Ali’i / Chiefs / Governance | Page 24

June 18, 2024 by Peter T Young Leave a Comment

How American Protestant Missionaries Felt About Slavery

“Believing that the fact of our separation from the land of our birth for the work of Christ among the evangelized, does not weaken our obligation to co-operate with our brethren there, in averting the displeasure of heathen for national sins; …”

“… believing, moreover, that the field of our labors, as Christian philanthropists, ‘is the world;’ that we are solemnly commanded to do good to all men as we have opportunity; …”

“… that it is our privilege to sympathize with all who in the spirit of the gospel are making special efforts for the downtrodden slave; and especially that we cannot be guiltless if we neglect to remember those that are in bonds as bound with them; …”

“… and to seek, by all lawful means, to con’er upon all, the inestimable boon of civil and religious liberty; therefore, we do hereby agree, seeking the blessing and guidance of God, to form ourselves into an Anti-Slavery Society”. (Preamble, Constitution of the Sandwich Island Anti-Slavery Society, they formed June 9, 1841)

“The object of this Society shall be to assist in the entire extermination of slavery, by our prayers to God for the release of the enslaved, and by co-operating with those who are engaged in this good work.”

Officers chosen were, Dr Thomas Lafon, President; Reverend JS Green, 1st Vice President; Reverend T Coan, 2nd Vice President, Reverend L Andrews, Recoding Secretary and Mr SN Castle, Corresponding Secretary.

The formation of the Hawaiian Anti-Slavery Society was a culmination of an early antislavery movement in Hawai‘i that was mostly concentrated between the years 1837 and 1841. (Coleman)

Early reminders of American slavery to folks in the Islands were Anthony Allen and Betsey Stockton.

Allen, a former slave, came to the Islands in 1811. Called Alani by the Native Hawaiians, Allen served as steward to Kamehameha the Great and he acquired a parcel of about six acres. He married a Hawaiian woman and had three children who survived into adulthood. (HHS)

He “resided at Waikiki, lived as comfortably, and treated us as courteously, as any who had adopted that country before our arrival.” (Hiram Bingham)

John Papa ʻĪʻī, a neighbor of Allen, in his testimony confirming rights to the land, told how Allen acquired his land: “The Allens got this land from an old high Priest – Hewa hewa. … this land was given him in the time of ‘’Kamehameha I’.” (HJH)

By 1820, Allen owned a dozen houses, “within the enclosure were his dwelling, eating and cooking houses, with many more for a numerous train of dependents. There was also a well, a garden containing principally squashes, and in one part, a sheepfold in which was one cow, several sheep, and three hundred goats.” (Sybil Bingham Journal)

In addition to his farming, Allen provided overnight accommodations – one of the earliest known hotel uses in Waikīkī. Several references note his property as a “resort.” (Hawaiʻi’s first “hotel” may be attributed to Don Francisco de Paula Marin, sometime after 1810 on Marin’s property at Honolulu Harbor.)

Reverend Charles Stewart notes of Allen’s place in his journal, “… it is a favourite resort of the more respectable of the seamen who visit Honoruru. …” With it, he had a popular bowling alley.

He entertained often and made his property available for special occasions. “King (Kauikeaouli – Kamehameha III) had a Grand Dinner at A. D. Allen’s. The company came up at sunset. Music played very late.” (Reynolds – Scruggs, HJH)

Allen died of a stroke on December 31, 1835, leaving behind a considerable fortune to his children. In tribute to Allen, Reverend John Diell noted, “The last sun of the departed year went down upon the dying bed of another man who has long resided upon the island.”

“He was a colored man, but shared, to a large extent, in the respect of this whole community. … He has been a pattern of industry and perseverance, and of care for the education of his children. … In justice to his memory, and to my own feelings, I must take this opportunity to acknowledge the many expressions of kindness which we received from him from the moment of our arrival.”

Stockton was born in 1798 in Princeton, New Jersey, as a slave owned by the family of Robert Stockton, Esq. She was presented as a gift to the Stockton’s eldest daughter and her husband, the Reverend Ashbel Green (who was later the President of Princeton College (later known as Princeton University.)) Around 1817, Ashbel Green freed her.

Stockton often spoke to Green about her wish to journey abroad, possibly to Africa, on a Christian mission. Green introduced her to Charles S Stewart, a young missionary, newly ordained in 1821, who was about to be sent by the American Board of Commissioners for Foreign Missions (ABCFM) to Hawaiʻi.

Through a special agreement between Green, the Stewarts and the ABCFM, Stockton joined the mission both as a domestic in the Stewart household and was commissioned by the ABCFM as a missionary. She became the first single American woman sent overseas as a missionary.

Intelligent, industrious and frugal, she was aptly described as a devoted Christian, not only because of her constant attendance at church and her faith in God, but also because she supported the interests of the church, secured clothes for her students, and helped to heal the sick while continuing her domestic work to help the Stuarts. (Jackson)

Stockton has asked the mission to allow her “to create a school for the makaʻāinana (common people.) Stockton learned the Hawaiian Language and established a school in Maui where she taught English, Latin, History and Algebra. (Kealoha)

“It shows that a sincere desire to accomplish a good purpose need not be thwarted by other necessary engagements, however humble or exacting.” (Maui News, May 5, 1906)

Betsey Stockton set a new direction for education in the Islands. Stockton’s school was commended for its teaching proficiency, and later served as a model for the Hilo Boarding School and also for the Hampton Institute in Virginia, founded by General Samuel C. Armstrong. (Takara)

After residing in Hawaii for over two years, Betsey Stockton relocated to Cooperstown, New York, with the Stewarts. In subsequent years, she taught indigenous Canadian Indian students on Grape Island.

She later “led a movement to form the First Presbyterian Church of Colour in Princeton, New Jersey, in 1848.” In addition, between the period of 1848 to 1865, Stockton moved to Philadelphia to teach Black children.

Betsey Stockton made pioneering endeavors as a missionary in Hawaii, but her legacy is not well known. Still, Stockton’s school “set a new direction for education in the Islands … (It) served as a model for the Hilo Boarding School.”

Her teaching program have influence Samuel C Armstrong, the founder of Hampton Institute, who also worked as a missionary in Hawaii during this period. After a full and productive life of service for the Lord, Betsey Stockton passed away in October of 1865 in Princeton, New Jersey. (Johnson)

The 1852 Constitution of the Islands noted, “Slavery shall, under no circumstances whatever, be tolerated in the Hawaiian Islands: whenever a slave shall enter Hawaiian territory he shall be free; no person who imports a slave, or slaves, into the King’s dominions shall ever enjoy any civil or political rights in this realm; but involuntary servitude for the punishment of crime is allowable according to law.”

The first shot of the American Civil War was fired at Fort Sumter off the coast of South Carolina on April 12, 1861. Almost five months later, on August 26, 1861, Kamehameha IV issued a Proclamation that, in part, stated, “hostilities are now unhappily pending between the Government of the United States, and certain States thereof styling themselves ‘The Confederate States of America.’”

With the Proclamation, the King also stated “Our neutrality between said contending parties.” The discussion of neutrality versus partisanship had to include the reality that the Hawaiian kingdom had no standing army, and most importantly, no navy to protect its harbors if supporting either the Union or Confederacy brought the other side’s vessels to threaten the principal cities of Honolulu or Lāhainā. (Illinois-edu)

Likewise, while the majority of foreigners in Hawaiʻi were Americans from New England who supported the Union cause with great fervor, leadership and advisors to the King included European ties who believed that the Confederacy would succeed in securing its independence.

King Kamehameha IV declared a neutral stance but held largely Unionist sympathies – as did the majority of people living in Hawaiʻi. (NPS)

Prior to the Civil War, whaling and related activities were the primary economic engine of the Kingdom of Hawaiʻi. The war enabled Hawaiʻi to fill part of the void left by the absence of then-blockaded southern exports, including sugar.

Hawaiian-grown sugar soon replaced much of this southern sugar through the duration of the conflict. By the end of the war, over thirty extremely prosperous plantations were in operation and expanded to new levels previously unheard of before the war’s commencement.

Slavery-shackles-WC

June 10, 2024 by Peter T Young 1 Comment

Kamehameha Statue Error

There are now four different statues of similar design of Kamehameha; there is an error in the Statues:

The first replica stands prominently in front of Aliʻiolani Hale in Honolulu
The initial (repaired) casting of the statue is at Kapaʻau, North Kohala
Another replica is in US Capitol’s visitor center in Washington DC
Another statue is at the Wailoa River State Recreation Area in Hilo

“When the Kamehameha had been modeled by Gould, the attention of the Hawaiian Club of Boston … was called to the completed model and it was noticed that the great Moi was represented wearing a sort of apron”.

“(T)he sculptor was informed that this was by no means a correct costume of the time of Kamehameha and would appear ridiculous to the modern Hawaiian.”

It turns out, when the statue was being prepared, King Kalakaua had recently acquired “Malo of Kaumualiʻi” and he selected that to be photographed for the sculptor’s use, providing the model with an ordinary malo at the same time.

William Tufts Brigham – the first director of the Bernice P. Bishop Museum – had written a book on Hawaiian featherwork; he had also been Hawaiian Club president for ten years.

His initial reaction about the “Malo of Kaumualiʻi” was, “how could a band four yards long, made as this is with feathers on both sides be disposed on the wearer? The term malo is certainly misleading”. He suggested it was rather a cordon or sash.

“In the statue the cordon passes from the pendent end up behind the portion used as a waist-band, over the left shoulder, outside the cloak, instead of returning down the back to form the belt as it should have done with the end tucked in to tighten the band, it leaves this belt as an independent member and passes down over the cloak to trail on the ground!” (Brigham)

“The ordinary malo is shown on the statue, a proof that the cordon was not used as a malo, an impossible feat. Perhaps no competent critic saw the model after the cordon was added, or it was thought best not to remove the band after the cast was made.”

“As there was no living Hawaiian who had seen such a cordon worn either by Kamehameha or Kaumualiʻi, the absence of criticism may be understood.” (Brigham)

It turns out Brigham found out it was not the sculptor’s fault, but, rather, the photographer who sent the statue maker photos of what was to be designed (Gould simply sculpted what the photographer provided.)

“The ungraceful position of the left hand was changed by the artist but he could not have been expected to be versed in the peculiarities of ancient Hawaiian adornment. In the photograph sent not only was the cordon placed over the cloak but the main ornament, the terminal set with teeth was not visible in front!”

“I can only suppose that King Kalakaua in his apprenticeship to royalty as assistant chamberlain to Kamehameha V, never saw such a cordon adorning his royal master who was greatly averse to personal display as I was convinced by my acquaintance with that monarch, who probably never saw the cordon in question.” (Brigham)

“The final arrangement must be based on esthetic rather than historical grounds. In fact, the decorated end of the sash drags on the ground behind the figure. The other end has had to be supplemented with a fictitious terminal band to be presentable in front.”

“If you look closely, the final arrangement is impossible without two sashes: a long one from malo front over the shoulder and down to the ground, and a short, separate belt.” (Later noted by Charlot.)

Traditionally, a sash is worn by first draping the sash over the left shoulder to where it falls between the knees. Then the remaining length is wrapped around the waist and over the front flap of the sash to around the back, fed behind the part over the shoulder, and the remaining hangs down in the back (at knee length.) (San Nicolas) After that, you put the cape on over it all.

As attention is drawn to the Kamehameha Statue, with lei draping and anticipation of Kamehameha Day, folks might now all look at the Kamehameha Statue a little closer now. (The painting pattern of the sash on the Kapaʻau Statue illustrates the error best, but it is evident on each.)

Most of the attention has been to the front of the statue; but we have overlooked a little bit of history without looking at the sash as it simply flows from the front over the shoulder (over the cape) to a pile in the back (rather than in the traditional wearing of the sash (wrapped before the cape is worn; under the cape around the waist and looped down.))

Somehow, the subsequent statues of Kamehameha copied the error, rather than fix it.

King Kamehameha I statue and Aliiolani Hale building, in downtown Honolulu

The original statue of King Kamehameha I, in Kapaʻau, North Kohala. Sculptor-Thomas Ridgeway Gould

Kamehameha_Statue-Kapaau_front_and_back

Kamehameha Statue-Kapaau-front

Kamehameha Statue-Kapaau-back

Kamehameha Statue-Honolulu-front

Kamehameha_Statue-Honolulu-front_and_back

Kamehameha Statue_Honolulu_back

Kamehameha Statue-Honolulu_back

Statue of Kamehameha I, located in the Wailoa River recreation area of Hilo

Kamehameha statue on display in the US Capitol Visitors Center, Washington DC

King_Kamehameha-with correct sash-(HerbKane)

Traditional Wrapping of a Sash-under Cape (San Nicolas)

Traditional Wrapping of a Sash (San Nicolas)

June 7, 2024 by Peter T Young Leave a Comment

Buried at Sea

“Directly in front of the Archives building in Palace square, Honolulu, is a circular, grassy mound hedged with hibiscus. At or near that mound was situated the royal tomb of the Kamehamehas from about 1825 to 1865.”

“… in that tomb were placed the remains of many famous persons. Here it was that Dr GP Judd concealed the national archives from Lord George Paulet in 1843. It is an historic spot and the visitor to our fair city should be helped in some way to recognize it and know its story.” (McClellan, Advertiser January 26, 1927)

Reportedly, in 1858, Kamehameha IV brought over the ancestral remains of other Aliʻi – coffins and even earlier grave material – out of their original burial caves, and they are buried in Pohukaina.

During the reign of Kamehameha IV, there was talk of building a new royal mausoleum (at the time, Hawaiʻi’s ruling chiefs were buried in the crypt enclosure on the ʻIolani Palace grounds, known as Pohukaina, sometimes called ‘the mound’.)

“When the new Royal Mausoleum at Nuʻuanu Valley was completed in 1865 the remains of all the Kings, Princes and Princesses were removed there ….” (Pacific Commercial Advertiser, March 22, 1892)

In 1865, the remains of 21-Ali‘i were removed from Pohukaina and transferred in a torchlight procession at night to Mauna ‘Ala, a new Royal Mausoleum in Nuʻuanu Valley.

“Doubtless the memory is yet green of that never-to-be-forgotten night when the remains of the departed chiefs were removed to the Royal Mausoleum in the valley.”

“Perhaps the world had never witnessed a procession more weird and solemn than that which conveyed the bodies of the chiefs through our streets, accompanied on each side by thousands of people until the mausoleum was reached …”

“… the entire scene and procession being lighted by large kukui torches, while the midnight darkness brought in striking relief the coffins on their biers.” (Kapena, Pacific Commercial Advertiser, January 3, 1880)

“Earth has not seen a more solemn procession what when, in the darkness of the night, the bodies of these chieftains were carried through the streets, which were lined with thousands of people on either side along the whole march ….”

“Not a sound was heard. The flaming torches, made of kukui nuts and of gigantic size, on either side of the procession, made the darkness beyond impenetrable and centred all light upon the procession”. (Harris, Hawaiian Gazette, January 14, 1880)

“(T)he remains of all the kings, princes and princesses were removed there excepting that of Princess Kekāuluohi, mother of Lunalilo.”

“This act of disrespect of Kamehameha V to the remains of his mother made Lunalilo sorely indignant, and he swore that he would not have his remains buried at the Royal Mausoleum.”

“He kept his word. As there was no proper place for the burial of his mother (she died June 7, 1845, at the age of 50,) he ordered his native servants to take the bones of his mother and bury them in the bosom of the deep, where no mortal could disturb them.”

“At the dead of night, the canoe bearing the remains of Kekāuluohi, manned by a crew of native kahu (attendants) left Waikiki. They went to a point many miles off Diamond Head. When they reached the place, prayers (kanaenae) were offered according to the ancient rites of burial.”

“When the ceremony was over, the bones of Kekāuluohi, carefully wrapped up in white clothes, were consigned to the deep. One of the crew … testified that when they threw the royal remains into the ocean, phosphorescent light illuminated the spot, and they could distinctly see the remains descending slowly towards the bottom. …”

“The crew returned from their solemn mission, but they were in honor bound not to reveal the exact position where they buried Kekāuluohi.” (Pacific Commercial Advertiser, March 22, 1892)

“Before he died … (Lunalilo) willed … that he be buried in the Cemetery (Kawaiahaʻo) with the People who elected him … rather than in the Royal Mausoleum.” (Lunalilo died February 3, 1874 at the age of 39.)

“His Tomb in Kawaiahaʻo Church Yard, not being ready, his remains were temporarily deposited in the Royal Mausoleum … So, Lunalilo had two funerals.”

“The first when he was interred in the Royal Mausoleum (in 1874) and the second on November 23, 1875, when he was removed from there to where his earthly remains rest today.” (Webb; McClellan)

“When the casket of Lunalilo was being carried out of the Royal Mausoleum on November 23, 1875 … a glaring flash of lightning and an earsplitting peal of thunder welcomed it.”

“Volley after volley resounded through the Heavens, and continued until the Royal Burden was safely and reverently placed within the final tomb”.

“When the procession arrived at Kawaiahaʻo Church and just as the casket was entering the tomb, a most terrific clap of thunder burst from a heavy cloud. “

“According to the count of many Hawaiians this was the twenty-first of these thunder-peals and the last was the most thunderous. It sounded as if the whole city of Honolulu had been dashed to ruins and it startled the whole population.”

“We all believed that it was a heavenly recognition of the high rank of our Ali‘i – a discharge from the artillery-of-the-clouds, a royal salute sent from Heaven to honor our beloved sovereign.” (Webb; Galuteria)

Kawaiahao_Church-Lunalilo_Tomb-PP-15-12-023-00001

Kekauluohi-WC

The young Prince William Charles Lunalilo in his teens

Lunalilo Mausoleum-PP-50-11-004-00001

King_Lunalilo

Lunalilo’s_Tomb-(DMYoung)

Mauna Ala Entrance

The_chapel_at_Mauna_‘Ala,_the_Royal_Mausoleum

Mauna_Ala-(DMYoung)

Illustrated_London_News_on_the_Funeral_of_the_King_Lunalilo-1874

Chapel_at_Mauna_‘Ala-interior

June 3, 2024 by Peter T Young Leave a Comment

Fairy

Victoria (named after Queen Victoria) Kaʻiulani Kawekiu I Lunalilo Kalaninuiahilapalapa Cleghorn was the only child of Princess Miriam Likelike (the sister to King Kalākaua and Queen Liliʻuokalani) and Archibald Scott Cleghorn, a Scottish businessman.

At the age of 15, Kaʻiulani was proclaimed Crown Princess of Hawaiʻi by Queen Liliʻuokalani and was a future ruler of Hawaiʻi. (KSBE)

One of her godmothers, Princess Ruth Keʻelikōlani, gave her the famed 10-acre Waikīkī estate, ‘Āinahau, as a birthday. Originally called Auaukai, Princess Likelike (Kaʻiulani’s mother) named it ʻĀinahau; Princess Kaʻiulani spent most of her life there.

The family built a two-story home on the estate. At first the home was used only as a country estate, but Princess Kaʻiulani’s family loved it so much, it soon became their full-time residence. They built a stable for their horses.

“Princess Kaiulani was a thoughtful young lady, but always frank and candid. She was intensely devoted to the out of doors. It was the same from the time she was a little girl up to a few days before her death.”

“She was a skillful horsewoman. She liked both riding and driving. For driving she had a double rig and a single rig and generally handled the lines herself.”

“As a little girl she was a splendid swimmer and the old natives along the Waikiki beach will willingly tell you how the young alii would always go further out into the breakers than any one else. …”

“The Princess had at Ainahau a tribe of peafowls and everyone of the birds would eat from her hands. She admired them very much, made a study of them.” (PCA, March 13, 1899)

“But if Ka’iulani truly loved anything nonhuman at ‘Ainahau, it was her snow-white riding pony, Fairy. By age seven she was an accomplished equestrian.”

“She was often seen riding, accompanied by a groom, to visit Diamond Head Charlie at the lookout (from which he alerted O’ahu of arriving ships), or into town, where she would visit ‘Uncle John’ Cummins, one of Honolulu’s leading citizens, who she was certain had the best cows on the island.” (Sharon Linnea)

First Miss Barnes, then Miss Gertrude Gardinier, and later Miss de Alcald served as governesses to Kaʻiulani. Kaʻiulani’s governess, Miss Barnes, of whom the family was very fond, died unexpectedly in 1883.

Replacements were tired, but the arrival of Gertrude Gardinier from New York changed that. Kaʻiulani’s mother, Likelike, approved immediately and the young Kaʻiulani and Miss Gardinier took to each other immediately.

The earliest hand written letter written by the hand of Princess Ka‘iulani was a May 13, 1885 letter to her new governess’s mother. In part, Ka‘iulani wrote, “Miss Gardinier and I are going to ride horseback some day when she learns to.”

“I have a pretty little pony of my own and I am not afraid to ride it. My pony is only four years old, and I am nine years old. Goodbye, from Ka’iulani Cleghorn.”

At the age of 13, Princess Kaʻiulani sailed to Europe to begin her education abroad; she spent the next eight years studying and traveling in Europe.

“When Kaiulani left for England her saddle pony ‘Fairy’ was turned out to pasture. It remained resting till she returned and she mounted its back the first day she was in the Islands again. ‘Fairy’ she called the beast to the last.” (PCA, March 13, 1899)

Later, Ka‘iulani had gone to the Waimea on the Big Island to visit Helen and Eva Parker, daughters of Samuel “Kamuela” Parker (1853–1920,) grandson of John Parker (founder of the Parker Ranch.)

While attending a wedding at the ranch, she and the girls had gone out riding horseback on Parker Ranch; they encountered a rainstorm. She became ill; she and her family returned to O‘ahu.

Tragically, after a two-month illness, Princess Kaʻiulani died on March 6, 1899 at her home, ʻĀinahau, at age 23. It is said that the night she died, her peacocks screamed so loud that people could hear them miles away and knew that she had died.

“The birds have been acting as if they were wondering why she was neglecting them and so have the horses. Old, faithful ‘Fairy’ deserted for the second and last time by his mistress simply mopes around.” (PCA, March 13, 1899)

June 2, 2024 by Peter T Young Leave a Comment

Feathers

“Feathers were important symbols of power for Polynesians; in Hawai‘i, feathers were more highly prized than other types of property.”

“Feathers used for crafts were obtained from at least 24 bird species, however, the golden feathers of ‘ō‘ō and mamo birds made them primary targets for birdhunters; both birds became extinct by the late 1800s.”

“Feathers were utilized for many items, including ‘ahu‘ula [cloaks], mahiole [war helmets], and kāhili [standards]. Most garments utilized a considerable number of feathers; a cloak for Kamehameha consumed the golden feathers of 80,000 mamo birds.” (Perez)

“The feathers of birds were the most valued possessions of the ancient Hawaiians. The feathers of the mamo were more choice than those of the oo because of their superior magnificence when wrought into cloaks (ahu). The plumage of the i‘iwi, apapane and amakihi were made into ahu-ula, cloaks and capes, and into maho-ole, helmets.”

“The ahu-ula was a possession most costly and precious (makamae), not obtainable by the common people, only by the alii. It was much worn by them as an insignia in time of war and when they went into battle. The ahu-ula was also conferred upon warriors, but only upon those who had distinguished themselves and had merit, and it was an object of plunder in every battle.”

“Unless one were a warrior in something more than name he would not succeed in capturing his prisoner nor in getting possession of the ahu-ula and feathered helmet of a warrior. These feathers had a notable use in the making of the royal battle-gods. They were also frequently used by the female chiefs in making or decorating a comb called huli-kua, which was used as an ornament in the hair.”

“The lands that produced feathers were heavily taxed at the Makahiki time, feathers being the most acceptable offering to the Makahiki-idol. If any land failed to furnish the full tale of feathers due for the tax, the landlord was turned off (hemo). So greedy were the alii after fathers that there was a standing order (palala) directing their collection.” (Malo)

In the first writing of Hawai‘i, Captain Cook’s Journal notes, “Amongst the articles which they brought to barter this day [Jan 21, 1778], we could not help taking notice of a particular sort of cloak and cap, which, even in countries where dress is more particularly attended to, might be reckoned elegant.”

“The first are nearly of the size and shape of the short cloaks worn by the women of England, and by the men in Spain, reaching to the middle of the back, and tied loosely before.”

“The ground of them is a network upon which the most beautiful red and yellow feathers are so closely fixed that the surface might be compared to the thickest and richest velvet, which they resemble, both as to the feel and the flossy appearance.”

“The manner of varying the mixture is very different, some having triangular spaces of red and yellow alternately; others a kind of crescent, and some that were entirely red, had a yellow border which made them appear, at some distance, exactly like a scarlet cloak edged with gold lace.”

“The brilliant colours of the feathers, in those that happened to be new, added not a little to their fine appearance, and we found that they were in high estimation with their owners, for they would not, at first part with one of them for anything we offered, asking no less a price than a musket.”

“[M]en and women … are joined together in great numbers in climbing into the forests to snare birds [kapili manu; kawili manu]. And the number of birds caught by a person in a day is from six to thirty. The bird being caught is the Oo of the forests.” (Kuokoa, Mar 17, 1866)

“Initial bird-catching or feather-gathering was probably conducted by commoners (maka‘āinana) of each community land (ahupua‘a) as part of their tribute to chiefs, rather than exclusively by a special class of chiefly retainers (bird-catchers).

“Wives of bird-catchers sometimes accompanied their husbands and plucked, sorted and fastened together feathers. Women probably wove the helmet and cloak fibre frameworks and nets (of ‘ie‘ie and ‘olonā fibers).

“Women may have attached the feathers to cloaks and helmets – manufactured the cloaks and helmets. These cloaks and helmets were probably made in chiefly households by skilled female retainers.”

“Capes (cloaks) and helmets were probably not sacred and kapu until the finished products became identified with certain wearers.” (Cordy)

Vancouver notes in his journal, “Tamaahmaah (Kamehameha) conceiving this might be his last visit, presented me with a handsome cloak formed of red and yellow feathers, with a small collection of other native curiosities; and at the same time delivered into my charge the superb cloak that he had worn on his formal visit at our arrival.”

“This cloak was very neatly made of yellow feathers; after he had displayed its beauty, and had shewn me the two holes made in different parts of it by the enemy’s spears the first day he wore it, in his last battle for the sovereignty of this island, he very carefully folded it up, and desired, that on my arrival in England, I would present it in his name to His Majesty, King George …”

“… and as it had never been worn by any person but himself, he firmly enjoined me not to permit any person whatever to throw it over their shoulders, saying, that it was the most valuable thing in the island of Owhyhee (Hawai‘i), and for that reason he had sent it to so great a monarch, and so good a friend, as he considered the King of England.”

“This donation I am well persuaded was dictated by his own grateful heart, without having received the least hint or advice from any person whatever, and was the effect of principles, highly honorable to more civilized minds. The cloak I received, and gave him the most positive assurance of acting agreeably with his directions.” (Vancouver, March 1793)