Images of Old Hawaiʻi

by Peter T Young Leave a Comment

“Honolulu’s Tropical Jewel”

This CW Dickey-designed structure was once referred to as “Honolulu’s Tropical Jewel.” (TheatresOfHawaii)

No one man has a more central place in Hawaiʻi’s architectural history than Charles William Dickey (1871-1942.) Born of a kamaʻāina family (his maternal grandfather was missionary Rev. William P Alexander,) he grew up on Maui, graduated from MIT in 1895 and practiced architecture in Honolulu from 1895 to 1904 and from 1920 until his death twenty-two years later.  (Neil)

“Previous Waikīkī buildings had divided into two types: the palatial – such as the Moana Hotel and the Castle residence – and the small and informal – such as the beach house of Kamehameha V. … Dickey’s 1936 design for the Waikīkī Theater is an extreme contrast.”

“His problem was to design a 1930s movie palace which would be appropriate to Hawaiʻi. He used the expected art deco with such flair and taste that the theater compares favorably with any of the type … He then made the theater appropriate.”  (Charlot)

Its initial design was based on a building at Chicago’s moderne 1933 and 1934 ‘A Century of Progress International Exposition,’ but in harmony with its island location.

The final tropical moderne design featured a large garden courtyard between the street and auditorium entrance, with lush plants surrounding a large fountain.

Inside, past fresco murals on the walls and ceiling, the atmospheric auditorium was flanked by lush artificial plants with the proscenium in the form of a rainbow, and tall artificial coconut palms on each side.  (TheatresOfHawaii)

No expense was spared in its construction and furnishings.  This was intended to be owner’s (Consolidated Amusement) deluxe flagship theater.

The 1,353-seat Waikīkī Theater opened with great fanfare on August 20, 1936.  “This first-class theatre survived as a single-screen house its entire life.”  (TheatresOfHawaii)   Dickey created an environment as charming and artificial as the image on the screen.  (Charlot)

In 1939, the Waikīkī Theatre was equipped with a Robert Morton theatre organ, which had originally been installed (with a twin console) in the Hawaiʻi Theatre in 1929.  (Peterson)

“No theater in the world has a more picturesque setting than Waikīkī.  Situated on the beach at Waikīkī, it stands on the site where once Hawaiʻi’s royalty played.  The playhouse now becomes a glorious new addition to the beach made famous in song and story.  It is the new center of activity of that district which long been the mecca of travelers from the world over.”  (Honolulu Advertiser; Alder)

“The auditorium is a revelation in theatrical architecture. Spacious, cool, it is acoustically correct in every detail. Perfect hearing and vision are available from every seat of the huge auditorium.”

“One of the most unique ideas in theatre ‘atmosphere’ has been incorporated in the decorations. The ceiling, done in soft blue, becomes a replica of the heavens through special lighting effects.”

“Stars twinkle, soft, fleecy clouds float about, the planets send off their soft light. The Waikīkī theatre is one of the few in the world in which this unusual lighting feature has been installed.”

“Through this lighting the great rainbow that spans the proscenium becomes a soft, misty, fairy arch rivaling in loveliness the great rainbows that arch Hawaiʻi’s skies.”  (Honolulu Advertiser, August 20, 1936; Del Valle)

“Inside the theater, it felt as if you were in a tropical paradise. A full-colored rainbow arched over the curtains that hid the screen. Along the side walls, there were palm trees that reached from floor to ceiling and lush jungle plants, which appeared absolutely real to my child’s eyes.”

“Then, a distinguished gentleman named Ed Sawtelle would appear and sit down at a large organ console, located just below and in front of the stage, and begin a concert that filled the hall with rolling music that vibrated off the walls.”

“About that time, with the house lights dimmed, someone would flip a switch and magical images of moving clouds would be projected onto the arched, midnight-blue ceiling, completing the illusion of having landed in the middle of a tropical jungle on a remote Pacific island.”

“Finally, the curtains would part and the show would start with a short cartoon and the Fox Movietone News. The ‘news’ events shown were about four weeks old by the time they got to Hawaiʻi, but that’s how we would find out what was happening in the world in those pre-television days.”  (Richard Kelley)

After successfully celebrating its first 30+years, and as the multiplex made movie-going more competitive, in 1969 the Waikīkī Theater name was relegated to Waikīkī #3 (following the construction of the Waikīkī #1 & #2 nearby.)

Renovations in the late-60s, and remodeling a decade or so later kept the theater on life support.   An expanded concession area replaced most of the forecourt, the interior decoration was removed and the auditorium draped.

“Imagine how much half an acre on Kalākaua Avenue is worth. By then, Consolidated was paying half a million dollars per year in property taxes – you have to sell a lot of popcorn to cover that.” (Lowell Angell, Theatre Historical Society of America; Hana Hou)

Waikīkī Theater (Waikīkī #3) remained a single screen theatre until it closed in late-November 2002; Waikīkī #1 & #2 closed at the same time.  They demolished all three in 2005 (the demolition started about 9-years ago, today.)

“Over the years, the movie business has changed dramatically. …  Multiplex theaters offer a variety of features almost any time of the day or night. Cartoons are now feature films. The news of the day is seen on one’s TV, laptop or cell phone.”

“The gracious theater usherettes have long since retired and have not been replaced. The guy at the door who takes your ticket is often dressed in a baggy T-shirt and jeans and barely looks up as he says, ’Your film will be shown in theater seven, second on the right.’”  (Richard Kelley)

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by Peter T Young Leave a Comment

Teshima’s

Teishoku #3 was my mother’s favorite.

With the meal came the anticipated stop and discussion with Mrs Teshima, proprietress of the place.  Mrs Teshima is now gone, but the memory of her gracious hospitality and her ability to remember the family and life experiences of her customers will live forever.

To tell the story of Shizuko (Mary) Teshima and her restaurant, Teshima’s, we need to step back a few years … a lot of years.

In the early-1900s her father, Goichi Hanato, emigrated from Hiroshima, along with her mother, Kiku Morishima, in a picture bride marriage (1905.)  Shizuko (Mary) was born June 24, 1907 in a Kona coffee field, not far from where Teshima’s restaurant is today.

Her father was an industrious man who tried his hand at many jobs; among other things, milked cows and made butter. He got a farm in Honalo and opened a store. He and his wife made tofu at home and delivered it by horse and wagon to their customers.  (Kona Historical Society)

A few years after arriving in Hawaiʻi, Goichi Hanato opened a general store, tofu factory and taxi service.

During World War I, Shizuko attended Konawaena Elementary School.   As a teenager having only an eighth grade education, Shizuko worked at her father’s general store.  It was there that she met Fumio (Harry) Teshima, an islander who worked as a mechanic for the Captain Cook Coffee Company.

Shizuko’s father wrote to his family back in Hiroshima Japan to ask about fiancée Fumio’s farmer family/reputation – the response was favorable, so Fumio was allowed to marry Shizuko.  (Narimatsu)  In 1926 they were married, and in 1929 the couple opened a store and called it F Teshima Store.

While her husband worked at Captain Cook Coffee Company and earned a cash salary, Shizuko worked in the store and started raising their family of five children.  She did sewing at night with a gas lamp to make extra cash, earning a dollar for trousers and seventy-five cents a shirt.

“To begin with I had the store. It was kinda boring, and I wanted to do something to keep me real busy. So, I decided …to run up to the church (when) they had classes in cooking.  So, I said, oh, I must like this work. I started with an ice cream parlor at first ‘cause I had general merchandise.”

“People, when they came to buy something, wanted to eat, and that’s how I got into food, too. I had two tables, one dozen ice cream spoons, one bamboo ice cream scoop, and the glasses….We made our own ice cream. Our ice used to come from Hilo.”

“We bought 100 lbs. and we packed it in the coffee skins, in the box, and we made ice cream the night before after we closed the store. In the morning it was ready and we packed it in ice with salt, but there was no electricity anyway, so we did it the hard way.”  (Kona Historical Society)

Around 1940, Mary purchased a fountain so Kona kids could have ice cream sodas, as well.  When World War II started, life changed.

The store became a popular saimin stand before serving libations and food to soldiers stationed nearby.  The store expanded into a hamburger stand, before it was launched a Japanese family restaurant.

Suddenly, Kona was filled with hungry, thirsty US servicemen who showed up at F Teshima Store with money in their pockets, looking for drinks at the horse shoe bar and hot off the stove hamburgers.

“Homesick boys, only 18 or 19,” she said, “but they were all very nice.”  These WWII soldiers, who couldn’t pronounce her name, gave her the name Mary.  (Winther)  (Relatives and good friends called her Grandma; we, always, respectfully, called her Mrs Teshima.)

When the war was over, the family made a smart decision in 1957 to tear down the old store and build a restaurant.  (Kona Historical Society) What was the general store evolved into a 230-seat restaurant.  (Her husband Fumio (Harry) Teshima died April 20, 1997.)

In 2009, Shizuko “Mary” Teshima was recipient of the Women’s Hall of Fame award, given by the Hawaiʻi County Committee on the Status of Women.

On October 22, 2013, “Mary” “Grandma” “Mrs Teshima” died at the age of 106 (she worked for 83-years at her Honalo landmark.)  She had five children, 17 grandchildren, 27 great grandchildren and 16 great-great grandchildren.

© 2023 Hoʻokuleana LLC

 

by Peter T Young Leave a Comment

A Building Tells Stories About Buildings

This story is one of the unhappy stories I had while at DLNR.  We were dealing with the last of its kind – so losing it had a different, and more permanent, meaning.  I hope telling the story will help keep the memory alive.

This is not only of personal concern, at the time I was also the State Historic Preservation Officer.

Anyway, on December 27, 1850, the Honolulu Fire Department was established, by signature of King Kamehameha III, and was the first of its kind in the Hawaiian Islands, and the only Fire Department in the United States established by a ruling monarch.

Back in those early days, firefighting equipment was primarily buckets and portable water supplies.  As the department grew, several hand-drawn engine companies were added.

In 1870, the tallest structure in Honolulu was the bell tower of Central Fire Station, then-located on Union Street.  Spotters would sit in the tower, ready to sound the alarm.  Central Fire Station was later relocated to its present site at Beretania and Fort Streets.

Until 1901, most business buildings in downtown were 2-3 floors, that year the 6-floor Stangenwald Building was completed; it remained the tallest building until 1950, when the seven-story Edgewater Hotel in Waikīkī took over that title.

So, for a very long time, firefighting in Honolulu was handled pretty close to the ground, with buildings essentially accessible via hand-raised ladders.

Also, back then, with all the buildings relatively similar in scale, spotting was easy from the towers adjoining the stations and firefighting equipment was pretty consistent to deal with the similar building heights.

The old Kakaʻako Fire Station was occupied on October 1, 1929, by Engine Company Number 9.  In 1930, a hook and ladder building was constructed.  It housed a ladder truck for 20 years.

It housed the equipment that transported ladders to the downtown fires.  Its size and shape showed the scale of Honolulu’s buildings.

The lengths of the ladders on the ladder trucks were tall enough to effectively fight downtown structure fires.  Taller ladders were not needed, because Honolulu, then, did not have taller structures.

And that’s the point of this story.

When the Fire Department was going through its consultation with DLNR’s Historic Preservation Division, I got involved in the discussions when I heard they wanted to get rid of the ladder building.

It was the last of its kind (all other ladder buildings (typically attached to the various fire stations) had been removed from the other older fire stations.)  Kakaʻako had the last one.

I suspect some may wonder what the big deal was – that’s the position the Fire Department took.  What is so important about a rotting wood attachment to an historic Fire Station? (The Kakaʻako Station was added to the National Register of Historic Places in 1980.)

And, with a brand spanking new Administration building going up next door, this old building was an eyesore and in the way.

We had a meeting with the top brass from the Fire Department – the Chief and his Assistant Chiefs.

I tried to convince them that simply looking at the ladder building (that they wanted to remove) helped tell the story of what Downtown Honolulu used to look like (especially in the present context of predominantly high-rise and relatively few low-rise structures.)

That building helped tell the story of the other buildings in the area and the look of Honolulu at the time.

Well, after several discussions (several of them not pleasant,) we compromised on retaining the facades of the front and rear of the ladder building, with trellising forming the height of the building (trying to give the sense of scale of the ladder building) and tiles on the ground noting the perimeter walls.

Unfortunately, during the course of construction, we were belatedly-told that the facades could not be saved and there was nothing anyone could do about that.

I’ve been back to the Station and was happy to see the tiled outline of the old ladder building in the connecting walkway between the Old Kakaʻako Station and the Administration building.

It’s difficult to imagine that Honolulu was once a low-rise central business district – and was that way for such a long time.  Fortunately, we have some representation of what it looked like, told through the tiles on the ground.

© 2023 Hoʻokuleana LLC

by Peter T Young Leave a Comment

Wasinetona Hale

In 1674, George Washington’s great-grandfather, John Washington, secured a land grant along the Potomac River. The land was passed down the Washington line until it came into the possession of Augustine Washington, George Washington’s father.

In 1734, Augustine Washington moved his family, including a two-year-old George, into a new one-and-a-half story home built on a property called Little Hunting Creek. This home would become the core of the Mount Vernon mansion.

Augustine and his family lived at Little Hunting Creek for several years and then moved to Ferry Farm, across the Rappahannock River from Fredericksburg, Virginia.

When Augustine died in 1743, Little Hunting Creek passed to his son Lawrence Washington, the half-brother of George Washington.

Lawrence renamed Little Hunting Creek “Mount Vernon” in honor of the British Admiral Edward Vernon under whom Lawrence had served as a commander of Virginia colonial troops in the War of Jenkins’ Ear.

After Lawrence died of pneumonia, George Washington began renting Mount Vernon from Lawrence’s widow. When she died in 1761, Mount Vernon officially passed into George Washington’s ownership.

George Washington expanded the house that his father had built by first adding a full second story, and then erecting a wing onto each side of the house.

By 1787, George Washington had transformed the 3,500 square foot home that had been built by his father into an 11,000 square foot mansion. Washington also modified the outside appearance of the mansion.

Using a technique called rustication, yellow pine boards were carved to look like cut blocks of stone and then covered in wet paint and sand. The end result was a wooden structure that appeared to be made of stone. (Battlefields-org)

Following George and Martha Washington’s deaths (1799 & 1802), the estate passed to four successive heirs, the last of whom deeded it to the Mount Vernon Ladies’ Association in 1860.

While still in private hands, the property nonetheless attracted thousands of visitors each year, most of whom arrived after a fifteen-mile overland trek from Washington, D.C. With the establishment of regular steamboat access in the 1850s, the numbers swelled to ten thousand annually.

The public claimed Mount Vernon as its own. In the words of a nineteenth-century Washington family member, “the Nation shares it with us.”

In the Islands, Captain John Dominis was an Italian-American ship captain and merchant from New York who had been trading in the Pacific since the 1820s. 

In the 1840s, he purchased property on Beretania Street.  There, he started to build a home for his family, Mary Lambert Dominis (his wife) and John Owen Dominis (his son.)

The original central portion, built in 1844-1847, was designed and executed in Greek Revival Style, with supplies ordered from Boston.

Captain Dominis reportedly embarked on several trading voyages while the house was being built, using the profits to pay off accumulated debts and resume operations (it’s not clear how many trips were required to build the new home.)

Designed and constructed by Isaac Hart, the elegant Greek-Revival house rose on the fringe of the village of Honolulu, towering over the barren landscape and native thatched houses.

Hart built another grand mansion around this time that would become the royal palace of King Kamehameha III when he moved the capital from Lahaina to Honolulu in 1845.

As Captain Dominis’ house drew near completion in 1846, he sailed for China on a trade mission. The tragic disappearance of his ship at sea left Mary Dominis a widow and she found it necessary to rent suites in her new mansion.

The grounds were said to have been planted “by Mrs. Captain Dominis as the first private garden in Honolulu, carefully watered until the yard was a handsome, cool retreat.” By 1848 the garden was sufficiently interesting for a visitor to ask for a list of the plants in the yard.

Mary Dominis then rented out the spare bedroom to American Commissioner Anthony Ten Eyck.  Inspired by its stately elegance, he sought to christen the home in 1848, in honor of the “great, the good, the illustrious Washington,” and the memory of his countryman, Captain Dominis.  (Washington Place Foundation)

The following is an extract of his February 22, 1848 note to Mr. Wyllie, “I have much pleasure in making the following semi official announcement to you.”

“In honor of the day which gave birth to him, who was ‘first in war, first in peace, and first in the hearts of his countrymen’ – the great, the good, the illustrious Washington …”

“… the United States Commissioner, with the assent of its much esteemed and hospitable proprietress, has this day christened the beautiful, substantial and universally admired mansion of Mrs. Dominis, Washington Place.”

“Thus let it hereafter be designated in Hawaiian Annuls and long may it remain in this distant isle of the Pacific, a memento of the eminent virtues of the ‘Father of his country’ and of the enterprise, and the distinguished excellencies of its much lamented projector.”

Then, published in the Polynesian of February 26, 1848, with the authoritative notice looked for, which are herewith presented in like manner:

“Official Notice. ‘It has pleased His Majesty the King to approve of the name of Washington Place, given this day by the Commissioner of the United States, to the house and premises of Mrs. Dominis, and to command that they retain that name in all time coming’ (Sgd.) Keoni Ana. Home Office, Feb. 22, 1848.”

Liliʻuokalani visited Washington Place in 1860 during her courtship with her future husband John Owen Dominis. Washington Place became the home at which Liliʻuokalani and her husband started their life together in marriage on September 16, 1862.”

When Mary Dominis died in 1889, the Washington Place property was passed on to John Owen Dominis. The Queen ascended to the throne in 1891 and her official residence ʻIolani Palace.

John Owen Dominis was in failing health and chose to remain at Washington Place due to the numerous stairs at ʻIolani Palace. In August of 1891, Washington Place was passed on to the Queen upon the death of John Owen Dominis.

It would remain her residence for 55 years, a home she fondly described as “a large, square, white house, with pillars and porticos on all sides, really a palatial dwelling, as comfortable in its appointments as it is inviting in its aspect… a choice tropical retreat in the midst of the chief city of the Hawaiian Islands.”

Prince Jonah Kūhiō Kalanianaʻole, one of the heirs to the estate of Queen Liliʻuokalani, suggested that the Territory acquire Washington Place as the Executive Mansion. The Legislature appropriated funds for the purchase and the property was acquired by the Territory.

In 1922, major additions were made. These included the glassed-in lanai, the porte-cochere and the rear one-story wing with Dining Room and Kitchen. Family bedrooms were added to the second-story of this wing, later.

Across the street from the State Capitol on Beretania Street, Washington Place was the executive mansion for the territorial governors from 1918 to 1959, and, after Hawaiʻi became the 50th state, the state governor’s mansion, from 1959 to 2002.

Washington Place remains the official residence of the governor however, a new house, built on the property in 2002, is now the personal residence of the Governor of Hawai‘i.

A March 16, 1895 article in Kuokoa refers to the home as Wasinetona Hale. (Lots of information here is from Washington Place Foundation and Governor’s website.)

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by Peter T Young Leave a Comment

The ‘Big House’ at Riverside Park

Within what is now called Hilo Bay is a small bay referred to as ‘Reed’s Bay.’  It is named after William H Reed. Born in 1814 Belfast, Ireland, Reed was a businessman. He created Reed’s Landing, which he used to moor boats carrying lumber for one of his businesses.  (Hawaiʻi County)

Reed arrived in the Islands in the 1840s and set up a contracting concern specializing in the construction of wharfs, landings, bridges and roads.  Other interests included ranching, trading and retailing.  (Clark)

Across Hilo Bay, on January 1, 1856, Reed leased a 26-acre island – originally known as ‘Koloiki’ (‘little crawling,’) – it was once surrounded by the Wailuku River and Waikapu Stream.

Reed cleared a portion of the site and had a cattle pasture; he then purchased the island for $200 on February 18, 1861, and it became known as Reed’s Island.  (Warshauer)

Reed married Jane Stobie Shipman on July 8, 1868 (she was a widow, previously married to William Cornelius Shipman, a missionary assigned to Waiʻōhinu in the district of Kaʻū.  Shipman died in 1861, leaving Jane with her three children, William Herbert, Oliver Taylor and Margaret Clarissa.)

(Son William Herbert (1854-1943) was an important businessman on the Island of Hawaii; son Oliver Taylor (1857-1942) became a tax assessor and county supervisor, and daughter Margaret Clarissa (1859-1891) married politician Lorrin Thurston who organized the overthrow of the Hawaiian Kingdom.

Jane was born in Scotland. At an early age she came to the US with her parents, lived in Quincy, Illinois, and was educated to be a teacher; and in 1853 was married to Reverend Shipman.  (The Friend, December, 1902)

Following his death, Jane moved to Hilo, with her three children and maintained the family by keeping a boarding school until 1868 (when she was married to Reed.)  (The Friend, December, 1902)

William Reed died on November 11, 1880 with no children of his own; Jane inherited the Reed land holdings.  (In 1881, Reed’s stepson William Herbert Shipman and two partners (Captain J. E. Eldarts and Samuel M Damon) purchased the entire ahupuaʻa of Keaʻau, about 70,000-acres from the King Lunalilo estate.)

“[B]efore Reed’s Island was in demand for residence sites DH Hitchcock grew a crop of pineapples there that was sufficient to supply the demand in Hilo.” (Hawaii Herald, June 29, 1899)

Apparently, upon the death of Reed, the land was under the control of his stepson, WH Shipman, who sold the island to AB Loebenstein.   (Warshauer)

The November 6, 1897 Hilo Daily Tribune reported that “Mr CS Desky has purchased Reed’s Island, in the Wailuku River, and the same will be subdivided and sold.  It is proposed to construct a fine bridge to span the stream, and lay out streets and otherwise make this pretty spot an ideal one for homes.” For a while the development was renamed Riverside Park.

JR Wilson, owner/operator of the Volcano Stables, who operated a daily stage between Hilo and Volcano, “purchased of Bruce Waring & Co the celebrated lot on the Riverside Park, on the point near the bridge”.  (Hilo Daily Tribune, March 11, 1899)

The April 6, 1899 Hawai‘i Herald reported, “The handsome steel bridge over the Wailuku was finished last week.” It goes on to report, “JR Wilson was the first person to drive over the bridge at Riverside Park and the around the Island.  In spite of this Mr Pratt felt that it is necessary to test the bridge by running the steam roller over it.”

On April 20, 1899, the Hawaii Herald reported, “The recent improvements made by Bruce Waring & Co upon the Riverside Park property, commonly called Reed’s Island, makes this by far the most attractive residence property in Hilo.”

“The plans for the Wilson residence are to be placed in the hands of local contractors this week … a representative of this paper was permitted to see the plans drawn by a local architect [KL Kerr] and which Mr Wilson took with him to Honolulu for revision, and they show a residence unique and attractive in every way designed especially for the lot, which commands a view extending over the harbor on the east, and the mountains westward.”

“It promises to be the handsomest residence in town at present, and the interior plans show it to be as commodious and convenient as it is handsome.”  (Hilo Daily Tribune, May 27, 1899)

Wilson’s was the first house to be built in the new subdivision. They moved into the house in mid-April, 1900. (Hawaii Heald)  “The Wilson residence built where it commands a view of all Hilo and the country from the sea to mountain is completed and Mr Wilson and family are enjoying ‘all the comforts of a home.’” (Hawaii Herald, April 19, 1900)

Then, on March 1, 1901, the newspaper reported, “Mr WH Shipman has purchased the Wilson residence at Riverside Park, for $12,000.”  (Hilo Daily Tribune, March 1, 1901)

The newspaper further noted, “Mr Shipman had previously been contemplating the erection of a new home on the site of is present dwelling, at Waiakea, but for various reasons has decided to make a home nearer town.” (Hilo Daily Tribune, March 1, 1901)

The ‘Big House,’ as the early Shipmans called it, stands at the lower end of Reed’s Island, a landlocked area within walking distance of downtown Hilo but cut off by the deep gulches of the Wailuku River and the Waikapu Stream. (Thompson)

Around this time, Wilson was formulating and developing the Ho‘olulu Race Track.  “Hilo is going to have a race track and base ball grounds. … Mr Wilson selected a site at Waiakea … The track will be almost circular in form”. (Hawaii Herald, March 1, 1900)  The baseball field was located inside the race track.  (Hilo Daily Tribune, March 17, 1900) That venture was considered a success.

A possible motivation for selling the home after only 1-year was noted in the newspaper, “JR Wilson has disposed of his interests in the Volcano Stables Co and will retire from the management of the corporation on April 1 next. The change on the part of Me Wilson was made solely on account of his health which has not been good since his return from the Coast.”  (Hawaii Herald, January 17, 1901)

Several April 1901 notices in the paper noted, “During my absence from the islands WS Wise will act for me under full pwer of attorney.” (Dated April 3, 1901) (Hawaii Herald)  In 1902, the paper reported, “JR Wilson formerly of this city, now in Nevada …” (Hilo Tribune, March 7, 1902)

(So, the land that had once been owned by his stepfather and, then, at the stepfather’s death transferred to his mother and WH Shipman sold it in 1897 to Loebenstein and Wilson built a house on the best part of it, returned back to WH Shipman and became his home.  The house is still owned by members of the Shipman family.)

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