Economy | Page 210 | Images of Old Hawaiʻi

July 3, 2016 by Peter T Young 1 Comment

The Clinic

He was born Georg Franz Straub on March 14, 1879 to Georg and Margaretha Straub in Edenkoben, Germany. He was a pre-med graduate from University of Wurzburg and in 1903, earned a Medical Degree, summa cum laude, from University of Heidelberg.

In 1903, he immigrated from Germany to London to America. (Apparently, at a family party that year, he struck a drunk relative (an officer in the German army;) the penalty was either to face a court-martial or leave the country.) He left. (Magaoay)

He met and later married Adele Germains on November 20, 1907 in Manhattan, New York. That year, they moved to Honolulu and he started his medical practice. (He ‘Americanized’ the spelling of his name to George Francis Straub.)

He was a consulting physician of the Honolulu Institute for Physiotherapy, that offered “All kinds of Electric Light Baths (blue, red, white and violet), Steam Baths; Turkish, Russian, Pine Needle, Nauheim. Carbonic Acid and Oxygen, or Medical Baths; Massage, X-Rays and High Frequency, etc.”

He was also a surgeon; “Yesterday afternoon there was a Caesarian operation performed in Queen’s Hospital on Mrs. Hopii Kolo by Dr George F Straub with the assistance of Doctor Hobdy.”

“The operation was in every respect a great success, mother and baby doing well. This is the second time that Doctor Straub has performed this operation successfully in these Islands and these are the only.” (Pacific Commercial Advertiser, September 14, 1910)

Then a fire destroyed “the old McGrew residence on the corner of Beretania and Richards … Dr Straub, who was consulting physician of the Honolulu Institute of Physiotherapy, which was located in the building, sustained a loss of about $4,000, and all his Instruments were destroyed.”

“… it was a very old house and burnt like a box of matches once it had caught alight. … Dr Straub resides in another cottage at the rear of the burnt building,… Dr. Straub has not decided upon what to do as regards his Institute, but he will make up his mind within a day or two, when he finds out exactly where he stands.” (Evening Bulletin, October 20, 1910)

He built a 15-room, 2-story wood-frame building at 410 South Beretania Street (at Miller Street across from Washington Place – he had his office on the first floor and his home on the second.) By 1916 his practice had grown to the point that he recruited an assistant, Dr. Guy C Milnor.

Straub began to envision a clinic providing specialized care in five major fields of medicine: Obstetrics and Gynecology; Surgery; Internal Medicine; Ear Nose & Throat; and Clinical Pathology. He and Milnor joined with Dr Arthur Jackson, a specialist in internal medicine in 1920 and the group operated for a short time as Straub, Milnor, and Jackson. (AfterCollege)

After the turn of the century, residents of Honolulu found it fashionable to have a ‘country place’ and beach houses began to spring up on Mōkapu. Straub preferred the coastal breezes and bird-shooting spots of Ft Hase and Nu‘upia Pond. (Steele)

It was first a one-room cottage; “If you could call a shipping crate a room.… Whenever I could get hold of another crate, it meant another room. It was simple construction. Just nail them together, cut a door, and there it was, an additional room bigger.” (Straub)

It could well be called the first “ranch-style” home on the island. Straub later gave the building to the military and moved to Waikiki. (His Mōkapu retreat served as an officer’s club for the growing military presence on the peninsula.) (Steele)

Straub divorced Adele in 1917 (“alleging extreme cruelty and desertion.”) (Star Bulletin, December 3, 1917) He went back to the mainland for a while.

Many of his Hawai‘i patients signed a petition asking him to return to the island, offering him passage via the Panama Canal. The cold weather of New England helped him decide on a Honolulu practice. (Windward Marine, October 25, 1962) He married Gertrude Scott and returned to the Islands.

In 1920, Straub’s medical partnership with Milnor and Jackson expanded; after leaving the Army, Dr Howard Clarke joined as a specialist in Eye, Ear, Nose and Throat, and Dr Eric A Fennel joined the group as pathologist.

On January 1, 1921, the five founding doctors formally organized themselves as a legal partnership. At Dr. Straub’s insistence the group he founded did not bear his name, and it was to be known simply as “The Clinic”. (AfterCollege)

The Clinic expanded and moved to the Strode Building on Young Street. In 1952, after years of success and growth, The Clinic was renamed ‘Straub Clinic’ in honor of Dr Straub, its principal founder. (HonoluluTown)

January 6, 1970, ground was broken for a 159-bed hospital and adjacent parking structure. Later that year, the Straub Clinic Partnership became a corporation and renamed Straub Clinic, Inc. February 4, 1973, it became Straub Clinic & Hospital, and Straub Hospital opened its doors. Straub opened its first satellite clinic on the Leeward side of O‘ahu in 1977.

Later, anchored by its four hospitals with the merger of Straub, Wilcox, Pali Momi and Kapiʻolani Hospitals (as well as its numerous satellite facilities,) Hawai‘i Pacific Health became one of the largest health care delivery systems in Hawai‘i.

Straub played cello with the Honolulu Symphony; after he retired from his medical practice (1933,) he turned his passion to hand-crafting violins. (Nakaso) Straub died May 21, 1966 in Honolulu.

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June 30, 2016 by Peter T Young 1 Comment

Tong Kee

During the spring of 1887, mounting dissatisfaction with government policies and private acts of officials led to the formation of the Hawaiian League, a group of Honolulu businessmen (largely, but not exclusively, haole (Caucasian.)) One issue they were particularly incensed by was the opium franchise bribery case, in which the King was implicated. (Forbes)

Initially the king, through his minister of foreign affairs, disclaimed any involvement. However, “To cap the climax of the opium matter, the Attorney General proceeds to acknowledge that the money was paid over by the Chinese …”

“(H)e informed the gentlemen interested in getting the money back that he would never accomplish his object so long as he allowed the newspaper to speak of the affair.”

“The Attorney General then sees that there is no use in denying the receipt of the money but suggests that if a quiet tongue is kept in the matter the cash received for the bribe may be returned.”

“This is a pretty piece of morality for the Attorney General to put forth and shows the obliquity of vision of all who are connected with the government.” (Hawaiian Gazette, May 17, 1887)

The Aki scandal was one of the events that mobilized many of the haole residents to organize and establish an armed body. (Lim-Chong & Ball) The Hawaiian League came into control of the Honolulu Rifles (made of about 200 armed men.)

On the afternoon of June 30, 1887, the league held a mass meeting during which they presented a list of reforms they intended to submit to the king. Among them were demands that the king dismiss his cabinet, and that Walter Murry Gibson be dismissed of ‘each and every office held by him.’

After that was accomplished, in July 1887, King Kalākaua was induced to promulgate a new constitution, known as the “Bayonet Constitution of 1887.” (Forbes)

Let’s look back …

Celso Caesar Moreno, a professional lobbyist well known in Sacramento and Washington, DC, arrived in Honolulu on the China Merchant Steam Navigation Company’s ship ‘Ho-chung’ in November 1879.

One week later, he invited King Kalākaua, the Minister of Foreign Affairs and the Royal Chamberlain aboard the steamer to meet Fan Yau Ki, a wealthy Chinese industrialist. One of the things Moreno was looking for was the liberalization of Hawai‘i’s strict opium laws. He advocated making Honolulu the opium processing and distribution center for the whole Pacific.

An opium bill was passed providing for a license for four years, to be granted by the minister of the interior with the consent of the King. (Reports of Committee on Foreign Relations)

Early in November, 1886, Junius Kaae, (who has access to the King,) informed a Chinese rice planter named Tong Kee, alias Aki, that he could have the opium license granted to him if he would pay the sum of $60,000 to the King’s private purse …”

“… but that he must be in haste because other parties were bidding for the privilege. (Executive Documents US House of Representatives, 1895)

In a later affidavit, Tong Kee (Aki) described what happened …

“I met Junius Kaae in the street and he spoke to me in Hawaiian and said ‘Do you not want the opium license?’ I replied ‘Yes, perhaps so,’ and asked him how it could be obtained. He said he could help me. A few days after this I went to the Record Office with some documents for record.”

“While there, he took me outside of the door and spoke of the matter again saying ‘I can help you about it and will push it until you get it but it will take a great deal of money. Several people have been to me to help them but he who takes money to the king, and a great deal of it, will get the license.’”

First, “I was to get 20,000 … I went to look for the King (and) found him in the Palace. I then went in and handed him a letter … He read it laughed and said ‘Where is that money?’”

“I replied that it was outside in a carriage so we … walked outside upon one of the verandas – when he looked around and seeing a good many people about, said, ‘It won’t do now, come again at six this evening with your money.’”

“We … then went to the King’s office in the Bungalow and carried the basket (‘heavy with gold’) … Kaae … asked where the money was. It having been pointed out to him he took a key from his pocket unlocked and opened a drawer in the Kings table …”

“… into which he put all of the gold and certificates locked the drawer again and put the key into his pocket. I asked for a receipt but he refused saying that it would be all right that if I did not get the license all of the money would be returned”.

“The next day Kaae came to the house and said that he and the King had counted over the money the evening before and that it was short of $20,000 by $2.50 so I handed that to him in silver.”

“I then set about raising the last $40,000 … Upon the 7th of December … I went … to the Palace and handed the King in person a check for $10,000 …”

“The King took the check looked at it and put it in his pocket. … The same day Kaae came to me with the check and said as he handed it back, that I must draw the money as it would not do to have any checks – that the King said that by and by people would find out about it and it would be all exposed.”

Tong Kee then delivered ‘a large package of certificates’ ($10,000 in cash.) Kaae “then urged me very strongly about getting the remaining $30,000.” Tong Hee then brought more money. “The King then invited us into the office. We entered and presented him with a letter … and said ‘Where is the money?’” They were invited into the King’s office.

“The King went into a door on the Ewa side of the room mauka end … (we) put the baskets on the floor near the door – but the King said, ‘No, not there,’ and going to a trunk unlocked and opened it and then taking out some quilts … (we were) told to put the money in there.”

They laid the bags in the trunk; “The King laid back the quilts closed and locked the trunk and put the key in his pocket. … We were then dismissed.”

“Very soon after this Kaae came to my house – others were there. He looked angy or disturbed. He said, ‘The King has shown me a letter from John S Walker, in which he said that Kwong Sam Kee had been to him and wanted him to assist them about an opium license. That they offered $75,000 for it’ … Now what do you think, Aki? If you don’t give more money, Kwong Sam Kee will get that license!’”

“We went to the Bungalow (with more money) and waited on the same veranda as formerly … The King came soon and we presented the pig which caused him a smile of pleasure. … He asked where the money was and on seeing it entered into conversation about the license.”

“Seeing people about I suggested that the money had better be put away. He then sent off a Lelewa woman who was sweeping and himself carried the basket into the same room where the $30,000 had been put. This $15,000 was mostly in US gold but it contained some certificates and the whole was in a basket.”

“(W)e went away but I first asked him when the license would be issued to me. He replied that it must be done in regular course through the Ministers as by law required that there would be a meeting very soon and he promised to help me about it.”

Tong Kee was later informed that Chun Lung was getting the opium license. The King informed him that he would have a share in the license. “The King finally said that he had arranged it that the license had fifteen shares in all – that Chung Lung was to have five, I was to have five and he was to keep five himself.”

“Fearing that I should lose all my money I agreed to this proposition on condition that part of my money was returned. I said that as $75,000 were paid to the King for the whole license and I was only to have a third that $50,000 should be returned and the King might keep $25,000.”

“But he gave no definite answer to this at that time but said it was to be arranged by and by after the whole matter was adjusted.” But resolution was uncertain “it appealing that he (Kalākaua) was constantly shifting his ground.”

“I asked the King to return me all of my money and drop the whole thing. He exclaimed that this could not be done that it was all understood and arranged about the division of the license and could not be changed.”

“I insisted on the return of my money. He finally seemed to assent to this and intimated that by and by he would pay me back when they paid in their money. I do not know who he meant but inferred from what had been said that he meant the opium licensee.” (Affidavit of T Aki (Tong Kee;) Hawaiian Gazette, May 31, 1887)

Just when it seemed that Aki himself was about to come forward and make a statement … he died under mysterious circumstances. It was widely believed that he was poisoned.” (Zambucka)

The King’s disastrous financial affairs were then placed in the hands of trustees. Aki’s estate petitioned for return of what he paid Kalākaua.

On September 21, 1888, Judge Preston decided, “the claim against the defendants for the sum of $71,000 is established as just and correct within the meaning of the deed of trust in the bill mentioned and that the complainants are entitled to be paid pro rata with other approved claims …”

“… and order defendants (Kalākaua’s trustees) to pay the same accordingly out of the moneys which may have come to their hands under the trust of the said deed …” (Zambucka)

The Aki scandal was one of the events that mobilized Kalākaua’s enemies to secretly plot his downfall and ultimately led to the 1887 Constitution, known as the ‘Bayonet Constitution,’ which took away much of the king’s power. (IslandExpat)

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June 29, 2016 by Peter T Young Leave a Comment

Waikīkī Church

By the time the first company of American Board of Commissioners for Foreign Missions (ABCFM) Protestant missionaries arrived in 1820, Kamehameha I had died and the centuries-old kapu system had been abolished. The Hawaiian people had already dismantled their heiau and had rejected their religious beliefs.

The missionaries, less the group left on the Big Island, landed at Honolulu on April 19, 1820. On the sabbath (April 23,) Hiram Bingham, the leader of the group, preached the first formal Protestant sermon in the Islands. Initial services were in thatched structures. Later, a more permanent church was built.

In July, 1821, they began to build a 22 by 54-foot building, large enough to seat 300. This first church building was built of thatch and lined with mats; however, it had glass windows, doors, a wooden pulpit and 2-rows of seats, separated by an aisle. In August of that year, Captain Templeton presented a bell from his ship to be used at the church.

Within a year, Hiram Bingham began to preach in the Hawaiian language. 4-services a week were conducted (3 in Hawaiian and 1 in English.) Congregations ranged from 100 – 400; by the end of the year, the church was expanded.

On May 30, 1824, the church burned to the ground. Within a couple of days after the fire, Kalanimōkū ordered a new church to be built at public expense. A new thatched building (25 by 70 feet) was placed a short distance from the old; it was dedicated July 18, 1824.

Interest in the mission’s message outgrew the church and services were held outside with 3,000 in attendance; efforts were underway to build a larger facility, to accommodate 4,000.

In December, 1825, the third Meeting House building was opened for worship; however, shortly afterward a violent rain storm collapsed the structure. In 1827, Kaʻahumanu stepped forward and “caused a temporary house to be erected which is 86 feet by 30, with 2 wings each 12 feet wide extending the whole length of the building. … It is not large enough to accommodate all who attend the service on Sabbath mornings, many are obliged to sit without.” (Mission Journal – Damon)

The last of the thatched churches served for 12-years. It measured 63 by 196 feet (larger than the present Kawaiahaʻo Church) – 4,500 people could assemble within it.

Then, between 1836 and 1842, Kawaiahaʻo Church was constructed. Revered as the Protestant “mother church” and often called “the Westminster Abbey of Hawai‘i” this structure is an outgrowth of the original Mission Church founded in Boston and is the first foreign church on O‘ahu (1820.)

Kawaiahaʻo Church was designed by its first pastor, Bingham. Following five years of construction, Kawaiahaʻo was ready for dedication ceremonies on July 21, 1842. The grounds of Kawaiahaʻo overflowed with 4,000 to 5,000 faithful worshippers. King Kamehameha III, who contributed generously to the fund to build the church, attended the service.

There were ten ‘āpana, or branches, of the Kawaiahaʻo Church. One of them was the Waikīkī Church (the others included Kalihi, Palama, Nuʻuanu, Pauoa, Moʻiliʻili, Pālolo, Kaimuki, Puaikalani (Kakaʻako) and Kawaiahaʻo itself. (Damon)

Across Kalākaua Avenue in front of the Moana Hotel, on the present site of the shops and Princess Kaʻiulani Hotel, was the first grammar school in Waikīkī, a small graveyard and the church. (Cultural Surveys)

“The Little Church at Waikīkī … The congregation which has worshipped in this church is numerous but poor …. The pretty little church among the cocoanuts is besides a prominent ornament to the neighborhood”.

The church was damaged by a thunderbolt … “It seems that the house was badly shattered – in fact rendered untenable in wet weather, and that it will cost in the neighborhood of five hundred dollars to put it again in good condition …”

“We beg to suggest a concert or other public entertainment to raise funds for the repair of the Waikīkī Church building.” (Pacific Commercial Advertiser, December 18, 1875)

It turns out the Waikīkī Church was a venue for many concerts, to raise money for the Waikīkī property, as well as Kawaiahaʻo in downtown – and they had frequent royal guests.

“A concert was given on Wednesday evening, commencing at half past seven o’clock, at the Waikīkī Church in aid of Kawaiahao Church. Their Royal Highnesses Princess Liliʻuokalani and Princess Likelike took an active part in promoting the furtherance of this good object, and both of these good ladies also took part in carrying out the programme.”

“The Misses Cleghorn and other young ladies also assisted. A drive to Waikīkī on a beautiful moonlight night is of itself a treat, which was greatly enhanced, by the anticipation of hearing good vocal and instrumental music on arrival there.” (Pacific Commercial Advertiser, December 15, 1883)

“A musical entertainment was given at Waikīkī Church on Wednesday evening. Their Royal Highnesses the Princesses Liliuokalani and Likelike had taken a great interest in the affair and many of their friends from town took the opportunity to indulge in a moonlight drive and be present at the concert.”

“The church was filled and there was a not inconsiderable audience that preferred the open air and the soft grass of the churchyard to the accommodations provided for them inside … “It is to be hoped that this is not the last time that the people of Waikīkī will invite their town friends to come and hear them sing.” (Pacific Commercial Advertiser, December 15, 1883)

In an interview for the Oral History Project conducted by the Social Science Research Institute, University of Hawai‘i, interviewee Mary Paoa Clarke (born in 1902) recalls the Waikīkī School:

“We (Mary and her siblings) went to Waikīkī School – that’s across the Moana Hotel – which is (where) the (Princess) Kaʻiulani Hotel (is) now. We walked from our home to school”. Mary also noted that the Waikīkī School only went up to third grade. “We started in the fourth grade at Kaʻahumanu”. (Social Science Research Institute)

“… I had gone to the Waikīkī (Elementary) School for three years. There was Mrs Henry, Mrs Perry and Mrs Ontai. (The) first Waikīkī School was opposite the Moana Hotel – across the street. (There were) three rooms, first, second and third. In one corner of the property there was a graveyard and an old Hawaiian church.) (Lemon Wond “Rusty” Holt, Sr; Social Science Research Institute)

In 1916, Kawaiaha‘o sold the cemetery land around the Waikīkī ‘āpana (branch) church to the Territorial Hotel Co, Ltd, owners of the Moana Hotel.

A new lot was obtained from the Lili‘uokalani Trust; plans for the construction of a new church began immediately, as the church contracted for the construction of a one-story frame building in 1916 on a new lot, near the corner of Kūhiō Avenue and ʻOhua Lane (in the area now occupied by the Waikīkī Banyan Condominium, which was built in 1979.)

Owing to the sale of the Waikīkī Church premises for the extension of the Moana Hotel accessories, some fifty or more bodies which had been interred in its grounds were exhumed and removed to the cemetery of the mother church, Kawaiahaʻo. (Thrum, 1916)

Kawaiahaʻo Church took the responsibility “to remove all remains and coffins buried in the church yard (so far as practical) and re-inter them in some cemetery or cemeteries in the district of Honolulu,” with the costs of the removal to be borne by the Territorial Hotel Co.

Those interred in the Protestant cemetery ranged from as young as 2 weeks to 80 years of age and were noted as having passed away from a variety of causes such as “consumption”, “constipation”, “meningitis”, “diabetes”, “whooping cough”, the most common cause being “old age.” With perhaps one exception, all of the names appear to be Hawaiians who died between 1880 and 1907. (Cultural Surveys)

“Then the Moana (Hotel) built a lot of cottages in there. Of course then years later they were torn down and they built the Princess Ka‘iulani Hotel.” (Leslie Fullard-Leo (born 1909;) Social Science Research Institute)

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June 25, 2016 by Peter T Young Leave a Comment

Kapaka

Hanohano ʻia home aʻo Kapaka
E kipa aʻe e nā pua a ka lehulehu
Ka nehe o ke kai lana mālie
Ke ʻala līpoa e moani nei
A ʻike i ka nani o Kaliʻuwaʻa
Ka beauty aʻo Sacred Falls aʻu i aloha
Hoʻi au i ka home o nā Makua
Nanea e hauʻoli me nā hoaloha
Puana kuʻu mele no Kapaka
E kipa aʻe e nā pua a ka lehulehu

Proud are we of our home, Kapaka
Where there is welcome for all
The lapping of the sea is gentle
The fragrance of seaweed is in the air
Behold the splendor of Kaliʻuwaʻa
The beauty of Sacred Falls, that I love
I go to the home of my parents
To relax and be happy with loved ones
My song is a story for Kapaka
Where there is welcome for all
(Home Kapaka – Mary Pukui, music by Maddy Lam (Huapala))

Kapaka is an ahupuaʻa in Koʻolauloa on the windward coast of Oʻahu. (23-ahupua‘a (traditional land division) make up the district of Koʻolauloa.) Kapaka (the tobacco) takes its name from the crop that was once grown there. (Huapala)

The Islands grew “four different kinds of tobacco … some of them are much better than others”. (Royal Hawaiian Agricultural Society, 1854)

First, native tobacco – when tobacco was first introduced into these islands, there were two kinds cultivated by the natives, one with a large round leaf, and the other with a smaller and more pointed one.

Second, there were some plants from seeds introduced from Havana by Robert C Wyllie. Both in appearance and flavor, the tobacco bears a strong resemblance to the broad-leafed native kind, and none but one well acquainted with tobacco, could distinguish them.

Third, there were a few plants from seed sent us by William L Lee, procured by him from the NYSA Society. It has a very small, round and fine leaf, and a superior tobacco.

Fourth, seed sent by John Montgomery; the plant is so different from any other we have seen, that it was suppose it was from Manila. (Royal Hawaiian Agricultural Society, 1854)

Later, “Cooperative experiments with tobacco have been conducted on the island of Hawaii with the object of producing a type of tobacco that is especially adapted to Hawaiian conditions.” (USDA; Pacific Commercial Advertiser, December 19. 1904)

Kapaka was an ahupuaʻa anomaly in that a ‘lele’ of Kapaka is situated in the adjoining ahupuaʻa of Kaluanui. Lele (’jumps’) are distinct sections of land in different parts of an ahupuaʻa (in this case, the Lele of Kapaka ‘jumped’ to a portion of the adjoining ahupuaʻa.)

“The district of Koʻolauloa is of considerable extent along the sea coast, but the arable land is generally embraced in a narrow strip between the mountains and the sea, varying in width from one half to two or three miles.”

“Several of the vallies are very fertile, and many tracts of considerable extent are watered by springs which burst out from the banks at a sufficient elevation to be conducted over large fields, and in a sufficient quantity to fill many fish ponds and taro patches.” (Hall, 1839; Maly)

“Lele o Kapaka” contained approximately 6.75 acres, and by its location on the kula of Kaluanui, it was presumably used for agricultural production, perhaps lo‘i kalo or lo‘i ‘ai (taro pond fields,) irrigated by the system of ʻauwai which early land accounts describe as being on the kula lands. (Maly)

On January 28, 1848, King Kamehameha III and William Charles Lunalilo agreed to their Māhele ‘Āina, and as a result, the ahupua‘a of Kapaka, including the Lele o Kapaka, was kept by Lunalilo.

In 1864 and 1894 various leases were granted that encumbered Kapaka and the lele o Kapaka. Those leases noted, a thatched “house standing on the land … likewise, the pa (wall or fence) surrounding the land (were to be maintained.)”

Likewise, the tenant may “cut and collect the mikinolia, guava, and hau trees for fire-wood and fencing, and the hau bark to be used as cordage, from places pointed out (and) may also release six animals upon the Kula, under the direction of the Luna Paniolo.” The latter lease allowed cultivation of rice on the Lele land. (Ulukau)

Lunalilo followed Kamehameha V as King of Hawai‘i; when he died in 1874, income from the sale of his lands was used to fund development and operation of the Lunalilo Home for elderly Hawaiians.

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June 22, 2016 by Peter T Young 1 Comment

Madge Tennent

She was born Madeline Grace Cook in Dulwich, England, on June 22, 1889. Her father owned a construction business; her mother was the editor of a women’s fashion magazine.

When she was five she moved with her family to Cape Town, South Africa. At the age of twelve, she entered an art school in Cape Town.

The following year, her parents, who recognized and encouraged her talent, moved to Paris to enable Madeline to study there In Paris, she studied figure drawing under William Bouguereau, an experience that laid the technical foundation for her later figural drawings and paintings. (Beebe)

Two years later they returned to Cape Town, where Madge taught art and illustrated fashion magazines. She was also an accomplished pianist, taught by her mother, and gave regular recitals in Cape Town. One such recital was attended by a visiting military officer from New Zealand, Hugh Cowper Tennent, who was in South Africa with his regiment.

They married (1915) and returned to his home, New Zealand, where she led the haphazard life of an army camp follower until their first son Arthur was born in 1916.

Madge directed an art school, having been appointed head instructor at the Government School of Art in Woodville, the village where Madge and Hugh lived while he awaited further military orders. (Wageman)

Hugh went off to war in Europe and returned with a seriously wounded hand; the young family was sent to Western Samoa, which had become a New Zealand protectorate after the war, with Hugh as the treasurer of the territory. Their second son, Val, was born there in Apia.

They spent six years in Samoa. During her stay in Samoa, Tennent became fascinated with Polynesians, and while on a leave of several months in Australia, Tennent studied with Julian Ashton “and learned to draw seriously for the first time.” (Beebe)

On a trip to London to enroll the boys in a British boarding school in 1923, the Tennents arrived in Honolulu with their two young sons, planning on a three-day stop-over.

They were introduced to members of the local artistic community, who saw her Samoan studies and asked her to stay and paint the Hawaiians. They stayed.

As a chartered accountant (the British equivalent of a CPA), Hugh was unable to work until he put in a year of residency. Madge supported the family by doing watercolor portraits, mostly of society children. She kept a studio downtown on Hotel Street.

Madge was fascinated by the Hawaiians from the beginning, but true inspiration struck when she was given a book of colored reproductions by Paul Gauguin in Tahiti. From that time on she devoted herself to the single-minded pursuit painting Polynesians.

Often referred to as Hawai‘i’s Gauguin, Tennent was unswerving in her devotion to the beauty of the Hawaiian people with pen, brush and palette knife. (Walls)

She was active in Hawai’i from the 1930s to the 1960s. “The Hawaiians are really to me the most beautiful people in the world … no doubt about it – the Hawaiian is a piece of living sculpture.” (Tennent; HPA)

Tennent portrayed Hawaiian women as solidly fleshed and majestic – larger than life. Her method of working with impasto – applying thick layers of paint to achieve a graceful, perfectly balanced composition – is evident in ‘Lei Queen Fantasia.’

The paint is applied in whirls in what might be called the ‘Tennent whirl’ – the colors bright and luminous. Tennent envisioned Hawaiian Kings and Queens as having descended from Gods of heroic proportion, intelligent and brave, bearing a strong affinity to the Greeks in their legends and persons. (HPA)

Over the years she was very active in the arts community in Honolulu, taught frequent classes at the Honolulu Academy of Arts, and wrote for publication on art-related subjects. (Walls)

Just a few days before her death in 1972, Tennent summed up her philosophy of life and art for a newspaper reporter who interviewed her, frail and blind, at a private nursing home overlooking Diamond Head. He asked her …

“How does it feel, Mrs. Tennent, to have your genius publicly recognized during your lifetime?” … “Genius, baloney,” she muttered, with all the strength she could muster. “It was nothing but darn hard work.” (Walls)

Major collections of her work are found at the Honolulu Academy of Arts and the University of Hawaii. In 2005, Hawai’i Preparatory Academy’s Isaacs Art Center was chosen by the Trustees of the Tennent Art Foundation to become the caretaker of the collection. (HPA) Tennent died February 5, 1972.

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