as a western badman (City of Badmen, The Siege at Red River, Man Without a Star, Robber’s Roost, Ten Wanted Men, Star in the Dust, The Tall T, Big Jake, The Shootist and Hombre) or the good guy (Dragnet, The Alamo, The War Lord and The Raid.) (ancestry)

In 1957, Have Gun-Will Travel (with Boone as Paladin) made its TV debut, and soon became one of the most popular programs of the fifties. It ranked in the top five almost immediately and after that trailed only Gunsmoke and Wagon Train for the rest of its run. The theme song, co-written by star Boone, even became a hit single.

Boone moved to and became a permanent resident of Honolulu in 1965 and was a regular commuter between Honolulu and Hollywood. He “considers himself the world’s most satisfied actor – because he can afford the luxury of living in the Hawaiian Islands and working in Hollywood”. (Chicago Tribune, October 35, 1968)

While living on Oʻahu, it was Boone who helped persuade Leonard Freeman to film Hawaiʻi Five-O exclusively in Hawaiʻi. Prior to that, Freeman had planned to do “establishing” location shots in Hawaii but principal production in southern California.

Boone and others convinced Freeman that the islands could offer all necessary support for a major TV series and would provide an authenticity otherwise unobtainable. (Correa)

Then, in 1967, Boone (with Vera Miles, Joan Blondell, Kent Smith, Duane Eddy and a bunch of folks from Kona) filmed ‘Kona Coast,’ a pilot that he hoped CBS would adopt as a series.  (Instead, CBS chose Hawaii Five-O.) (It was released in 1968 – with its premier in the Kona Theater.)

“Kona Coast” was an adventure story about a Honolulu charter-boat captain (‘Sam Moran,’ played by Boone) who leads fishing expeditions and later hunts down the man responsible for his daughter’s death.

It did not receive favorable reviews; “… most of Kona Coast utilizes actual locations and this is the film’s single greatest asset.” (Pfeiffer)

Kona Coast Movie Trailer

Kona Coast Movie Preview

The story often takes you to a bar, Akamai Barnes (run by a man of the same name – in real life it was later the Red Pants; today, it’s a vacant lot under the banyan tree on Aliʻi Drive in the middle of Kailua Bay.)

Later (1970,) the bar was the scene of a brawl – “Chuck Norwood pulled a .45-caliber handgun and shot and killed another man. Although he claimed he blacked out and does not remember what happened, he was convicted of second-degree murder and sentenced to 35-years in prison.”

“Norwood, 48, was elected to one of the 13 seats on Hawaiʻi’s Board of Education (1984.) While in prison, Norwood attended classes at Leeward Community College. In 1975, he was paroled and elected student body president.” (Reading Eagle, November 7, 1984) Norwood served back to back two terms (1976-1977) as Associated Students of the University of Hawaiʻi president.

In 1971, Richard Boone moved to his wife’s hometown of St Augustine, Florida where he taught acting classes at Flagler College. Richard Boone died January 10, 1981 in St Augustine of throat cancer. At the time of his death, he was serving as cultural ambassador for the State of Florida.

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Kona Coast Movie Poster
Kona Coast Movie Poster
Kona Coast Movie Promo
Kona Coast Movie Promo
Boone-Sam Moran-Kona Coast
Boone-Sam Moran-Kona Coast
Kona Coast Scene
Kona Coast Scene
Kona Coast-Scene
Kona Theater
Kona Theater
Boone-Paladin-Have Gun, Will Travel
Boone-Paladin-Have Gun, Will Travel
Have Gun, Will Travel
Wire Paladin Card
Wire Paladin Card

Filed Under: General Tagged With: Hawaii, Hawaii Island, Kona, Hawaii Five-O, Kona Coast, Richard Boone, Kona Theater

January 20, 2016 by Peter T Young 1 Comment

Ossipoff Meets Mid-19th Century

The Walter Irving Henderson House in Kona was featured in a 1958 edition of Sunset Magazine – they said, “The house is small but takes care of a large number of guests without crowding.”

It is a combination of classics – the first floor structure was built, circa 1864, as a small church or meeting house; in 1953, the deteriorated church was renovated and the second floor was added, for use as a beach house.

The first-floor stone walls were part of the original Kahului Church building, and were constructed in a style that was typical of the Kona District in the mid-19th century.

Lava rock was a plentiful raw building material in Kona, while other construction materials such as wood were not as readily available. Once missionaries arrived, and began to build permanent houses of worship, they found that building with stone was the most economical and expeditious means of constructing what they needed.

These buildings were constructed with local lava rock held together with lime mortar produced with coral, typically burned on site. In some cases, the stones used came from local heiau. (It is not known if that was the case here, though there are records of heiau nearby.)

It is also not known who built the Kahului Church. One of the most well-known builders of Kona’s nineteenth century stone churches was the Reverend John D Paris, an American Board of Commissioners for Foreign Missions Protestant missionary who was first in charge of the mission’s Kaʻū area, and then the North Kona area.

Many church buildings constructed in the Kona area are attributed to Paris; however this is thought to be a former Catholic church.

The first floor stone walls were constructed circa 1864 when the land was granted to Kapae in Royal Land Grant #2961, and the Kahului Church building is believed to have been constructed.

It is likely that the readily available lava rock building material allowed the missionaries to build in a similar style to Paris. For example, this type of construction was also used in the larger St. Michael’s Catholic Church in Kailua town.

An 1892 map shows Kahului Church, along with a nearby structure labeled “Makuakane” (which translates approximately to “father” in English, giving a strong indication that this was likely a Catholic priest’s house.)

The structure was modified from the original one-story church form to its existing two-story appearance in 1953; the entire second floor and interior of the first floor were designed by celebrated local architect Vladimir Ossipoff.

Ossipoff’s design for the Henderson House was innovative, and created an extremely unique house that, though it does not look like most of his other work, nonetheless embodies the majority of his aesthetic and philosophy of design.

Ossipoff was a prominent architect in the Islands, working between the 1930s and 1990s. He was recognized locally, nationally and internationally for his designs. He is best known for his contribution to the development of the Hawaiian Modern movement.

This style is characterized by the work of architects who “subscribed to the general modernity of the International Style while attempting to integrate the cultural and topographical character of the (Hawaiian) region.” (Sakamoto)

The main portion of the first floor of the house is one large open room, and has a scored, finished concrete floor, painted plastered walls, and an open beamed ceiling that exposes the floorboards of the second floor.

The thick stone walls create deep niches at the door and window openings; the center-opening doors and shutters installed do not extend beyond the width of the walls.

The property perimeter has a dry stack rock wall, dating possibly to the early- to mid-1800s. This was when a government commission began requiring formal property boundaries be erected by the year 1862.

Walls of this type, comprised of stones fitted together without mortar to hold them in place, had commonly been constructed in pre-contact times for a variety of uses.

As early as Kamehameha I in the 1820s, dry-stack walls were used in the Kona area as barriers to prevent wandering cattle. As ranching grew in the later part of the nineteenth century, more walls were needed to contain the growing number of cattle.

In Kona building and repairing dry-stack stone walls was common until the 1930s, but diminished throughout the Territory of Hawaii with the greater availability of alternate materials for walls and fences at that time.

The house was recently reviewed for listing on the State Register of Historic Places and the National Register. (Most of the information here is from Jones, NPS.)

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Henderson House
Henderson House
Henderson House
Henderson House
Henderson House
Henderson House
Henderson House-Alii Drive
Henderson House-Alii Drive
Henderson House
Henderson House
Henderson House
Henderson House
Henderson House
Henderson House
Henderson House
Henderson House
Henderson House
Henderson House
Kahului Landing-(HSA)-PPWD-5-3-019
Kahului Landing-(HSA)-PPWD-5-3-019
Henderson_House-Vladimir_Ossipoff-Plans-2_of_2
Henderson_House-Vladimir_Ossipoff-Plans-2_of_2
Henderson_House-Vladimir_Ossipoff-Plans-1_of_2
Henderson_House-Vladimir_Ossipoff-Plans-1_of_2
Kailua_Town_and_Vicinity-Map-Kanakanui-Reg1676 (1892)-portion-'Kahului Hale'
Kailua_Town_and_Vicinity-Map-Kanakanui-Reg1676 (1892)-portion-‘Kahului Hale’
Kailua-Map-Reg1280 (1952)-portion-'Kahului Church'
Kailua-Map-Reg1280 (1952)-portion-‘Kahului Church’
Waiaha-Reg2310-Wall-1891-portion-'Church'
Waiaha-Reg2310-Wall-1891-portion-‘Church’

Filed Under: Buildings, Missionaries / Churches / Religious Buildings Tagged With: Walter Irving Henderson, Hawaii, Hawaii Island, Kona, Kailua-Kona, Kahului, Vladimir Ossipoff

March 7, 2015 by Peter T Young Leave a Comment

Royal Footsteps

To the unsuspecting motorist, travel along Ali‘i Drive is a very pleasant coastal drive filled with scenic vistas, natural features and recreational opportunities.

But look a little closer and discover that these seven miles of roadway hold seven centuries of Hawaiian history and culture revealed in the archaeological sites that have survived over hundreds of years.

Ali‘i, Hawai‘i’s royal class, were the ruler-caretakers of the islands. The great chiefs, through their strong genealogical connections, owned all the land in the areas they controlled.

Royal Centers were compounds selected by the Ali‘i for their abundance of resources and recreation opportunities, with good surfing and canoe-landing sites being favored. Structures most likely included heiau (religious temples) and sacred areas, house sites for the Ali‘i and their entourage of family and kahuna (priests).

Four of the seven ancient Royal Centers in use in Kona are located on what is now called Ali‘i Drive: Kamakahonu, Hōlualoa, Kahaluʻu and Keauhou.

  1. Kamakahonu, Kailua – Occupied by Kamehameha I between 1813 and 1819.
  2. Holualoa – Area with numerous heiau and good surf. Associated with Keolonahihi in the ca. 1300, Keakamahana and Keakealaniwahine in ca. 1600 and Kamehameha I in the 18th Century.
  3. Kahaluʻu – Complex of multiple heiau surrounding Kahaluʻu Bay.
  4. Keauhou – This area is noted for the largest hōlua slide in Hawai‘i called Kaneaka, the surfing area called Kaulu and numerous heiau.

Oral traditions that tell us that in the time of Pāʻao, or by western calculations the 1300s, Chiefess Keolonāhihi resided at the Hōlualoa Royal Center.

Keolonāhihi (reported to be either the daughter or niece of Pāʻao) is an essential link to the beginnings of old Hawai‘i’s kapu system – the religious, social and political structure introduced by Pāʻao which lasted for some 500-years until King Kamehameha II defiantly ended it in 1819 at the Kamakahonu Royal Center.

Defending these old traditions, over 300 warriors lost their lives in the fierce Battle of Kuamoʻo and are buried at Lekeleke, the southern endpoint of Ali‘i Drive.

In the early-1500s, ʻUmialiloa (ʻUmi) consolidated his reign by killing off other chiefs to become the sole ruler of Hawai‘i Island. He then moved to Kona, where he was known as a benevolent chief, and during this time the Kahaluʻu area grew in its political stature and religious significance.

Lonoikamakahiki, who also ruled during the 1500s, chose Kahaluʻu and Keauhou for his residence and the seat of government.

The Kahaluʻu Royal Center included the ancient Hāpaiali‘i Heiau that once stood for prayers, along with adjacent Ke‘ekū heiau and Makolea heiau. All have been recently restored.

In the 1600s, Keakealaniwahine, the great-great grandmother of King Kamehameha I, and her mother Keakamahana were Ali‘i of the highest rank and they resided at the Hōlualoa Royal Center. Alapaʻinui and Kalaniʻōpuʻu, 1600s to 1700s, are also associated with several sites and heiau in the region.

The Kamehameha Dynasty ruled for nearly a century from the late-1700s to the late-1800s. During the late-1700s and early 1800s, King Kamehameha I, also known as Kamehameha the Great, was the first to unify the entire Hawai‘i archipelago under a single rule.

He excelled at surfing at Hōlualoa Bay; in the final years of his life, Kamehameha I selected Kamakahonu as his residence and his rule established the first Capital of Hawai‘i here from 1812 until his death in 1819. Shortly thereafter, the capital of the kingdom was moved from Hawai‘i Island, never to return.

Archaeological features of these various sites, for the most part, remain in place along Ali‘i Drive and signal their monumental importance in Hawai‘i’s history and culture. Several heiau have been restored in Keauhou.

It was here, along Ali‘i Drive, over centuries in time where chiefs of the highest rank walked.

Here was the coming of the first Christian missionaries who arrived in Kailua Bay in 1820 and began the transformation of Hawai‘i through rapid religious conversion.

Historic Kailua Village hosts renowned international sporting events (Hawaiian International Billfish Tournament, Ironman Triathlon World Championship and Queen Lili‘uokalani Long Distance Canoe Races.)

Historic sites once covered much of the Kailua to Keauhou section of the Kona Coast. It is important for us to honor the Ali‘i by maintaining, enhancing and interpreting the remaining ancestral inheritance.

Recently, TripAdvisor, considered the world’s largest travel site, announced that Historic Kailua Village was the top choice for visitors in the US (the awards annually highlight 54-spots globally that have seen the greatest increase in positive traveler feedback and traveler interest, year-over-year.)

We prepared a corridor management plan for Royal Footsteps Along the Kona Coast Scenic Byway for the Kailua Village Business Improvement District – it runs the length of Aliʻi Drive.

We were honored and proud when the Scenic Byway received an Environment / Preservation Award from the American Planning Association‐Hawaiʻi Chapter; Historic Preservation Commendation and Preservation Media Awards from Hawaiʻi Foundation from Historic Hawaiʻi Foundation; and the Pualu Award for Culture & Heritage from the Kona‐Kohala Chamber of Commerce.

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© 2015 Hoʻokuleana LLC

Ahuena_Heiau-Cloris-Sketch-1816
Ahuena_Heiau-Cloris-Sketch-1816
kamehameha_at_kamakahonu-(heberkane)
kamehameha_at_kamakahonu-(heberkane)
Alii Drive Interpretive Sign
Alii Drive Interpretive Sign
Hulihee_Kailua-WC
Hulihee_Kailua-WC
Pa_o_Umi-LSY
Pa_o_Umi-LSY
Princess Keelikōlani's hale pili (grass house) in Kailua, Kona, Hawai‘i. ca 1883_Hulihee_Palace-WC
Princess Keelikōlani’s hale pili (grass house) in Kailua, Kona, Hawai‘i. ca 1883_Hulihee_Palace-WC
Mokuaikaua_Curch_Kona_1900-WC
Mokuaikaua_Curch_Kona_1900-WC
Kailua-Baker-Photo-1908
Kailua-Baker-Photo-1908
Laniakea-LSY
Laniakea-LSY
Kailua-Kona with Hualalai, Hulihee Palace and Church, 1852-WLA_haa_James_Gay_Sawkins-WC
Kailua-Kona with Hualalai, Hulihee Palace and Church, 1852-WLA_haa_James_Gay_Sawkins-WC
Keauhou_to_Kailua-Aerial
Keauhou_to_Kailua-Aerial
Holualoa-Kamoa_Point,_Kona_Circa_1890-WC
Holualoa-Kamoa_Point,_Kona_Circa_1890-WC
King_Kalakaua_House_Kahaluu-WC
King_Kalakaua_House_Kahaluu-WC
Hapaialii-Keeku-Heiau (Keauhou Resort)
Hapaialii-Keeku-Heiau (Keauhou Resort)
Holua
Holua
DaughtersOfHawaii-KamIII-Birthday-03-17-11
DaughtersOfHawaii-KamIII-Birthday-03-17-11
Lekeleke_Burials_in_lava_rock-WC
Lekeleke_Burials_in_lava_rock-WC

Filed Under: Ali'i / Chiefs / Governance, Hawaiian Traditions, Place Names Tagged With: Kailua-Kona, Keauhou, Holualoa, Hawaii, Hawaii Island, Kona, Kamehameha, Royal Center

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Images of Old Hawaiʻi

People, places, and events in Hawaiʻi’s past come alive through text and media in “Images of Old Hawaiʻi.” These posts are informal historic summaries presented for personal, non-commercial, and educational purposes.

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