Images of Old Hawaiʻi

by Peter T Young Leave a Comment

Rock Walls

Uhau humu pōhaku, or dry stacking, is masonry without mortar or metal joinery. “Each layer is locked into place by the one below.” (Gino Bergman; Simon)

Other gravity-resistant touches include inwardly tilting facades and adjacent stones that clench together like upper and lower jaws of teeth. (Simon)

“[S]tone structures of the old Hawaiians … were of rough stone, dry laid, and consist of pyramidal and enclosed temples which will properly be considered with the Ancient Worship, and extensive walls enclosing fish preserves on the fringing coral reefs, which belong again to the Fisheries.”

“In both these stone works it was the great labor expended in collecting, transporting and placing the stones rather than any architectural skill that made them noteworthy. … Cut stones for building purposes were rare, and in all cases they were shaped from slabs of lava by patient hammering.”

“The stone walls of the heiau often tumbled down on Hawaii in the frequent earthquakes, but I do not know that they were ever made the objects of the victor’s destroying wrath in the interminable petty wars, while the walls of the fish ponds were usually broken down to let out the fish and so materially injure the conquered owners.” (Brigham)

The Great Wall, or Pā Puʻuhonua, is a massive L-shaped structure that bounds the puʻuhonua on its eastern and southern sides. The wall stands nearly 12 feet tall, 18 feet in width, and stretches 965 feet in length. Constructed over 400 years ago, the Great Wall continues to protect the puʻuhonua, the people, and ceremonial sites contained within from the outside world.

The Great Wall was built using traditional, dry masonry techniques in which unmodified cobbles and boulders were fitted together without the use of mortar. The structure was originally constructed with two outer walls faced with ‘alā (volcanic stones, often water worn and with smooth faces).

Archaeological investigations conducted in the 1919 and 1963 revealed two distinct techniques of masonry design within the interior of the structure.

The first style, known as pa’o (caverned), is an open work construction technique accomplished by laying lava slabs on top of upright columns. This architectural style is unique to the Pu‘uhonua o Honaunau park lands and, thus far, has been documented nowhere else on the Hawaiian Archipelago.

The other type of interior construction noted within the Great Wall is haka haka or vacant spaces. Commonly used throughout Hawaiʻi Island, haka haka uses broken, angular stone rubble to fill the interior cavity of the outer walls. (NPS)

However, not all of the rock walls you see were built by Hawaiians.  “Although the role of Japanese immigrants in shaping Hawaiian plantation culture is frequently acknowledged, their contributions to paniolo culture have been underemphasized.”

“The first Japanese contract laborers arrived in Hawai‘i in 1885, primarily to harvest sugarcane and pineapple. The Humu’ula Sheep Company made use of the same labor pool, particularly in the summer when most sheep shearing took place.”

“H. Hackfeld & Company also owned a number of sugar plantations and moved Japanese contract laborers seasonally depending on where they were needed.” (Peter Mills)

Maly notes that the primary tasks for the Japanese employees at the sheep station included, “construction of stone walls, fences, and carpentry; sheering and herding sheep; baling wool; trail and road work; garden work; setting of phone poles and lines; weeding thistle and gorse; and general facility maintenance.” (Kumu Pono)

By 1885, the Humu‘ula lease was held by the Humu‘ula Sheep Company, which in that year obtained the lease for the east side of Ka‘ohe, while Parker Ranch continued to lease the west side. The company hired immigrant stonemasons to build stone walls around their grazing lands in the 1890s; portions of these are still standing. (CARA)

“Through 1890 and the summer of 1892, the names of 29 Japanese laborers and 12 Chinese laborers appear in August Haneberg’s journal. They worked on various tasks, including shearing sheep, building walls, weeding, working on a cart road between stations, and constructing a telephone line between Kalai’ehā and Hopuwai.” (Peter Mills)

“Between 1893 and 1895, many miles of stone walls were built by several Japanese laborers who camped at the Humu‘ula headquarters.  The fence along the south boundary, the kīpuka [oasis within a lava bed] of ‘Āina hou near Pu‘u Huluhulu, is still intact in portions along the Saddle Road.”

“Parts of the wall were buried in the 1935 lava flow.  The north wall can still be seen meandering steeply up the Mauna Kea slope from the Humu‘ula-Mānā Road near Pu‘u‘ō‘ō.”  (Billy Bergin)

“Billy Paris was saying that [with the] 1928 or ’29 earthquake, he was thinking too, that out at Pu‘u Wa‘awa‘a when the earthquake happened, they brought in a lot of Japanese stone wall masons and they went into the mountain … to go rebuild the walls that were required.” (Kepa Maly)

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Kūpeʻe Niho ʻIlio

“The hula was a religious service, in which poetry, music, pantomime, and the dance lent themselves, under the forms of dramatic art, to the refreshment of men’s minds.”

“Its view of life was idyllic, and it gave itself to the celebration of those mythical times when gods and goddesses moved on the earth as men and women and when men and women were as gods.”

“As to subject-matter, its warp was spun largely from the bowels of the old-time mythology into cords through which the race maintained vital connection with its mysterious past.”

“The people were superstitiously religious; one finds their drama saturated with religious feeling; hedged about with tabu, loaded down with prayer and sacrifice. “

“They were poetical; nature was full of voices for their ears; their thoughts came to them as images; nature was to them an allegory; all this found expression in their dramatic art.”

“The ancient Hawaiians did not personally and informally indulge in the dance for their own amusement, as does pleasure loving society at the present time.”

“We are wont to think of the old-time Hawaiians as light-hearted children of nature, given to spontaneous outbursts of song and dance as the mood seized them …”

“… quite as the rustics of ‘merrie England’ joined hands and tripped ‘the light fantastic toe’ in the joyous month of May or shouted the harvest home at a later season. “

“The genius of the Hawaiian was different.”

“With him the dance was an affair of premeditation, an organized effort, guarded by the traditions of a somber religion. And this characteristic, with qualifications, will be found to belong to popular Hawaiian sport and amusement of every variety.” (Nathaniel Bright Emerson.)

The costume of the hula dancer was much the same for both sexes, its chief article a simple short skirt about the waist, the pa-u.  When the time has come for a dance, the halau becomes one common dressing room. At a signal from the kumu the work begins. The putting on of each article of costume is accompanied by a special song.

First come the ku-pe‘e, anklets of whale teeth, bone, shell-work, dog-teeth, fiber-stuffs, and what not. While all stoop in unison they chant the song of the anklet:

Aala kupukupu ka uka o Kane-hoa.
E ho-a!
Hoa na llma o ka makani, he Wai-kaloa
He Wai-kaloa ka makanl anu Lihue.
Alina lehua i kau ka opua
Ku’u pua,
Ku’u pua i‘ini e ku-i a lei.
Ina ia oe ke lei ‘a mai ia.

Fragrant the grasses of high Kane-hoa.
Bind on the anklets, bind!
Bind with finger deft as the wind
That cools the air of this bower.
Lehua bloom pales at my flower,
O sweetheart of mine,
Bud that I’d pluck and wear in my wreath,
If thou wert but a flower!
(Anklet Song, Emerson)

“In times long past anklets made from hundreds of dog teeth which, strung on a foundation of olona netting in much the same manner as feathers were woven into the fabric of a fiber mesh to make the famous feather capes, were worn in the hula to accentuate the rhythms of the feet in dancing. They were called kupee niho ilio, dog tooth bracelets.” (Roberts)

’The canine teeth of dogs (’ilio) with holes drilled through the root and strung on a cord have been regarded as dog-tooth necklaces (lei ’ilio).’

‘They may have been used temporarily as such, but it is more likely that they were so strung until a sufficient number had been collected to make the dog-tooth leg ornament characteristic of Hawaii.’

’Dogtooth leg ornaments (kupe’e niho ’ilio), worn by men dancers, are peculiar to Hawaii.’ (Buck)  They could also be considered instruments, as they underlined the sounds of stamping feet.

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Puʻuhonua O Hōnaunau

“The ancient system consisted in the many tabus, restrictions or prohibitions, by which the high chiefs contrived, to throw about their persons a kind of sacredness, and to instil into the minds of the people a superstitious awe and peculiar dread.”

“If the shadow of a common man fell on a chief, it was death; if he put on a kapa or a malo of a chief, it was death; if he went into the chief’s yard, it was death; if he wore the chief’s consecrated mat, it was death; if he went upon the house of the chief, it was death.”

“If a man stood on those occasions when he should prostrate himself, (such as) when the king’s bathing water… (was) carried along, it was death. If a man walked in the shade of the house of a chief with his head besmeared with clay, or with a wreath around it, or with his head wet… it was death.”

“There were many other offenses of the people which were made capital by the chiefs, who magnified and exalted themselves over their subjects.”  (Dibble)

The social rules for interaction with gods and members of the chiefly class were legion, and death by human sacrifice was the default punishment in many cases.  (Shoenfelder)

Puʻuhonua were locations which, through the power of the gods and the generosity of the chiefs, afforded unconditional absolution to those who broke taboos, disobeyed rulers, or committed other crimes.  (Schoenfelder)

Ethno-historical literature, and available physical, cultural, and locational data, note at least 57-sites across the Islands.  Puʻuhonua tended to occur in areas of high population and/or in areas frequented by chiefs.  (Schoenfelder)

These range from enclosed compounds such as Hōnaunau, to platforms (Halulu on Lānaʻi), to fortified mountain-tops (Kawela on Molokaʻi), to unmodified natural features (Kūkaniloko on Oʻahu) and to entire inhabited land sections, as at Lāhainā on Maui. (Schoenfelder)

Recognized as one of the significant puʻuhonua, and one that is well preserved and presented for the rest of us to understand was Puʻuhonua O Hōnaunau on the Kona coast on the Island of Hawaiʻi.

The Place of Refuge, termed the ‘City of Refuge’ by Rev. William Ellis in 1823, with its adjoining chiefly residences. Beyond the boundaries of the “Palace Grounds”, around the head of Hōnaunau Bay, lived the chiefly retainers and the commoners. South of the Place of Refuge were scattered settlements along the coast and inland under the cliffs of Keanaee.  (NPS)

“The Puhonua at Hōnaunau is a very capacious one, capable of containing a vast multitude of people. In time of war, the females, children, and old people of the neighbouring districts, were generally left within it, while the men went to battle. Here they awaited in safety the issue of the conflict, and were secure against surprise and destruction in the event of a defeat.”  (Ellis, 1823)

“These Puhonuas were the Hawaiian ‘Cities of Refuge,” and afforded an inviolable sanctuary to the guilty fugitive, who, when flying from the avenging spear, was so favoured as to enter their precincts.”  (Ellis, 1823)

“Hither the manslayer, the man who had broken a taboo, or failed in the observance of its rigid requirements, the thief, and even the murderer, fled from his incensed pursuers, and was secure. To whomsoever he belonged, and from whatever part he came, he was equally certain of admittance, though liable to be pursued even to the gates of the enclosure.”  (Ellis, 1823)

“Happily for him, those gates were perpetually open. Whenever war was proclaimed, and during the period of actual hostilities, a white flag was unfurled on the top of a tall spear, on the outside, at each end of the enclosure, and until’ the conclusion of peace, waved the symbal of hope to those, who, vanquished in fight, might flee thither for protection.”

“To the spot, on which this banner was unfurled, the victorious warrior might chase his routed foes. But here he must himself fall back. Beyond it he must not advance one step, on pain of forfeiting his life.”

“The priests and their adherents – would immediately put to death anyone, who should have the temerity to follow, or molest those, who were once within the pale of the pahu tabu, and, and as they expressed it, under the shade, or skreening protection, of the spirit of Keave, the tutelar deity of the place.”  (Ellis, 1823)

A structure there, Hale-O-Keawe was erected around 1650 to serve as a temple mausoleum for the ruling chiefs of Kona. It served as the major temple for the “Place of Refuge” until 1819, when the religious laws (kapu) were abandoned.

“The appearance of the house was good. Its posts and rafters were of kauila wood, and it was said that this kind of timber was found in the upland of Napu’u. It was well built, with crossed stems of dried ti leaves, for that was the kind of thatching used.”

“The appearance inside and outside of the house was good to look at. The compact bundles of bones (pukuʻi iwi) that were deified (hoʻokuaʻia) were in a row there in the house, beginning with Keawe’s near the right side of the door by which one went in and out, and going to the spot opposite the door (kuʻono).”  (John Papa ʻĪʻi)

“It is a compact building, 24 feet by 16, constructed with the most durable timber, and thatched with ti leaves, standing on a bed of lava, which runs out a considerable distance into the sea. It is surrounded by a strong fence, or paling, leaving an area in the front and at each end, about twenty-four feet wide, paved with smooth fragments of lava laid down with considerable skill.”

“Several rudely carved male and female images of wood were placed on the outside of the enclosure; some on low pedestals, under the shade of an adjacent tree; others on high posts, on the jutting rocks that hung over the edge of the water.”  (Ellis, 1823)

“The zeal of Kaʻahumanu led her as early as 1829 to visit the Hale O Keawe at Honaunau, a cemetery associated with dark superstitions, and surrounded with horrid wooden images of former generations. The regent visited the place not to mingle her adorations with her early contemporaries and predecessors to the relics of departed mortals, but for the purpose of removing the bones of twenty-four deified kings and princes of the Hawaiian race….”  (Bingham)

“… when she saw it ought to be done, she determined it should be done: and in company with Mr. Ruggles and Kapiolani, she went to the sacred deposit, and caused the bones to be placed in large coffins and entombed in a cave in the precipice at the head of Kealakekua Bay.”  (Bingham)

The puʻuhonua was deeded to Miriam Kekāuluohi, a granddaughter of Kamehameha I, in the Māhele of 1848, and it was inherited, upon her death, by Levi Haʻalelea, her second husband. In 1866, the property was auctioned by Ha‘alelea’s estate to Charles Kana‘ina, the father of William Charles Lunalilo.

Kana‘ina, however, did not pay the $5,000 bid, and Charles Reed Bishop stepped in to purchase Ha‘alelea’s land for that same amount on April 1, 1867. In 1891, six years after Pauahi’s death, Bishop deeded the land to the trustees of the Bishop Estate who leased it to one of their members, SM Damon.

Damon was responsible for the 1902 restoration work on the Great Wall and the stone platforms of two heiau, Hale O Keawe and ‘Ale‘ale‘a. The County of Hawai‘i took over Damon’s lease in 1921. That lease expired in 1961 when the then County Park was acquired by the US National Park Service.  (deSilva)

Originally established in 1955 as City of Refuge National Historical Park, Puʻuhonua O Hōnaunau National Historical Park was renamed on November 10, 1978.

Further reconstruction consisted of four terraces and a passage between the southern end of the platform and the northern end of the Great Wall. In 1966-67 Edmund J Ladd directed the excavation and re-stabilization of the Hale o Keawe platform. Ladd’s excavations in addition to historical accounts indicated that the platform did not originally have multiple tiers; therefore, the 1967 work restored the platform to its more authentic form that joins the Great Wall on its south side.

After the platform was restored, the thatched hale, wooden palisade, and kiʻi were also rebuilt on the site. Since the time of Ladd’s initial reconstruction, the Hale o Keawe structure and carved wooden kiʻi have been replaced on two occasions with the most recent efforts being completed in 2004.  (NPS)

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by Peter T Young Leave a Comment

Birds of a Feather

“Wherever the lehua and certain other trees flourished and bloomed, there some, if not all of these birds, made paradise. While the moist woodlands of Hilo were perhaps his favorite, the fowler also found happy hunting grounds in Hamakua, Kohala, Kona and Puna, as well as on the other islands of the group.” (Emerson)

“Feathers from certain birds were made into the highly-prized feather work artifacts of the alii – capes, cloaks, helmets, kahili, etc.” (Holmes)

“The plumage-birds, like everything else in Hawaii, were the property of the alii of the land, and as such were protected by tabu; at least that was the case in the reign of Kamehameha I, and for some time before.”

“The choicest of the feathers found their way into the possession of the kings and chiefs, being largely used in payment of the annual tribute, or land tax, that was levied on each ahupuaa.”

“As prerequisites of royalty, they were made up into full length cloaks to be worn only by the kings and highest chiefs. Besides these there were capes, kipuka, to adorn the shoulders of the lesser chiefs and the king’s chosen warriors, called hulumanu, not to mention helmets, mahiole, a most showy head-covering.”

“The supply needed to meet this demand was great, without reckoning the number consumed in the fabrication of lei and the numerous imposing kahili that surrounded Hawaiian royalty on every occasion of state.”

“It is, therefore, no surprise when we learn that in the economic system of ancient Hawaii a higher valuation was set upon bird feathers (those of the mamo and o-o) than upon any other species of property, the next rank being occupied by whale-tooth, a jetsam-ivory called palaoa pae, monopolized as a prerequisite of the king.” (Emerson)

“Amongst the articles which they brought to barter this day, we could not help taking notice of a particular sort of cloak and cap, which, even in countries where dress is more particularly attended to, might be reckoned elegant.”

“The first are nearly of the size and shape of the short cloaks worn by the women of England, and by the men in Spain, reaching to the middle of the back, and tied loosely before.”

“The ground of them is a net-work upon which the most beautiful red and yellow feathers are so closely fixed that the surface might be compared to the thickest and richest velvet, which they resemble, both as to the feel and the flossy appearance.”

“The manner of varying the mixture is very different; some having triangular spaces of red and yellow, alternately; others, a kind of crescent; and some that were entirely red, had a broad yellow border, which made them appear, at some distance, exactly like a scarlet cloak edged with gold lace.”

“The brilliant colours of the feathers, in those that happened to be new, added not a little to their fine appearance; and we found that they were in high estimation with their owners; for they would not at first part with one of them for anything that we offered, asking no less a price than a musket.”

“However, some were afterward purchased for very large nails. Such of them as were of the best sort were scarce; and it should seem that they are only used on the occasion of some particular ceremony or diversion; for the people who had them always made some gesticulations which we had seen used before by those who sung. …” (Cook’s Journal, Jan 1778)

“The scarlet birds, already described, which were brought for sale, were never met with alive; but we saw a single small one, about the size of a canary-bird, of a deep crimson colour; a large owl; two large brown hawks, or kites; and a wild duck.”  (Cook’s Journal, Feb 1778)

“The feathers of Hawaiian plumage-birds may be divided, as to color, into several classes:

1. Pure yellow. The yellow feathers were taken either from the o-o or from the coat of the still rarer mamo.

Those of the mamo were of a deeper tint, but of shorter staple than the former, and as the bird was shy and difficult of capture, they were greatly coveted for the richest articles for feather-work, cloaks, capes and necklaces. It is a question still in dispute whether this rare bird is not extinct.

The o-o, though a proud and solitary bird, was more prolific than the mamo. Its coat was of deep black, set off with small tufts of clear yellow under each wing and about the tail and in some varieties about the neck and thighs.

Those from the axial were called e-e and were the choicest, and being of a longer staple were in the greatest demand for the lei.  No swan’s down can surpass, in delicacy of texture, the axilliary tufts of the o-o.

2. Red. Scarlet, or red feathers were obtain from the body of the i-iwi and the akakani (akakane or apapane).

It may be disputed whether one or the other of these is not to be designated as common. The color-tone of the feathers varies. They were song-birds, and when on the wing, displaying their plumage of black and scarlet, were objects of great brilliancy.

There was, I am told, another red-feathered bird called ulaai-hawane, a beautiful thing in scarlet, wild and shy, a great fighter, a bird very rarely taken by the hunter. Its plumage would have been a welcome addition to the resources of Hawaiian feather-workers had it been obtainable.

3. Green. Feathers of an olive green were obtained from the o-u, and from the amakihi those of a greenish-yellow.

Though of less value than some others, the green feathers were an important resource in adding variety to Hawaiian feather-work. This color, however, was not used in the richest and most costly cloaks and capes.

4. Black. Feathers of black were obtained from the o-o, mamo, i-iwi and akakani, not to mention numerous other sources, including the domestic fowl, which also contributed feathers of white.

While this list is not intended to be exhaustive, mention should be made of the koaʻe (bosen, or tropic bird), which furnished two long feathers from its tail used in making kahilis.

Although this bird took its prey from the ocean, its nest was in the face of the steep mountain palis and in the cliff of the small, rocky island, Kaula, Nihoa, Lehua, and Necker. There are two varieties of this feather.”  (Emerson)

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Kamehamehas Acquired Western Ships

Before European open ocean exploration began, Eastern Polynesia had been explored and settled.  (Herb Kane)

Voyaging vessels were double-hull; hulls were deep enough to track well while sailing across the wind or on a close reach into the wind. The round-sided V hulls provided lateral resistance to the water while under sail.  (Herb Kane)

The most widely distributed and presumably most ancient sail was a triangle made up of strips of fine matting sewn together and mounted to two spars, one serving as a mast; the other, as a boom, usually more slender and either straight or slightly curved.

Throughout Eastern Polynesia, the same basic design probably persisted throughout the era of long distance two-way voyaging. (Herb Kane)

The double-hulled voyaging canoes were seaworthy enough to make voyages of over 2,000 miles along the longest sea roads of Polynesia, like the one between Hawai‘i and Tahiti.

Fast forward to post-‘contact’ and the time of the Islands’ unification; a new style of boat was in the islands and Kamehameha started to buy and build them.

Following the arrival of Captain James Cook in 1778, more “ships were coming into the harbor at Honolulu – merchant vessels, war ships and ships out to discover new lands.”

“Of these the chiefs and people bought arms and gunpowder. Kamehameha had several storehouses well stocked with foreign arms, but nobody wanted money or clothing.”

“On the part of the foreigners potatoes and yams were in great demand. The chief accordingly went into the cultivation of these foods, and grew potatoes on the hill of ‘Ualaka‘a between Manoa and Makiki, and yams at Ka‘akopua, and sold them to the foreigners.”

“Canoeloads of provisions from Hawaii and the other islands were distributed among the chiefs, counselors, lesser chiefs, warrior chiefs, soldiers, followers, cultivators, paddlers, runners, canoe makers, and craftsmen; no one was left out. And in the same way distribution was made to the households of the chiefs.” (Kamakau)

Then, in 1790, Kamehameha acquired his first Western boat, the Fair American. It was not bought or built by Kamehameha: one of Kamehameha’s ‘Kona Uncles,’ Kame‘eiamoku, overpowered the ship and turned it (and its weapons) and its only survivor, Isaac Davis, over to Kamehameha.

In 1795, Kamehameha had a fleet of 20 vessels, tonnage of from 20 to 40 tons. Each vessel was well armed and manned. (US Naval Institute)  “In the late 1700s and early 1800s, Kamehameha I methodically acquired all the materials and crafts needed to construct ships locally, and he purchased larger foreign brigs and schooners when good opportunities arose.” (Mills)

“Kamehameha and successive high chiefs purchased most foreign vessels with sandalwood harvests by maka‘āinana from Hawai‘i’s forests, which Chinese coveted for incense and medicine.” (Mills)

By 1805, Kamehameha had a sizable navy, consisting of more than 40 large ships and several hundred peleleu, all equipped with guns of various caliber. (The peleleu was a long and deep double canoe with a covered platform and foreign sail, and was built for Kamehameha by his foreign friends.)  (US Naval Institute)

The first Western-style vessel built in the Islands was the Beretane (1793.)  Through the aid of Captain George Vancouver’s mechanics, after launching, it was used in the naval combat with Kahekili’s war canoes off the Kohala coast.  (Thrum)

Encouraged by the success of this new type of vessel, others were built.  The second ship built in the Islands, a schooner called Tamana (named after Kamehameha’s favorite wife, Kaʻahumanu,) was used to carry of his cargo of trade to the missions along the coast of California.  (Couper & Thrum, 1886)

From 1796 until 1802 the kingdom flourished. Several small decked vessels were built.  (Case) According to Cleveland’s account, Kamehameha possessed at that time twenty small vessels of from twenty to forty tons burden, some even copper-bottomed.  (Alexander)

Kamehameha eventually built at least three shipyards, at Kealakekua Bay and Kawaihae on Hawai‘i Island and another on O‘ahu at Waikiki.  (Mills)

“What holds the king’s attention more than any other subject, though, is shipbuilding. Already, it is said, he can accurately and with true discernment spot the strengths and weaknesses in any ship’s construction.  All equipment and tools relating to shipbuilding, he regards as particularly valuable.”

“One cannot do better, therefore, than to use such tools as articles of trade when going to Owaihi. Any sailor wo is at the same time, a ship’s carpenter is particularly welcome there, and is straightaway presented with a piece of land and almost anything else that he may want.” (Georg Langsdorff in Mills)

“As to his navy, Kamehameha had the largest naval force in the entire Pacific during his time. Japan had gone into seclusion from 1638 to 1852, during which time she forbade anyone from leaving the country or from building ships, under penalty of death. America acquired the Louisiana Territory during this time, and had not yet reached her Pacific boundaries.”

“Lisiansky, a Russian naval officer, was much impressed by Kamehameha’s might and in comparing his army and navy with those of other South Sea Islands, styled them ‘invincible.’ He noted that they included some 7,000 warriors and about 60 Europeans, a large arsenal of modern weapons, and a fleet of many war canoes and ships.”  (US Naval Institute)

Kamehameha was the greatest Polynesian Commander in Chief that ever lived. He placed the art of warfare on a scientific basis, and to insure peace to his people, he built the largest navy in the entire Pacific region, in spite of the fact that he did not have occasion to test its strength.

He believed in security, and he achieved his grand and favorite object, so that before he died, he was able to issue the following challenge to his friends and advisors: ‘Strive as ye may to undo that which I have established in righteousness, ye will never reach the end.’ (US Naval Institute)

Interest and acquisition of Western ships must have run in the family …

Not to be left out, Liholiho (Kamehameha’s son who reigned as Kamehameha II) bought the Thaddeus on January 21, 1821.  (The Thaddeus brought the Pioneer Company of American Protestant missionaries to the Islands and arrived at Kailua-Kona on April 4, 1820.)

Shortly thereafter, she sailed to the Northwest Coast for seal and otter skins; she arrived back to the Islands on October13, 1820 and shortly thereafter Liholiho purchased the Thaddeus for 4,000 piculs of sandalwood.  (Mills)

Another of Kamehameha’s sons, Kauikeaouli (who later reigned as Kamehameha III), was, as a child, “chiefly occupied with his toy boats rigged like warships and with little brass cannon loaded with real powder mounted on (their] decks. The firing off of these cannon amused him immensely.  …”

“As he grew older, perhaps eight or nine years old, he used to go out with a boatload of boys, generally in the sail boats … and he would haul the sails and do any of the work without trying to assume command, for even up to the time when he became king he was simple in his ways.” (Kamakau)  Liholiho and Kauikeaouli each acquired several Western ships.

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