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July 30, 2019 by Peter T Young 1 Comment

Thomas Square

On January 22, 1850, the King’s Privy Council addressed “Another suggestion to set apart a day for marking out the boundaries of the square on the Plains of Waikiki to be called by the name of Admiral Thomas was also approved of by vote.” (Privy Council Minutes, January 22, 1850)

Then, on the anniversary of sovereignty restoration that year, “At sunrise a gun was fired, His Majesty’s large standard was hoisted at the Palace, the Hawaiian ensign on the Fort, on the Hill, and on all Hawaiian vessels.”

“At eight o’clock all the Foreign Consuls displayed their flags. The foreign vessels in port hoisted their ensigns, and some of them were beautifully decorated with flags, private signal, pendants, &c.”

“Amongst them all, was conspicuous HBM’s schooner Cockatrice, being dressed out with great taste, and having the Hawaiian ensign flying from the fore, during the day.”

“The merchant’s offices, warehouses, stores, and shops were more generally closed, than during any preceding anniversary.”

“It being generally known that it had been the King’s intention, had health permitted, to have ridden out in state, to the plain, and there given the name of Thomas Square, to the exact spot on which the gallant admiral of that name, restored his Flag, numerous parties on horseback, during the day, visited the spot.” (Polynesian, August 3, 1850)

“The restoration of the Hawaiian Monarchy in July 1843 – ending the five-months-long illegal seizure and occupation by the Englishman, Lord George Paulet – created the chief, and indeed the only, notable site in Kulaokahu‘a.”

“The exact locale – the future Thomas Square – leaped into history with, literally, a bang. On the morning of July 31, two pavilions decorated with greens and a flagstaff stood on the plain east of town.”

“On the street line to the west, tents from warships in port punctuated their arid surroundings. A thick mat of rushes paved the line of march. Thousands waited for the ceremonies of the day.”

“At 9:30, Rear Admiral Richard Thomas of the British navy called on the King to sign official documents. A half hour later, several companies of English sailors and marines were drawn up on a line facing the sea, with an artillery corps on their right.”

“Admiral Thomas and his staff arrived in the King’s state carriage, while the Monarch himself came on horseback, accompanied by the household troops. The artillery honored His Majesty with a 21-gun salute.”

“At a given signal, the British flag officer bowed his colors; the British flag was then lowered and the Hawaiian flag raised amid salvos, first from Thomas’s HMS Carysfort, then from English and American warships, merchantmen and whalers, and finally from the Honolulu fort and the Punchbowl battery.”

“A great cheer arose as the wind caught the folds of the Hawaiian flag. Admiral Thomas read a long declaration, after which marines, sailors, and artillery passed in a review witnessed by Commodore Lawrence Kearney and officers of the USS Constellation. Hawaii’s sovereignty had been restored.” (Greer)

Later, the Kingdom was looking for ways to replenish a budget shortfall. “In its search for additional funds, the official eye rested on Kulaokahu‘a, also called the Waikiki Plain or just The Plain.”

“This unpalatable stretch of real estate sprawled between the American mission and Makiki Stream. An area which an overheated promoter might have referred to as one of sweeping vistas, Kulaokahu‘a was best known for dust storms and impressive nothingness.”

“It was so empty that after Punahou School opened in July 1842, mothers upstairs in the mission house could see children leave that institution and begin their trek across the barren waste. Trees shunned the place; only straggling livestock inhabited it.” (Greer)

The government proposed to raise funds by selling lots in Kualokahu‘a and placed an advertisement in the Polynesian, “Building Lots – The Minister of the Interior is prepared to sell or lease Building Lots between Honolulu and Waikiki, on application being made according to law. [Nov. 14,1846]”

“In advance of this announcement, the government had built three roads with arched stone bridges. The former were extensions of King, Young, and Beretania Streets; the bridges spanned Makiki Stream. At about the same time certain lots were surveyed and numbered”.

“These preliminary sales hardly constituted a stampede. At this rate, great civilizations might have waxed and withered away ere the Waikiki Plain became a blooming, peopled suburb.” (Greer)

“Hoping to project a more urban image of The Plain, government decreed that after May 4, 1850 no horses, cattle, or other animals could run at large there. The creatures thus addressed could not decipher this message, and more than 30 years later agents were being appointed to take up strays.”

“As 1853 ended, the lots were ‘not in demand,’ a phrase repeated by Bishop in April 1855. Apparently Kulaokahu‘a’s desert environment transmitted dry rot to land values there.”

“Bishop wrote in 1856 that he had sold his two lots at auction for $25 each. Kulaokahu‘a plots were in mid-1858 almost worthless, only two or three of all sold having been improved.”

“In the early 1850s, some ceremonies celebrated the Restoration, but the practice faded away. As a recreational mecca, the dusty waste of the Square had the pull of a sauna in the Sahara. The Pacific Commercial Advertiser in 1864 called for a public park.”

“The unfenced and unimproved Thomas Square could have been made into an ornament of the city and a lever to raise property values around it. But this decorative hoist did not materialize. Nine years later, some small prospect of a park appeared.” (Greer)

“Honolulu now had a paper park in a paper subdivision.”

“But events move slowly in this Kingdom, except in the way of contracting debt, and for a long time Thomas Square was only a name.”

“In 1882 the Legislature appropriated a small sum of money for the improvement of Thomas Square, and every session since then money, in scant supply, has been voted for the same object.” (Pacific Commercial Advertiser, April 7, 1887)

“Very fortunately the control of Thomas Square was given to the Hon. A. S. Cleghorn, whose knowledge of landscape gardening is only equalled by his desire to beautify all public parks and grounds about Honolulu.”

“In the sixties little or no attention was paid to it, and it was soon overgrown with weeds. About 1875 I took charge and had the Square laid out and piped for water, and also had a band stand erected.” (Cleghorn; Thrum 1909)

“The Banyans now growing there are from ‘Ainahau,’ while most of the other trees are from the Government Nursery. There were crotans planted round the band stand and also in clusters about the grounds.” (Cleghorn; Thrum 1909)

“The square of seven acres had been laid out to scale in circles and half circles by the Hon. Robt. Stirling, and Mr. Cleghorn worked upon these plans.”

“Walks were laid out; valuable trees, flowering shrubs and flowers were planted, and an untiring supervision was given to the work, until today Thomas Square, at a trifling expenditure of money, is one of the most agreeable places of public resort to be found anywhere in the world compressed into the same limited space on a dead level.”

“But this did not suffice. Mr. Cleghorn, when the grounds had been sufficiently improved, went around among his friends in the city and raised sufficient money to build a grand stand for the band and provide seats for several hundred people in the grounds.”

“The grand stand was erected by Mr. F. Wilhelm, and is in every respect an improvement upon that in Emma Square. It is about double the size of the latter, and has a ceiling and sounding board.”

“There are thirty-four seats on the ground, ten of which are iron, recently imported from England. The remainder are of wood and were made to order here. They are fixtures.”

“The seats were placed in position yesterday. Hon. Mr. Cleghorn personally superintended the distribution of the seats, which afford shade during the day and an opportunity of enjoying the music by night. As a convenient and agreeable resort for all classes of citizens Thomas Square will be found unrivalled.”

“A wide path, close to the outer fence on its four sides is being opened, so that pedestrians may enjoy the luxury of an agree able promenade instead of walking along the dusty road.”

“The Royal Hawaiian Band, as already stated, plays at Thomas Square for the first time this evening. We bespeak a large and enthusiastic attendance.”

“Only one word of warning: do not touch plant or flower. These are grown for public gratification and should be held sacred. Let persons in charge of children remember this.” (Pacific Commercial Advertiser, April 7, 1887)

In 1925, a Joint Resolution of the legislative session set aside Thomas Square as a public park and placed it under the management of the Park Board of the City and County of Honolulu. It remains this today. It was recently refurbished by the City and a statue of Kamehameha III erected.

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Kulaokahua_Lots-Lawa-Reg1100-1885
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1843 (July) - May 1845 Early version of the present flag
1843 (July) – May 1845 Early version of the present flag

Filed Under: Economy, General, Ali'i / Chiefs / Governance, Place Names, Prominent People Tagged With: Paulet, Thomas Square, Admiral Thomas, Sovereignty, Hawaii, Ka La Hoihoi Ea

July 20, 2019 by Peter T Young Leave a Comment

Norman Keith Collins

Like other Polynesians, Hawaiians imported their traditional tattoo art, known as kakau, to the islands. It served them not only for ornamentation and distinction, but to guard their health and spiritual well-being.

Images of lizards, which were greatly respected and feared, and of the Hawaiian crescent fan (Peahi niu) for the highest-ranking members of society, dominated Hawaiian kakau.

Intricate patterns, mimicking woven reeds or other natural forms, graced men’s arms, legs, torso and face. Women were generally tattooed on the hand, fingers, wrists and sometimes on their tongue. (PBS)

Queen Kamāmalu had a tattoo applied to her tongue as an expression of her deep grief when her mother-in-law died in the 1820s. Missionary William Ellis watched the procedure, commenting to the queen that she must be undergoing great pain. The queen replied, He eha nui no, he nui roa ra ku‘u aroha. (Great pain indeed, greater is my affection.) (Fullard-Leo)

The designs were applied by specially trained kahuna, experts in one or more critical tasks, who applied pigment to the skin with a needle made from bone, tied to a stick and struck by a mallet.

Traditional designs varied widely, according to available records, but many memorialized fallen chiefs, leaders or family members. The process was guarded with great secrecy and all implements were destroyed after use, according to the dictates of kapu. (PBS)

Fast forward to modern tattooing … some suggest the history of tattooing can be divided into two periods, before Sailor Jerry (BSJ) and after Sailor Jerry (ASJ). That’s how important he was to the development of tattooing. (Levy)

Born on January 14, 1911 in Reno, Nevada, Norman Keith Collins first took the nickname ‘Jerry’ (apparently given to him after his father noticed a similar disposition between the young troublemaker and the family’s cantankerous mule).

He eventually landed in Chicago and two things happened that changed his life. One, he hooked up with local tattoo legend, Gib ‘Tatts’ Thomas, who taught him to use a tattoo machine. (For practice, he paid bums with cheap wine or a few cents to let him tattoo them). Then, at 19, he joined the Navy and he became known as Sailor Jerry.

When Collins mustered out of the Navy, he settled in Honolulu. Within a few years, the Japanese bombed Pearl Harbor and everything changed.

At the height of WWII, over 12 million Americans served in the military and, at any given moment, a large number of them were on shore leave in Honolulu.

The circumstances of war fed a cross-section of American men into environments that usually only existed on the fringes – places like Honolulu’s Hotel Street, a district comprised almost exclusively of bars, brothels and tattoo parlors. This was where Collins, as Sailor Jerry, built his legacy. (Sailor Jerry)

Although Jerry was world famous for his tattooing, he had other interests. The sea was always a part of his life and while holding Captain’s papers in the 1950s; he skippered a tour ship that covered the Pearl Harbor memorial.

His study of electronics led to a first class FCC license, and for several years he hosted a late night talk show on a local radio station. On that show he was known as “Old Ironsides”, another reflection on his interest in the sea. (Tattoo Archive)

He taught himself to be an electrician, which helped him innovate his tattoo machines. He played in a jazz band. He toured around in a canary yellow Thunderbird and he was out on his Harley when he had the heart attack that would take his life (after collapsing in a cold sweat, he got back on his bike and rode home). (Sailor Jerry)

Sailor Jerry built a reputation for quality work, which attracted customers in spite of the cost. He is credited with the invention of the magnum tattoo needle, used to apply broad strokes of color to the skin, as well as an improved tattoo-machine construction, whose smooth operation resulted in greater detail and less pain for the sitter.

He was the first tattoo artist to find and use a purple ink that was not fugitive or toxic. During a time when trade secrets were guarded, he befriended the most talented tattoo artists in the world, corresponding only with those whom he tested and deemed worthy of his attention.

His studies culminated in a style that combined the bold colors and designs seen in Japanese tattoos with iconic Americana imagery.

Sailor Jerry, who longed for the day when tattooing would be seen as fine art, would be pleased to learn that his flash, stencils, rubbings, and sketches underwent full conservation treatment at the Conservation Center for Art and Historic Artifacts. (Sheesley)

Norman Keith Collins ‘Sailor Jerry’ died June 12, 1973 and is buried at the National Memorial Cemetery of the Pacific at Punchbowl.

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Sailor Jerry-art
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sailor-jerry tatoo shop-Honolulu
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Norman Keith Collins-Sailor Jerry
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Filed Under: Military, Prominent People, Economy Tagged With: Hawaii, Norman Keith Collins, Sailor Jerry, Tattoo

July 12, 2019 by Peter T Young 1 Comment

La Pietra

Papaʻenaʻena heiau was situated on the side of Lēʻahi, Diamond Head. It was referred to by early writers as “Lēʻahi heiau.”

Papaʻenaʻena was reportedly built by Maui King Kahekili to commemorate his conquest of Oʻahu. This heiau was destroyed in about 1856 and its stones were carted off to Waikīkī for use as rock walls and driveways.

During the Mahele this site was given by the Kingdom of Hawaiʻi to the future King Lunalilo. After the king’s death this site was sold to James Campbell, in 1883. Later, Walter F. Dillingham bought the land from Campbell.

In 1910, Walter Dillingham married Louise Gaylord. Bucking the current trend of wealthy families living in Mānoa, Mr. Dillingham chose to build his new bride a home on a dry and – at the time – remote area on the slopes of Diamond Head.

With the help of famed Chicago architect, David Adler, they built a home similar to the Villa La Pietra they admired in Tuscany while on their honeymoon.

Three elements compose the central structure. One is facing the northward toward the Koʻolau range, one westward to the Waianae range, and one southward to the sea.

All three face inward on a flagged courtyard surrounded by a pillared arcade. In the center of the courtyard is an Italianate fountain, which was used to cool the building when the breeze swept through the structure.

The building is a composite of villa, as noted by Grace Tower Warren, Island Hostess: An Italian Villa in Hawaii, Paradise of the Pacific, Vol. 63:
“Many people have had the idea that La Pietra is a copy of my aunt’s villa in Florence of the same name, the one In which Mr. Dillingham and I were married, but such is not the case”, said Mrs. Dillingham.

“It is a composite of several of the beautiful villas in Florence to which my aunt, Mrs. Acton, took me, The facade facing the Waianae Mountains and the town is copied from the Villa Cambreia, The facade facing the Koolau Mountains is a replica of the de Medici villa in Florence. Our architect was David Adler, and he beautifully combined and coordinated the designs and ideas we loved…”

Mr. Dillingham and Adler did not work together in person. At the time Adler was designing another residence in New York. So Mr. Dillingham sent Mr. Adler detailed measurements and contour maps of the site, and photographs showing the setting in which the villa would stand.

With that, La Pietra – meaning The Gem or The Rock – was born.

The Dillingham home was completed in 1922 and included 5 bedrooms, a swimming pool, a formal dining room, horse stables, servants’ quarters, tennis courts, and a game/pool table room.

Architecturally, the home is described as “An extensive two-story “Italian villa” in an imposing terraced setting overlooking Kapiʻolani Park, Waikiki Bay and Honolulu; an example of the “Mediterranean Revival” period which had some popularity in Honolulu, as on the mainland.”

For the next 40 years, La Pietra was a social center for Honolulu’s wealthy and famous, with visitors to the estate including Franklin D. Roosevelt and Walt Disney.

Upon Mr. Dillingham’s death in 1963, Punahou School gained ownership of La Pietra and used it for faculty housing; the property was eventually sold to the newly formed Hawaii School for Girls in 1969.

With its start at Central Union Church, Hawaii School for Girls then renamed and relocated to La Pietra – Hawaii School for Girls, an independent, college preparatory school for girls, which consisted of nine founding teachers, 210 girls and Head of School, Joseph Pynchon.

Over the years, various enhancements were made to the campus. A six classroom building named in honor of Mrs. Cooke was dedicated in January 1977.

The athletic complex, completed in 1987, was named in honor of Mrs. Anthony in 2008. Bachman Science Center was built in 1997. Most recently, the school renovated its library to create Hawaii’s first all-digital school library.

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La Pietra
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Walter_Francis_Dillingham-(WC)

Filed Under: Buildings, Prominent People, Schools Tagged With: Diamond Head, Dillingham, La Pietra, Papaenaena Heiau, Hawaii School for Girls, Hawaii

July 9, 2019 by Peter T Young Leave a Comment

Ikua Purdy

The gift of a few cattle, given to Kamehameha I by Captain George Vancouver in 1793, spawned a rich tradition of cowboy and ranch culture that is still here, today.

With a kapu against killing the cattle, by 1830, wild bullocks posed a serious and dangerous threat to humans. Spurred also by the growing business of reprovisioning visiting ships with fresh meat and vegetables, Kamehameha III and Kaʻahumanu saw the wisdom of bringing in experienced cowboys.

They hired Spanish-Mexican vaquero (cowboys) from California to hunt bullocks and train Hawaiians to rope and handle cattle. The cowboys spoke Spanish – “Espanol” which turned into “paniolo” according to one explanation of the term.

The Hawaiian cowboy, nicknamed “paniolo,” played an important role in the economic and cultural development of Hawaiʻi and helped to establish the islands as a major cattle exporter to California, the Americas and the Pacific Rim for over a century.

Some might not realize that Hawaiʻi’s working paniolo preceded the emergence of the American cowboy in the American West.

After winning the Revolutionary war (1781), American settlers started to pour into the “west;” by 1788, the first permanent American settlement in the Northwest Territory was in Ohio.

In 1800, the western frontier extended to the Mississippi River, which bisects the continental United States north-to-south from just west of the Great Lakes to the delta near New Orleans.

Then, in 1803, President Thomas Jefferson’s Louisiana Purchase doubled the size of the nation.

The Battle of the Alamo was in 1836; later that year, Texas became independent, the Mexicans left, leaving their cattle behind. Texan farmers claimed the cattle and set up their own ranches.

It wasn’t until the 1840s that the wagon trains really started travelling to the far west. Then, with the US victory in the Mexican-American war and gold soon found in California, the rush to the West was on.

The cattle trade in the American West was at its peak from 1867 until the early-1880s.

And, when in cattle country, you can expect rodeos.

Headlines in Island and Wyoming newspapers in August of 1908 announced rodeo history.

Twelve thousand spectators, a huge number for those days, watched Ikua Purdy, Jack Low, and Archie Kaaua from Hawaiʻi carry off top awards at the world-famous Cheyenne Frontier Days Rodeo (the “granddaddy” of rodeo.).

Unlike today’s calf-roping, riders lassoed powerful, full-grown steers.

The Cheyenne paper reported that the performances of the dashing Hawaiians, in their vaquero-style clothing and flower-covered, “took the breath of the American cowboys.”

Under drizzling skies, Purdy won the World’s Steer Roping Championship—roping, throwing and tying the steer in 56 seconds. Kaaua and Low took third and sixth place.

They each accomplished these feats on borrowed horses.

Purdy worked at Parker Ranch prior traveling to Cheyenne, Wyoming; his victory demonstrated the exceptional skills of the paniolo to mainland cowboys who long regarded rodeo and roping as their own domain.

On arriving home, the men were met at dockside by thousands of cheering fans and also honored by parades and other festivities on Maui and Hawai‘i.

Waimea-born Purdy moved to Ulupalakua, Maui and resumed his work as a paniolo until his death in 1945. He did not return to the mainland to defend his title, in fact he never left Hawaii’s shores again. But his victory and legend live on in Hawaiʻi and the annals of rodeo history.

In 1999, Ikua Purdy was voted into the National Cowboy Museum, Rodeo Hall of Fame. That same year he was the first inductee to the Paniolo Hall of Fame established by the Oʻahu Cattlemen’s Association.

In 2003, a large bronze statue of Purdy roping a steer was placed in Waimea town on the Big Island, erected by the Paniolo Preservation Society. In October 2007, Purdy was inducted into the Cheyenne Frontier Days Hall of Fame.

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Ikua Purdy in Steer Roping Contest, Frontier Day, 1908
Ikua Purdy in Steer Roping Contest, Frontier Day, 1908
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This undated photo, provided by the Paniolo Preservation Society shows Ikua Purdy, who became Hawaii's most famous paniolo when he won the steer roping championship at the 1908 Cheyenne Frontier Days Rodeo in Cheyenne, Wyo. A 16-foot-high statue honors his legacy at the Parker Ranch Shopping Center in Waimea. The legacy of Hawaii's cowboys will be honored with an entire year of events during the Waiomina Centennial Celebration. (AP Photo/Paniolo Preservation Society)**AP PROVIDES ACCESS TO THIS PUBLICLY DISTRIBUTED HANDOUT PHOTO. THE COPYRIGHT IS OWNED BY A THIRD PARTY. NO SALES**
This undated photo, provided by the Paniolo Preservation Society shows Ikua Purdy, who became Hawaii’s most famous paniolo when he won the steer roping championship at the 1908 Cheyenne Frontier Days Rodeo in Cheyenne, Wyo. A 16-foot-high statue honors his legacy at the Parker Ranch Shopping Center in Waimea. The legacy of Hawaii’s cowboys will be honored with an entire year of events during the Waiomina Centennial Celebration. (AP Photo/Paniolo Preservation Society)**AP PROVIDES ACCESS TO THIS PUBLICLY DISTRIBUTED HANDOUT PHOTO. THE COPYRIGHT IS OWNED BY A THIRD PARTY. NO SALES**
Ikua Purdy, Billy Spencer, and Archie Ka'au'a (hawaiianhistoricalsociety)
Ikua Purdy, Billy Spencer, and Archie Ka’au’a (hawaiianhistoricalsociety)
Archie Kaaua, Ikua Purdy and Billy Spencer (paniolopreservation-org)
Archie Kaaua, Ikua Purdy and Billy Spencer (paniolopreservation-org)
Billy Walker, Jack Low and Ikua Purdy
Billy Walker, Jack Low and Ikua Purdy
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Filed Under: Prominent People Tagged With: Hawaii, Cattle, Paniolo, Kamehameha III, Rodeo, Ikua Purdy

July 6, 2019 by Peter T Young 2 Comments

Award Winning Okolehao

“There is enough okolehao in Honolulu today to make the whole town drunk.”

“A recent arrival from Ti-root Gulch, Ke‘ei, Kealakekua, Hawaii, talked interestingly to an Advertiser man of the manufacture of the frisky spirit yesterday.”

“Keei, by the way, is the only place boasting an okolehao distillery in the Territory.”

“The distillery has been closed down, for alterations and improvements, nearly 3000 gallons of raw spirit having been turned out during the run.”

“This is now in bonded warehouse in Honolulu, in eleven charred barrels with the designation “okolehao” burned into each head. The liquor in its present state is known as proof spirits.”

“The product of the Keei plant is said to be a liquor as clear as crystal. It is said that illicitly-distilled okolehao sent from here took prizes at The Paris Exposition and the Chicago World’s Fair. It is the purest spirit known and the only liqueur to be distilled from a root.” (Hawaiian Gazette, December 6, 1907)

Eben Low tells the story … “‘It happened way back in the ‘80s – to be exact, 1889,’ said Low. ‘Col. Sam Parker have been given two gallons of okolehao which had been distilled in Waimanu valley, on the island of Hawaii. This was real okolehao, not the ‘rotgut’ which is being peddled about the country today ruining those who drink it.’”

“‘In the old days, the Hawaiians of Waimanu were noted for the excellence of the liquor they made. Copper stills were used and the liquor was given three different distillations.’”

“‘In the days of the monarchy it was illegal to have okolehao in your possession and the penalty for such an offense was severe. After sampling this liquor of Col Parker’s I decided to send some to the Paris Exposition along with a lot of other native products which were being prepared at that time.’”

“‘I did not want to take any chances of violating the law, however, and consulted John E Hassinger, who was then chief clerk of the department of the interior. Lorrin A Thurston was secretary.’”

“‘Hassinger told me that would be granted immunity provided that he received a sample.’”

“‘I took a gallon of the liquor to Macfarlane & Co, then the leading wholesale liquor dealers of this territory, and had the liquor bottled. One was given to Hassinger. Judge Dole received another, one I kept for myself and the last was prepared for the Paris Exposition.’”

“‘I designed a most attractive label and then wrote a description in Hawaiian and English as to how the beverage was made. I had another description written in French by the late Pierre Jones.’”

“‘In due time this bottle of okolehao was sent to Paris with the rest of the Hawaiian exhibit. Col ZS Spalding was the Hawaiian commissioner as the exposition. When the day of the awarding prizes arrived, he and the French awarding committee visited the Hawaiian exhibit.’”

“‘Spalding afterwards told me that the most outstanding and prominent feature of the exhibit was this artistically labeled bottle of okolehao. He was so astonished at seeing it there that he ordered it opened immediately.’”

“‘It was, in fact, when the committee and Spalding got through testing the quality of the exhibit there was none of the ti left and they immediately awarded the exhibit a bronze medal for quality and purity.’”

“‘Several months later, concluded Low, ‘a most official looking document addressed to ‘the government of Hawaii’ arrived here. It contained a diploma of award and a bronze medal – both of which had ben won by this lone bottle of okolehao.’”

“‘The diploma was in French but bracketed at the of the document was Eben Low.’” (Star Bulletin, October 10, 1925)

“‘As far as I know,’ continued Rawhide Ben, ‘it was the only award Hawaii got.’”

“‘To snub up this yarn,’ he finished, ‘Hassinger’s bottle didn’t last 24 hours. Judge Dole kept his. Before he died he told me I could have it. That bottle was snitched from my hotel room. But this bottle of mine,’ he fondled it ‘… well, when the time comes, I’m going to pull the cork and try it.’”

“Eben’s bottle of 50 year old oke is legal, federal authorities said today, although illegal when made and with no tax ever having been paid.” (October 24, 1938)

“The federal authorities have decided to make war upon our local moonshiners. The lay of the land in the Territory lends itself easily to the easily to carrying on of Illicit distilling.”

“With high mountains deep valleys, ample wood for fuel, excellent places for observing anybody coming near the lair, and with the natural leniency of those around to protect, or at least to say nothing about the moonshiners, there has been a great opportunity for this class of illicit work.”

It has been carried on close to the environs of the city and even within the city limits. The local police have been forever after these people, but the revenue officers, whose whole attention has to be given to the matter are likely to be more successful when they thoroughly understand local conditions.”

“The practice of distilling the liquor, called by the euphonious name of okolehao, from the ti root, was introduced by old lags from Australia.”

“In the early and middle part of the last century quite a number of convicts found their way here, one lot arriving in a schooner from which they landed near Kawaihae, burning their vessel to hide its identity.”

“Well, the lags started making liquor from ti root, and taught the Hawaiians. Since then the Hawaiian has found out for himself that liquor can be made from other things besides ti root. Molasses is very largely used in the manufacture of okolehao.”

“The best okolehao, however, is made from the ti root, and it was for a bottle of this that Eben Low received a medal from the Paris exposition. It was the only liquor of its class.” (Hawaiian Star, April 14, 1920)

“‘I still have the diploma, the medal and last, but not least, my bottle of okolehao. Now that so much publicity has been given to the latter I think I will have it stored in my safe deposit box.’” (Low; Star Bulletin, October 25, 1925)

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Eben Low pulling prized Okolehao from safe-SB-10-24-1938
Hawaiian Exhibit, Exposition Universelle, Paris, 1889
Hawaiian Exhibit, Exposition Universelle, Paris-1889
Hawaiian Exhibit-Exposition Universelle, Paris-1889
Eben 'Rawhide Ben' Low-PP-75-5-006-1931-400
Eben ‘Rawhide Ben’ Low-PP-75-5-006-1931-400
Eben 'Rawhide Ben' Low-PP-75-5-006-1931
Eben ‘Rawhide Ben’ Low-PP-75-5-006-1931

Filed Under: General, Prominent People, Economy Tagged With: Paris Exposition, Hawaii, Eben Low, Okolehao

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