General | Page 149 | Images of Old Hawaiʻi

July 4, 2019 by Peter T Young 3 Comments

Independence Day

Independence Day celebrates the adoption of the Declaration of Independence on July 4, 1776, declaring independence from the Kingdom of Great Britain.

Drafted by Thomas Jefferson between June 11 and June 28, 1776, the Declaration of Independence is the nation’s most cherished symbol of liberty and Jefferson’s most enduring monument.

The political philosophy of the Declaration was not new; its ideals of individual liberty had already been expressed by John Locke and the Continental philosophers.

What Jefferson did was to summarize this philosophy in “self-evident truths” and set forth a list of grievances against the King in order to justify before the world the breaking of ties between the colonies and the mother country.

Fifty-six men from each of the original 13 colonies signed the Declaration of Independence – they mutually pledged “to each other our lives, our fortunes and our sacred honor.”

Nine of the signers were immigrants, two were brothers and two were cousins. Eighteen of the signers were merchants or businessmen, 14 were farmers and four were doctors. Twenty-two were lawyers and nine were judges.

The average age of a signer was 45. Benjamin Franklin was the oldest delegate at 70. The youngest was Thomas Lynch Jr. of South Carolina at 27.

At the time of the signing, the American Revolutionary War was already underway (1775-1783.)

The British captured five signers during the war. Edward Rutledge, Thomas Heyward and Arthur Middleton were captured at the Battle of Charleston in 1780. George Walton was wounded and captured at the Battle of Savannah; Richard Stockton was incarcerated at the hands of British Loyalists.

Eleven signers had their homes and property destroyed. Francis Lewis’s New York home was razed and his wife taken prisoner. John Hart’s farm and mills were destroyed when the British invaded New Jersey, and he died while fleeing capture.

Fifteen of the signers participated in their states’ constitutional conventions, and six – Roger Sherman, Robert Morris, Benjamin Franklin, George Clymer, James Wilson and George Reed – signed the US Constitution.

Here are some other brief Revolutionary War highlights (and some other July 4 events:)

1775
March 23 – Patrick Henry’s “Give me liberty or give me death” speech
April 18 – The rides of Paul Revere and William Davis
April 19 – Minutemen and redcoats clash at Lexington and Concord “The shot heard round the world”
June 17 – Battle of Bunker Hill (Boston) – the British drive the Americans
Throughout the year, skirmishes occurred from Canada to South Carolina

Initially, fighting was through local militias; then, the Continental Congress established (on paper) a regular army on June 14, 1775, and appointed George Washington as commander-in-chief.

The development of the Continental Army was a work in progress, and Washington used both his regulars and state militia throughout the war.

1776
January 15 – Thomas Paine’s ‘Common Sense’ challenged the authority of the British government and the royal monarchy
March 17 – the British evacuate Boston

Ultimately, on September 3, 1783, the war ended with the signing of the Treaty of Paris. The treaty document was signed by John Adams, Benjamin Franklin and John Jay (representing the United States) and David Hartley (a member of the British Parliament representing the British Monarch, King George III).

On June 21, 1788, the US Constitution was adopted (with all states ratifying it by that time.)

John Adams, Thomas Jefferson and Charles Carroll were the longest surviving signers of the Declaration of Independence. Adams and Jefferson both died on July 4, 1826, the 50th anniversary of the Declaration of Independence; Carroll was the last signer to die – in 1832 at the age of 95.

July 4, 1894, the Republic of Hawai‘i was established at Ali‘iōlani Hale; Sanford B. Dole became its first president.

July 4, 1913 – Duke Kahanamoku established three new West Coast records in swimming, winning the 50-yard, 440-yard and 220-yard races in a San Francisco regatta.

Following statehood of Hawaiʻi, the new flag of the United States of America, containing a union of 50 stars, flew for the first time at 12:01 am, July 4, 1960, when it was raised at the Fort McHenry National Monument in Baltimore, Maryland.

Today, we celebrate the signing of America’s Declaration of Independence – however, the freedoms, rights and privileges we share because of this event continue to be protected by the sacrifices of many men and women across the globe; we honor and celebrate their service, as well.

American Revolutionary War

By the time the Declaration of Independence was adopted in July 1776, the Thirteen Colonies (New Hampshire, Massachusetts, Rhode Island, Connecticut, New York, New Jersey, Pennsylvania, Delaware, Maryland, Virginia, North Carolina, South Carolina and Georgia) and Great Britain had been at war for more than a year.

That war lasted from April 19, 1775 (with the Battles of Lexington and Concord) to September 3, 1783 (with the signing of the Treaty of Paris.) It lasted 8 years, 4 months, 2 weeks and 1 day …

… then, the sovereignty of the United States was recognized over the territory bounded roughly by what is now Canada to the north, Florida to the south, and the Mississippi River to the west.

In the Islands at the Time

At the time of the American Revolutionary War, the Hawaiian Islands were divided into four kingdoms: (1) the island of Hawaiʻi under the rule of Kalaniʻōpuʻu, who also had possession of the Hāna district of east Maui; (2) Maui (except the Hāna district,) Molokai, Lānaʻi and Kahoʻolawe, ruled by Kahekili; (3) Oʻahu, under the rule of Kahahana; and (4) Kauai and Niʻihau, Kamakahelei was ruler.

Shortly after Kalaniʻōpuʻū’s death in 1782, Kamehameha began his conquest to unify the islands under his rule. After several battles on several of the islands, and subsequent agreement with King Kaumualiʻi of Kauaʻi, Kamehameha became sole ruler of the Islands in 1810 (a couple years later, on the continent, the US and Britain engaged in the war of 1812.)\

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Declaration of Independence

July 1, 2019 by Peter T Young 2 Comments

New Musical Tradition

“Music serves to enliven many an hour of sadness, or what would be sadness otherwise. It is an expression of the emotions of the heart, a disperser of gloomy clouds.” (Juliette Montague Cooke; Punahou)

Hawaiians devised various methods of recording information for the purpose of passing it on from one generation to the next. The chant (mele or oli) was one such method. Elaborate chants were composed to record important information, e.g. births, deaths, triumphs, losses, good times and bad.

In most ancient cultures, composing of poetry was confined to the privileged classes. What makes Hawai‘i unique is that poetry was composed by people of all walks of life, from the royal court chanters down to the common man.

“As the Hawaiian songs were unwritten, and adapted to chanting rather than metrical music, a line was measured by the breath; their hopuna, answering to our line, was as many words as could be easily cantilated at one breath.” (Bingham)

The Pioneer Company of missionaries (April, 1820) introduced new musical traditions to Hawai‘i – the Western choral tradition, hymns, gospel music, and Western composition traditions. It was one of strophic hymns and psalm tunes from the late-18th century in America.

The strophic form is one where different lyrics are put to the same melody in each verse. Later on, with the arrival of new missionaries, another hymn tradition was introduced was the gospel tune with verse-chorus alternation. (Smola)

The missionaries also introduced new instrumentation with their songs. Humehume (George Prince, son of Kauai’s King Kaumuali‘i) was given a bass viol or ‘Church Bass’ (like a large cello) and a flute that he have learned to play well. He returned to the Islands with the Pioneer Company. Later, church organs, pianos, melodeons, and other instruments were introduced to the Islands.

Bingham and others composed Hawaiian hymns from previous melodies, sometimes borrowing an entire tune, using Protestant hymn styles. In spite of the use of English throughout Hawaii, the Hawaiian language continues to be used in Bible reading and in the singing of hîmeni (hymns) in many Christian churches. Himeni still preserve the beauty of the Hawaiian language. (Smithsonian)

The first hymnal in the Hawaiian language was ‘Nā Hīmeni Hawaii; He Me Ori Ia Iehova, Ka Akua Mau,’ published in 1823. It contained 60 pages and 47 hymns. It was prepared by Rev. Hiram Bingham and Rev. William Ellis, a London Missionary Society missionary who was visiting.

On June 8, 1820, Rev. Hiram Bingham set up the first singing school at Kawaiaha‘o Church. He taught native Hawaiians Western music and hymnody. These ‘singing schools’ emphasized congregational singing with everyone actively participating, not just passively listening to a designated choir.

By 1826, there were 80 singing schools on Hawai‘i Island alone . By the mid-1830s, church choirs began to become part of the regular worship. This choral tradition partially grew out of the hō‘ike, or examination, when the students being examined would sing part of their lessons.

Hawai‘i Aloha

“For more than 100-years, love of the land and its natural beauty has been the poetry Hawaiian composers have used to speak of love. Hawaiian songs also speak to people’s passion for their homeland and their beliefs.” (Hawaiian Music Museum)

Next time you and others automatically stand, hold hands and sing this song together, you can thank an American Protestant missionary, Lorenzo Lyons, for writing Hawai‘i Aloha – and his expression of love for his home.

Na Lani Eha

In 1995, when the Hawaiian Music Hall of Fame selected its first ten treasured composers, musicians and vocalists to be inducted, ‘Na Lani Eha’, (The Royal Four), were honored as the Patrons of Hawaiian music.

‘Na Lani Eha’ comprises four royal siblings who, in their lifetimes, demonstrated extraordinary talent as musicians and composers. They were, of course, our last king, Kalākaua, his sister, Hawai‘i’s last queen, Lili‘uokalani, their brother, the prince, Leleiōhoku, and their sister, the princess, Likelike, mother of princess Ka‘iulani.

In August 2000, ‘Ka Hīmeni Ana’, the RM Towill Corporation’s annual contest at Hawai‘i Theatre for musicians playing acoustic instruments and singing in the Hawaiian language, was dedicated to missionary Juliette Montague Cooke, the Chiefs’ Children’s teacher and mother.

John Montague Derby, Sr., who accepted this honor for the Cooke family, said. “(it is) with gratitude for the multitude of beautiful Hawaiian songs that we enjoy today which were composed by her many students.”

Above text is a summary – Click HERE for more on New Musical Tradition

Planning ahead … the Hawaiian Mission Bicentennial – Reflection and Rejuvenation – 1820 – 2020 – is approaching (it starts in about a year)

If you would like to get on a separate e-mail distribution on Hawaiian Mission Bicentennial activates, please use the following link:

Click HERE to Subscribe to Hawaiian Mission Bicentennial Updates

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June 28, 2019 by Peter T Young Leave a Comment

Hawaiʻi Theatre

The Hawaii Theatre is celebrating its 90th anniversary. It was placed on the National Register of Historic Places because of its excellent architectural and interior design, craftsmanship, and detailing.

The theater is a rare example of eclectic architecture that was relatively common to this area of Honolulu prior to World War II.

The theater, historically, had two primary functions. During its early years it was both a live center for the performing arts and a motion picture theater, its dual uses gradually shifted, and in later years it functioned solely as a motion picture theater.

In March, 1920, the Honolulu architectural firm of Emory and Webb was commissioned to do the design plans. On June 9, 1921, a construction contract was awarded to Pacific Engineering Company, another Hawaiian company.

Official opening of the theater was held on September 6, 1922, and was attended by Governor Wallace R. Farrington and members of the Territorial government, and members of social circles.

It is the oldest theater still remaining in Honolulu and the State of Hawaiʻi that was originally planned, built and used as a legitimate theater and concert hall.

Great pride was expressed that “the finest theater in Honolulu…is a home product.”

“Honolulu is to be congratulated on what is being done for the entertainment of its residents and visitors. It has now a most attractive and well conducted amusement place in Aloha Park and its new Hawaii Theater is as if one of the best and most attractive from the white light district of New York had been carried bodily across the continent and out into the Pacific to the Paradise of the Pacific.” (Maui News, October 3, 1922)

The theater was built at a cost of a half million dollars and was ranked with the most modern theaters in America for that period.

It was equipped with air conditioning, indirect lighting, a fire/emergency exit system, wicker chairs in the balcony and a seating capacity for 1,726 persons, and was the largest and the first modern theater in the Territory of Hawaiʻi.

The Hawaii Theatre is situated at the southwest corner of the intersection of South Pauahi and Bethel Streets in Downtown Honolulu and abuts the Chinatown Historical District.

The Hawaii Theatre opened as a showplace for vaudeville, silent films, plays, musicals, and Hawaiian entertainments. It slowly evolved into a plush movie palace until it fell on hard times in the 1970s, when Waikīkī became the entertainment destination for locals and tourists alike.

In the 1980s, concerned citizens banded together around the mission to preserve and restore the Hawaii Theatre and formed the Hawaii Theatre Center, a 501(c)3 nonprofit that owns and operates the historic Hawaii Theatre.

The Hawaii Theatre hosts approximately 100,000 patrons annually showcasing the finest in local, national, and international entertainments.

Each year the Hawaii Theatre Educational Programming Project reaches thousands of Hawaii’s children through programming geared specifically for student matinee performances. The Hawaii Theatre Center SHOWTIME! Student matinee series has drawn thousands of students to the historic theatre to experience the wonders of performance.

In 2005 the League of Historic America Theatres named it the “Outstanding Historic Theatre in America”; in 2006 the National Trust for Historic Preservation gave Hawaii Theatre its highest “Honor Award” for national preservation; and in 2006 the Hawaii Better Business Bureau presented its “Torch Award for Business Ethics” to the Hawaii Theatre Center, the first small nonprofit to receive that award.

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June 26, 2019 by Peter T Young Leave a Comment

National Tropical Botanical Garden

The National Tropical Botanical Garden (originally the Pacific Tropical Botanical Garden) is the only tropical botanical garden with a charter from the United States Congress as a not-for-profit institution, dedicated to tropical plant research, conservation and education.

National Tropical Botanical Garden and its gardens are located in the only tropical climate zones in the United States. While other major gardens can grow tropical plants in greenhouses “under glass,” NTBG’s nearly 2,000 acres of gardens and preserves afford a natural open-air environment in which these species flourish.

Four of NTBG’s gardens are in the Hawaiian Islands; the fifth is on the US mainland in Florida. The Hawai‘i gardens include, McBryde and Allerton Gardens in Lāwa‘i, South Shore of Kaua‘i; Limahuli Garden and Preserve on the North Shore of Kaua‘i and Kahanu Garden on the Hāna Coast of Maui. The Kampong is located on Biscayne Bay in Coconut Grove, Florida.

McBryde Garden has become a veritable botanical ark of tropical flora; it is situated in the upper valley of Lāwa‘i. In 1970, the original 171-acres in the upper Lāwa‘i Valley was purchased, forming the NTBG’s first garden.

Originally called Lāwa‘i Garden, in 2000 it was renamed the McBryde Garden (named after Duncan McBryde and his McBryde Sugar Co, prior owners of the site.)

It is home to the largest ex situ collection of native Hawaiian flora in existence, extensive plantings of palms, flowering trees, rubiaceae, heliconias, orchids and many other plants that have been wild-collected from the tropical regions of the world.

NTBG’s Conservation Program is based at this site and the Garden contains a state-of-the-art horticulture and micro-propagation facility.

The Allerton Garden was a summer home for Queen Emma, now known as the historic Allerton Estate located near Poʻipū just past Spouting Horn – it’s situated between the Pacific Ocean and the McBryde Garden in the Lāwa‘i Valley (Lāwa‘i Kai.)

A naturally stunning location, the Lāwaʻi Valley’s tropical splendor was nurtured by its famous owners. Queen Emma added her personal touch with the purple bougainvillea along the cliff walls. In 1937, the Allerton’s purchased the property and continued the vision of a stately garden paradise.

The NTBG is headquartered at Lāwaʻi Kai. NTBG’s gardens and preserves are safe havens for at-risk plant species that might otherwise disappear forever. There are two gardens at Lāwaʻi Kai, McBryde and Allerton Gardens. NTBG has the largest collection of endangered plant species in the world.

Research and education programs have been expanded over time; NTBG’s Breadfruit Institute was formed. In more recent years the institution has strengthened its commitment to native plant conservation and habitat restoration. While NTBG had long been conducting ethno-botanical research, new emphasis was placed on perpetuating traditional knowledge.

Limahuli Garden and Preserve is set in a verdant tropical valley on the north shore of the Hawaiian Island of Kaua‘i. The Garden is back-dropped by the majestic Makana Mountain and overlooks the Pacific Ocean.

The name “Limahuli,” which means “turning hands,” which describes the agricultural activities of early Hawaiians in the Valley. Lava-rock terraces for growing taro (lo‘i kalo) were built there 700-1,000 years ago.

The goal for Limahuli Garden and Preserve is the ecological and cultural restoration of Limahuli Valley, using the ahupua‘a system of resource management as a template for this work – a convergence of past and present, where native plants as well as ancient and contemporary Hawaiian culture are being actively preserved, nurtured and perpetuated.

Kahanu Garden is situated on the Hāna coast at Honomā‘ele. For many generations the ahupua‘a of Honomā‘ele was an important agricultural area, a thriving community that prospered under the guidance of their ali‘i (chiefs).

Oral legends and chants recall that by the latter part of the 16th century the renowned ali‘i Pi‘ilani united the entire island of Maui under one rule with Hāna Bay as one of the royal centers of the kingdom.

Kahanu Garden today honors the past – cultivating and preserving both Hawaiian native plants and special varieties or cultivars of the ethnobotanic plants of Hawai‘i and the greater Pacific.

The Kampong, in Florida, contains an array of tropical fruit cultivars and flowering trees. The garden is named for the Malay or Javanese word for a village or cluster of houses.

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Limahuli Loi

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June 24, 2019 by Peter T Young 1 Comment

Shangri La

Doris Duke was the only child of tobacco and electric energy tycoon James Buchanan Duke.

She received large bequests from her father’s will when she turned 21, 25, and 30; she was sometimes referred to as the “world’s richest girl.”

She also acquired a number of homes. Her principal residence was Duke Farms, her father’s 2,700-acre estate in Hillsborough Township, New Jersey. Here she created Duke Gardens, 60,000-square-foot public indoor botanical display that were among the largest in America.

She spent summer weekends working on her Newport Restoration Foundation projects while staying at Rough Point, the 49-room English manor-style mansion that she inherited in Newport, Rhode Island; she also had a home at “Falcon’s Lair” in Beverly Hills, California, once the home of Rudolph Valentino.

She also maintained two apartments in Manhattan: a 9-room penthouse with a 1,000-square-foot veranda at 475 Park Avenue and another apartment near Times Square that she used exclusively as an office for the management of her financial affairs.

In the late 1930s, Doris Duke built her Honolulu home, Shangri La, on five acres overlooking the Pacific Ocean and Diamond Head. Shangri La incorporates architectural features from the Islamic world and houses Duke’s extensive collection of Islamic art, which she assembled for nearly 60 years.

It was a retreat and sanctuary for a woman who greatly valued her privacy; she typically spent winters there.

From its inception, Doris Duke’s estate was envisioned by its founder as a home of Islamic art and architecture. As early as 1936, Shangri La was shaped by a symbiotic relationship between the built environment and the collection.

For nearly 60 years, Doris Duke commissioned and collected artifacts for Shangri La, ultimately forming a collection of about 3,500 objects, the majority of which were made in the Islamic world.

In the same manner that her father transformed Duke Farms from flat New Jersey farmland into his ideal of a magnificently landscaped country estate, Doris Duke transformed her own private Shangri La into a haven from the unwanted publicity that came with being one of the wealthiest women in the world.

Through an Exchange Deed dated December 8, 1938 between the Territorial Land Board of Hawai‘i and Ms. Duke, two underwater parcels (totaling approximately 0.6 acres) were added to the Duke property.

The transfer gave the Territory a perpetual easement of a four-foot right-of-way for a pedestrian causeway along the coastline.

At water’s edge below the estate, Duke then dynamited a small-boat harbor and a seventy-five-foot salt-water swimming pool into the rock. The harbor was built to protect Duke’s fleet of yachts, including Kailani Lahilahi, an ocean-going, 58-foot motor yacht and Kimo, the 26-foot mahogany runabout that Duke sometimes used to commute into Honolulu.

Doris Duke died at her Falcon’s Lair home on October 28, 1993, at the age of 80. In her will, Duke set in motion plans to open Shangri La to the public as a place for the study of Islamic art and culture.

Doris Duke’s philanthropic work extended throughout her lifetime; her estimated $1.3-billion fortune was largely left to charity. Duke’s legacy is now administered by the Doris Duke Charitable Foundation, dedicated to medical research, prevention of cruelty to children and animals, the performing arts, wildlife and ecology.

Today, Shangri La is open for guided, small group tours and educational programs. In partnership with the Doris Duke Foundation for Islamic Art – which owns and supports Shangri La – the Honolulu Museum of Art serves as the orientation center for Shangri La tours.

Education programs such as residencies, lectures, performances, panel discussions, among other special events with a focus on Muslim arts and culture are offered. The estate can also be visited by public tour and by virtual tour.

The public shoreline access and small basin is a popular swimming hole (which the State recently took over); in addition, the harbor’s jetty serves as a jump-off point to get to two nearby surf breaks, Cromwells and Browns.

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