Ali’i / Chiefs / Governance | Page 132

June 11, 2016 by Peter T Young 3 Comments

La Ho‘o-mana‘o O Kamehameha I

Kamehameha Day was first proclaimed by Kamehameha V as a day to honor his grandfather, Kamehameha I, and was first celebrated on December 11, 1871 (Kamehameha V’s birthday.) It later changed to June 11.

“The celebration of Kamehameha Day on June 11 came about in the following way.”

“On December 11, 1871, the birthday of Kamehameha V who was at that time ruling king, a public celebration was held with horse-riding and other sports.”

“It was agreed to make this celebration an annual event, but because of the uncertain weather in December to change the date to June.”

“Kamehameha V died soon after, and the holiday remained as a ‘Day in Commemoration of Kamehameha I,’ (La Ho‘o-mana‘o o Kamehameha I.)” (Kamakau)

So, while linked to Kamehameha V’s birth date, it boils down to having a celebration when the weather is better (6-months from King Kamehameha V’s birthday.) The date does not have any direct connection to Kamehameha I.

The 1896 legislature of the Republic of Hawaiʻi declared it a national holiday.

“Kamehameha Day was generally observed by the people. Elaborate preparations were made for the celebration of the day, with sumptuous feasts and sports, and every effort was brought to bear in order to insure the success of the occasion.”

“It might well be said that, in the language of the poet, its observance was usually attended with:
‘The boast of heraldry, the pomp of power,
And all that beaut’, all that wealth e’er gave.’”

“The celebration itself was characterized by a cheerful spirit and good-fellowshlp. ‘Aloha,’ the watchword that opened every heart and brightened every soul, was greeted on every side, and hospitality, unalloyed and unbounded, was displayed at every door. There was no distinction in race, color or creed.” (John C Lane, Mayor, 1916)

In 1939, Hawaiʻi Revised Statutes under the Territorial Legislature of Hawai‘i created the King Kamehameha Celebration Commission – that law remains in effect, today.

State law notes: §8-5 King Kamehameha celebration commission … “The commission shall have charge of all arrangements for the celebration each year generally observed throughout Hawai‘i Nei on June 11, to commemorate the memory of the great Polynesian Hawaiian warrior and statesman King Kamehameha I, who united the Hawaiian Islands into the Kingdom of Hawai‘i”. In 1978 the legislature renamed this holiday King Kamehameha I Day.

Almost from its first observance this day was celebrated chiefly by horse races in Kapi‘olani Park; but the races eventually gave way to today’s parades of floats and pāʻū riders.

On February 14, 1883, the Kamehameha statue was unveiled at Aliʻiōlani Hale during the coronation ceremonies for King Kalākaua.

The stance of the statue, with spear in left hand and right outstretched with open palm, showed the “successful warrior inviting the people … to accept the peace and order he had secured.”

At the request of the monument committee, statue designer Thomas R Gould modified the features to make the king seem about 45-years old. The intent was a bronze statue of ‘heroic size’ (about eight-and-a-half-feet tall.)

‘Boston Evening Transcript’ of September 28, 1878, noted “It has been thought fitting that Boston, which first sent Christian teachers and ships of commerce to the Islands, should have the honor of furnishing this commemorative monument.”

While Gould was a Bostonian, he was studying in Italy, where he designed the statue; ultimately, the statue was cast in bronze in Paris.

It was shipped on August 21, 1880, by the bark ‘GF Haendel,’ and was expected about mid-December. On February 22, 1881, came word that the Haendel had gone down November 15, 1880, off the Falkland Islands. All the cargo had been lost.

About the time it was lost, King Kalākaua was on a royal tour of the island of Hawai‘i. He made a speech in front of the Kohala Post Office.

There, the King was reminded the Kamehameha Statue was destined for Honolulu, yet Kohala, the birthplace of Kamehameha, was overlooked as a place for his statue. Kohala residents then raised funds and a replica was ordered.

It turns out, however, that the original statue had been recovered and was in fair condition. The right hand was broken off near the wrist, the spear was broken and the feather cape had a hole in it. It was taken to a shed at Aliʻiolani Hale to be repaired.

Meanwhile, on January 31, 1883, the replica ordered by Kohala arrived. On February 14, 1883, the replica statue was unveiled at Aliʻiolani Hale during the coronation ceremonies for King Kalākaua.

As for the original statue (which had been repaired,) it was dedicated on May 8, 1883 (the anniversary of Kamehameha’s death) and is in Kapaʻau, North Kohala outside Kohala’s community/senior center.

There are now four different statues of similar design of Kamehameha:
• The first replica stands prominently in front of Aliʻiolani Hale in Honolulu
• The original (repaired) casting of the statue is at Kapaʻau, North Kohala
• Another replica is in US Capitol’s visitor center in Washington DC
• Another statue is at the Wailoa River State Recreation Area in Hilo

The customary draping of the Kamehameha Statue with lei dates back to 1901. As far as the parade goes, in 1903, the Territory of Hawaiʻi, Chamber of Commerce and Merchants’ Association created the Hawaiʻi Promotion Committee (forerunner to the Hawaiʻi Visitors and Convention Bureau.) Supported by a legislative appropriation, it was mandated to provide better publicity to encourage tourism to Hawaiʻi.

The early years of the Territorial era saw the creation of a series of public celebrations. Beginning with the Mid-Pacific Carnival in 1904, a series of multiethnic public celebrations and parades were created to attract tourists and showcase Hawaiʻi’s multi-ethnic culture.

The Mid-Pacific Carnival, held in February as a celebration in honor of Washington’s birthday, had spectacular and historic pageants and military parades featured. During the winter season, the Mid-Pacific Carnival was at ʻAʻala Park in downtown Honolulu. Circus acts, sideshows and hula dancers entertained the public.

The carnival had an annual Floral Parade. By the early-1900s, the automobile made its appearance and soon reduced the need and use of horses. Then, a group of women made a society to keep the culture going and Pāʻū clubs were formed.

The Hawaiian Star, February 22, 1906, headlined the “Floral Parade a Great Success.” “It was a great day for Honolulu. The Promotion Committee’s inauguration of what is intended to be an annual event in celebration of Washington’s birthday, could have asked no better day, no greater success …”

“… no more wide spread interest in all classes of the population, no greater enthusiasm among those who participated In the parade, and no more unique, striking, or picturesque a feature to individualize the celebration in Honolulu, and make it separate, and apart from the pageant of other places than the Pa-u riders.”

“The Pa-u riders, of course, were the magnet and center of attraction. This revival of an old custom, picturesque and under the conditions that gave rise to it, strikingly useful, was a happy thought of the Promotion Committee.”

“It appealed to dormant but when aroused, pleasing associations, among the older residents, especially the Hawaiians. It appealed to the love of oddity and the striking costume in the younger generation.” (The Hawaiian Star, February 22, 1906)

In 1916, Mid-Pacific Carnival merged into the Kamehameha Day Parade.

Next time you are at the original or replicas of the Kamehameha Statue, look closely at Kamehameha’s sash; there is an error in the arrangement of the sash. Traditionally, a sash is worn by first draping the sash over the left shoulder to where it falls between the knees.

Then the remaining length is wrapped around the waist and over the front flap of the sash to around the back, fed behind the part over the shoulder, and the remaining hangs down in the back (at knee length.) (San Nicolas) After that, you put the cape on over it all.

“In the statue the cordon passes from the pendent end up behind the portion used as a waist-band, over the left shoulder, outside the cloak, instead of returning down the back to form the belt as it should have done with the end tucked in to tighten the band, it leaves this belt as an independent member and passes down over the cloak to trail on the ground!” (Brigham)

“The final arrangement must be based on esthetic rather than historical grounds. In fact, the decorated end of the sash drags on the ground behind the figure. The other end has had to be supplemented with a fictitious terminal band to be presentable in front.”

“If you look closely, the final arrangement is impossible without two sashes: a long one from malo front over the shoulder and down to the ground, and a short, separate belt.” (Later noted by Charlot.)

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Kamehameha-Statue-(HTA)

The original statue of King Kamehameha I, in Kapaʻau

Kamehameha_Statue-1900

Kamehameha_statue_Kapaau_1908

King Kamehameha I statue and Aliiolani Hale building, in downtown Honolulu

Kamehameha_Statue-Honolulu-front_and_back

The original statue of King Kamehameha I, in Kapaʻau, North Kohala. Sculptor-Thomas Ridgeway Gould

Kamehameha_Statue-Kapaau_front_and_back

Statue of Kamehameha I, located in the Wailoa River recreation area of Hilo

Kamehameha statue on display in the US Capitol Visitors Center, Washington DC

Mid-Pacific Carnival-1910

Mid-Pacific Carnival-auto-1908

Mid-Pacific Carnival-Pau_Riders-1914

Mid-Pacific Carnival-Band_on_Horseback

Pau_Princess_of_Niihau-(ghir)

Pau_Princess_of_Kauai-(barryfackler)

Pau_Princess_of_Oahu-(jndx)

Pau_Princess_of_Molokai-(barryfackler)

Pau_Princess_of_Lanai-(enolarama)

Pau_Princess_of_Maui-(enolarama)

Pau_Princess_of_Hawaii-(enolarama)

June 5, 2016 by Peter T Young 1 Comment

Mahiole

The love of personal decoration appears very early in the history of the human race. (Brigham)

Hawaiian featherwork consists first of lei or strings of feathers worn in the hair, or in later times the neck; Kāhili used as royal insignia; ahuʻula cloaks or capes worn by chiefs; mahiole helmets; images of the god Kūkaʻilimoku, the war-god of Kamehameha; and a few other items. Brigham)

The Hawaiians were a close observer of nature. The hunters know the haunts of birds they sought and the season when the plumage was at its best.

The rare birds were never killed, but captured alive and released, after the feathers desired were plucked.

When the British ships Resolution and Discovery entered Kealakekua Bay, Hawaii, in January 1779, they were greeted by thousands of people in canoes.

They had arrived during the Makahiki festival, dedicated to the god of peace and productivity, Lono. Presentations of cloaks and helmets were made to Captain Cook. (British Museum)

In contrast to the feathered cloak, which was also found in Tahiti and New Zealand, the feathered helmet is peculiar to Hawai‘i. Together with the feathered cloak, the crested helmet belonged to the insignia of the high chiefs, or later the king. (National Museum of Australia)

In the Hawaiian Islands, feathered cloaks, capes and helmets were worn by male chiefs to signify their status. These were worn during ceremonial occasions, which often took place at heiau (temple areas,) as well as during makahiki.

All of a chief’s garments were considered kapu, having a divine or sacred power, and would not be worn by anyone else.

It was a custom to cut the hair close at the sides of the head leaving a ridge of still, erect hair, like a mane on the top of the scalp, and this mane-like ridge was called mahiole, the same name given to the helmet. (Brigham)

Mahiole were constructed of the aerial roots of the ʻieʻie vine, woven into a basketry frame. They were perfectly fitted to an individual, and protected the most sacred part of the body, the head.

A net of olona fibers was laid over the framework, and feathers attached in bundles in the same way as for the cloaks. The featherwork starts from the bottom, so each new row conceals the quills of the feathers below. (Museum of New Zealand)

Small feathers of a uniform size were attached. Red feathers were gathered by specialist bird-catchers from the ‘i‘iwi bird, a honeycreeper, and the black and yellow feathers from honeyeaters. Garments made of these feathers were reserved for particularly high-ranking chiefs.

The shape of the crest echoes the crescent designs found on cloaks, and in men’s hairstyles and tattoo designs. The Hawaiian word for crescent, hoaka, means to ‘frighten away’, but also indicates brightness, splendor and glory.

The mahiole represented the political status of male chiefs who had various authority.

There are many different kinds of mahiole that can be seen today found in museums around the world from the mahiole haka (short crested helmet,) mahiole pōheoheo (knobbed helmet,) mahiole haka kahakaha (striped short crest helmet,) spoked crescent helmet and others.

On the island of Hawaii, helmets with a high crest were favored. Other helmets, which had mushroom-like ornaments on top, or which were decorated with human hair, were worn by warriors or lesser chiefs. (National Museum of Australia)

Kaumuali‘i’s mahiole is consists of red ‘i‘iwi, yellow and black feathers and knotted a million times into a lacy filigree. The mahiole was a gift from Kamehameha I in 1810 after Kaumuali‘i stepped down as high chief of Kauai. It is the only feathered mahiole whose owner can be confirmed. (Bishop Museum)

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Mahiole-British Museum

Gorro de príncipe hawaiano (M. América, Madrid) 01

Arago_–_Guerrier_des_Iles_Sandwich-1819

Kaiana_(PP-96-7-001)-1787

Mahiole_British_Museum

Mahiole_of_Kaumualii,_1899

Mahiole-British_Museum

Mahiole-BritishMuseum

Mahiole-British-Museum

Mahiole-ieie-BritishMuseum

Mahiole-ieie_vine-Vancouver-1791-1795

‘Man_Wearing_Feather_Cloak_and_Helmit’,_attributed_to_Rembrandt_Peale-c. 1805-1810

Aniheneho._L’un_des_Premiers_Officiers_de_Tahmahamah-Jacques_Arago,_1819

‘A_Man_of_the_Sandwich_Islands_with_His_Helmet’_c._1800

Portrait_of_Kaneena,_a_chief_of_the_Sandwich_Islands_in_the_North_Pacific-between 1778 and 1779

John_Webber’s_oil_painting_’A_Chief_of_the_Sandwich_Islands’,_1787

Tianna_a_Prince_of_Atooi,_c._1787

May 26, 2016 by Peter T Young Leave a Comment

Robin’s Egg Blue Chamber

‘Iolani Palace (Io is the Hawaiian hawk, a bird that flies higher than all the rest, and ‘lani’ denotes heavenly, royal or exalted) was the official residence of both King Kalākaua and Queen Lili‘uokalani.

Construction was completed in 1882; in December of that year King Kalākaua and Queen Kapi‘olani took up residence in their new home. The second floor had their private suites.

After the overthrow of the monarchy, ‘Iolani Palace became the government headquarters (Executive Building) for the Provisional Government, Republic, and then the Territory of Hawai‘i. The private apartment of Kalākaua, and later Liliʻuokalani, was used as the Governor’s office.

In 1904, after the appointment of Mr. Carter as Territorial governor, the office of the Governor was redecorated.

“The Governor’s office is being renovated so as to restore some of the old royal splendor. There is to be a touch of robin’s egg blue on the walls and the little crowns on the ceiling are to have their red insertions painted brighter.”

“It is even proposed to bring up the gilded chairs of state from the old throne room and set them around. Unhappily the throne itself has gone to the museum but it may be brought back for special occasions. When finished, the executive chamber of Hawaii will make that of the United States look like thirty cents.” (Pacific Commercial Advertiser, July 8, 1904)

“Ernest Parker, the talented young Hawaiian artist, has taken the supervision of the work of renovating the Governor’s office in the Capitol.”

“Already the walls and ceiling have received the first coat of tinting in robin’s egg blue, with the stucco work of the ceiling relieved in gold. The crowns with crimson velvet insertions in the ceiling have also been retouched and look gorgeous.”

“Acting Governor Atkinson is earnestly studying the question of furniture for the renovated executive chamber. It is his idea to make that the show room of the Capitol and, as part of the scheme, to transfer the gilded chairs from the old throne room, now the hall of the House of Representatives, to the Governor’s official apartment.”

“(M)ostly every visitor to Honolulu of any consequence calls on the Governor, and in Mr. Atkinson’s opinion the executive chamber ought to be the most impressive, in artistic appearance and elegant comfort, of any apartment in the building.”

“One of the last things Governor Carter spoke about, on leaving the Capitol before sailing for the mainland, was the proposed renovation of his office quarters.” (Pacific Commercial Advertiser, July 8, 1904)

Originally, the walls were described as being untinted. The Governor’s office, apparently, became quite famous as the Robin’s Egg Blue Chamber, and remained with this décor into the administration of Governor Frear.

“The ‘robin’s egg blue’ room at the Capitol which is the private room of Governor Carter has been surveyed by many a critical art eye relative to the hanging of oil paintings upon the walls, and yesterday results were apparent.”

“Lying on the floor were the big life-size portraits in oils of King Kaiakaua and Queen Liliuokalanl. These are to be hung on the mauka wall, one on other side of the entrance leading from the secretary’s chamber.”

“The other portraits to adorn the walls will be that of King Kamehameha I, which will hang just over the Governor’s desk. Another will be the fine portrait of Kamehameha IV. A portrait of Princess Kaiulani will also have a place in the chamber. The room may be called ‘the blue room.’” (Pacific Commercial Advertiser, July 27, 1904)

“Although Carter no longer holds down the lid in the Robin’s Egg Blue Chamber, he is still very much in evidence around the Executive offices. Indeed, he is there most of the time.”

“With his coat off and attired in a shirt which was probably bought during his reign to match the color of the walls of the famous Robin’s Egg Blue, he spends nearly all day at the long table in the Secretary’s office working on his final report to the President.” (Evening Bulletin, February 26, 1907)

In 1910 the following account appears in a newspaper under the heading – “Historical Tint of Executive Mansion Vanishes into the Dim Past.”

“The famous robin’s-egg-blue chamber has faded into the past. The chamber is still there – but the robin’s-egg-blue is gone…..”

“That famous tint disappeared yesterday under the vigorous efforts of a gang of workmen who invaded the royal chamber and washed the color from the wall.”

“It had to go for when the Governor, immediately upon his return from his eastern trip, moved into the quarters heretofore occupied by the secretary of the Territory, and took with him the immense portraits of kings and queens of a bygone regime, a hideous fact was made apparent.”

“It was literally hideous.”

“The removal of the great portraits disclosed the shocking fact that only a part of the room was robin’s egg blue. The rest, that part hidden behind the canvases, was green and just imagine the combination of grass green and robin’s egg blue!”

“It actually hurt the eyes of Secretary Mott-Smith when he entered the chamber to take up his official abode. Mott-Smith shrieked in agony and called for men, workmen to relieve the hateful contrast. “

“They arrived in squads – and the colors began to fade. Now the room is white, the virgin color of the untinted plaster. But it is not to remain white. Mott-Smith is considering what tint shall be applied. …” (Hawaiian Gazette, January 10, 1910)

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May 22, 2016 by Peter T Young 2 Comments

Haui ka Lani

Lots of folks criticize the US for these take-overs, wars and expansion.

Manifest Destiny was the widely held belief that American settlers were destined to expand throughout the continent. Journalist John L O’Sullivan wrote an article in 1839 and predicted a “divine destiny” for the United States …

“This is our high destiny, and in nature’s eternal, inevitable decree of cause and effect we must accomplish it. All this will be our future history, to establish on earth the moral dignity and salvation of man.”

After wars and negotiation, the US ran east to west across the continent.

Over the centuries, the Hawaiian Islands weren’t under single rule. Leadership sometimes covered portions of an island, sometimes covered a whole island or groups of islands. Island rulers, Aliʻi or Mōʻī, typically ascended to power through warfare and familial succession.

While criticizing the US and their mission to extend the “boundaries of freedom” to others by imparting their idealism and belief in democratic institutions to those who were capable of self-government (pbs,) some seem to romanticize and idealize the conquest of Hawaiian warrior chiefs over others.

Of particular note was the conquest, and killing of Hawaiians, by Hawaiians …

“Before the conquest of Kamehameha, the several islands were ruled by independent kings, who were frequently at war with each other, but more often with their own subjects. As one chief acquired sufficient strength, he disputed the title of the reigning prince.”

“If successful, his chance of permanent power was quite as precarious as that of his predecessor. In some instances the title established by force of arms remained in the same family for several generations, disturbed, however, by frequent rebellions … war being a chief occupation …” (Jarves)

Then, the prophecy chant “Haui ka Lani: Fallen is the Chief?,” composed by the prophet Keʻāulumoku, tells of the death of the Ka‘ū chief, Keōua, and the taking of the entire island of Hawai‘i by Kamehameha. (Pukui)

“After describing the horrors of the civil war then desolating the island, he concluded by predicting that Kamehameha would triumph over his enemies, and in the end be hailed as the greatest of Hawaiian conquerors.” (Kalākaua)

Many lines in the chant refer to events that had recently happened. These included the blow on Kamehameha’s head, which, years later, inspired the “Law of the Splintered Paddle;” Keōua’s killing some of Kamehameha’s men at Keʻei; the 1782 quarrel between Keōua and Keawemauhili the earlier meetings with the chief, Kīwala‘ō, and Kīwala‘ō’s death.

But when it comes to the death of Keōua, Keʻāulumoku unmistakably speaks of the future. Exactly what he said may have been altered in the handed-down spoken recitations, by changes in the Hawaiian language, and, certainly, by later translations.

The chant begins:
“Haui ka Lani, ka mauli au honua.”
“Fallen is the chief, overthrown is the whole kingdom.”

“Hina wale i ke ala kapapa, ke one.”
“Falling in the smooth road, on the sand.”

With Keōua dead, and his supporters captured or slain, Kamehameha became King of Hawaiʻi island, an event that according to the prophesy eventually led to the conquest and consolidation of the islands under the rule of Kamehameha I.

By the time of Cook’s arrival (1778,) Kamehameha had become a superb warrior who already carried the scars of a number of political and physical encounters. The young warrior Kamehameha was described as a tall, strong and physically fearless man who “moved in an aura of violence.” (NPS)

The impress of his mind remains with his crude and vigorous laws, and wherever he stepped is seen an imperishable track. He was so strong of limb that ordinary men were but children in his grasp, and in council the wisest yielded to his judgment. He seems to have been born a man and to have had no boyhood. (Kalākaua)

He was always sedate and thoughtful, and from his earliest years cared for no sport or pastime that was not manly. He had a harsh and rugged face, less given to smiles than frowns, but strongly marked with lines indicative of self-reliance and changeless purpose. (Kalākaua)

He was barbarous, unforgiving and merciless to his enemies, but just, sagacious and considerate in dealing with his subjects. He was more feared and admired than loved and respected; but his strength of arm and force of character well fitted him for the supreme chieftaincy of the group, and he accomplished what no one else could have done in his day. (Kalākaua)

“It is supposed that some six thousand of the followers of this chieftain (Kamehameha,) and twice that number of his opposers, fell in battle during his career, and by famine and distress occasioned by his wars and devastations from 1780 to 1796.” (Bingham)

“However the greatest loss of life according to early writers was not from the battles, but from the starvation of the vanquished and consequential sickness due to destruction of food sources and supplies – a recognized part of Hawaiian warfare.” (Bingham)

“Whether we contemplate the horrors or the glories of the rude warfare which wasted the nation, we are not to confine our views to the struggles of armed combatants, the wounds, the reproaches, and various evils inflicted on one another …”

“… but the burden of sustaining such armies deserves attention, and the indescribable misery of the unarmed and unresisting of the vanquished party or tribe, pursued and crushed, till all danger of further resistance disappeared, must not be forgotten.” (Bingham)

According to Manifest Destiny, the people of the US felt it was their mission to extend the “boundaries of freedom” to others by imparting their idealism and belief in democratic institutions to those who were capable of self-government. (pbs) After wars and negotiation, the US ran east to west across the continent.

According to a prophecy prior to his birth, Kamehameha would win wars and overthrow the whole kingdom; another prophecy suggested he would succeed in battle after constructing a special heiau. After wars and negotiation, Kamehameha gained power from east to west across the Island chain.

Again, while criticizing the US for expansion, some seem to romanticize and idealize the conquest of Hawaiian chiefs (killing Hawaiians) for their conquest and expansion across the Islands.

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Kauhi’s_last_Stand_at_Kaanapali-(HerbKane)

May 20, 2016 by Peter T Young 1 Comment

Lady in Waiting

Captain Henry Blanchard, master of the brig Thaddeus (that brought the Pioneer Company of missionaries to the Islands in 1820,) married a Molokai chiefess named Koloa. They had a daughter, Harriet, born in 1831.

Harriet married an itinerant English actor, John Townsend, whose dramatic company performed in Honolulu. He gave up acting and invested in a sugar plantation (that went bankrupt.) Then he disappeared, leaving Harriet with their two children Eveline (Kittie) and George.

Eveline Melita Townsend joined Kawaiahaʻo Church, where she sang in the church choir, led by then-Princess (later-Queen) Liliʻuokalani. Liliʻuokalani must have been charmed by her exuberant and fatherless choir member, for Eveline became a protégé of the princess and later an intimate friend. (Krauss)

“(Kittie) professed a great fondness and love for me, and with two other young ladies, Lizzie Kapoli and Sophie Sheldon, had made my home theirs. Bright young girls, with happy hearts, and free from care and trouble, they made that part of my life a most delightful epoch to me.”

“It was then that Mr (Charles Burnett (CB)) Wilson first sought the hand of pretty little Kittie Townsend. Thus we had known Mr Wilson quite well as a young man when he was courting his wife.”

“My husband and myself had warmly favored his suit; and, with his wife, he naturally became a retainer of the household, and from time to time they took up their residence with us.” (Liliʻuokalani)

The Wilsons had a son, Johnny. CB Wilson was appointed Marshal of the Kingdom.

“One evening, shortly after Mr and Mrs Wilson had moved into the bungalow, he presented himself at the Blue Room of the palace, and then first mentioned the idea that a new constitution should be promulgated. … About two days’ after this suggestion I received a call from Mr. Samuel Nowlein, who alluded to the same matter.”

“On the sixteenth day of January. 1895. Deputy Marshal Arthur Brown and Captain Robert Waipa Parker were seen coming up the walk which leads from Beretania Street to my residence.”

“Mrs Wilson told me that they were approaching. I directed her to show them into the parlor, where I soon joined them. Mr. Brown informed me that he had come to serve a warrant for my arrest; he would not permit me to take the paper which he held, nor to examine its contents.”

“(W)e arrived at the gates of ʻIolani Palace, the residence of the Hawaiian sovereigns. We drove up to the front steps, and I remember noticing that troops of soldiers were scattered all over the yard.”

“(I)n conference it was agreed between us … that Mrs Wilson should remain as my attendant; that Mr. Wilson would be the person to inform the government of any request to be made by me, and that any business transactions might be made through him.” (Liliʻuokalani)

“During the imprisonment here of Liliuokalani in 1895 Mrs Wilson was chosen by the ex-Queen as best friend and the relations between them were of the closest and most confidential nature. In the old court days here Mrs. Wilson was prominent both on account of her own position as a lady in waiting and her husband’s official rank.” Hawaiian Gazette, May 24, 1898)

During her imprisonment, Queen Liliʻuokalani was denied any visitors other than one lady in waiting (Mrs. Eveline Wilson.) Johnny would bring newspapers hidden in flowers from the Queen’s garden; reportedly, Liliʻuokalani’s famous song Kuʻu Pua I Paoakalani (written while imprisoned,) was dedicated to him (it speaks of the flowers at her Waikiki home, Paoakalani.)

Paoakalani written by Liliuokalani, performed by Kuuipo Kumukahi:

In 1897, Johnny Wilson and fellow Stanford student Louis Whitehouse won the bid to expand and construct a ‘carriage road’ over the Pali. Ground was broken on May 26, 1897 and the road was opened for carriages on January 19, 1898.

(When the current Pali Highway and its tunnels opened (1959,) the original roadway up and over the Pali was closed and is now used by hikers.)

Then, “It was a painful thing for our hearts to hear that the uncompassionate hand of death reached out and took the precious breath of life from the body of Mrs Evalaina Willison (Wilson,) the wife of Mr CB Willison (Wilson,) in the early morning of this Saturday, after she began to waste away of sickness for just a few short days.”

“She was a well-known woman here in town, and elsewhere on the island, and she was the attendant of Queen Liliuokalani while she was on the throne until her overthrow.”

“There were many, many friends who visited to see her for the last time, and then dust returned to dust, for that is where it came from. She leaves behind a husband, child and family who grieve for her from this side of the grave. (Aloha Aina, May 28, 1898)

Later, her son Johnny Wilson got involved with politics and is credited as being the most important Democrat in the first half of 20th-century Hawaiʻi; his name is used with Jack Burns in the party movement. He was in a meeting on April 30, 1900 that organized the Democratic Party of Hawaiʻi and served as Honolulu Mayor.

Initially known as the ‘Kalihi Tunnel’ (and often called the Likelike Tunnels,) the Wilson Tunnels are named in honor of John H Wilson. (1998 brought the completion of H-3 (and the Tetsuo Harano Tunnels – named after a longtime state highways administrator.))

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Lyman C Newell, Queen’s lady-in-waiting, Queen Liliuokalani, Adam H Dickey & Mrs SK Kea-PP-98-13-007