Images of Old Hawaiʻi

  • Home
  • About
  • Categories
    • Ali’i / Chiefs / Governance
    • American Protestant Mission
    • Buildings
    • Collections
    • Economy
    • Missionaries / Churches / Religious Buildings
    • General
    • Hawaiian Traditions
    • Other Summaries
    • Mayflower Summaries
    • Mayflower Full Summaries
    • Military
    • Place Names
    • Prominent People
    • Schools
    • Sailing, Shipping & Shipwrecks
    • Voyage of the Thaddeus
  • Collections
  • Contact
  • Follow

September 1, 2019 by Peter T Young Leave a Comment

Moku‘ula

Moku‘ula is the site of the private residential complex of King Kamehameha III from 1837 to 1845, when Lāhainā was the capital of the kingdom of the Hawaiian Islands.

The site is a traditional home for Maui royalty, noted as being the site of King Pi‘ilani’s residence in the sixteenth century.

Almost the entire site, which consisted of fishponds, fresh water springs, islands, causeways, retaining walls, beach berms, residential and mortuary buildings, was buried under a couple feet of coral and soil fill in 1914.

Under a County Park for over a century, the site is in the process of being uncovered and eventually restored by the Friends of Moku‘ula and others.

Although most widely associated with the period of Kamehameha III, the site appears to be a place of traditional Native Hawaiian cultural significance. The islet of Moku‘ula, located in the fishpond of Mokuhinia, was a sacred place protected by royal kapu (taboo).

According to Kamakau, it was considered a grotto of a royal protector deity named Kihawahine or Mokuhinia, who traditionally swam through the surrounding fishpond of Mokuhinia in the form of a giant lizard (mo‘o.)

The goddess was a deified princess, daughter of Maui king Pi‘ilani of the sixteenth century, whose family resided at the site.

Kamehameha I, upon his conquest of Maui in the late eighteenth century, adopted this deity. His sons and successors, Kamehameha II and III, were of the indigenous Maui royal family through their mother, Keōpūolani.

The lizard goddess Kihawahine ranked in no small part as the guardian of the succeeding Kamehameha dynasty that was in the process of unifying the archipelago.

A continuing association of religious function, as a shrine to Kihawahine, continued at this site from the days of Pi‘ilani to the establishment of the royal residence by Kamehameha III.

Archaeological and historical investigations demonstrate that the surrounding Loko Mokuhinia pond was the site of indigenous Hawaiian aquaculture and pondfield (taro lo‘i) agriculture.

The royal complex established by King Kamehameha III in the early nineteenth century consisted of a large (over 120-feet by about 40-feet,) two-story western style coral block ‘palace,’ “Hale Piula,” on the beachfront of the site (intact from 1840 to 1858).

Due to lack of funds, however, it was never entirely completed and only rarely used, and then only for state receptions or meetings of the legislature.

Located immediately to the east of this coral block building was the large fishpond Mokuhinia containing a one-acre island linked by a short causeway from Hale Piula.

On this sacred island of Moku’ula was a cluster of traditional grass houses (hale pili) that were used as a secluded, private residence for the king and his household from 1837 to 1845.

The island of Moku’ula was surrounded by a stone retaining wall, and the causeway to Hale Piula was guarded by a gate with sentries during this particular historic period.

The king’s beloved sister, Princess Nāhi‘ena‘ena, was buried at Moku‘ula in early 1837. Grief-stricken, the king decided to live next to his sister’s tomb for the next eight years.

Archaeological subsurface excavations have ascertained that portions, if not most, of the encompassing retaining wall of Moku’ula is still intact beneath about 3-feet of soil and coral fill.

Other important features discovered include a preserved wooden pier that extended from the eastern shore of the island into Mokuhinia pond, postholes that might date from the period of Kamehameha Ill’s residence, and cut-and-dressed basalt blocks from near the tomb area.

The focal point of the complex, however, was a large stone building used as a combination residence and mausoleum. It was built on Moku‘ula in 1837 to house the remains of the king’s sacred mother, sister, his children and other close members of the royal family.

Bernice Pauahi Bishop, last legal descendent of the Kamehameha dynasty, had the royal remains moved from Moku‘ula to the churchyard at adjacent Waine‘e Church (Wai‘oli Church) ca. 1884.

The Friends of Moku‘ula are in the process of restoring Moku‘ula, with the goal of eventually including a Native Hawaiian cultural center. It is becoming a reality.

This project has got to be one of the most exciting restoration efforts in a very long time, and a very long time to come. Beneath a County Park in Lāhainā is one of Hawai‘i’s most historical and sacred treasures.

Follow Peter T Young on Facebook 

Follow Peter T Young on Google+ 

Follow Peter T Young on LinkedIn  

Follow Peter T Young on Blogger

© 2019 Hoʻokuleana LLC

Filed Under: Ali'i / Chiefs / Governance, Place Names Tagged With: Mokuula, Hawaii, Maui, Lahaina, Piilani, Kauikeaouli, Kamehameha III

August 19, 2019 by Peter T Young Leave a Comment

Gifts for the Young King

French sea captain Auguste Dehaut-Cilly made round-the world travels between 1826 and 1829; all of the following is from his account of the Islands following his trip from California to Hawai‘i, in 1828.

“The crossing was uneventful; on the seventeenth day we came in sight of the island of Oahu and we then sailed along the southeast shore past Koko Head. All this coast appears quite arid at first, but on coming closer one soon perceives greenery and human habitations.”

“This point projects prominently to the southeast coast turning sharply to the west, forms a shallow bay two Ieagues around and terminated by Diamond Head.”

“This low mountain is all the more remarkable in that it stands Isolated alongside the sea, rising out of a low terrain a league from the first high ground of the interior.”

“Its shape, quite round and truncated horizontally, is that of a volcanic crater; it doubtless owes its origin to one of those fire-belching eruptions. At the summit there is a small lake of fresh water filled with excellent fish.”

“West of Koko Head the island takes on a more pleasant aspect; the mountains, cut by deep valleys, are covered with forests of densely growing trees.”

“As soon as we had passed the Diamond we found ourselves opposite a magnificent grove of coconut palms whose broad leaves cast shade on the pretty village of Witite or rather Waitite., where ships used ordinarily to moor before the establishment of port of Anaroura (Honolulu), one league farther west.”

“At a distance of one mile and in a depth of eight or nine fathoms we coasted along the line of reefs that borders the shore and came to cast anchor at eleven fathoms in front of the harbor, where we could see a number of ships.”

“Seldom can one enter the harbor of Honolulu in the middle of the day. The narrow channel leading in is a tortuous opening in the reef, two miles long. If there is not a favorable wind, which there rarely is, on must await the calm of early morning and let the ship be towed in by small boats.”

“This difficulty has created in Honolulu a tradition dear to the fraternal alliance of all seamen among ourselves. On the day a ship is to enter the port, boats from all the other ships arrive before sunrise ready to perform this service.”

“A captain who refuses this touching ceremony would cover himself with shame in the eyes of all others.”

“The harbor of Honolulu Itself is a twisting channel where twenty-five ships can be moored in safety over a mud bottom from three to six fathoms.”

“When the ship was settled in its mooring berth we shot off a salute of thirteen guns, which was returned immediately from the fort in the same number.”

“I then called on the young king Kauikeaouli or Kamehameha III. He was at the house of the regent Boki, seated with no special marks of honor in an armchair similar to the one offered me.”

“He was dressed quite simply in white with a yellow neck-piece of pandanus seeds. Even this was not, as I thought at first, a sign of distinction since many other people, both men and women, wore similar ones.”

“This young prince, then seventeen years old, wore a melancholy air. His features were interesting, his face bearing several marks left by the smallpox, and his color was a dark chestnut brown.”

“He spoke little and looked at me closely for a long time. I had on board portraits of the king, his brother, and of the queen, who had both died in London in 1824, and I offered them to him through the interpreter.”

“He accepted with little show of feeling at first; it was only several days later, when they had been delivered to him, that he was struck by the perfect resemblance and fine execution.”

“For several days these two pictures excited great emotion among all his people; by shedding real tears they demonstrated the great attachment that they felt for their sovereigns.”

“Almost all the women had broken off the two incisors of the upper jaw, a sign of mourning in these islands for the death of the monarch.”

“The house where I found the young king was, as I have said, that of the regent Boki. In exterior appearance it is quite the same as all other houses in the town of Honolulu.”

“The Interior, carpeted with mats like the others, differed only in its European furniture, standing in every corner and mixed with the native furniture.”

“Nothing could have been more strange than to see a magnificent porcelain vase of French manufacture paired with a calabash, a work of nature…”

“… two splendid twin beds with curtains of embroidered stuff and of eiderdown; two hanging mirrors with glided frames meant to display beauties in their most elegant toilette but reflecting instead dark skin half covered with dirty tapa cloth.”

“However that may be, this dwelling would have been clean and decent if it had not been crowded with officials and servants stretched out on the mats and so close to each other that you could scarcely take a step without putting a foot on someone.”

“There was barely free space for four or five people. Since the king was no more than a child, the regent Boki was the most considerable person in the realm; he was always surrounded by the principal chiefs of the archipelago, some of whom lived at his expense.”

“One might think, to observe them, that positions of authority derive directly from size; the highest in rank are also the fattest, and as they are generally tall, we appeared to be pygmies beside them.”

“I often inquired about the extreme obesity of the chiefs, and this was always attributed to the lack of exercise and the abundance of food.”

“These must have something to do with the matter of weight, but why are they taller than the others? There is reason to believe that their origin is different from that of the lesser people …”

“… and that they are descended from the conquerors of these islands as the feudal seigneurs of medieval France descended from the Frankish chieftains who invaded the conquest the privileged nobles of England.”

“The tradition mingled with fale, on which is based the history of the Sandwich Islands, seems to indicate that they were conquered in some remote time by strangers of a race different from that of the first inhabitants.”

“That they do not now have the same facial structure is support from this conjecture. The profiles of most of the chiefs, instead of being straight or even pointed like most of the native people, are concave in form; if you put a straight rule to forehead and chin, it would hardly touch the nose.”

“I do not wish, however, to state as fact a matter so little attested. As for Kauikeaouli, he had purely indigenous features, and he was afflicted by being thin so that the embonpoint of the others was a continued source of jealousy to him.”

“Among the chiefs and courtiers who surrounded the king and regent and who overfilled the house, some were dressed in the European style, that is, in pantaloons and white shirts, while others had wrapped themselves in tapa, a piece of cloth made in this country from the bark of the paper mulberry.”

“But most of them go naked, wearing around the waist only a malo, a band of cloth so narrow that it is nearly always insufficient for the use intended.”

“Some of the women wore dresses and had combs in their hair as our ladies do, but the most usual garment of the sex is a large and billowing white chemise – I speak only of its color.”

“Princess Boki, having accompanied her husband to London when he went there with King Liholiho, had a greater taste for European style than the others and was thus better attired than they.”

“All of them retained one feature of their national costume, a band of feathers, usually red, green, and yellow and worn sometimes around the neck and sometimes on the head like a crown. The lattr manner becomes them marvelously.” (Duhaut-Cilly, 1828) (I am not sure what images were given; the images here are from when Liholiho and Kamamalu were in Europe.)

Follow Peter T Young on Facebook 

Follow Peter T Young on Google+ 

Follow Peter T Young on LinkedIn  

Follow Peter T Young on Blogger

© 2019 Hoʻokuleana LLC

Filed Under: General, Place Names, Sailing, Shipping & Shipwrecks, Economy Tagged With: Hawaii, Kauikeaouli, Kamehameha III

August 4, 2019 by Peter T Young 2 Comments

Haleuluhe

Kauikeaouli, Kamehameha III, stepped into the position of King at age 10 (in 1825,) upon the death of his brother Liholiho.

Boki, governor of the island of O‘ahu, built a Honolulu royal residence called ‘Haleuluhe’ (fern house) for the young King at ‘Pelekane’ (Britannia … i.e. Beretania) in the vicinity of the site of the present St. Andrew’s (Episcopal) Cathedral.

The Rev. Charles S. Stewart, who returned to Hawaii in 1829 as Chaplain of the US ship-of-war “Vincennes,” provides a good description of this palace. His October 15, 1829 description of Haleuluhe Palace is most complete:

“The king’s establishment, but lately erected, is quite in the outskirts of the town – having the open plain towards Punchbowl Hill immediately in the rear.

“On entering it (the main entrance of the palace grounds was closed by a large white gate,) we found ourselves in a spacious yard of some acres …”

“… enclosed on all sides by a well-constructed and high fence, and furnished with two other gates similar to that through which we had passed-one, on another street, in the direction of the residences of most of the chiefs in the neighborhood of the chapel and mission houses, and the other, inland towards the hill and valleys.”

“Everything within, appeared exceedingly neat. On the side of the square at which we entered and near the gate, there are three or four good sized houses, but not differing, externally, from most of the better kind of native dwellings. These, we were informed, are the dining and sleeping rooms, offices, etc., of the king and his household.

“At a considerable distance, on the opposite side, stands the palace – a fine lofty building of thatch, some hundred or more feet in length, fifty or sixty broad, and forty or more high …”

“… beautifully finished and ornamented at the corners, from the ground to the peak, and along the ridge of the roof, with a rich edging of fern leaves (uluhe fern: Dicranopteris linearis, also known as false staghorn fern]”.

“It is enclosed by a handsome and substantial palisade fence, with two gates-one large, in front, and a smaller at the side and a pebbled area within.”

“All the timbers in sight, the numerous posts, rafters, and centre pillars, are of a fine substantial size, and of a dark hard wood, hewn with the nicest regularity. The lashing of sinnit [sennit], made of the fibres of the cocoanut bleached white, are put on with such neatness, and wrought into so beautiful a pattern, at close and regular intervals …”

“… as to give to the posts and rafters the appearance of being divided into natural sections by them; and to produce, by the whiteness and nice workmanship of the braid, in contrast with the colors of the wood, an effect striking and highly ornamental.”

“But that, which most attracted my admiration in the building, is an improvement – a device of native ingenuity – of which I was told, we then saw the first specimen, and which gives to the interior a finish, as beautiful as appropriate, to such an edifice.”

“It is a lining between the timbers and the thatch, screening entirely from sight, the grass of which the external covers is composed; and, which always gives an air of rudeness, and a barnyard look, even to the handsomest and best finished of their former establishments.”

“The manufacture is from a small, round mountain vine, of a rich chestnut color (some say the stem of the uluhe fern) – tied horizontally, stem upon stem, as closely as possible, in the manner, and probably in imitation, of the painted window blinds of split bamboo, brought from the East Indies, once much in fashion and still occasionally seen in the United States.”

“The whole of the inside, from the floor to the peak of the roof – a height of at least forty feet – is covered with this, seemingly in one piece; imparting by the beauty of its color and entire effect, an air of richness to the room, not dissimilar to that of the tapestry, and arras hangings of more polished audience chambers.”

“The floor also is a novelty, and an experiment here: consisting – in place of the ground strewn with rushes or grass, as a foundation for the mats, as was formerly the case – of a pavement of stone and mortar, spread with a cement of lime, having all the smoothness and hardness of marble.”

“Upon this, beautifully variegated mats of Tauai (island of Kauai) were spread – forming a carpet as delightful, and appropriate to the climate, as could have been selected.”

“Large windows on either side, and the folding doors of glass at each end, are hung with draperies of crimson damask; besides which, and the mats on the floors, the furniture consists of handsome pier tables, and large mirrors; of a line of glass chandeliers suspended through the centre … and of portraits in oil of the late king and queen, taken in London, placed at the upper end, in carved frames richly gilt.”

“In the middle of the room, about sixty feet in front, or two thirds the length of the apartment, the young monarch was seated, in an armchair, spread with a splendid cloak of yellow feathers.”

“His dress was the Windsor uniform, of the first rank, with epaulettes of gold – the present of George IV – and an undress of white, with silk stockings and pumps.”

“On a sofa, immediately on his right, were Ka‘ahumanu, the regent, and the two ex-queens, Kīna’u – at present the wife of General Kekūanaō‘a and Kekauruohe (Kekauluohi).“ (Information here is from ‘Palace and Forts of the Hawaiian Kingdom.’)

Follow Peter T Young on Facebook 

Follow Peter T Young on Google+ 

Follow Peter T Young on LinkedIn  

Follow Peter T Young on Blogger

© 2019 Hoʻokuleana LLC

Haleuluhe_Residence-of_Kamehameha_III

Filed Under: Ali'i / Chiefs / Governance, Buildings Tagged With: Hawaii, Honolulu, Kauikeaouli, Kamehameha III, Boki, Beretania, Haleuluhe

July 21, 2019 by Peter T Young Leave a Comment

Umu

In 1846, Article V of the “Statute Laws of His Majesty Kamehameha III” was published. The law defined the responsibilities and rights the konohiki and people had to the wide range of fishing grounds and resources. It codified the prior traditional and customary fishing practices.

The law also addressed the practice of designating kapu or restrictions on the taking of fish, tribute of fish paid to the King and identified specific types of fisheries from the freshwater and pond fisheries to those on the high seas under the jurisdiction of the Kingdom.

Section II of the law stated, “The fishing grounds from the reefs, and where there happen to be no reefs from the distance of one geographical mile seaward to the beach at low water mark, shall in law be considered the private property of the landlords whose lands, by ancient regulation, belong to the same”.

Therefore, a typical ahupuaʻa (what we generally refer to as watersheds, today) was a long strip of land, narrow at its mountain summit top and becoming wider as it ran down a valley into the sea to the outer edge of the reef. If there was no reef then the sea boundary would extend into the deep water.

While Hawaiʻi has some fantastic reefs, there are areas where there are no reefs (i.e. sandy bottom or muliwai (estuaries and river mouths where flowing freshwater prevented coral growth.))

So, how can a konohiki and the tenants of an ahupuaʻa that does not have a reef fronting the land fish for reef fish?

Like today, in many cases, the ancient Hawaiians built artificial reefs. They were called umu (or imu.)

In Hawaiʻi, as well as other areas of Polynesia, rock shelters were constructed that provided protections and sources of food for reef fish.

Large and small stones were piled into walls with an underwater chamber. Algal growth on the rocks provided them a source of food. Small fish attracted larger fish. Openings in the rock piles allowed small fish to hide.

These rock piles acted like naturally-occurring rock outcrops and coral reef habitats. They provided protection from predators and a food supply for reef fish.

“Such shelters were quite common in the islands. On Oʻahu, evidence of their existence has been found in Kāneʻohe Bay and around Kahaluʻu and Waiʻāhole.” (Kanahele)

“Besides providing stability and some protection from predators, these shelters also helped to regulate fish growth and potentially increase fish stocks by serving as artificial homes for fish to congregate and reproduce.” (Kikiloi)

Some of the prominent fish species that inhabited these shelters were squirrelfish (u‘u), unicornfish (kala), surgeonfish (manini), goatfish (moano), greater amberjack (kahala), parrotfish (uhu) and eels (puhi). (Kikiloi)

“These were the predecessors of present-day attempts to attract fish to Waikīkī and other places with artificial reefs.” (Kanahele)

The Territory of Hawai`i began looking into the possibility of installing artificial shelters in areas of sparse natural habitat. Back in 1957, the proposed purpose of these shelters was to increase and enhance opportunities for fishermen.

In 1961, the State’s first artificial reef was created at Maunalua Bay, off Kahala, Oʻahu (74 acres). Then, in 1963, two more artificial reefs were created off Keawakapu, Maui (54 acres) and Waianae, Oʻahu (141 acres).

A fourth artificial reef was created in 1972 off Kualoa, O`ahu (1,727 acres). The Ewa Deepwater artificial reef (31 acres) was built in 1986.

Unlike the other four reefs, which were deployed at depths of 50-100 feet, the Ewa reef was sunk in 50-70 fathoms (300-420 feet) of water for “new” bottomfish habitat.

Initially, car bodies were the primary material used to construct artificial reefs. Then, from 1964-1985, concrete pipes were mainly used to build these reefs. In addition, several barges and minesweeper vessels were sunk.

From 1985-1991 the program used concrete and tire modules as the main artificial reef components. Other items used included derelict concrete material, barges, and even large truck tires.

From 1991 to the present, materials deployed have mainly been concrete “Z-modules” (4-feet by 8-feet, with 1-foot high “legs” on end of opposing sides.) Other components include barges, derelict concrete material and several small vessels.

Follow Peter T Young on Facebook 

Follow Peter T Young on Google+ 

Follow Peter T Young on LinkedIn  

Follow Peter T Young on Blogger

© 2019 Hoʻokuleana LLC

Imu-Umu-Fish_Shelters-Kikiloi
Imu-Umu-Fish_Shelters-Kikiloi
Artificial_Reefs-Pyramid-(SOEST)
Artificial_Reefs-Pyramid-(SOEST)
Z-bar_artificial_reef
Z-bar_artificial_reef
Follow Peter T Young on Facebook Follow Peter T Young on Google+ Follow Peter T Young on LinkedIn Follow Peter T Young on Blogger © 2019 Hoʻokuleana LLC
Follow Peter T Young on Facebook Follow Peter T Young on Google+ Follow Peter T Young on LinkedIn Follow Peter T Young on Blogger © 2019 Hoʻokuleana LLC
Carthaginian-Maui-(mauinow)
Carthaginian-Maui-(mauinow)

Filed Under: Hawaiian Traditions Tagged With: Artificial Reef, Imu, Umu, Hawaii, Kamehameha III, Ahupuaa

July 9, 2019 by Peter T Young Leave a Comment

Ikua Purdy

The gift of a few cattle, given to Kamehameha I by Captain George Vancouver in 1793, spawned a rich tradition of cowboy and ranch culture that is still here, today.

With a kapu against killing the cattle, by 1830, wild bullocks posed a serious and dangerous threat to humans. Spurred also by the growing business of reprovisioning visiting ships with fresh meat and vegetables, Kamehameha III and Kaʻahumanu saw the wisdom of bringing in experienced cowboys.

They hired Spanish-Mexican vaquero (cowboys) from California to hunt bullocks and train Hawaiians to rope and handle cattle. The cowboys spoke Spanish – “Espanol” which turned into “paniolo” according to one explanation of the term.

The Hawaiian cowboy, nicknamed “paniolo,” played an important role in the economic and cultural development of Hawaiʻi and helped to establish the islands as a major cattle exporter to California, the Americas and the Pacific Rim for over a century.

Some might not realize that Hawaiʻi’s working paniolo preceded the emergence of the American cowboy in the American West.

After winning the Revolutionary war (1781), American settlers started to pour into the “west;” by 1788, the first permanent American settlement in the Northwest Territory was in Ohio.

In 1800, the western frontier extended to the Mississippi River, which bisects the continental United States north-to-south from just west of the Great Lakes to the delta near New Orleans.

Then, in 1803, President Thomas Jefferson’s Louisiana Purchase doubled the size of the nation.

The Battle of the Alamo was in 1836; later that year, Texas became independent, the Mexicans left, leaving their cattle behind. Texan farmers claimed the cattle and set up their own ranches.

It wasn’t until the 1840s that the wagon trains really started travelling to the far west. Then, with the US victory in the Mexican-American war and gold soon found in California, the rush to the West was on.

The cattle trade in the American West was at its peak from 1867 until the early-1880s.

And, when in cattle country, you can expect rodeos.

Headlines in Island and Wyoming newspapers in August of 1908 announced rodeo history.

Twelve thousand spectators, a huge number for those days, watched Ikua Purdy, Jack Low, and Archie Kaaua from Hawaiʻi carry off top awards at the world-famous Cheyenne Frontier Days Rodeo (the “granddaddy” of rodeo.).

Unlike today’s calf-roping, riders lassoed powerful, full-grown steers.

The Cheyenne paper reported that the performances of the dashing Hawaiians, in their vaquero-style clothing and flower-covered, “took the breath of the American cowboys.”

Under drizzling skies, Purdy won the World’s Steer Roping Championship—roping, throwing and tying the steer in 56 seconds. Kaaua and Low took third and sixth place.

They each accomplished these feats on borrowed horses.

Purdy worked at Parker Ranch prior traveling to Cheyenne, Wyoming; his victory demonstrated the exceptional skills of the paniolo to mainland cowboys who long regarded rodeo and roping as their own domain.

On arriving home, the men were met at dockside by thousands of cheering fans and also honored by parades and other festivities on Maui and Hawai‘i.

Waimea-born Purdy moved to Ulupalakua, Maui and resumed his work as a paniolo until his death in 1945. He did not return to the mainland to defend his title, in fact he never left Hawaii’s shores again. But his victory and legend live on in Hawaiʻi and the annals of rodeo history.

In 1999, Ikua Purdy was voted into the National Cowboy Museum, Rodeo Hall of Fame. That same year he was the first inductee to the Paniolo Hall of Fame established by the Oʻahu Cattlemen’s Association.

In 2003, a large bronze statue of Purdy roping a steer was placed in Waimea town on the Big Island, erected by the Paniolo Preservation Society. In October 2007, Purdy was inducted into the Cheyenne Frontier Days Hall of Fame.

Follow Peter T Young on Facebook 

Follow Peter T Young on Google+ 

Follow Peter T Young on LinkedIn  

Follow Peter T Young on Blogger

© 2019 Hoʻokuleana LLC

Ikua Purdy in Steer Roping Contest, Frontier Day, 1908
Ikua Purdy in Steer Roping Contest, Frontier Day, 1908
Ikua-Purdy
Ikua-Purdy
This undated photo, provided by the Paniolo Preservation Society shows Ikua Purdy, who became Hawaii's most famous paniolo when he won the steer roping championship at the 1908 Cheyenne Frontier Days Rodeo in Cheyenne, Wyo. A 16-foot-high statue honors his legacy at the Parker Ranch Shopping Center in Waimea. The legacy of Hawaii's cowboys will be honored with an entire year of events during the Waiomina Centennial Celebration. (AP Photo/Paniolo Preservation Society)**AP PROVIDES ACCESS TO THIS PUBLICLY DISTRIBUTED HANDOUT PHOTO. THE COPYRIGHT IS OWNED BY A THIRD PARTY. NO SALES**
This undated photo, provided by the Paniolo Preservation Society shows Ikua Purdy, who became Hawaii’s most famous paniolo when he won the steer roping championship at the 1908 Cheyenne Frontier Days Rodeo in Cheyenne, Wyo. A 16-foot-high statue honors his legacy at the Parker Ranch Shopping Center in Waimea. The legacy of Hawaii’s cowboys will be honored with an entire year of events during the Waiomina Centennial Celebration. (AP Photo/Paniolo Preservation Society)**AP PROVIDES ACCESS TO THIS PUBLICLY DISTRIBUTED HANDOUT PHOTO. THE COPYRIGHT IS OWNED BY A THIRD PARTY. NO SALES**
Ikua Purdy, Billy Spencer, and Archie Ka'au'a (hawaiianhistoricalsociety)
Ikua Purdy, Billy Spencer, and Archie Ka’au’a (hawaiianhistoricalsociety)
Archie Kaaua, Ikua Purdy and Billy Spencer (paniolopreservation-org)
Archie Kaaua, Ikua Purdy and Billy Spencer (paniolopreservation-org)
Billy Walker, Jack Low and Ikua Purdy
Billy Walker, Jack Low and Ikua Purdy
Ikua_Purdy-Statue-Parker_Ranch_Shopping_Center
Ikua_Purdy-Statue-Parker_Ranch_Shopping_Center
Ikua_Purdy-Statue-Parker_Ranch_Shopping_Center
Ikua_Purdy-Statue-Parker_Ranch_Shopping_Center

Filed Under: Prominent People Tagged With: Hawaii, Cattle, Paniolo, Kamehameha III, Rodeo, Ikua Purdy

  • « Previous Page
  • 1
  • …
  • 7
  • 8
  • 9
  • 10
  • 11
  • …
  • 16
  • Next Page »

Images of Old Hawaiʻi

People, places, and events in Hawaiʻi’s past come alive through text and media in “Images of Old Hawaiʻi.” These posts are informal historic summaries presented for personal, non-commercial, and educational purposes.

Info@Hookuleana.com

Connect with Us

  • Email
  • Facebook
  • LinkedIn
  • Twitter
  • YouTube

Recent Posts

  • Bahá’í
  • Carriage to Horseless Carriage
  • Fire
  • Ka‘anapali Out Station
  • Lusitana Society
  • “Ownership”
  • ‘Holy Moses’

Categories

  • Place Names
  • Prominent People
  • Schools
  • Sailing, Shipping & Shipwrecks
  • Economy
  • Voyage of the Thaddeus
  • Mayflower Summaries
  • American Revolution
  • General
  • Ali'i / Chiefs / Governance
  • Buildings
  • Missionaries / Churches / Religious Buildings
  • Hawaiian Traditions
  • Military

Tags

Albatross Al Capone Ane Keohokalole Archibald Campbell Bernice Pauahi Bishop Charles Reed Bishop Downtown Honolulu Eruption Founder's Day George Patton Great Wall of Kuakini Green Sea Turtle Hawaii Hawaii Island Hermes Hilo Holoikauaua Honolulu Isaac Davis James Robinson Kamae Kamaeokalani Kamanawa Kameeiamoku Kamehameha Schools Lalani Village Lava Flow Lelia Byrd Liliuokalani Mao Math Mauna Loa Midway Monk Seal Northwestern Hawaiian Islands Oahu Papahanaumokuakea Marine National Monument Pearl Pualani Mossman Queen Liliuokalani Thomas Jaggar Volcano Waikiki Wake Wisdom

Hoʻokuleana LLC

Hoʻokuleana LLC is a Planning and Consulting firm assisting property owners with Land Use Planning efforts, including Environmental Review, Entitlement Process, Permitting, Community Outreach, etc. We are uniquely positioned to assist you in a variety of needs.

Info@Hookuleana.com

Copyright © 2012-2024 Peter T Young, Hoʻokuleana LLC

 

Loading Comments...