Buildings | Page 15 | Images of Old Hawaiʻi

August 10, 2024 by Peter T Young Leave a Comment

Pōhakuloa CCC Camp

In 1876, the legislature passed “An Act for the Protection and Preservation of Woods and Forests” in response to water crisis in Honolulu due to deforestation and decrease in stream flow Nuʻuanu Stream, the main source of water for Honolulu.

In 1882, the first government tree nursery was established to provide tree seedlings for reforestation of mauka lands above Honolulu. 50,000 tree seedlings are planted on the denuded slopes of Tantalus (Honolulu). (DLNR-DOFAW)

In 1903, the Hawaii Territorial Legislature passed Act 44 establishing the Board of Agriculture and Forestry, predating the USDA Forest Service by one year. Act 44 expanded on the Forestry Act of 1876 and provided the legal vehicle for the creation of reserves encompassing private as well as public lands.

The Forest Reserve System was created by the Territorial Government of Hawai’i through Act 44 on April 25, 1903. It was cooperative arrangement between the Hawai‘i Sugar Planters Association and the territorial government.

Plantations needed wood for fuel, but they also needed to keep the forests intact to draw precipitation from the trade winds, which in turn fed the irrigation systems in the cane fields below. (DLNR-DOFAW)

The first Territorial forester, Ralph S Hosmer, suggested that the forest had been declining in the uplands as a result of fire, grazing and insects. In order to preserve the forest, it was necessary to keep the ungulates out. From 1924 to 1926 hundreds of thousands of pigs, sheep, cattle and goats were reportedly removed from Hawaii’s Territorial forests.

But the planters were also worried about hunters in the woods starting fires from their camps. Likewise, the commercial ranchers were also wary of individual hunters who could also shoot cattle from the ranch. (Peter Mills)

Then the US economy took a hit … after a decade of national prosperity in the Roaring Twenties, Americans faced a national crisis after the Crash of 1929. The Great Depression saw an unemployment rate of more than twenty-five percent in the early 1930s. (pbs)

As a means to make work Franklin Delano Roosevelt authorized the New Deal; the Civilian Conservation Corps (CCC) succeeded the Emergency Conservation Work agency, which started in 1933. In 1939, the CCC became part of the Federal Security Agency. (It was eliminated in 1943.) (UH Mānoa)

The purpose of the CCC and its predecessors was to provide employment in forestry and conservation work. It “brought together two wasted resources, the young men and the land, in an effort to save both.” (NPS)

From FDR’s inauguration on March 4, 1933, to the induction of the first CCC enrollee, only 37 days had elapsed. The goals of the CCC according to the law were: “1) To provide employment (plus vocational training) and 2) To conserve and develop ‘the natural resources of the United States.’”

By the end of the third year, there were 2,158-CCC camps in the nation and 1,600,000-men had participated in the program. (NPS)

There were five primary CCC camps built in Hawaiʻi (the CCC Compound at Kokeʻe State Park, the most intact today; what is now a YMCA camp at Keʻanae on Maui; a research facility on the Big Island; Hawaiian Homes Property with only two buildings remaining on the Big Island; and part of Schofield Barracks in Wahiawa on Oʻahu.) Other temporary campgrounds were spotted in work areas around the Islands. (NPS)

While the first 57 CCC enrollees on Hawaiʻi Island began working in 1934, it was not until June of 1935 the first CCC camp was established (in Hawai‘i National Park – as Hawai‘i Volcanoes National Park was originally called), which housed 200 enrollees.

The territorial foresters’ camp at Keanakolu was expanded into a Civilian Conservation Corps (CCC) field camp. All of these buildings are still standing today.

Additional camps were also constructed around Mauna Kea Forest Reserve boundaries to house crews of CCC enrollees. In 1935, a CCC camp was at Pōhakuloa. It included a cluster of buildings and tents that included a recreation/ dining hall, two bunkhouses, two cottages, seven cabins, and seven outbuildings.

Pu‘u Pōhakuloa is a cinder cone overlooking the PTA headquarters area on the Saddle Road. Pōhakuloa means long stone. It also refers to a deity of the forest lands that extended across Mauna Loa towards Mauna Kea. Pōhakuloa, the deity, was a form of the akua Kū, a lover of Poliʻahu, a patron of canoe makers, and in his human form an ʻolohe expert and woodworker,

The hill gives its name to the respective Pōhakuloa references in this area. One early name was associated with a Civilian Conservation Corps (CCC) camp in this area.

The Civilian Conservation Corps (CCC) undertook fencing, road building and visitor facilities on Mauna Kea. The CCC built a stone cabin at Hale Pōhaku, which gained its name (house of stone) from that structure. The cabin at Hale Pōhaku provided a shelter for overnight hikers, hunters and snow players.

In 1935-36, as part of the effort to eradicate wild sheep from the mountain, the CCC took on the project of building a fence around the Mauna Kea Forest Reserve (over 60 miles of fencing). Sheep drives were then carried out in an attempt to eliminate the sheep from the reserve.

The CCC brought water down to Pōhakuloa from a mountain spring … “The CCC days … Up the gulch, up on the mountain, remember, they tapped one of the springs up there …”

“Yes, they had one of the pipes going up. You can see the pipe when you go, it’s coming down.” (Jess Hannah; Maly) “[T]hat water for Pōhakuloa, there’s a spring, Hopukani Spring. CCC boys built the pipeline.” (Davd Woodside; Maly) The spring provided a “continuous supply of pure water.” (Bryan; ASM) (Spring water is no longer used; water is trucked in from Hilo or Waimea.)

The advent of World War II brought an end to the CCC program, as the remaining manpower and funding for the program were redirected toward the war effort.

By July 1, 1942, all Territory of Hawaiʻi CCC camps were closed, transferred to the military, or abandoned. The Army operated Camp Pōhakuloa between 1943 and 1945. The army also took over the old CCC camp house at Pōhakuloa and used it during the war.

After the end of the CCC programs and World War II, the old CCC facilities at Pōhakuloa were primarily used by staff of the Territorial Divisions of Forestry, Fish and Game including lodging by sheep and bird hunters or by other members of the public seeking recreational accommodations.

“Sheep hunters usually gather at Pohakuloa, the lodge maintained by the Hawaiian Board of Forestry and Agriculture. Here they spend the night under piles of blankets (because of the 6,500 foot elevation, the nights are almost always cold) and start out before sunrise for the mountain ridges.”

“They climb to the ten thousand foot elevation, where wild sheep and goats are in abundance. The Board of Forestry encourages hunting, as the animals have caused serious erosion by eating vegetation, and some authorities believe that the sheep and goats will never be entirely exterminated.”

“In its desire to provide hunting facilities, the Territory maintains not only Pohakuloa lodge, with its bedding accommodations for fifty people, but smaller lodges at Kemole and Kahinahina.” (Paradise of the Pacific, May 1948; Maly)

In 1954, the Division of Territorial Parks was created, and the former CCC facilities became part of Pōhakuloa Park, also called “Pohakuloa Hunting Lodge”.

The division began a series of improvements that would eventually replace the existing CCC cabins with all new buildings. (No physical evidence of the original CCC structures remain, as they were removed by 1968.)

In August 1962, DLNR’s Division of State Parks officially assumed all responsibility for administering these facilities and booking overnight accommodations. Forestry, Fish and Game staff continued to use a number of older structures.

The transformation of the Pōhakuloa CCC camp into the Pōhakuloa Park and later Mauna Kea State Recreation Area happened between 1961 and 1970.

The first of these improvements was a picnic area south of the Saddle Road from the CCC cabins. In 1961, major improvements to the Park began with the addition of new cabins. The first three cabins, variously called the “Housekeeping,” “Family,” or “Vacation” cabins, were built northeast of the former CCC complex, followed by two more the following year.

These five identical cabins, built on post-and-pier foundations, were prefabricated cedar structures manufactured by Loxide Structures of Tacoma, Washington. The cabins were roofed with cedar shakes and were replaced with corrugated metal in 1989.

Each of these cabins was named after a native Hawaiian plant as illustrated by a wooden plaque near its door with the plant name. In 1963, the existing comfort station was built, using a combination of fir, pine, and hollow tile.

A new headquarters building, caretaker’s cabin, and a storage building were constructed. Each of these were pre-fabricated by Pan-Abode Company in Washington State. The buildings are tongue-in-groove cedar log cabins built on post-and-pier foundations and roofed with cedar shakes.

The two “Family” cabins (now the ADA accessible cabins) were also built near the cluster of vacation cabins on the other side of the recreation area. These cabins, like the other new buildings, were prefabricated tongue-ingroove cedar kit cabins supplied by the Pan-Abode Company.

With the construction of the Comfort Station, the park’s picnic area was relocated from south of Saddle Road to its present location.

At its meeting on March 28, 2014, BLNR approved the management transfer of the State Park to the Department of Parks and Recreation, County of Hawai‘i; and approved the withdrawal of the park area from the Mauna Kea Forest Reserve and set aside to the County for park purposes.

The park was renamed Gilbert Kahele Recreation Area in 2019. The late Hawai‘i Island State Senator, Gilbert Kahele, “worked just down the road from the recreation area for 34 years as Director of the Public Works Division at the Pōhakuloa Training Area.”

“When he served in the state legislature he was instrumental in achieving park improvements by way of the transfer of the management to Hawai‘i County.” (Kahele; DLNR Release) Lots here is from Cultural Surveys, ASM and Rosendahl.)

August 9, 2024 by Peter T Young Leave a Comment

Arcadia

“As one enters the grounds the pure style of the white structure is more impressive. Simplicity, which always spells tase, reigns supreme, and the grassy terrace on one side of the broad walk advancing to meet one, is a quiet spot of beauty …”

“… as well as a sign of the hospitality which will always endear the Governor and his wife to the public and their intimate friends.” (Evening Bulletin, Jan 18, 1908)

In 1907, a new home was built “where their old cottage stood for so many years”. (Evening Bulletin, Jan 18, 1908) “Arcadia” was “known as a center of culture and refinement”. (Hawaiian Gazette, June 20, 1899)

Born October 29, 1863, in Grass Valley, California, Walter Francis Frear was the son of Walter and Fannie E (Foster) Frear. He descended on his father’s side from Hughes Frere, a French Huguenot who emigrated to New York from Flanders in 1676 and was one of the twelve founders of New Paltz, New York. On his mother’s side, he is a descendant of George Soule, who came to America with the Mayflower Pilgrims.

Arriving in the Islands with his parents at the age of seven, Mr. Frear first saw Hawaii on Christmas morning, 1870. He graduated from O‘ahu College in 1881 and received his AB degree at Yale University in 1885.

After serving as an instructor at O‘ahu College, Mr. Frear entered Yale Law School, receiving an LL.B. degree in 1890 and was awarded the Jewell prize for the best examination at graduation. In 1910 the honorary degree of LL.D. was conferred on him by Yale University.

Returning to Hawaii, he was appointed second judge, First Circuit Court, by Queen Liliu‘okalani on January 1, 1893, just before the revolution which ended the monarchy, and was appointed second associate justice of the Supreme Court by the Provisional Government, March 7, 1893.

Frear married Mary Emma Dillingham Frear on August 1, 1893. Mary was a daughter of Benjamin F Dillingham, one of the most prominent businessmen and entrepreneurs in Hawaiʻi, and Emma Louise Smith, daughter of missionaries Rev and Mrs Lowell Smith, who had come to Hawaiʻi from New England in 1833.

During the Republic of Hawai‘i, Mr. Frear was made first associate justice of the Supreme Court, January 6, 1896. In 1898, following annexation by the US, he was appointed by President McKinley a member of the commission to recommend to Congress legislation concerning Hawaii.

Frear was appointed chief justice of the Supreme Court, Territory of Hawai‘i, June 14, 1900, serving until August 15, 1907. He was appointed Hawai‘i’s third Governor in 1907 by President Roosevelt; Frear remained in office until 1913.

The Frear home, known as “Arcadia,” was located at 1434 Punahou Street. (Punahou74) “There is a feeling of space and comfort all over the house. Nothing is over-done. … The bedrooms are all dainty and possess the same restful atmosphere.” (Evening Bulletin, Jan 18, 1908)

“Always interested in the Greek language, the Frears chose a name in it for their home. Horses, cats and other pets also were often given Greek names. Arcadia has been variously translated as peace, rest an beauty, of ‘the home of pastoral simplicity and happiness.’ The Frears had originally met when he was her Greek teacher.” (Star Bulletin, April 10, 1965)

“It is certainly a house of culture, of rest, and of peace. That atmosphere pervades everything, and on feels on intimate terms with the host and hostess from the moment of entering it portals.”

“It is also a home, a place to live in, and the sympathetic natures of the occupants are felt immediately. That Governor and Mrs Frear will be one with the public and its needs goes without saying, for they believe heart and soul in ding all in their power for the general good of mankind.”

Walter died January 22, 1948 in Honolulu. Mary died on January 17, 1951. “Arcadia. The stately home … at 1434 Punahou St, together with all the land [about 3-acres] and improvements [was] bequeathed to Punahou School under the terms of Mrs’ Frear’s will … [and she] requests her residence be known as the ‘Walter and Mary Frear Hall.’”. (Honolulu Advertiser, Feb 2, 1951)

Punahou considered such options as faculty housing but, by the fall of 1955, the facility had been remodeled to accommodate the kindergarten. Classes were held there until May 1962. (Punahou74)

Then, “The present home will be torn down to make way for the new Arcadia … The project will be built and owned by the Central Union Church.” (Honolulu Advertiser, April 15, 1965)

“Punahou had announced plans for the retirement home there last October but for tax reasons decided to lease it to the [Central Union] church instead.” (Star Bulleting, Feb 25, 1965)

“Ground was broken … for the $7.4 million Arcadia ‘retirement’ apartment building to be located on the site of the old Frear home at 1434 Punahou Street.”

“Instead of the customary shovel-full of dirt, the ground-breaking ceremony featured a hitching-post ‘transplanting’. A metal hitching post at the side of the home, which dates back to 1907, was moved to a special container, which will be given a permanent niche when the Arcadia project is completed.” (Honolulu Advertiser, April 15, 1965)

August 7, 2024 by Peter T Young Leave a Comment

“Nothing can touch it”

“‘When we first went to Napili,’ said Mrs Kep Aluli, ‘it was an isolated beach with one cottage on it. We loved it.’” Star Bulletin, Jan 14, 1970.

In 1956, Kep Aluli and Yoshio Ogami were successful bidders for two of the thirteen “choice Napili beach lots” [they bought lots 7 & 8] “at “Napili beach in the Kaanapali section of Lahaina”. These were through an auction of Territory of Hawai‘i properties. (Advertiser, July 2, 1956)

Shortly thereafter, it was reported that “Kep Aluli, Honolulu builder, is planning a hotel at Napili Beach”. The land acquired from the Territory plus an acquisition of adjoining property “gives the developers a two-acre, beach-frontage hotel site and another acre a hundred feet away for tennis courts and beach facilities.”

“Describing the location, Aluli said, ‘Nothing can touch it.’” (Star Bulletin, Sept 11, 1956)

Aluli and Ogami built the Mauian Hotel on this property and shortly thereafter the Napali Kai and Hale Napli (and later others) sprang up.

“An entirely new resort complex has developed around Napili Bay, pioneered by Honolulu’s Kep Aluli and Canadian investors.” Honolulu Advertiser, Feb 15, 1966)

“Beyond Kaanapali, in that heart of Lahaina around Napili Bay, the new era already seems to have arrived.” “If the muscle and brain of the new Lahaina are at Kaanapali, its heart is more easily found at Napili”. (Honolulu Advertiser, July 17, 1964)

Kep Aluli was my parents’ classmate at Punahou. Others in the extended Aluli family were classmates with me and my siblings. When we were kids, we used to visit different neighbor islands during the summer; the visits to the Alulis at Napili were a special treat.

(During an extended Punahou alumni celebration, some of our classmates went to Maui and stayed at the Mauian at Napili – I wonder if the arrangers and others knew of the generations of connection the place has back to Punahou (with Kep’s nephew being one of our classmates.))

Napili, meaning the joinings or the pili grass, is on the West end of Maui. This area is referred to as Hono a Pi‘ilani (the Bays of Piʻilani (aka Honoapiʻilani,); from South to North, six of the identified bays are Honokōwai (bay drawing fresh water), Honokeana (cave bay), Honokahua (sites bay,) Honolua (two bays), Honokōhau (bay drawing dew) and Hononana (animated bay).

Sweet potatoes were reportedly grown between Honokōhau and Kahakuloa, presumably on lower kula lands; Kahana Ahupua’a was known as a place of salt gathering for the people of Lahaina.

Coastal marine foraging and fishing were combined with more upland agricultural pursuits. People would have moved between the coast and the upland agricultural fields, using the full range of resources available within their ahupua‘a. Semi-permanent and permanent habitation probably occurred in both coastal and upland settings.

Whaling (centered at Lahaina Town) was the first commercial enterprise in West Maui, but it had more or less collapsed by the 1860s. Commercial sugar cane production was the next large business venture in West Maui, starting as early as 1863, and it was focused between Ka‘anapali and Lahaina.

In the later 19th century, lands in West Maui became part of the Campbell Estate. This was also the time that the Honolua Ranch was first established. Cattle ranching began then and was continued by Henry Perrine Baldwin, who acquired the lands from the Campbell Estate in 1890.

In addition to ranching, other early commercial activities included coffee farming. David T. Fleming became manager of Honolua Ranch. Fleming was well-versed in pineapple production from the Hai‘ku area and gradually began shifting the ranch’s initiative to pineapple production.

The Honolua Ranch/Baldwin Packers complex shifted from Honolua to Honokahua in 1915, and a pineapple cannery was constructed. A major commercial pineapple industry emerged in West Maui during the 1920s.

The plantation communities of Honokahua and Napili emerged and developed as the Honolua Ranch/Baldwin Packers pineapple operations grew. The population of the Lahaina area increased with the successful economic operations of the pineapple plantation.

Baldwin Packers merged with Maui Pineapple Company in 1962 to form Maui Land and Pineapple Company, Inc. After this time, much of the Honolua Ranch lands were converted for resort development. Kep Aluli expanded that into Napili. (Lots of information here is from Scientific Consultant Services.)

August 2, 2024 by Peter T Young Leave a Comment

ʻĀinahau Fire

“One of the biggest screen attractions offered to Maui this season is coming next week, the Aldrich Production, ‘The Black Lily.’ Manager Ross received announcement of the offering by wireless this morning. He expects that Mr Aldrich and Mrs Peggy Aldrich will be here at the same time.”

“As yet the mainland has had no chance to see this Hawaiian production. … It has been shown in Honolulu and was received with favor and followed by exceptionally flattering newspaper criticisms.”

“Peggy Aldrich is well known among the screen stars and as a producer Mr Aldrich has been successful. He has taken numbers of motion pictures of the Islands on other stays here before he purchased a home in Honolulu, knows the Islands and Island life and the ‘Black Lily’ is said to be one of the best Island plays ever screened.”

“Another Hawaiian feature is added, ‘Sonny’ Cunha in ‘Poi or Bust’ in which the Hawaiian musician seeks to rival Roscoe Arbuckle as a comedian.” (Maui News, May 27, 1921)

Aldrich zipped in and out of Hawaii to film travelogues, gather entertainers, and then return to the mainland to tour the results. He was a favorite of Hawaiʻi tourism business groups such as the Ad Club. He traveled across the mainland to theaters small and large showing his Hawaii travelogue supported by live entertainers, Aldrich’s Imperial Hawaiians.

His shows advertised Hawaii, correcting common erroneous beliefs (No, there is not an active volcano in Honolulu). In a letter to the Advertiser, Aldrich boasted his film and troupe reached 1 million people in a few months. He touted 400,000 viewers in greater Chicago. (Elks)

“William F Aldrich, adventurer, artist, globe-trotter, has done in celluloid what the old masters did with brush and oil. To say that he is a motion picture cameraman would be as much an error as to call Rembrandt a photographer.”

“With his camera he brings to the screen in glorious proportions the wonders of the universe. No beaten path he follows, but from the queer out-of-the-way places brings to live on the screen the romance of people and environments which we of this prosaic business world would meet only in books.” (Promotional brochure)

“William F Aldrich, a member of the expedition sent out by the Peter Pan Film Corporation to photograph the world, made an exceptionally interesting bit of motion picture history when he risked death in photographing the interior of the crater of Kilauea, Hawaii’s active volcano.”

“Numerous efforts to accomplish this feat have met with defeat, and Aldrich’s efforts are said to have netted the Peter Pan company the best photographic record of this boiling lake of flaming lava, which will be introduced in the fourth episode of ‘The Honeymooners,’ Peter Pan’s scenic serial.”

“The successful filming of the sputtering crater of Kilauea was accomplished by Aldrich on October 5. He wore a gas mask similar to those in use in European warfare, reinforced by a leather cap that covered all of his face except his eyes.”

“He made the descent of three hundred feet of almost perpendicular cliff to the inner edge of the lake of lava, and set up his tripod with the seething liquid earth licking at his shoes.”

“After completing his task Aldrich climbed out of the bowels of the earth and removing his fantastic headgear said: ‘It’s just like going to hell.’” (Motography, November 10, 1917)

It was an unfortunate later fire that also involved Aldrich; one August night, Aldrich, the “movie picture man,” was having dinner when his wife yelled “Fire!”

He ran to the room where the gas heater stood and saw flames. Neighbors tried to help by beating them out with cloths. A fire truck was summoned from Kaimukī, but the pin holding together the steering gear fell out and the truck crashed into a fence. By the time help arrived, the building count not be saved. (Cultural Surveys)

“With great difficulty the flames were prevented from spreading to adjacent buildings. Sparks were carried to the roof of the Moana Hotel by the high wind.” (Maui News, August 5, 1921)

“Historic ʻĀinahau, at Waikiki, was totally destroyed by fire August 2d (1921,) together with most of its furniture and fittings, on which $15,000 insurance was carried.” (Thrum)

“Historic ʻĀinahau, home of the wide lanais and lofty palms, rendezvous of Honolulu society in the reign of King Kalākaua, and haunt of Robert Louis Stevenson in his Hawaiian days, is gone. “

“The age old coconut trees which surrounded the famous palace were torches of remembrance, flaming high into the tropic night long after ʻĀinahau had become only a ghost among its glowing embers, but today they are charred stumps around blackened ruins.”

“Cleghorn, who survived both Princess Miriam Likelike and their daughter, died only a few years ago. His wish was that the estate might be preserved to posterity as a public monument, but the government did not see fit to accept the gift, and the property was cut up into building lots.”

“The palace itself, after a brief career as a hotel, passed into the hands of WF Aldrich, the moving picture producer, who, with his wife, “Peggy” Aldrich, had a rather close call last night when the place burned.” (Gessler, The Step Ladder, October 1921)

“For two or three years ʻĀinahau had been used for the developments of films depicting life in the Hawaiian Islands and from its dark rooms went forth celluloid impressions of Hawaii that have been displayed upon the screens of movie houses across the mainland” (The Garden Island, August 9, 1921)

“Mr. Aldrich plans to build on the property a model Hawaiian village of grass huts for the entertainment of visitors and the use of motion picture companies in filming Hawaiian scenes.”

“The Stevenson banyan was badly damaged, but it is expected to survive.” (Gessler, The Step Ladder, October 1921)

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William F Aldrich

A Trip to the Hawaiin Islands and Aldrich’s Imperial Hawaiian Singers-cover

A Trip to the Hawaiin Islands and Aldrich’s Imperial Hawaiian Singers-1

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A Trip to the Hawaiin Islands and Aldrich’s Imperial Hawaiian Singers-3

A Trip to the Hawaiin Islands and Aldrich’s Imperial Hawaiian Singers-4

A Trip to the Hawaiin Islands and Aldrich’s Imperial Hawaiian Singers-5

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July 22, 2024 by Peter T Young Leave a Comment

Royal Remains

Pu’uhonua o Honaunau, ‘Place of Refuge of Honaunau,’ is located in the ahupua‘a of Honaunau, in South Kona, on the west coast of the Island of Hawai‘i. (NPS)

“The heiau of the pu‘uhonua at Honaunau at the time of European contact was Hale o Keawe. This association with religious structures indicates that a pu‘uhonua as that at Honaunau was not merely a place of physical refuge, but more specifically a sanctuary.”

“In a thatched house on one of the heiau platforms were kept the bones of deceased high chiefs, now deified. This was not a burial, but rather a deification. Hawaiian burials per se were quite different.”

“The powerful mana of these deified chiefs continued after life to surround the area and to afford protection to anyone entering the enclosure. The sanctuary at Honaunau was under the protection of the deified chief Keawe, and the one at Waipi‘o Valley under Liloa.” (Marion Kelly, NPS)

“The oldest Hawaiian mausoleum of which there is information was Hale o Liloa at Waipio. It was built probably in 1575, when it may be estimated that King Liloa died.” (Stokes)

“It was during this residence at Kaawaloa that we visited the old ‘heiau,’ or temple, at Hoonaunau, in company with Naihe and Kapiolani. It was then surrounded by an enclosure of hideous idols carved in wood, and no woman had ever been allowed to enter its consecrated precincts.”

“Our heroic Kapiolani led the way, and we entered the enclosure. It was a sickening scene that met our eyes. The dead bodies of chiefs were placed around the room in a sitting posture, the unsightly skeletons mostly concealed in folds of kapa, or rich silk.”

“The blood-stained altar was there, where human victims had been immolated to idol gods. Fragments of offerings were strewed about. Kapiolani was much affected and wept, but her husband was stern and silent.”

“A few months after our visit [probably early 1829] Kaahumanu came and ordered all the bones buried, and the house and fence entirely demolished. She gave some of the timber, which was spear-wood (kauila), to the missionaries, and told them to make it into canes and contribution boxes, to send to their friends. (Laura Judd, Honolulu Sketches)

“By the order of Kaahumanu and Kalanimoku , the officers of the Blonde were allowed to remove nearly all of the idols and some of the other relics deposited in the ‘House of Keawe’”. (Alexander)

“A few months later, Kaahumanu visited Kapiolani, and resolved to put an end to the superstitions connected with the place. By their orders the venerated deified bones were removed, deposited in two large coffins, and interred in a secret cave at Kaawaloa, where they remained for nearly thirty years.”

“Mr. Chamberlain made a list of the names of twenty-three chiefs, whose bones were then removed, and stated that five or six more were brought over from the sacred ‘House of Liloa’ in Waipio.” (Alexander) “Liloa, Lonoikamakahiki, Kauhoa, and Lole are the only ones who were found by Kaahumanu at Waipio, and they were brought to Kaawaloa.” ((Kuokoa, June 13, 1868)

“The house and fence were entirely demolished, and the sacred Kauila rafters were used in building a Government House on the site now occupied by Hackfeld & Co’s building, which was therefore called ‘Ka hale kauila.’” (Alexander)

“In January, 1858, Kamehameha IV, accompanied by a numerous retinue, made a tour of the windward islands in the British sloop-of-war, Vixen, Captain Meacham, arriving at Kaawaloa, January 24th, 1858. On the following night the venerable kahu, or guardian of the secret burial cave, was ordered to remove the stones that concealed the entrance.”

“The coffins were then brought out by torch-light, and carried on board of the man-of-war, which brought them to Honolulu, where they were consigned to Governor Kekuanaoa.”

“The Vixen, with the royal party on board, arrived in Honolulu, February 12th, and Captain Meacham died on the 17th, after an illness of only three days. It was universally believed by the Natives that his death was caused by the displeasure of the akuas, or departed spirits, whose mortal remains had been disturbed.” (Alexander)

The remains were taken to Sacred Mound (previously a stone mausoleum); it was constructed in 1825 to house the remains of Kamehameha II (Liholiho) and his consort, Queen Kamāmalu. Both had died of measles while on a journey to England the year before.

Then upon their arrival in Hawai‘i, in consultation between the Kuhina Nui, Ka‘ahumanu, and other high chiefs, and telling them about Westminster Abbey and the underground burial crypts they had seen there, it was decided to build a mausoleum building on the grounds of ʻIolani Palace.

The mausoleum was a small eighteen-by-twenty-four foot Western style structure made of white-washed coral blocks with a thatched roof; it had no windows.

Kamehameha II (Liholiho) and Queen Kamāmalu were buried on August 23, 1825. The name ‘Pohukaina’ begins to be used to reference the site at the time of their burial. (Pohukaina – is translated as “Pohu-ka-ʻāina” (the land is quiet and calm.))

For the next forty years, this royal tomb and the land immediately surrounding it became the final resting place for the kings of Hawai‘i, their consorts and important chiefs of the kingdom.

“After the completion of the present Mausoleum in Nuuanu [Mauna Ala], on the night of October 30th, 1865, the coffins of the former royal personages of Hawaii nei, including those brought from Kaawaloa, were removed to it in an imposing torch-light procession . It is to be hoped that their repose will not be disturbed again.” (Alexander)

The remains of the Ali‘i were removed from Pohukaina and transferred in a torchlight procession at night to Mauna ‘Ala, a new Royal Mausoleum in Nu‘uanu Valley.

In a speech delivered on the occasion of the laying of the Cornerstone of The Royal Palace (ʻIolani Palace,) Honolulu, in 1879, JH Kapena, Minister of Foreign Relations, said:

“Doubtless the memory is yet green of that never-to-be-forgotten night when the remains of the departed chiefs were removed to the Royal Mausoleum in the valley.”

“Perhaps the world had never witnessed a procession more weird and solemn than that which conveyed the bodies of the chiefs through our streets, accompanied on each side by thousands of people until the mausoleum was reached …”

“… the entire scene and procession being lighted by large kukui torches, while the midnight darkness brought in striking relief the coffins on their biers.”

“Earth has not seen a more solemn procession what when, in the darkness of the night, the bodies of these chieftains were carried through the streets”. (Hawaiian Gazette, January 14, 1880)

“The utmost quiet pervaded the streets of the city as the procession moved along, escorted by a military guard, and followed by the Royal carriage, another carriage in which rode His Excellency, Governor Kekuanaoa and several other carriages.”

“The procession passed through the streets about nine o’clock. The solemn stillness was broken by the wailing of one solitary native woman, who followed the procession.”

“It seemed peculiarly fitting that this national sign of mourning should find utterance as the mortal remains of Kings and Chiefs were passing to their final resting place on earth.” (The Friend, Nov 1, 1865)

The March 10, 1899 issue of the Hawaiian Gazette noted that Līloa (1500s,) Lonoikamakahiki (late-1500s) and Alapaʻi (1700s) are among the buried at Mauna ʻAla.

The State designated the area a Monument in recognition of its historic importance, and to utilize these unique resources to educate and promote awareness of the historic and cultural character of the era of the Hawaiian monarchy.