Hawaiian Traditions | Page 96 | Images of Old Hawaiʻi

July 2, 2016 by Peter T Young Leave a Comment

Wauke

“Canoe crops” (Canoe Plants) is a term to describe the group of plants brought to Hawaiʻi by the early Polynesians. It is believed that these settlers, and the settlers that followed them, introduced a variety of plant species.

One such was Wauke (Paper Mulberry.) It’s a tree that can grow up to 50-feet. It thrives in places along streams, in woods, hollows or uneven grounds, in dry taro patches, in moist land where water flows. It is a species of the Hawaiian wet forests.

Legend identifies wauke with Hina, on the island of Maui. This may indicate that the paper mulberry, like one species of bamboo, was first brought to and planted on that island, which was Hina’s home.

The legend tells of Hina and her tapa making that anciently the sun hurried across the sky so fast that her tapa had no chance to dry. So her son Maui went to the place where the sun rises (Haleakala.) There he watched and caught the first ray that rose and broke it off, so that ever since the sun has traveled the sky more slowly.

The proper time for planting wauke is at the beginning of a rainy period. The shrub is said to mature within 18 months from the time the slip is planted.

Thereafter it continues to grow, young shoots springing from the roots to replace old ones. By recultivating an old patch, a flourishing crop of stems (for bark-stripping) may be had.

According to Thrum, in the upland plantations the whole plant was sometimes pulled out for harvesting and the roots lopped off and cut into segments for replanting. (Handy)

As the wauke tree grew, planters cut off the side branches, so a straight trunk stalk without branch holes could later be stripped. In 6-10 months the trunk shoots were cut down and the roots and tops removed.

The chief use and the main purpose of its cultivation were the making of cloth. In Hawai‘i, wauke made the softest, finest, and most durable kapa (tapa – bark cloth) for dress, bed sheets and for ceremonial purposes.

Indeed, the wealth of a household was often counted in the number and quality of its fine kapa materials, and in those made available, through the industry and skill of the womenfolk, as a store from which gifts might be made to ʻohana and revered ali‘i. (Handy)

It was pounded into kapa and made into a malo: a strip of cloth nine inches wide and nine feet long for the man, and pa‘u for the woman: a strip a little wider and somewhat longer.

The Hawaiians beat the fibers with beaters that had designs carved into them, this would leave a watermark on the cloth. Second, they used colors not found on other kapa, reds, blues, pink, green, and yellow.

The method of getting wauke is the same for the various kapas which a person desires; it is only during the process of beating out the kapa that a person could make use of the pattern which she prefers. (Fornander)

The trunks were stripped of bark, as thick as a finger and about 4 feet long. The outer bark was slit and peeled off. The inner bark fibers, called bast, were then soaked in running water, such as a high tide pool, with stones placed on top of the fiber pile.

This part of the process breaks down the woody fibers and washes away the starch. A complicated process of soakings and fermentation followed, leaving the fine fibers of the moist inner bark still tough and resilient when finally removed from the waters.

At this time in the process, the women of Hawai`i would often twist cordage out of the fibers, for use as fish nets, upena and as carrying nets, koko, from which to hang calabashes of wood and gourds. (CanoePlants)

For Kapa, strips were laid edge to edge, and felted together by beating with wooden beaters of different sizes, square in cross section, having carved geometric designs on their four faces to give watermarking. Many successive beatings with lighter and lighter clubs were required to make the finest cloth. (Handy)

For the process of beating the kapa these things are prepared: The block on which to do the beating; this block is made broad and flat on top and the two ends are made thus: the top one is lengthened and the under one is shortened. Water is used through the beating process to keep the wauke continually wet. (Fornander)

The first i‘e (club – tapa beater) (a coarse-figured club) is used for hard pounding. After that is the i‘ekike, the dividing club, a smaller-figured club; then comes the printing club and the finishing club. The kapa is then cut. It is next taken to soak in water.

It is then spread to dry at a place prepared for drying it, that is the drying ground; there it is spread out and pressed down with rocks placed here and there so that the pa‘u would not wrinkle. This is continued until the pa‘u is dry. And this is done until there are five kapa; they are then sewn together. That is called a set of kapa.

The sap is used medicinally as laxative. Ashes from burned tapa was used as medicine for ‘ea (thrush). Strips of coarse tapa were worn around a nursing mother’s neck for milk flow. (kcc.hawaii-edu)

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Wauke – rolls of inner bark-kapakulture

Wauke-stalk-theothershoedropped

Wauke-pealing the stalk-theothershoedropped

Wauke strips soaking-kapakulture

wauke_kapa_cordage-BM

wauke_kapa-BM

Wauke_leaves-davesgarden

Wauke_stalks

Wauke stalks

Wauke_trunk-davesgarden

June 5, 2016 by Peter T Young 1 Comment

Mahiole

The love of personal decoration appears very early in the history of the human race. (Brigham)

Hawaiian featherwork consists first of lei or strings of feathers worn in the hair, or in later times the neck; Kāhili used as royal insignia; ahuʻula cloaks or capes worn by chiefs; mahiole helmets; images of the god Kūkaʻilimoku, the war-god of Kamehameha; and a few other items. Brigham)

The Hawaiians were a close observer of nature. The hunters know the haunts of birds they sought and the season when the plumage was at its best.

The rare birds were never killed, but captured alive and released, after the feathers desired were plucked.

When the British ships Resolution and Discovery entered Kealakekua Bay, Hawaii, in January 1779, they were greeted by thousands of people in canoes.

They had arrived during the Makahiki festival, dedicated to the god of peace and productivity, Lono. Presentations of cloaks and helmets were made to Captain Cook. (British Museum)

In contrast to the feathered cloak, which was also found in Tahiti and New Zealand, the feathered helmet is peculiar to Hawai‘i. Together with the feathered cloak, the crested helmet belonged to the insignia of the high chiefs, or later the king. (National Museum of Australia)

In the Hawaiian Islands, feathered cloaks, capes and helmets were worn by male chiefs to signify their status. These were worn during ceremonial occasions, which often took place at heiau (temple areas,) as well as during makahiki.

All of a chief’s garments were considered kapu, having a divine or sacred power, and would not be worn by anyone else.

It was a custom to cut the hair close at the sides of the head leaving a ridge of still, erect hair, like a mane on the top of the scalp, and this mane-like ridge was called mahiole, the same name given to the helmet. (Brigham)

Mahiole were constructed of the aerial roots of the ʻieʻie vine, woven into a basketry frame. They were perfectly fitted to an individual, and protected the most sacred part of the body, the head.

A net of olona fibers was laid over the framework, and feathers attached in bundles in the same way as for the cloaks. The featherwork starts from the bottom, so each new row conceals the quills of the feathers below. (Museum of New Zealand)

Small feathers of a uniform size were attached. Red feathers were gathered by specialist bird-catchers from the ‘i‘iwi bird, a honeycreeper, and the black and yellow feathers from honeyeaters. Garments made of these feathers were reserved for particularly high-ranking chiefs.

The shape of the crest echoes the crescent designs found on cloaks, and in men’s hairstyles and tattoo designs. The Hawaiian word for crescent, hoaka, means to ‘frighten away’, but also indicates brightness, splendor and glory.

The mahiole represented the political status of male chiefs who had various authority.

There are many different kinds of mahiole that can be seen today found in museums around the world from the mahiole haka (short crested helmet,) mahiole pōheoheo (knobbed helmet,) mahiole haka kahakaha (striped short crest helmet,) spoked crescent helmet and others.

On the island of Hawaii, helmets with a high crest were favored. Other helmets, which had mushroom-like ornaments on top, or which were decorated with human hair, were worn by warriors or lesser chiefs. (National Museum of Australia)

Kaumuali‘i’s mahiole is consists of red ‘i‘iwi, yellow and black feathers and knotted a million times into a lacy filigree. The mahiole was a gift from Kamehameha I in 1810 after Kaumuali‘i stepped down as high chief of Kauai. It is the only feathered mahiole whose owner can be confirmed. (Bishop Museum)

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Mahiole-British Museum

Gorro de príncipe hawaiano (M. América, Madrid) 01

Arago_–_Guerrier_des_Iles_Sandwich-1819

Kaiana_(PP-96-7-001)-1787

Mahiole_British_Museum

Mahiole_of_Kaumualii,_1899

Mahiole-British_Museum

Mahiole-BritishMuseum

Mahiole-British-Museum

Mahiole-ieie-BritishMuseum

Mahiole-ieie_vine-Vancouver-1791-1795

‘Man_Wearing_Feather_Cloak_and_Helmit’,_attributed_to_Rembrandt_Peale-c. 1805-1810

Aniheneho._L’un_des_Premiers_Officiers_de_Tahmahamah-Jacques_Arago,_1819

‘A_Man_of_the_Sandwich_Islands_with_His_Helmet’_c._1800

Portrait_of_Kaneena,_a_chief_of_the_Sandwich_Islands_in_the_North_Pacific-between 1778 and 1779

John_Webber’s_oil_painting_’A_Chief_of_the_Sandwich_Islands’,_1787

Tianna_a_Prince_of_Atooi,_c._1787

May 28, 2016 by Peter T Young 1 Comment

Kōkua Aku, Kōkua Mai

The following moʻolelo was told by Mary Kawena Pukui and published in the book titled, Tales of the Menehune – Help and be Helped.

This moʻolelo perpetuates the Hawaiian proverb, “kōkua aku, kōkua mai” (help and be helped.) In addition, it also brings attention to the importance of maintaining the resources of both land and sea. This moʻolelo is given below.

“Keoha, a canoe-maker of Hilo, had come to Puna. The trail was long, the day hot, and now Keoha stood looking longingly at a bunch of coconuts in a treetop.”

“‘Aloha, stranger! What are you looking at?’ A fisherman had stopped beside Keoha.”

“‘Those coconuts. Their cool milk would moisten my dry throat, and the meat of a tender young nut would taste very good.’”

“‘Come with me,’ the Puna fisherman invited. “’I have many coconuts and shall give you all you want. Come to my home.’”

“Keoha went gladly. The walk was long, but the Hilo man thought eagerly of the good food and drink that he could find. He hurried.”

“At last the fisherman stopped beside tall coco palms. ‘There are coconuts, stranger,’ he said smiling. ‘Help yourself.’”

“There they were indeed! High in the treetops! Years ago Keoha could have climbed one of those coco palms, but not now. ‘Thank you. I am no longer thirsty,’ he answered as he walked away.”

“A little later as he passed a group of houses the canoe-maker was called in. Boys climbed trees for coconuts, and Keoha and his hosts ate tender young nuts and drank cool milk. The stranger was refreshed and very grateful. These men became his friends.”

“The canoe-maker, however, did not forget the fisherman. ‘Someday I shall repay his kindness,’ he told himself.”

“Years later his chance came. The Puna man walked into the shed where Keoha was polishing a canoe. ‘My small fishing canoe was injured in a storm,’ he said. ‘I need another. Have you one?’”

“Keoha looked around. ‘Not here. These are all promised,’ he answered, speaking truly. ‘But there is one in the forest. Meet me early tomorrow, and I shall show you.’”

“Carrying food and water the two took the trail. The day grew hot, but they climbed on for the fisherman was eager to see his new canoe. “

“At last they reached the part of the forest where tall koa trees grew – the strong trees whose trunks can stand the beat of waves and scratch of pebbles.”

“Keoha looked from one to another of the great trees as he said, ‘Here are many canoes. Help yourself.’”

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Kokua Aku, Kokua Mai-koa trees – canoes-HWAP

May 23, 2016 by Peter T Young 6 Comments

William Francis James

“Dear Doctor (James) – I have taken this opportunity to express my heartiest appreciation and many thanks for the good treatment that I received at your hands while at the hospital for the last past three months.”

“I am enjoying sound health at present owing to your skilful medical attention given me and which I never, will forget.” (Hawaiian Star, December 7, 1909)
On the continent, the idea of unified, correlated national health services had been germinating slowly since the epidemic of yellow fever in 1793. Fast forward about a century … State Boards of Health were being organized in rapid succession.

In 1874 the National Association of State Health Commissioners was formed, and the obvious need for a central federal health agency became more and more apparent. Then in 1879, a National Board of Health was created.

In 1872, the small island off Iwilei in Honolulu Harbor – “Kamokuʻākulikuli” – became the site of a quarantine station used to handle the influx of immigrant laborers drawn to the islands’ developing sugar plantations.

The site is described as “little more than a raised platform of sand and pilings to house the station, with walkways leading to the harbor edge wharf, where a concrete sea wall had been constructed” and as “a low, swampy area on a reef in the harbor”. (Hawaiian Gazette, March 23, 1881)

By 1888, Kamokuʻākulikuli Island had been expanded and was known as “Quarantine Island.” If vessels arrived at the harbor after 15 days at sea and contagious disease was aboard, quarantine and disinfecting procedures were required at Quarantine Island. (Cultural Surveys)

At the request of the Territorial authorities an officer of the United States Public Health Service was detailed for duty as sanitary adviser to the Governor of Hawaii. (Journal of Public Health, 1913)

The work of the Public Health and Marine-Hospital Service in Hawaii was divided into four sections: quarantine operations; plague-preventive measures; immigration inspection; and marine-hospital relief.

“At Honolulu the service has a first-class quarantine and disinfecting station with a wharf capable of accommodating vessels of 35 feet draft. The quarantine station has accommodations for 75 cabin and 600 steerage passengers in the regular quarters and barracks.”

“In addition there are tent platforms of United States Army Regulation, 14 by 15 size, which can be made available at short notice for 1,280 soldiers, with the cooperation of the Quartermaster Department of the Army or of the Hawaiian National Guard. There is also tentage capacity on the island for at least as many more troops or other persons.”

“At Hilo the service maintains a second-class quarantine and disinfecting station with facilities for fumigating vessels by the sulphur-pot method. There is as yet no provision for handling numbers of persons in quarantine except on shipboard or by arrangement with the board of health for use of its quarters temporarily.”

“At the subports of Mahukona, Kahului, Lāhainā, Port Allen and Kōloa acting assistant surgeons of the service board and inspect incoming vessels.” (Surgeon General Annual Report, 1911)

Dredged materials from improvements to Honolulu harbor had enlarged Quarantine Island again and by 1906 the island was encircled by a seawall and was 38-acres. By 1908 the Quarantine Station consisted of Quarantine Island and the reclaimed land of the Quarantine wharf (with a causeway connecting the two.)

Quarantine Island (what is now referred to as Sand Island) became the largest United States quarantine station of the period, accommodating 2,255-individuals. This facility included two hospitals and a crematorium. (Cultural Surveys)

One of its residents was William Francis James. James was born in Darwhar, Bombay Presidency, India, November 11, 1860, the son of Cornelius Francis and Caroline Sophia James.

Dr William Francis James was married to Sarah Ellen “Helen” Robinson in San Antonio, Texas on June 16 1886. The couple were parents to eight children: William Walter James, Francis “Frank” Leicester James, Stella James, Caroline Ella “Cherie” James Morren, Sophie Ethel James Fase, Gracie James, Naomi James Jacobson Hart and Ruth James Lord. (Schnuriger)

James was a graduate physician (Tulane, 1893) and surgeon in private practice since 1888 in San Antonio Texas. He enlisted in the US Army in the Rough Riders, 1st Volunteer Cavalry during Spanish American War in 1898 and then came to the Islands in 1903 to work for the Public Health Service; his salary was $200 per month.

His duty as Acting Assistant Surgeon required him to board vessels wanting to enter the port of Honolulu and examine their passengers and crew and ascertain if there are any diseases there among that would prevent the vessel from entering the port. (US Circuit Court of Appeals)

“(W)e treat free of charge all sailors on United States boats, and also hospital treatment and outdoor patients treatment, and boarding vessels for the purpose of examining the crew and passengers on board the boats as to their health, and contagious diseases especially.” (James)

His services went beyond medicine … “Voicing the unanimous sentiment of the Japanese community, the members of the Japanese Hotel Union of Honolulu desire to express their deep appreciation of the heroic act …”

“… by which a Japanese woman, Sei Shibata, was saved by you from drowning in Honolulu harbor on the 23rd of September, 1912.” (Honolulu Star-Bulletin, October 3, 1912)

“Plunging into waters infested with sharks, Acting Assistant Surgeon WF James, of the public health service, stationed at Honolulu, rescued a Japanese woman from drowning on September 23.”

“The Young brothers’ launch Water-witch with visiting newspapermen was soon at the scene, and the woman and her brave rescuers were hauled aboard. From the launch they were transferred to the ‘Korea.’ Drs Trotter and James worked over the woman for some time before she was restored to consciousness.” (Honolulu Star-Bulletin, September 24, 1912)

“(James) was lauded for bravery by Secretary of the Treasury MacVeagh, who yesterday called attention to his ‘humanitarian and unselfish action.’ Dr James was formerly a Roosevelt Rough Rider.” (Honolulu Star-Bulletin, November 4, 1912) He died May 23, 1944 in Honolulu.

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Sand Island Wharf-Dr. William F. James and family (heavenlycolors)

William_Francis_James

Dr William F James with his wife Sarah Robinson James

Quarantine Station-Dr William F James with his wife Sarah Robinson James-(heavenlycolors)

Immigration Quarantine Station (Sand Island)-PP-10-4-001-00001

Immigration Quarantine Station (Sand Island)-PP-10-3-021-00001

Japanese_Coming_Off_Ship-causeway on Sand Island-(HSA)-PP-46-4-005-00001

Immigration Quarantine Station (Sand Island)-PP-10-3-030-00001

Honolulu Harbor-light-quarantine station-PP-40-3-008

Honolulu Harbor Light Station (L) and the Quarantine docks (R)

Honolulu-USGS_Quadrangle-Honolulu-1927-noting Quarantine Island

Honolulu_USGS_Quadrangle-Honolulu-1933-noting Quarantine Island

Honolulu_Harbor_to_Diamond_Head-Wall-Reg1690-1893-noting Quarantine Island

May 10, 2016 by Peter T Young 1 Comment

Olonā

The ancient Hawaiians made use of a considerable range of fiber plants. Some of these they brought with them; others were discovered in the new island home.

Naturally available to the Hawaiians were a variety of vines, grasses, and tree barks that could be used as cord with little or no modification, but they found that, with a bit more effort, they could produce string, twine, or rope that was easier to handle and lasted a longer time.

First among the Hawaiians’ cordage resources, however, was an endemic forest plant, olonā. Its excellence made olonā cordage a highly valued item, not only among the Hawaiians themselves but also, later, among Western sailors, and its virtues enabled Hawaiians to create some of the finest pre-contact handcraft in the Pacific. (Abbott)

“Olonā was a thing highly prized by one and all. It was very valuable and planters raised it extensively. … There were, however, few places where olonā would grow and hence, not all people cultivated.”

The ancient Hawaiians undoubtedly discovered the valuable fiber of this plant at a very early time. They were intimately familiar with the local flora and its economic utilization. The olonā is mentioned in many of the old songs and legends.

“It grew in rainy districts and in marsh lands and in those parts of the mountain which were saturated with moisture; it did not grow on bare mountain sides but on those ridges where bananas grew and water ran constantly and where there was plenty of moisture. It throve on the windward side of the islands and few places besides.”

“When people in old days planted olonā they first looked for a good place in the mountains to plant, a valley where it was fertile and flat, perhaps below a cliff in the bed of a stream.”

“Here they cut down the pulu ferns, chopped down the trees and cleared out the weeds. The planting was done like the planting of the wauke from the young shoots or cuttings from the ground stem.”

“A field of olonā that grew uniformly with every stalk and every leaf alike was the planter’s delight, and if it grew on a level, two or three acres or more of it, his joy knew no bounds. It all grew up like the hairs on the head, with straight stalks and rounded leaves. In a year or more it was full-grown and the leaves began to turn yellow.” (Kamakau; Bishop Museum)

Special interest is attached to the olonā fiber as it is generally recognized to be the strongest and most durable fiber in the world. No other fiber is recorded to exceed it in these two important characteristics.

This fiber is the best of all fibers known at the present time. The three dominant features are (1) the great tensile strength (about three times the strength of commercial Manila – about eight times as strong as hemp;) (2) its great resistance to deterioration in salt water; and (3) its pliability, and thus its adaptability for spinning by hand.

Among the Hawaiians it was put to a great variety of uses. All fishing lines and nets of the best quality were invariably made of olonā, because of its high resistance to the action of salt water. (MacCaughey, 1918)

Fishing lines and nets made from this fiber by expert Hawaiians present an appearance of so uniform a caliber and twist that it would lead one to believe that the fiber had been made by the most intricate machinery.

Olonā lines and nets which have been in more or less constant use for over a century are almost as good as new, and are handed down from generation to generation as precious objects. Most of the natives are very unwilling to part with any of their fishing gear that is made of olonā.

The very serviceable carrying-nets, koho, in which the wooden calabashes and other objects were borne, were commonly made of olonā fiber. Olonā was not used for making the bark-cloth or kapa itself, but threads and cords of olonā were used for sewing the kapa.

A stout cord of olonā was usually attached to the wooden war-clubs and dagger-like swords, for suspending the weapon from the wrist. This prevented the loss of the weapon during the fray. For fastening the stone adz, ‘o‘o, to its wooden handle, olonā was always the preferred fiber.

It was used for the very fine and pliable netting which served as a groundwork for the feathers, in the construction of the splendid garments and insignia of the ancient royalty and ali‘i. The brilliant scarlet and yellow feathers were skillfully woven by the women upon the imperishable framework of olonā. (MacCaughey, 1918)

“Olonā is so universally the basis of Hawaiian feather cloaks, that feathers mounted on any other substance would be at once classed as foreign to the group.” The fineness of the net varies as does the size of the thread used for cloaks.

In featherwork, feathers are mounted and tied with olonā cordage to nets made of well twisted, closely netted olonā. Feathers are inserted in rows and bound by two or three turns of the olonā threads. (Brigham)

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