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June 22, 2022 by Peter T Young Leave a Comment

Historic Homes of Waikīkī

A Waikīkī historic home walking tour from the Historic Hawaiʻi Foundation is a self-guided itinerary, suitable for individual travelers, and focuses on sites of historic or cultural significance that are either open to the public or visible from the public way.

The Historic Homes in Waikīkī Walking Tour takes 45-minutes or more. The tour starts at the War Memorial Natatorium, then head towards Diamond Head to the Tahitienne apartment.

The traveler then weaves in between the Honolulu Tudor/ French Norman Cottages and other charming historic residential homes. At the end of the tour, the traveler will finish off with the Mediterranean inspired La Pietra School for girls.

1.  The War Memorial Natatorium is significant as a major social and recreational local landmark and for its association with the history of competitive swimming. The swimming complex was rendered in a Beaux-Arts style and was finished in the summer of 1927, the first “living” was memorial in the United States.

The property contains a 100 meter saltwater swimming pool, concrete bleachers that rises 13-levels high, and a main entryway that includes an elaborate sculpture and triumphal arch entablature. The memorial is dedicated to those from Hawai‘i who served in World War I.

2.  The Tahitienne is a nine-story apartment building rendered in a 1950 modern, utilitarian style. The Tahitienne was planned and built by California architects Bob Fraser and Paul Hammarbarg. Local Architect, Edwin L Bauer, helped design the layout and interiors of the apartments.

This building is associated with the commercial development of real estate in Hawaiʻi, and specifically with the co-operative apartments in Honolulu.  There are approximately 50 co-operative apartments which appeared during the 1950s and early 1960s in Honolulu, which remain functioning as a co-op.

3.  The Egholm Residence was built in 1926 in the Diamond Head Terraces subdivision.  It is significant as one of the few examples of small cottages in the Spanish Colonial Revival style popular in Hawai‘i in the 1920s and early 1930s. The hipped red clay tile roof, stucco exterior and arcaded entrance are characteristic features of this style.

The residence is the work of notable architect and builder Carl William Winstedt. The modest scale of this house is rare compared to the other palatial residences built in the Spanish Colonial Revival style during this time period in Hawai‘i.

4.  The Honolulu Tudor/French Norman Cottages Thematic Group are made up of fifteen different residences, built between 1923 and 1932. These homes display a high degree of craftsmanship and design detail and include the work of several local architects and builders, including: Earl Williams, Hart Wood, John Morley, Theo Davies & Co., and J Alvin Shadinger.

5.  The James JC Haynes Residence, built in 1926, is a two story, shingle sided house facing south. The house stands out as a well-constructed house, having been built by Lewers & Cooke, rendered in a distinctive colonial style distinguished by its high pitched, front facing gable roofs clad with cut shingles and closed eaves with 4″ beaded tongue and groove soffits.

The house is also significant for its adaptation of this colonial revival form to Hawai‘i’s climate. Its easy access to the outdoors bespeaks a Hawai‘i architectural tradition for informal living.

6.  The CW Dickey Residence, built in 1926, is associated with the well-known local architect, Charles William Dickey, and the development of the Hawaiian style of architecture. This cottage, with its prominent double-pitched hipped roof, became the prototype for numerous modest cottages built in the Islands during the late 1920s and 1930s.

Through the use of graceful sloping roofs, overhanging eaves, extensive windows and screened openings, and lanai, Dickey said, “I believe I have achieved a distinctive Hawaiian type of architecture” (Honolulu Advertiser, March 14, 1926). The house appears intact and serves as a well-crafted, well-designed statement of Dickey’s development of an exclusive Hawaiian style of architecture.

7.  Doctor Frank and Kathryn Plum Residence was constructed by Rudolph Bukeley in 1929.  It is significant as an example of a Cotswold Cottage style residence constructed in Hawai‘i during the time period of the late 1920s and early 1930s.

It well reflects the style with its romantic asymmetric massing, and its use of such eclectic and picturesque elements as its skewed gable, front bay window, wrought iron mock-balconet in the round arched gable vent, canted walls with their wound arched doors, double pitched roof, and shed roof dormers.

8.  Built in 1923, Fred Harrison Rental Property is a one and a half story, shiplap sided, vernacular style house. It is a good example of a dwelling constructed as a middle class rental property.

Although a modest house, it presents a distinctive appearance to the street with the curved, sweeping roofline; prominent bay window; double gable ends on the west side; and a front doorway that does not face the street.

9.  The Adolph Egholm Kiele Avenue House is a single story, Spanish Mission Revival style cottage that was constructed in 1926. It features stucco walls and a red clay tile, hipped roof with overhanging eaves and exposed rafter tails.

The house sits on a lava rock basement and is distinguished by its centered, outset, flat roofed front porch with its round arched openings.  It is significant as a good exaple of a Spanish Mansion cottage built during the 1920s.

10.  The Mrs. Josephine Ketchum Residence is a Craftsman-style bungalow built in 1931.  It is significant for its architecture as an example of a Craftsman inspired house in Hawai‘i. The naturally-stained board and batten walls and use of heavy timbering are character-defining elements of the building’s design.

In addition to these typical craftsman hallmarks, the house features the “Hawaiian” style, double-pitched hipped roof, which was very popular in the Islands during the late 1920s and early 1930s. This further accentuated the horizontal sense of the house, another typical Craftsman characteristic. The screened lanai and exterior bathroom door further fix its location near the beach, where a number of houses from this period featured such doors for use by beach goers.

11.  The Folk Residence, Tavares Residence and Coconut Avenue Residence were built by John Morley for the Pacific Trust Company and are part of the Honolulu (made up of fifteen different residences, built between 1923 and 1932.

These homes display a high degree of craftsmanship and design detail and include the work of several local architects and builders.)

12.  The Helene Morgan Residence is a single story, Hawaiian style duplex with a pair of double-pitched hipped roofs with overhanging eaves and exposed rafter tails.

Presently, the house is a single family dwelling, but originally it was two separate laid out units connected by a passage. The duplex sits on a raised, post and pier, foundation with lava rocks at the base.

13.  The Richard M Botley Residence was built in 1931.  It is significant for its architecture as a good example of a Spanish Mission Revival house built in Hawai‘i during the period 1920-1931.

It is characteristic of the style with its red tile roof and white masonry walls. The two-story, L-shaped house was designed by noted Honolulu architect Robert Miller.

14.  Constructed in 1929, Hibiscus Place is a two-family Mediterranean Revival style residence. The builder, Charles Ingvorsen and his wife, Mary M. Ingvorsen, came to the United States from Denmark. He developed a number of smaller homes in the Diamond Head Terrace subdivision, and retained this property high on the slopes of Diamond Head for his family.

Originally, the Hibiscus Place land consisted of approximately 17,739 square feet but, the property was subdivided in the 1950’s into three separate parcels. The current owner acquired and reassembled two of the three parcels of land into a single property that now consists of 12,495 square feet.

15.  La Pietra, which was constructed in 1921, is an extensive two-story Mediterranean Style building built to resemble an Italian Villa. Its two stories are arranged in a hollow square containing a central rectangular patio. The central patio is lined on all four sides with arcades supported by cut sandstone Doric columns.

La Pietra is significant as a representation of the kind of lifestyle enjoyed by the very wealthy in Hawaiʻi at that time as well as an example of Mediterranean architecture. The building was designed by prominent Chicago-based architect David Adler for Walter F Dillingham, a prominent Honolulu industrialist and businessman known as the Baron of Hawaiʻi Industry.

16.  Kapi‘olani Park was dedicated in 1877 and is a recreational open space of 160 acres. Kapi‘olani Park has an extensive and varied history. The park began as a private preserve that transitioned over the years into the present-day iconic public park. Kapi‘olani Park is historically significant for its past association with indigenous Hawaiian culture and royalty.

King Kalākaua envisioned the park as a place of recreation for all and named it after his famous Queen, Kapi‘olani. Long before the park was established, on Waikīkī/Kapiʻolani park area was the center of Hawaiian culture on Oʻahu. Agricultural cultivation, fishponds, coconut groves and indigenous settlements dotted the area.

17.  The Diamond Head Lighthouse is a 57 foot white concrete pyramidal tower with a red roof. It sits seemingly on the side of a sharp cliff when viewed from seaward, and at night the light can be seen up to 18 miles by the mariner.  It was first established in 1899 to guide mariners into the then budding port of Honolulu.

Constructed in the Monarchy period, the lighthouse and accompanying buildings have not changed since 1917. The lighthouse itself is of the classic lighthouse design – a thick white tower with a barn-red pointed roof.

Heritage Tourism Reminders
Please remember to be respectful and considerate towards the owners of the Historic Homes you are viewing.

  • Heed signs and respect the fact that each house is privately owned.
  • Please do not trespass.
  • Try not to loiter or display suspicious behavior around these houses.
  • Do not litter.

© 2022 Hoʻokuleana LLC

 

Filed Under: Buildings Tagged With: Hawaii, Waikiki, Oahu, Historic Homes of Waikiki, Historic Hawaii Foundation

June 21, 2022 by Peter T Young 2 Comments

To the Jubilee

“Monday, June 20th inst., being the 50th anniversary of the accession of Her Majesty Queen Victoria, it is ordered as a mark of respect that all Government offices be closed during the day. L. Aholo, Minister of the Interior. Honolulu, Hawaiian Islands, June 15, 1887.”

That wasn’t the only thing … church services, concerts, picnics and royal salutes made up the celebration in the Islands. The Royal Hawaiian Band played “God Save the Queen” at Emma Square.

The longest-reigning British monarch, Queen Victoria celebrated her Golden Jubilee on June 20 and 21, 1887, marking 50 years of her reign. Fifty foreign kings and princes, along with the governing heads of Britain’s overseas colonies and dominions, attended. (British Monarch)

“I received from my brother, the king, a most unexpected proposition. This was that I should accompany the queen to the grand jubilee at London, in honor of the fiftieth year of the reign of the great and good Queen of Great Britain.”

“It was on a Saturday night early in April that I received this invitation, which I at once accepted. … I then told (my husband) what had transpired between His Majesty and myself, and that it was my wish and intention to accept. He cordially agreed with me, and said that he would like to be of the party”.

“Only a few days of necessary preparation were left to us and by the 12th of April (1887) we were ready to embark on the steamship Australia, by which we had taken passage for San Francisco.” (Liliʻuokalani)

Queen Kapiʻolani brought along Liliʻuokalani to serve as Kapiʻolani’s interpreter. Even though Kapiʻolani was raised to understand English, she would speak only Hawaiian. Newspapers noted that Liliʻuokalani was fluent in English while Kapiʻolani spoke ‘clumsily.’ (UH Manoa Library)

Their entourage for the trip included Liliʻuokalani’s husband General John Owen Dominis; Curtis Piʻehu ʻIaukea, Governor of Oʻahu; Colonel James Harbottle Boyd and four servants. (Mr Sevellon A Brown, chief clerk of the US State Department; Captain Daniel M Taylor, US War Department; and Lieutenant Christopher Raymond Perry Rodgers, US Navy Department accompanied them on the continent.)

They stopped off in San Francisco for a week where Lili‘uokalani tended her sick husband. They passed through Sacramento where most of them experienced snow for the first time. (OHA)

“A special train of three cars – kindly placed at the disposal of the excursionists by the D&RG (Denver & Rio Grande Railroad) … (was) reserved for their use over the D&RG system”. (Salt Lake Herald, April 30, 1887) They headed for the Great Salt Lake in Utah where they met with prominent elders of the Mormon Church. (OHA)

“Half an hour before the time for the train to arrive people began to gather at the depot. Whole schools of young children accompanied by their teachers flocked upon the platform and their number swelled by ladies and gentlemen made a crowd of several hundred people”.

“… the crowd gathered around the coach eager to get a glance at the Queen, a line was formed in the rear car and quite a number passed through the coach to shake the royal hand. The Queen received them all with a gracious smile in recognition of the courtesies shown her…. As the train pulled out of the depot the band played ‘Yankee Doodle’”. (Salt Lake Evening Democrat, April 29, 1887)

In Chicago, “The Kanakas’ Queen, Kapiʻolani and Suite in Chicago Enroute to Washington … “for the first time Chicago was visited by a real live queen. Her name is Kapiʻolani and she is the Queen of the Sandwich Islands There were no soldiers drawn up in line to receive her when the Burlington train roiled into the West Side station promptly at 2 p m and the populace consisted of an idle crowd of railroad men a few dozen curiosity hunters and two or three persistent reporters.”

“There was no one to cry in soft Kanaka ‘Aloha’ or ‘Love to you’ and as for the hundreds of people who at that hour alight from incoming trains they pursued their way all unmindful of the presence of royalty and its retinue.” (Fort Worth Gazette, May 6, 1887)

Unlike her visit to Chicago, in Washington DC, when the royal entourage arrived at Arlington Hotel, “There were scores of people at the station and hotel when her Majesty and suite arrived, and the crowd pushed hither and thither to get a glimpse of the company. Never before in the history of the Republic has a genuine Queen of a foreign power visited the United States.” (Sacramento Daily Union, May 4, 1887)

“Queen Kapiʻolani, wife of the Hawaiian King, was presented to the President and Mrs Cleveland today. The ceremony took place in the Blue Room. … Kapiʻolani is the first Queen to cross the White House threshold. … she carries herself with stately dignity”. (New York Tribune, May 5, 1887)

Under director John Philip Sousa, the band played ‘Hawaiʻi Ponoʻi,” Hawaiʻi’s national anthem and the “Star Spangled Banner.” Earlier, Kapiʻolani gave the former’s score to the band. (UH Mānoa, Library)

“After spending a few days here (Washington DC) sight-seeing she will go to New York. From there she goes to England to be present at the Queen’s jubilee. She has never been out of her own country before, and is quite anxious to see the “greatest woman on the face of earth,” as she calls Queen Victoria.” (The Stark Democrat, Ohio, May 5, 1887)

After a few days in New York City, Queen Kapiʻolani and her entourage departed for England, where they attended the Queen’s Jubilee.

Upon their return from Europe, Queen Kapi‘olani and her entourage stopped again in Washington, D.C. At that time, they toured the National Museum, later to become the Smithsonian Museum of Natural History. As a result of that visit, Queen Kapi‘olani gifted the museum with a Hawaiian outrigger canoe to add to their collection. (OHA)

Queen Kapiʻolani had left the Islands under stress. Just before she left, Liliʻuokalani and Kalākaua’s sister, Miriam Likelike, wife of Archibald Cleghorn and mother of Princess Kaʻiulani, died on February 2, 1887. Her return was under stress, and expedited, as well. Rather than visits and state affairs, she limited her time.

Queen Victoria’s Golden Jubilee was held on June 20 and 21, 1887. On June 30, 1887, the Honolulu Rifles demanded that King Kalākaua dismiss his cabinet and form a new one. Within days, with firearms in hand, the Hawaiian League presented King Kalākaua with a new constitution. Kalākaua signed the constitution under threat of use of force. (hawaiibar-org) As a result, the new constitution earned the nickname, The Bayonet Constitution.

“Queen Kapiʻolani and party reached (New York) from London (on July 11.) The queen expressed a wish to return home as soon as possible consistent with the health of the suite. It was decided not to stop more than a day or two at the longest in New York.”

“The queen … had been inclined to tears when she first heard the news of the Hawaiian revolution”. (Bismarck Weekly Tribune, July 15, 1887) Queen Kapiʻolani returned to Hawai‘i on July 26, 1887.

© 2022 Hoʻokuleana LLC

Queen Kapiolani wearing the peacock gown, and Princess Liliuokalani in London-PP-97-14-009-1887
Queen Kapiolani wearing the peacock gown, and Princess Liliuokalani in London-PP-97-14-009-1887
Kapiolani_and_Liliuokalani_at_the_Stewart_Estate,_England,_1887
Kapiolani_and_Liliuokalani_at_the_Stewart_Estate,_England,_1887
Princess_Liliuokalani-at Queen's_Jubilee-S00012-1887
Princess_Liliuokalani-at Queen’s_Jubilee-S00012-1887
Kapiolani_and_Liliuokalani_at_the_Stewart_Estate,_England_1887
Kapiolani_and_Liliuokalani_at_the_Stewart_Estate,_England_1887
Queen Kapiolani at Queen Victoria's Golden Jubilee, Westminster Abbey-PP-97-15-011-June_21,_1887
Queen Kapiolani at Queen Victoria’s Golden Jubilee, Westminster Abbey-PP-97-15-011-June_21,_1887
Kapiolani Canoe-Na Mea Makamae o Hawaii-National Museum of Natural History- 2004–05
Kapiolani Canoe-Na Mea Makamae o Hawaii-National Museum of Natural History- 2004–05

Filed Under: Ali'i / Chiefs / Governance Tagged With: Queen Victoria, Kapiolani, Jubilee, Bayonet Constitution, Hawaii, Liliuokalani, Kalakaua

June 19, 2022 by Peter T Young Leave a Comment

Hickam

The first successful air flight was in a hot air balloon in 1783; since heated air is lighter than cool air, the balloon would rise into the sky. The pilot would ride in a basket attached to the balloon and control the height by adding and subtracting more heat.

The problem with hot air balloons is that you cannot go the way you want. If the wind is blowing west, that means you would have to go west, too.

Flight took a new turn with the invention of the airplane in 1903; the military quickly became aware of its use in combat. “It can go faster and higher than horses,” said one Army aviator. The US War Department bought its first plane in 1909 and it was assigned to the new Army Air Corps.

It wasn’t until the National Security Act of 1947 became law on July 26, 1947 that a separate, independent Department of the Air Force was created, headed by a Secretary of the Air Force.

In Hawaiʻi, the US Army built Luke Field on Ford Island (constructed in 1917;) by 1928, they recognized the benefit of an expanded air presence, including in Hawaiʻi, and they began looking for a new site for modernizing the national defenses here.

Site selection narrowed to about 2,200-acres of land bordered by Pearl Harbor channel on the west, Pearl Harbor Naval Reservation on the north, John Rodgers airport on the east and Fort Kamehameha on the south.

The land was acquired from Bishop, Damon and Queen Emma Estates and on May 31, 1935 Hickam Air Field was dedicated (it was named in honor of Lt. Col. Horace Meek Hickam, a distinguished aviation pioneer who was killed in an aircraft accident on November 5, 1934, at Fort Crockett in Galveston, Texas).

In naming boulevards and avenues on Hickam Field, the War Department deemed it appropriate to remember those early aviation pioneers who were killed in the Hawaiian Islands as a result of airplane accidents: Fox Blvd. -1st Lt. Robert E. Fox, killed 1920; Cornet Ave. -Pvt. Harman J. Cornet, 1920; Boquet Blvd. -1st Lt. Ulric L Boquet, 1921; Manzelman Circle -1st Lt. Earle R Manzelman, 1921; Vickers Ave. -SSgt. Vernon Vickers, 1921; Owens St. -Sgt. Ross Owens, 1922; Julian Ave. -1st Lt. Rupert Julian, 1923; Monthan St. -1st Lt. Oscar Monthan, 1924; Moore St. -1st Lt. William G. Moore, 1924; Catlett St. -2nd Lt Carter Catlett, 1925; Porter Ave. -TSgt. Aaron A. Porter, 1925; Worthington Ave. -1st Lt. Robert S. Worthington, 1927; Signer Blvd. -Capt. John A Signer, 1927; Kuntz Ave. -1st Lt Clyde A. Kuntz, 1929; Atterbury Circle -2nd Lt. Ivan M. Atterbury, 1930; Mills Blvd. -SSgt. Ralph O. Mills, 1930; Scott Circle -2nd Lt William J. Scott, 1931; Baker St. -2nd Lt. George C. Baker, 1931; Wilson St. -Pfc Hicks G. Wilson, 1935 and Beard Ave. -1st Lt. William G. Beard, 1936.

Hickam Field, as it was then known, was completed and officially activated on September 15, 1938. It was the principal Army airfield in Hawaiʻi.

By the end of 1939, the Air Corps organization located at Hickam Field were, Headquarters, 18th Wing; 5th Bombardment Group; Headquarters Squadron, 5th Bombardment Group; 23rd Bombardment Squadron; 31st Bombardment Squadron; 72nd Bombardment Squadron; 4th Reconnaissance Squadron and 17th Air Base Commando (shortly after, the 11th Bombardment Group was included.

In connection with defense plans for the Pacific, aircraft were brought to Hawaii throughout 1941 to prepare for potential hostilities.  The only airfield large enough to accommodate the B-17 bomber (the Flying Fortress, at the time, the Air Corps’ most-modern airplane,) in May 1941, Hickam received the first mass flight of bombers (21 B-17s) from Hamilton Field, California.

When the Japanese attacked Oahu’s military installations on December 7, 1941, Hickam Field was an important objective; because the success of the Japanese attack was dependent on eliminating air opposition and precluding US planes from following their aircraft back to their carriers and bombing the task force.  Hickam suffered extensive damage, about half of its planes had been destroyed or severely damaged, and personnel casualties totaling 139 killed and 303 wounded.

During the war years, the base played a major role in pilot training and aircraft assembly work, in addition to serving as a supply center for both air and ground troops. Hickam served as the hub of the Pacific aerial network, supporting transient aircraft ferrying troops and supplies to, and evacuating wounded from, the forward areas.

On March 26, 1948, Hickam Field was renamed Hickam Air Force base.   After World War II, Hickam was the US primary mobility hub in the Pacific comprised of the Air Transport Command and its successor, the Military Air Transport Service, until July 1957 when Headquarters Far East Air Forces completed its move from Japan to Hawaiʻi and was redesignated the Pacific Air Forces.

Hickam Air Force Base supported the Apollo astronauts in the 1960s and 1970s; Operation Homecoming (return of prisoners of war from Vietnam) in 1973; Operation Babylift/New Life (movement of nearly 94,000 orphans, refugees and evacuees from Southeast Asia) in 1975; and NASA’s space shuttle flights during the 1980s and into the 1990s.

The 2005 Defense Base Closure and Realignment Commission (BRAC) Report to the President combined the once-independent Pearl Harbor Naval Station (Navy) and Hickam Air Force Base (Air Force) management functions with the establishment of Joint Base Pearl Harbor-Hickam (effective October 1, 2010.)

Hickam now consists of 2,850 acres of land and facilities sharing its runways with the adjacent Honolulu International Airport as a single airport complex, operated under a joint-use agreement.

In October 1980, the Secretary of the Interior designated Hickam AFB as a National Historic Landmark, recognizing it as one of the nation’s most significant historic resources associated with World War II in the Pacific. A bronze plaque reflecting Hickam’s “national significance in commemorating the history of the United States of America” took its place among other memorials surrounding the base flagpole. (Lots of information here is from NPS and ‘Hickam’)

© 2022 Hoʻokuleana LLC

Filed Under: Military Tagged With: Hawaii, Oahu, Pearl Harbor, Hickam, Joint-Base Pearl Harbor-Hickam

June 18, 2022 by Peter T Young Leave a Comment

Grand Tour of Oʻahu

In October 1875, Queen Emma (widow of King Kamehameha IV) decided to take a trek around the islands.  She asked John Adams Cummins (a member of the House of Representatives, the son of an English settler and a Hawaiian mother, and also one of Kamehameha V’s closest friends) to organize the trek and to accompany her.  (Kanahele)

Called the “Prince of Entertainers” and the “entertainer of princes,” Cummins was a prominent Waimanalo sugar planter known for his generous and lavish hospitality to royalty and commoner alike and for his knowledge and love of Hawaiian traditions.

Cummins made sure meticulous arrangements were in place as twenty men safeguarded the Queen around the clock.  The Queen had a head steward who had twenty men under him, ten of whom guarded by day and ten by night.

Then on November 5, 1875, the festivities began.  Leading a vibrant procession into Waimanalo were Cummins, Queen Emma and her mother.

“The streets of Honolulu were thronged with people to witness the grand sight, and it would appear that the whole city and many from the country had turned out to see the departure. We rode down Nuʻuanu street and along King and up into Beretania and thence out towards Kamōʻiliʻili.”  (Hawaiian Gazette)

A huge celebration took place at Mauna Loke (Cummins Waimanalo home,) the first stop of a two-week “Grand Tour of Oʻahu” by the Queen.  She stayed three days, by which time the number present – both invited and uninvited – was in the hundreds.

Cummins had built two large, thatched lanai that seated 200 people. The lūʻau and hula performances were followed by fireworks and rockets fired from the surrounding Koʻolau Mountains at Waimanalo.

Along their circle-island journey, preceding the procession, posters were placed at different parts of the island noting the respective dates of arrival so that local folks would be ready with food, entertainment and accommodations.

After breakfast, everybody went sea bathing or into the mountains to gather maile, ʻawapuhi, ʻohawai and palapalai for lei. Fishermen caught honu (turtle), ʻopihi, ʻokala, uhu, palani, heʻe, lole, ʻohua, manini and kumu.  (Krauss)

As the cavalcade moved from Lanikai and Makapuʻu to Kāneʻohe, then to Waikāne, Punaluʻu and beyond, the people continued to arrive with Hoʻokupu (gifts) of food stuffs for the Queen.  (Kanahele)

At Punaluʻu, the Queen agreed to ride with Cummins in a canoe; it was tied with hundreds of feet of rope to two horses who galloped parallel to the water for four miles on the beach.

“The Queen left her shoes and stockings and got into the canoe and sat down, holding firmly by the out-rigger. The beach was crowded with people to witness the great sight of a Queen taking a perilous ride in the surf.”  (Cummins; Commercial Advertiser)

“We got away for Kahuku … This is the land of the hala tree. We had four very large houses, and all the walks around and from house to house were covered with matting called ‘ue’. Every one took care of his own horse and all were welcome. … At night I had all the torches burning, which lighted up all Kahuku.”

“Our party by this time had increased to over three hundred, and the number of visitors and friends from the neighborhood was very large. At the midnight luau I sent word around among the people that there should be no one leaving here for Waimea or Waialua who had not a wreath of hala-fruit, and that we would leave after breakfast on the morrow.”

“The inhabitants of Waialua district were exceedingly kind to the Queen and her party. … Natives from distant Waiʻanae brought to Her Majesty quantities of their famous fine-flavored cocoanuts, called poka-i. …”

“Assuredly Waialua never saw such a sight before and never will again. Every surfboard in the vicinity was in use, and there were some rare actors amongst this mass of people, who hailed from all parts of the island.” (Cummins; Commercial Advertiser)

Oxcarts loaded with hoʻokupu  arrived from the countryside. Torch bearers renewed their stock of kerosene at every Chinese store on the route.  Waialua had never seen a procession of 400 women on horseback in bright-colored costumes wearing lei and maile, every face wreathed in smiles.  (Krauss)

“(A)fter another great breakfast, the cavalcade was formed for the ride towards Honolulu. It was one of the most beautiful sights ever seen, to look back on the procession from the uplands; and Her Majesty was continually looking back at the bright colored procession which followed us, four abreast.”  (Cummins; Commercial Advertiser)

The next day, parties from Honolulu joined the group for a grand lūʻau hosted by Princess Keʻelikōlani at Moanalua. “Here all the Hawaiian luxuries were ready for a final lūʻau on an exceedingly grand scale. I never saw such an abundance of leis made of lehua blossoms, and cannot imagine where they came from.”

“Just as the party were ready to partake of the viands a very heavy shower of rain, accompanied with thunder and lightning, fell, which drenched everyone to the skin. Still we determined to sit through it. I should state that we were here joined by about two hundred people on horseback from town.”

After the lūʻau, they resumed their march towards town.  “Her Majesty and the horse were covered with leis of lehua and pikaki, and every one of the seven or eight hundred were likewise bedecked with leis.”

“We led the procession, followed by the whole cavalcade, along King street, up Richards and along Beretania to Her Majesty’s house. All dismounted and bade Her Majesty farewell”.  (Cummins; Commercial Advertiser)

“It is unlikely that such (a Hawaiian holiday) could ever be repeated.”  (Cummins)

It lasted 15 days.

© 2022 Hoʻokuleana LLC

Filed Under: Ali'i / Chiefs / Governance, Prominent People Tagged With: Oahu, John Adams Cummins, Cummins, Queen Emma, Grand Tour of Oahu, Hawaii

June 17, 2022 by Peter T Young Leave a Comment

Ke Ana O Ke Kiʻi

The ancient Hawaiian religion, kapu, was an oppressive system of prohibitions. The law of kapu was extended to every act in life, and it even followed the believer beyond the grave.  (Bishop Museum)

Heiau (temples) were so numerous in the thickly settled country near the shore that from the walls of one the next was plainly to be seen. Ellis (1823) tells us that from Kailua to Kealakekua on Hawaiʻi there was at least one heiau to every half-mile along the trail.  (Brigham)

While Kū, Kāne, Lono and Kanaloa were the great gods, almost every man had his private deity, while his wives had others. There was Laka (hula dancers,) Kuʻula (fishermen,) Hina (the wives,) Laʻamaomao (the winds) and so on that were worshipped.

Anything connected with the gods and their worship was considered sacred, such as idols, heiau and priests.  Because chiefs were believed to be descendants of the gods, many kapu related to chiefs and their personal possessions.

The features of their religion were embodied in idols which were of every variety imaginable, from hideous and deformed sculptures of wood, to the utmost perfection of their art.  (Jarves)

Idols were made of different materials; some of the wooden idols were carved from the ʻōhia tree.  In cutting the haku ʻōhia, as the idol was first called, many prayers were uttered and tedious ceremonies lasted days or even weeks if the omens were unpropitious.

In the making of an idol, a suitable ʻōhia tree had previously been selected, one that had no decay about it, because a perfect tree was required for the making of the haku-ʻōhia idol; and when they had reached the woods, before they felled the tree, the kahuna haku ʻōhia approached the tree by one route, and the man who was to cut the tree by another; and thus they stood on opposite sides of the tree.  (Malo)

This intricate system that supported Hawai‘i’s social and political structure directed every activity of Hawaiian life, from birth through death, until its overthrow by King Kamehameha II (Liholiho).

Shortly after the death of Kamehameha I in 1819, King Kamehameha II (Liholiho) declared an end to the kapu system.  In a dramatic and highly symbolic event, Kamehameha II ate and drank with women, thereby breaking the important eating kapu.

When the meal was over, Liholiho issued orders to destroy the heiau and burn the idols, and this was done from one end of the kingdom to the other.  (Kuykendall)

This changed the course of the civilization and ended the kapu system, effectively weakened belief in the power of the gods and the inevitability of divine punishment for those who opposed them.

The end of the kapu system by Liholiho (Kamehameha II) happened before the arrival of the missionaries; it made way for the transformation to Christianity and westernization.

Later, in 1831, Kaʻahumanu visited all of the islands to encourage the people to learn to read and write; she also pronounced certain laws orally about which she wished to instruct the people, including “Worshiping of idols such as sticks, stones, sharks, dead bones, ancient gods, and all untrue gods is prohibited. There is one God alone, Jehovah. He is the God to worship.”  (Kamakau)

However, not all agreed.  There were a large number who refused to cast aside their old practices; and many idols, instead of being burned, were merely hidden from sight. Even among those who outwardly conformed to the new order were many who secretly clung to their idols; the old gods of Hawaiʻi had their devotees for a long time after 1819.  (Kuykendall)

In part, this was evidenced in 2005, when a North Kona lava tube containing more than 30 kiʻi (Hawaiian religious images) were discovered during the construction at what was then known as “The Shores of Kohanaiki.”  Some believe the cave served as storage or a hiding place. Some have also suggested that it might have been a secret place of worship.

The discovery is regarded as especially significant because there were no human remains found with the objects, leading many to believe that they were hidden away after the abolishment of the ‘ai kapu system in 1819.  (OHA)

An initial chamber about 12-feet high and 60-feet long leads to a second, smaller chamber containing the wooden images and stone uprights.  “(A)side from the initial puncture point in the ceiling, the cave interior appears to be structurally sound and does not present a threat of collapsing at this time.”

“About three-dozen of the wooden images are made from limbs of varying dimensions, carved with slits for eyes and a mouth. They were left in this natural state with no other carved or stylistic features.”

“They are all similar and may have been carved by the same person or personages who were schooled under the same priestly order. A few of the kiʻi retain the ‘Y’ shaped fork created by the outgrowth of two branches, with eyes and mouth carved below the split.”  (OHA)

This isn’t the first such find.

The Pacific Commercial Advertiser reported (September 23, 1876,) “Recently some of the employees of Dr Trousseau in North Kona Hawaiʻi discovered a lot of wooden idols of the olden time, in a cave on the mountain.  They were in a good state of preservation and had doubtless been undisturbed in their hiding place since the time when they were deposited there to escape the general destruction of idols by order of Kaahumanu”.

This earlier discovery on the side of Hualālai was the first reported discovery of such a large clutch of images, under circumstances suggesting either the survival of a secret cult, or a shrine predating the abrogation of the traditional religion.  (Rose)

All were carved from ʻōhia logs; the bark was removed and both ends were roughly hacked to blunt points.  Although some individuality was in each carving, several similarities stand out: wide grooves and shallow cuts to delineate circular eyes and mouths.

King Kalākaua acquired the great majority of the images from the Mt Hualālai cave; it is not clear whether he actually visited the cave.  Despite, or perhaps because of, their relative simplicity, they share some claim to be numbered among the most unusual of all Hawaiian carvings.  (Rose)  Of the total 26 or so post images taken from the Mt Hualālai cave, 12 are preserved in three museums in Europe and the US.

The two finds noted here, although both in North Kona, were in significantly different areas: Kohanaiki near the shoreline (that cave with all the kiʻi has been sealed in 2006) and the other is way up the side of Hualālai (all of the contents of that cave were removed by 1885.)  Some have labeled these caves as “Ke Ana O Ke Kiʻi” (The Cave of Images.)

© 2022 Hoʻokuleana LLC

Filed Under: Hawaiian Traditions, Prominent People Tagged With: Kaahumanu, Liholiho, Cave of Images, Georges Trousseau, Ke Ana O Ke Kii, Hawaii, Hawaii Island, Kii, Kapu

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