Images of Old Hawaiʻi

by Peter T Young Leave a Comment

Consolidated Amusement

The first moving pictures were first publicly shown in Hawaiʻi in February 1897.  A little over a decade later, the ‘cameraphone’ arrived, it was “the picture machine that sings and talks”.  (Hawaiian Start, January 18, 1909)

“Harry Werner and his wife Leona Clifton leave in the SS Alameda on Wednesday next for the mainland … Werner will devote his attention abroad to the cameraphone, a device producing the effect of talking-moving pictures and which he may bring to Honolulu later.”  (Hawaiian Star, September 12, 1908)

“Harry Werner was an incoming passenger on the SS Lurline arriving this morning.  He has been away several months and returns with a cameraphone, a moving picture novelty popular at the Coast but never introduced here.”  (Hawaiian Star, January 13, 1909)

“In reproducing the picture and vocal record at exactly the same rate of movement, the moving picture machine is placed as usual at a point behind the audience at the back of the Opera House, while the talking machine is located near the screen.”

“By this means we have a perfect concordance between the two apparatus.  This great novelty will open in the Opera House next Saturday evening.  Seats are on sale … Prices 15¢, 25¢, 35¢ and 50¢.”  (Evening Bulletin, January 21, 1909)

“Tonight the Cameraphone will make its first how to a Honolulu audience.  The program selected is sure to please as it made up of operatic trio, duets and solos, as well as vaudeville acts and dramatic numbers.”  (Evening Bulletin, January 23, 1909)

And so the modern movie phenomenon began.

By 1910, a dozen nickelodeons were operating in downtown Honolulu, including the Savoy. The Liberty, the first modern, “fireproof” theatre, opened on Nuʻuanu Street in 1912.  Others opened.

In 1911, many of the independent theatres joined forces and formed the Honolulu Amusement Company; it was later renamed Consolidated Amusement, eventually operating more than three dozen theatres at its peak and became the Islands’ largest theatre chain (first under J Albert Magoon, then his son, John Henry Magoon.)  (Angell)

J Alfred Magoon was a prominent Honolulu lawyer and promoter of the Honolulu Consolidated Amusement Co. (which controlled the Bijou, Hawaii, Ye Liberty and Empire theatres at Honolulu.) (Variety, 1916)

“Articles of incorporation were filed today by the Consolidated Amusement Company Ltd. …  The incorporators are GT Chong, president, who holds 1,498 shares of the stock; J Alfred Magoon, vice president, holding 1,498 shares of stock; Robert McGreer, treasurer, holding one share; John Henry Magoon, secretary, holding one share, and William H. Campbell, holding one share. L Abrams is named as auditor.”  (Honolulu Star-Bulletin, October 5, 1912)

Joel C Cohen was instrumental in the organization of the Honolulu Amusement Co., Ltd., in which were consolidated a number of moving picture houses. He became president and manager of the Consolidated Amusement Co., Ltd., in 1913; he also operated a motion picture exchange which supplied all the theaters of the Territory with films.

Back then, movie going was not the near-dawn to waay-dark, 7-days-a-week phenomenon that it seems to be today.  “… a law was passed in this past legislative session giving the responsibility to the board of supervisors of each county to make laws to approve showing movies on the Sabbath; the Consolidated Amusement Company put a request before the board of supervisors of the City and County of Honolulu at the meeting of that board on this past Tuesday night, to ask for approval to show movies on Sundays.”  (Ka Nupepa Kuokoa, May 14, 1915)  (Sunday performances were allowed May 23, 1915.)

Downtown Honolulu’s Hawaiʻi and the nearby Princess theatres both opened in 1922, the biggest and fanciest the Islands had ever seen.  The Dickey-designed Waikīkī Theater opened in 1936.

“… the Hawaiʻi, a class of entertainment hitherto undreamed of in the Islands.  The Hawaiʻi Theatre is the home of Hawaiʻi’s people, whether living in Honolulu, Hawaiʻi, Maui or Kauaʻi. It is there for your entertainment and delight whenever you visit the Queen City.”    (Maui News, October 22, 1922)

But opportunities for movie entertainment were not limited to downtown Honolulu.

“Fun. Laughter. Excitement. These words describe the Kalaupapa Social Hall. Built in 1916, the hall hosted numerous recreational events and gatherings for all the residents of Kalaupapa. Isolated from the outside world both physically and socially, people needed a place for coming together, for socializing, for “talk story.” Now they had a suitable structure for hosting movies, dances, theater performances and concerts.”  (Paschoal Hall, (NPS))

“Hawaiʻi, in a few brief years, has been swept from the edge of world affairs close to its vortex.  And, until a very few years ago, the Territory was dependent for its amusements entirely upon such stray attractions as dropped off the steamers enroute between Orient and Occident.”

“The Consolidated Amusement Company has changed all that. It has brought the world’s best pictorial entertainment your door. And, now, it has afforded Island people, when in Honolulu the advantages of playhouse second to none in America so far as beauty and comfort is concerned.”  (Maui News, October 22, 1922)

By 1929 popularity of movies caused further expansion and, to meet the demand, Consolidated Amusement began constructing neighborhood theatres that year and into the 1930s, with well over a dozen built on the Island of Oʻahu.

“Honolulu in the early 1930s was mad about the movies. … To meet the growing demand, the leading theater operators, Consolidated Amusement, built more than two dozen neighborhood and rural theaters on O‘ahu and elsewhere during the decade. Every neighborhood had one.”  (Friends of Queen Theater)

 “On October 9th, 1931 the first sound program was shown in the Kalaupapa theatre with the dual equipment installed by the Consolidated Amusement Co. This equipment has given complete satisfaction since its installation and an average of two programs weekly has been maintained since the initial show.”  (Superintendent’s Annual Report, 1932)

“Everybody looked forward to the movies. There was nothing else to do on Monday and Friday except go to the movies unless there was a baseball game, then maybe they would go to the game and then come to the movie. But other than that, nobody misses the movie because it starts at 7:00.”

“During the War, (World War II) at one time they started it at 3:30 in order for it to get through before dark. They blacked out all the windows inside and then they showed the movie.” (Kalaupapa resident, NPS)

In all, there have been more than 400 theatres throughout the Islands. The tropical climate and social, cultural, and ethnic diversity contributed to a variety of theatre designs unique to Hawai’i — tin-roofed plantation theatres, neighborhood movie houses in exotic styles, large downtown “palaces,” and the uniquely beautiful, tropical 1936 Waikīkī Theatre.  (TheatresOfHawaii)

The most famous hula movie in Hawaiʻi is not a movie at all but a “trailer” featuring torch-bearing hula dancers appearing on the screens in all Consolidated Amusements Theatres before every feature-length film.

For the last 22 years, Consolidated Amusement has run the “Hawaiʻi” trailer more than a thousand times a day on its screens across the Islands.  Jon de Mello, the film’s producer, believes it is the longest running movie trailer ever made.  (Fawcett)

Click HERE for Consolidated Amusement’s trailer.

The first movies actually filmed in Hawaiʻi were ‘Honolulu Street Scene,’ ‘Kanakas Diving for Money’ (two parts), and ‘Wharf Scene, Honolulu,’ all made by two Edison photographers, W Bleckyrden and James White, on May 10, 1898 while in transit through Honolulu.  (Schmitt)

Keeping on the entertainment subject, television came to the Islands in late-1952. Station KGMB-TV was first with both a live program and televised motion pictures, initiating regular programming at 5:05 pm, December 1.  Color television was first viewed in Hawaiʻi on May 5, 1957 at 6:30 pm, when KHVH-TV presented a program of color slides and movies. (Schmitt)

Live television broadcasting to and from the Mainland was inaugurated on November 19, 1966, when KHVH-TV used the Lani Bird communication satellite to bring the Michigan State-Notre Dame football game at East Lansing to Island viewers.  (Schmitt)

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by Peter T Young Leave a Comment

Maʻo

“The town (Kailua-Kona) wore an interesting appearance, and at a distance looked much like a flourishing fishing village at home.”  (The Polynesian, July 28, 1840)

“A short distance … is the cotton factory which has attracted so much curiosity.  It is a thatched building, containing two native looms, and some dozen spinning jennies.  The cotton grows luxuriantly in the stony, dry soil of Kailua.”  (The Polynesian, July 28, 1840)

“Cotton may yet be king in the Hawaiian Islands and all the world may come to the Territory for its best supply of the staple.  For nowhere else in the world … is better cotton grown that is raised in Hawaiʻi.”

“Moreover, cotton growing is adapted to the small farmer. The man who has only one acre can do as well in proportion as the man who has an island barony.”  (Pacific Commercial Advertiser, October 21, 1909)

“(A)bout 150-acres of cotton were grown experimentally in the Territory.  Small areas were planted on all of the four principal islands.”  (Hawaiian Gazette, November 12, 1909)

There was a time when there was an effort to expand cotton and replace the growing sugar industry with cotton.

“People will want cotton just as long as they will want cane sugar, and perhaps longer. … If the planters of Hawaiʻi could suddenly change their sugar interest into fields of growing cotton with gins and other necessary machinery … they might be better off.”  (Pacific Commercial Advertiser, May 13, 1904)

“Cotton is one of the abandoned industries of Hawaiʻi. In 1836 it was planted at Hana, Maui, and in parts of Hawaiʻi.  In 1837, Governor Kuakini erected a stone cotton factory at Kailua and some very durable fabrics were produced by the simple machinery of that period.”

“During the civil war … when the seaports of the southern states were blockaded and cotton was made a very costly staple, the Hawaiian growers exported hundreds of bales to Boston.”

“It was not long after this, however, when sugar asserted almost complete sway over the planting interests and fields of cotton became only a memory.”  (Pacific Commercial Advertiser, May 13, 1904)

Maʻo, Hawaiʻi cotton, is actually native to the islands; it’s a member of the hibiscus family.  Genetic studies indicate that the Hawaiian cotton is a close relative of the Mexican species.

The name maʻo comes from the Hawaiian word ʻōmaʻo for green and shares the same name as the native Hawaiian thrush, ʻōmaʻo which has a greenish cast to its feathers.

Maʻo’s ancestors may have come to the islands from Central America as seeds on the wind, on the wings or droppings of birds or on the waves as floating debris. (hawaii-edu)

Once they arrived, they developed several genetic differences but the close relationship to other cottons has made Hawaiian cotton very important in the industry.

Although closely related to commercial cotton, the fibers of maʻo have not been used to produce cotton on a large scale.  (usbg)

Maʻo is genetically resistant to some diseases and pests of commercial cotton and through careful breeding programs has offered its resistance to the worldwide cotton crop. (hawaii-edu)

The early Hawaiians used the flower petals to make a yellow dye; the leaves were used for a light green (ʻōmaʻomaʻo) or a rich red-brown dye.

Isabella Abbott noted that “any green kapa deserves close scrutiny, too, for the green obtained from maʻo leaves is fleeting, fading within a few days. The Bishop Museum collection contains no kapa that has retained its green coloration, but a few pieces may once have been green, judging by their overall design.”  (hawaii-edu)

Although it lasted for about a century, cotton never became an important trade Hawaiʻi item.  (HTH)

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by Peter T Young 1 Comment

Wreck of the George N Wilcox

She was built in Scotland for H Hackfeld Co of Honolulu in 1892; she was named “George N Wilcox,” for the Grove Farm Plantation owner.

“George N Wilcox” had already completed one successful voyage when it sailed from Middleborough, England on May 10, 1894, bound for Honolulu around Cape Horn. (Soboleski)

Let’s look back …

On September 26, 1849, sea captain Heinrich (Henry) Hackfeld arrived in Honolulu with his wife, Marie, her 16-year-old brother Johann Carl Pflueger and a nephew BF Ehlers.

Having purchased an assorted cargo at Hamburg, Germany, Hackfeld opened a general merchandise business (dry goods, crockery, hardware and stationery,) wholesale, as well as retail store on Queen Street.

As business grew its shipping interest, manufacturing and jobbing lines developed a web of commercial relationships with Europe, England and the eastern seaboard. Hackfeld outfitted several whalers and engaged in the trans-shipment trade.

George Norton Wilcox (known as GN,) the second son of eight boys, born in Hilo August 15, 1839 to missionary parents, Abner and Lucy Wilcox, took over the lease for Grove Farm sugar operation on Kaua‘i and quickly became its sole owner.

GN Wilcox was not only a plantation owner; he was also an engineer, statesman, businessman and a world traveler. More importantly, he was also a philanthropist and humanist, who left an extensive legacy of endowments and public donations.

Back to the boat …

The bark George N Wilcox “left Middleborough on the 10th of last May for Honolulu, laden with 1000 tons of coal and about 1200 tons of general merchandise. In the latter portion of the cargo were tons of Christmas goods”. (Morning Call, September 30, 1894)

“The NW point of Molokai, within forty miles of Honolulu, is proving to be a place to be avoided. A heavy sea lolls in there from the northeast, and a strong current draws around the point.”

“On the afternoon of the 18th (September, 1894,) Captain Wolters of the line new iron bark GN Wilcox, 130 days out from Middleborough hove to in that part of Oahu Channel to wait for morning before rounding Dimond Head.” (The Friend, October 1, 1894)

“The vessel was off the coast of Molokai and going along under close sails. Captain Wolters was on deck and ordered the sails reefed, as he did not care to reach port until the following morning.” (Morning Call, September 30, 1894)

“In going about, the current set him ashore, and the valuable ship and cargo were suddenly wrecked at five o’clock beneath the precipice of that coast. The crew were compelled to take to the boats in haste, before the breakers swept over them.” (The Friend, October 1, 1894)

“Ten miles south-southeast from Molokai light house, firmly imbedded on the sharp high jutting rocks of Lae o ka Ilio Point, one of the most dangerous portions of the Hawaiian coast …

“… behind the tall sheltering lava cliffs on the windward side of the Island of Molokai and directly at the entrance of Kaiwi channel lies the wreck of the fine, new, steel German bark George N Wilcox.”

“Heavily listed to port, and with her snowy sails lashed into hundreds of strips, flying and flashing in every direction, and heavy angry seas washing her decks from stem to stern …”

“… the wrecked vessel a pitiable sight indeed, at once a menacing, though expensive monument to gross carelessness on the part of some or else the victim of a luckless fate. (Hawaiian Star, September 20, 1894)

“Considerable quantities of wreckage from the GN Wilcox are reported to have stranded along the windward shores of Oahu. Many valuable cases have been saved which floated out of the wreck. Parties who bought the wreck and cargo for $1,200 are making a good profit out of it. The vessel is fast breaking up.” (The Friend, October 1894)

“Captain Wolters has been sailing to the islands since 1871 and this is the first ship he has ever lost. He is considered the commodore of Hackfeld & Co’s fleet and is a man in whom the company has every confidence.”

“The first ship he ever brought out was the Elsie Wylie. Since that time he has had command of the old CR Bishop and the H Hackfeld. A few years ago he gave up going to sea for some time and superintended the building of the company’s ships.”

“When the Wilcox was completed, a little over two years ago, he was given the command of her and took her to the islands on her maiden voyage.”

The crew “corroborated the details of the wreck as given, and say that Captain Wolters did all that man could do to save the fine vessel of which he was commander.” (Morning Call, September 30, 1894)

The machinery and railroad material were salvaged, but, according to Rex Hitchcock who was deputy-sheriff of the island at that time, the Hawaiians disposed of most of the Rhine wine. (Cooke)

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George N Wilcox-Morning Call-Sept 30 1894
George N Wilcox-Morning Call-Sept 30 1894

by Peter T Young 1 Comment

Manono

Manono was born on Maui in the 1780s; her father was Kekuamanoha, and her mother was Kalola-a-Kumukoʻa, a wife of Kamehameha. Through her father, she was a granddaughter of Kekaulike, the Mōʻi (King) of Maui.

From her mother’s side, she was the great-granddaughter of King Keawe of Hawaiʻi.  Her half-siblings from her father’s first marriage were Kalanimōkū, Boki and Wahinepio. She was cousin of Kaʻahumanu, Kalākua Kaheiheimālie, Keʻeaumoku II and Kuakini (Governor of Hawaiʻi.)

At the time of Cook’s arrival (1778-1779) (while the Colonists were battling the British on the continent,) the Hawaiian Islands were divided into four kingdoms: (1) the island of Hawaiʻi under the rule of Kalaniʻōpuʻu, who also had possession of the Hāna district of east Maui; (2) Maui (except the Hāna district,) Molokaʻi, Lānaʻi and Kahoʻolawe, ruled by Kahekili; (3) Oʻahu, under the rule of Kahahana; and at (4) Kauaʻi and Niʻihau, Kamakahelei was ruler.

Separate Kingdoms ruled separate parts of the Islands.  However, conquest was in the air and battles and negotiations for power and control were going on.

When Keōua, the father of Kamehameha, died, he commended his son to the care of Kalaniʻōpuʻu, who received him, and treated him as his own child.  (Dibble)  Following Kalaniʻōpuʻu’s death in 1782, the kingship was inherited by his son Kīwalaʻō; Kamehameha (Kīwalaʻō’s cousin) was given guardianship of the Hawaiian god of war, Kūkaʻilimoku.

Dissatisfied with subsequent redistricting of the lands by district chiefs, civil war ensued between Kīwalaʻō’s forces and the various chiefs under the leadership of his cousin Kamehameha.

In the first major skirmish, the battle of Mokuʻōhai (a fight between Kamehameha and Kiwalaʻo in July, 1782 at Keʻei, south of Kealakekua Bay on the Island of Hawaiʻi,) Kiwalaʻo was killed.  With the death of his cousin Kiwalaʻo, the victory made Kamehameha chief of the districts of Kona, Kohala and Hāmākua, while Keōua, the brother of Kiwalaʻo, held Kaʻū and Puna, and Keawemauhili declared himself independent of both in Hilo.  (Kalākaua)

Kamehameha, through the assistance of the Kona “Uncles” (Keʻeaumoku, Keaweaheulu, Kameʻeiamoku & Kamanawa (the latter two ended up on the Islands’ coat of arms;)) succeeded, after a struggle of more than ten years, in securing the supreme authority over that island (and later, the entire Hawaiian Islands chain.)

Prior to his death on May 8, 1819, Kamehameha decreed that that his son, Liholiho, would succeed him in power; he also decreed that his nephew, Kekuaokalani, have control of the war god Kūkaʻilimoku (a similar scenario to Kalaniʻōpuʻu and Kiwalaʻo/Kamehameha.)

At a young age Manono fell in love with and married Kekuaokalani, the young kahu (priest) of Kūkaʻilimoku from the island of Hawai’i. The couple lived in the mountains on the island of Maui tending to their taro patches and raised their four children.  (Cupchoy)

Following the death of Kamehameha I in 1819, King Kamehameha II (Liholiho) declared an end to the kapu system.   “An extraordinary event marked the period of Liholiho’s rule, in the breaking down of the ancient tabus, the doing away with the power of the kahunas to declare tabus and to offer sacrifices, and the abolition of the tabu which forbade eating with women (ʻAi Noa, or free eating.)”  (Kamakau)

The people were divided about keeping the traditional social structure or abandoning it. Kekuaokalani, Liholiho’s cousin, opposed the abolition of the kapu system and assumed the responsibility of leading those who opposed its abolition. These included priests, members of his court and the traditional territorial chiefs of the middle rank.

Kekuaokalani demanded that Liholiho withdraw his edict on abolition of the kapu system.  (If the kapu fell, the war god would lose its potency.)  (Daws)  Kamehameha II refused.

After attempts to settle peacefully, “Friendly means have failed; it is for you to act now,” and Keōpūolani then ordered Kalanimōkū to prepare for war on Kekuaokalani. Arms and ammunition were given out that evening to everyone who was trained in warfare, and feather capes and helmets distributed.  (Kamakau)

The two powerful cousins engaged at the final Hawaiian battle of Kuamoʻo – a battle for tradition versus the modern.

In December 1819, just seven months after the death of Kamehameha I, opposing heirs met in battle on the lava fields south of Keauhou Bay.  Liholiho had more men, more weapons and more wealth to ensure his victory. He sent his prime minister, Kalanimōku, to defeat his cousin.

Kekuaokalani marched up the Kona Coast from Kaʻawaloa and met his enemies at Lekeleke, just south of Keauhou.  The first encounter went in favor of Kekuaokalani. At Lekeleke, the king’s army suffered a temporary defeat.

Regrouping his warriors, Kalanimōkū fought back and trapped the rebels farther south along the shore in the ahupuaʻa of Kuamoʻo.    (Kona Historical Society)

“No characters in Hawaiian history stand forth with a sadder prominence, or add a richer tint to the vanishing chivalry of the race, than Kekuaokalani and his courageous and devoted wife, Manono, the last defenders in arms of the Hawaiian gods.”  (Kalākaua)

“Kekuaokalani is referred to by tradition as one of the most imposing chiefs of his day. He was more than six and a half feet in height, perfect in form, handsome in feature and noble in bearing. Brave, sagacious and magnetic, he possessed the requirements of a successful military leader”.  (Kalākaua)

Kekuaokalani, having earlier received a wound, fainted and fell and, unable to stand, “sat on a fragment of lava, and twice loaded and fired a musket on the advancing party. He now received a ball in his left breast, and, immediately covering his face with his feathered cloak”.  (Ellis)

“In the midst of these scenes of blood the eye rests with relief upon numerous episodes of love, friendship and self-sacrifice touching with a softening color the ruddy canvas of the past.”   (Kalākaua)

“Manono, during the day, fought by his side, with steady and dauntless courage.”  (Ellis)

“He finally fell with a musket-ball through his heart. With a wild scream of despair Manono sprang to his assistance”.   (Kalākaua)

“But the words had scarcely escaped from her lips, when she received a ball in the left temple – fell upon the lifeless body of her husband, and expired.”  (Ellis)

“Thus died the last great defenders of the Hawaiian gods.  They died as nobly as they had lived, and were buried together where they fell on the field of Kuamoʻo.”  (Kalākaua)

“It is painful to contemplate the death of Kekuaokalani, of Manono a wife who seems to have been unusually affectionate, and of the many friends and adherents who fought with acknowledged steadfastness and courage and fell on the field of battle.”  (Dibble)

“Manono is said to have been an interesting woman, and she certainly gave evidence of attachment and affection. … Not even the horrors of savage fight could prevent her from following the fortune and sharing the dangers of her husband.”  (Dibble)

It is said that Kalanimōkū left the body of Kekuaokalani on the lava rocks after this battle instead of having it buried according to his rank of a chief because Kekuaokalani’s ancestor, Alapaʻi-Nui-a–Kaʻu-au-a had drowned Kalanimōkū’s ancestor, Kauhi-ai-moku-a-kama, at Puhele, Kaupo district, Maui.  (Kamakau)

After Kalanimōkū’s departure, Kekuaokalani’s loved ones retrieved his body; later the iwi of Kekuaokalani were brought from Koaiku Cave in Kaʻawaloa to Pohukaina on the grounds of ʻIolani Palace in Honolulu.  (Parker, Alu Like)

Kekuaokalani’s feathered cloak was taken as a battle prize of Kamehameha II.  The cloak became one of the three feathered cloaks that legitimized Liholiho’s claim to power.

After the death of Kamehameha II, the cloak did not have the same symbolic power to his brother, Kamehameha III, and it was given to Captain John H Aulick of the American Navy in 1841. His descendants gave it to the Smithsonian Institution in 1869.  (Smithsonian)

The image ‘Kekuaokalani and Manono Battle at Kuamoʻo Dec. 1819’ by Brook Kapukuniahi Parker was the inspiration for this summary. 

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by Peter T Young 3 Comments

Kamehameha Death

“E oni wale no ‘oukou i ku‘u pono ‘a‘ole e pau.”
“Endless is the good that I have given you to enjoy.”
(Kamehameha)

Don Francisco de Paula Marin made numerous notations in his diary from 1818 to 1825 of the epidemics of colds and flu among the Hawaiians and reported, ‘many people died.’ (Van Dyke) Both Kamehameha and Ka’ahumanu may have come down with it. (Parker)

It was Kamehameha’s intention to remain on O‘ahu until his death, but he became suspicious of conspiracies among the younger chiefs. Even if they were sons of his old advisors, and they took the place of their fathers on the council, he was not confident in their loyalty.

They were gaining more and more agricultural land and followers in the districts allotted them. Trading with the foreigners also increased their personal arsenals. This power shifting alarmed the great chief and so in the year 1812 he decided to move his capitol back to Kona with him.

Kamehameha required all weapons to be placed on his own western vessel, the Keoua (formerly the Fair American) for transport to Hawaii Island. The chiefs were allowed two attendants each and were told to follow his vessel in separate vessels. (Parker)

“The view of the king’s camp was concealed only by a narrow tongue of land, consisting of naked rocks, but when we had sailed round we were surprised at the sight of the most beautiful landscape.”

“We found ourselves in a small sandy bay of the smoothest water, protected against the waves of the sea; on the bank was a pleasant wood of palm-trees, under whose shade were built several straw houses …”

“… to the right, between the green leaves of the banana-trees, peeped two snow-white houses, built of stone after the European fashion, on which account this place has the mixed appearance of a European and Owhyee village”.

“(T)o the left, close to the water, on an artificial elevation, stood the morai (heiau) of the king, surrounded by large wooden statues of his gods, representing caricatures of the human figure.” (Kotzebue, visiting in 1816)

‘I‘i describes that the “King erected three houses thatched with dried ti leaves,” a sleeping house (hale moe) and separate men’s (hale mua) and women’s (hale ‘āina) eating houses.”

Kamehameha first moved into the former residence of Keawe a Mahi. He then built another house on the seaward side of that residence, that was referred to as hale nana mahina ‘ai.

This house was built high on stones and faced directly upland toward the planting fields of Kūāhewa. Like an observation post this house afforded a view of the farm lands and was also a good vantage point to see canoes coming from South Kona and from the Kailua vicinity. (Rechtman)

Fishing was the occupation of Kamehameha’s old age at Kailua. He would often go out with his fishermen and when there had been a great catch of aku or ‘ahi he would give it away to the chiefs and people, the cultivators and canoe makers. (Kamakau)

At the onset of his illness, Kamehameha was treated by his kahuna. When the illness would not yield to their treatment, a ship was sent to Honolulu for Marin, a Spaniard who had no formal medical training, but had some basic Western medical knowledge.

Marin, noted in his diary, April 15, that a ship arrived at Honolulu that day from Hawaii seeking him ‘to cure the king;’ Marin reached Kailua four days later and stayed there until after the death of the king; his services proved ineffectual. (Kuykendall)

During Kamehamehaʻs illness the kahuna had suggested human sacrifices to appease, or pacify, the gods so that they might prolong Kamehamehaʻs life. To this Kamehameha said, “No! The men are kapu [sacred] for the king!” By king he meant his son and heir, Liholiho. (Williams)

About ten o’clock he took a mouthful of food and a swallow of water. Ka-iki-o-‘ewa then asked him for a last word, saying. “We are all here, your younger brothers, your chiefs, your foreigner (Young.) Give us a word.”

“For what purpose?’ asked the chief. “As a saying for us” (I hua na makou.) “E oni wale no ‘oukou i ku‘u pono ‘a‘ole e pau (Endless is the good that I have given you to enjoy.”)

Nearby, crouched sadly in silence, were John Young, his friend for almost thirty years; High Chief Hoapili; High Chief Kalanimōku; Queen Ka‘ahumanu; the heir Liholiho and others close to the king. Hours later, at two o’clock on the morning of May 8, 1819, Kamehameha passed away at Kamakahonu, Kailua-Kona. (Williams)

Fourteen years Kamehameha fought to unite the islands and he ruled twenty-three years. When he died his body was still strong. his eyes were not dimmed, his head unbowed, nor did he lean upon a cane; it was only by his gray hair that one could tell his age. (Kamakau)

The period of mourning began in Kailua-Kona. It lasted about ten days and was called kūmākena (‘to mourn loudly for the dead.’) When the people learned that Kamehameha I was dead, many fell to their knees, crying and wailing. They became hysterical and expressed their grief in painful ways.

The kapu was not enforced at this time so there was not only sadness and grief but disorder and confusion, as well. The kapu normally governed what the people could and could not do. (Williams)

Immediately after the death of the Kamehameha, his son Liholiho, heir to the throne, went away with his personal attendants to Kawaihae, Kohala, where he remained until Kailua, defiled by death, had been purified. After about a week, he returned for the purpose of being proclaimed king. (Kuykendall) (Image by Brook Parker.)

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Kamehameha Final Days-Parker
Kamehameha Final Days-Parker