Images of Old Hawaiʻi

by Peter T Young Leave a Comment

Kaulana Nā Pua

The “King’s Band” (later known as the Royal Hawaiian Band) had its beginning in 1836; it continues today.  Founded by King Kamehameha III, it became a part of daily life by performing for the public, state occasions, funerals and marching in parades.

The band accompanied reigning monarchs of the time on frequent trips to the neighbor islands and brought their music to remote destinations of the kingdom, such as the Hansen’s Disease settlement at Kalaupapa on the island of Molokai.

“The King’s Band” members in 1848 signed contracts to serve in the band, noting they “agree to serve under the orders of William Merseburgh, the captain appointed by His Majesty … (and) to meet from time to time for the purpose of practicing and improvement in instrumental music.”

“We agree to play for the king and for the other officers of the government whenever called on by our captain for such reasonable compensation as he shall award, not less than one dollar nor more than three dollars per man for any time not to exceed one day.”  (Hawaiian Star, September 22, 1906)

In the 1880s, the Royal Hawaiian Band played concerts twice a week in Queen Emma Square.

“One of our pleasant diversions was to go to and hear Captain Berger’s band play at Emma Square every Saturday afternoon.  … we all went and sat in the carriage just outside the park.  There was usually a crowd there, as it was very popular.”  (Sutherland Journal)

After the 1893 overthrow of Queen Lili’uokalani, the Provisional Government under Sanford B Dole demanded a loyalty oath of all employees, including the musicians of the Royal Hawaiian Band.

Under a revised name, ‘Government Band,’ the musicians refused to do so; the striking bandsmen persuaded Ellen Kekoaohiwaikalani Wright Prendergast, a friend of Liliʻuokalani, to capture their feelings of anguish and pain in a song.  (Nordyke, HJH)

She composed Kaulana Na Pua o Hawaii, also known as Kaulana Na Pua (“Famous are the Flowers (Children.)”)

Click HERE for a rendition of Kaulana Nā Pua by Makaha Sons.

The band was told they would end up eating rocks if they didn’t swear allegiance, a threat that inspired one of the song’s verses: “Ua lawa makou i ka pōhaku, I ka ai kamahao o ka ʻāina,” which translates, “We are satisfied with the rocks, The wondrous food of the land” (also giving the song the name Mele Ai Pōhaku: The Stone Eating Song.)

The song is rich in kaona, hidden meanings, and its sweet melody belies the passions embedded in it. The band members then organized into the “Pana Lāhui Hawaiʻi”, “The Hawaiian National Band”, which under the leadership of José Liborno went to the United States to drum up support for the Queen and for Hawaiʻi’s continuing independence. (RoyalHawaiianBand)

The “Mele Aloha ʻĀina” song first appeared in Hawaiʻi Holomua on March 25, 1893, under the title “He Inoa No Na Keiki O Ka Bana Lahui” (A Namesong for the Children of the National Band).  (Stillman, HJH)

The credit line in the May 12, 1893 printing of the lyrics for “Kaulana Na Pua” also contains a date: February 10, 1893, barely one month after the overthrow of the monarchy.  (Stillman, HJH)

The song was sung on February 1, 1894, the royalist anniversary of the resignation of Royal Hawaiian Band members who had relinquished their jobs rather than sign an oath of loyalty to the Republic of Hawaiʻi. (Nordyke, HJH)

The lyrics mention four sacred chiefs that represent the major islands of the Hawaiian chain: Keawe of the Big Island of Hawaiʻi, Piʻilani of Maui, Mano of Kauaʻi and Kākuhihewa of Oʻahu. The words are treated with a spiritual tone of reverence and respect.  (Nordyke, HJH)

“Kaulana Na Pua” serves as a voice for the native Hawaiians in their protest against loss of self-determination and sovereignty. The powerful and reverent song symbolizes a pride of culture and a plea for understanding.  (Nordyke, HJH)

Today, the Royal Hawaiian Band is an agency of the City and County of Honolulu and is the only full-time municipal band in the United States.

The band performs and marches in concerts and parades each year including: city, state, and military functions; schools, community centers, shopping malls, retirement communities, graduations, and private events.

© 2023 Hoʻokuleana LLC

 

by Peter T Young Leave a Comment

Shoreline Certifications – Some Interesting Issues

In prior posts, I previously discussed some aspects of shorelines and their impact on shoreline access and shoreline hardening (i.e. seawalls and revetments.)
 
Today, I want to bring up an interesting quirk about shoreline certifications – the impact of ancient fishponds and other artificial structures on certifying where a “shoreline” should be.
 
Remember, shorelines are “certified” for County setback purposes; they do not determine ownership. They serve as points of reference in determining where improvements may be placed on coastal property.
 
When the State surveyor is satisfied with the location of the shoreline, after reviewing the public comments, the maps and photos prepared by the private surveyor and site inspection, he forwards the shoreline maps to the Chairperson of DLNR, for final review and approval.
 
When I was Chair at DLNR, I signed each of the maps and certified the shorelines.
 
Certified shorelines also serve as managerial and jurisdictional dividing lines. Issues mauka of the certified shoreline fall under the County jurisdiction (zoning, SMA and setback regulations;) lands makai of the line are under control of the State (and are automatically “conservation”.)
 
Consistent with the overarching purpose behind shoreline certifications, certified shorelines sometimes deviate from the CZMA definition (HRS §205A-1) of “shoreline.”
 
Example where “shoreline” is makai of boundary line: State law (HRS §205A-42(a)) provides that where legally constructed artificial structures are involved, the shoreline is certified not at the upper reaches of the wash of the waves, but, instead at the “interface between the shoreline and the structure,” i.e., at the seaward edge of the artificial structure.
 
“Artificial structures” include such things as seawalls, piers, boat ramps, groins, revetments and harbor facilities. When such structures are placed on state lands with the State’s permission and consent, but are for private use, the State charges the private user for the use of state lands.
 
Thus, even though the certified shoreline may be makai of the artificial structure, the State’s property boundary, as acknowledged by the State and the private user, is somewhere mauka of the certified shoreline.
 
Example where “shoreline” is mauka of boundary line: On the other end of the spectrum, the lands makai of the upper reaches of the wash of the waves are not always the property of the State.
 
Some coastal fishponds, although on submerged lands makai of the upper reaches of the wash of the waves, are privately owned. Nevertheless, the certified shoreline is at the natural shore and not the artificial wall of the fishpond.
 
Hawai’i Administrative Rule §13-222-16(7) states: “Where an artificial wall seaward of the natural shore is used to create a fishpond, the shoreline shall be at the natural shore and not at the artificial outer wall.”
 
That is because the existence of a coastal fishpond does not alter the rationale for not allowing developments too close to the coast. In these cases, therefore, the certified shoreline is mauka of the property boundary line.
 
To illustrate this, I am using a Google Earth image of the coastal area from our old neighborhood on Kaneohe Bay, where I grew up as a kid. There is a former fishpond fronting some of the lots.
 
In the image, the parcel boundaries are shown; note the boundary line (blue arrow) of the parcels goes out to the end of the seawall of the old fishpond.
 
The “shoreline” in this case, would be along the coast (white arrow,) rather than at the fishpond wall.
 
(BTW, this image also shows the two properties that I grew up in on Kaneohe Bay; both houses that I grew up in have been replaced.)
 

by Peter T Young 1 Comment

Queen’s Surf

“Hamohamo is justly considered to be the most life-giving and healthy district in the whole extent of the island of Oʻahu; there is something unexplainable and peculiar in the atmosphere of that place, which seldom fails to bring back the glow of health to the patient, no matter from what disease suffering.” (Queen Liliʻuokalani)

The Queen “derived much amusement, as well as pleasure: for as the sun shines on the evil and the good, and the rain falls on the just and the unjust, I have not felt called upon to limit the enjoyment of my beach and shade-trees to any party in politics … While in exile it has ever been a pleasant thought to me that my people, in spite of differences of opinions, are enjoying together the free use of my seashore home.”

Because of her nearby homes, they called the coastal area in this part of Waikīkī Queen’s Surf Beach.

In 1914, Mr & Mrs WK Seering of the International Harvester Co in Illinois built a home there.  A couple decades later, Fleischman’s Yeast heir, Mr CR Holmes, bought the home (he also had other Hawaiʻi property, including Coconut Island in Kāneʻohe Bay.) (ilind)

During WWII, the house was used for military retreats and other military uses.  Admiral Nimitz, General Douglas McArthur and staffs spent time there.

After World War II (and following Holmes’ death,) the City & County of Honolulu bought the property and leased it to the Spencecliff Corporation restaurant chain; it became their flagship property and operated it as the hugely popular Queen’s Surf Restaurant and Nightclub.

Sterling Edwin Kilohana Mossman (February 3, 1920 to February 21, 1986) headlined at its upstairs Barefoot Bar.  A man as versatile as he was talented, literally led a double life. A detective with the Honolulu Police Department during the day, after dark he was one of Hawaiʻi’s most popular entertainers. His diversified careers earned him the nickname “Hula Cop”. (TerritorialAirwaves)

The Barefoot Bar was ground zero for this new brand of local comedy. Mossman was the ringleader, along with the likes of Lucky Luck, a zany radio personality, and Kent Bowman, known as KK Kaumanua.  They told stories, sang songs and, when a celebrity from the Mainland happened to come by (and they did a lot), they became part of the show.  (HonoluluMagazine)

Mossman sang and did comedy and included a lot of others in the evening’s entertainment.  The footprints of many of these Island and internationally known entertainers lined the stairway up to the second floor bar.

For a while, downstairs, at the Surf Lanai, Kuiokalani (Kui) Lee sang for the crowds – inside and out of the restaurant.  During the day, the beach was crowded with sun bathers; at night it was full of Island residents listening in on Kui Lee’s long list of local favorites (he’d turn to the ocean and sing a final song to the folks on the beach.)

Born in Shanghai, China, the third child and only son of Hawaiian entertainers Billy and Ethel Lee, Kui Lee was a prolific songwriter.  Folks like Don Ho, Elvis, Tony Bennett and Andy Williams recorded and performed his songs: “I’ll Remember You,” “One Paddle, Two Paddle”, “She’s Gone Again”, “No Other Song”, “If I Had To Do It All Over Again”, “Yes, It’s You”, “Rain, Rain Go Away”, “Get On Home”, “The Days Of My Youth” and “Lahainaluna.”

“Kui was very brash, very positive about his songs,” said Kimo McVay, owner of Duke Kahanamoku’s nightclub from 1961 to ’71 and manager/promoter of Don Ho from 1963 to ’66. “He gave them to Don, and Don, of course, made them hits. When Don became a star because of that material, a national star, that’s what launched Kui. And Kui became the star of Queen’s Surf.” (star-bulletin)

Here is Kui Lee singing Days of My Youth (a reminder for me of growing up in the Islands, and the one time I was able to sit on the beach and listen to Kui Lee perform – unfortunately, Kui Lee died of cancer at the age of 34 in 1966.)  Click HERE for a YouTube for one of Kui Lee’s songs.

Queen’s surf also offered a regular lūʻau on the property.

The stories vary on the cause, but later there was a lease dispute with the City and the Queen’s Surf and the neighboring Kodak Hula Show were evicted, the Queen’s Surf was torn down (1971) and the Waikīkī beachfront area was turned into a public park.

© 2023 Hoʻokuleana LLC

 

by Peter T Young Leave a Comment

Whaling Ship Anchor at +4,000 Feet?

The plaque inscription states, “Found by the salvage ship ‘USS Beaufort ATS-2’ in July 1972 off Lahaina, Maui.  This anchor is believed to have been made around 1850 and used by one of the whaling ships of that era. Presented to the men of the Kilauea Military Camp by the officers and crew of USS Beaufort ATS-2”

The anchor was a gift, so it is appropriate wherever it is; likewise, the gift of a whaling anchor found off Lahaina (at a location 4,000-feet above the ocean) helps tell some of the stories of Hawai‘i’s military and economy – I think questioning why it’s there and looking into it a bit is helpful, and not something necessarily out of place.

The USS Beaufort (named for Beaufort, South Carolina) was the Navy’s largest and most capable submarine rescue and deep-ocean search-and-recovery ship. She was built in the late-1960s and commissioned on January 22, 1972 and spent most of her service in the Western Pacific. She was decommissioned on March 8, 1996.

Hawai‘i’s whaling era began in 1819 when two New England ships became the first whaling ships to arrive in the Hawaiian Islands.  At that time, whale products were in high demand; whale oil was used for heating, lamps and in industrial machinery; whale bone was used in corsets, skirt hoops, umbrellas and buggy whips.

Whalers’ aversion to the traditional Hawaiian diet of fish and poi spurred new trends in farming and ranching.  The sailors wanted fresh vegetables and the native Hawaiians turned the temperate uplands into vast truck farms.

There was a demand for fresh fruit, cattle, white potatoes and sugar.  Hawaiians began growing a wider variety of crops to supply the ships.

In Hawaiʻi, several hundred whaling ships might call in season, each with 20 to 30 men aboard and each desiring to resupply with enough food for another tour “on Japan,” “on the Northwest,” or into the Arctic.

The whaling industry was the mainstay of the island economy for about 40 years.  For Hawaiian ports, the whaling fleet was the crux of the economy.  More than 100 ships stopped in Hawaiian ports in 1824. 

“At present the whale ships visit the Sandwich Islands in the months of March and April and then proceed to the coast of Japan, the return again in October and November remain here about six weeks, and then proceed in different directions …”

“… some to the Coast of California, others cruise about the Equator when they return thither again in March and April and proceed a second time to the Coast of Japan; it usually occupies two seasons on that coast to fill a ship that will carry Three Hundred Tons.”  (Jones report to Henry Clay, Secretary of State, 1827)

“The number of hands generally comprising the Company of a whale ship will average Twenty Five; and owing to the want of discipline, the length and the ardourous duties of the voyage, these people generally become dissatisfied and are willing at any moment to join a rebellion or desert the first opportunity) that may offer …”

“… this has been fully exemplified in the whale ships that have visited these islands, constant disertions have taken place and many serious mutinies both contributing to protract and frequently ruin the voyage.”  (Jones report to Henry Clay, Secretary of State, 1827)

The effect on Hawaiʻi’s economy, particularly in areas in reach of Honolulu, Lāhainā and Hilo, the main whaling ports, was dramatic and of considerable importance in the islands’ history. Over the next two decades, the Pacific whaling fleet nearly quadrupled in size and in the record year of 1846, 736-whaling ships arrived in Hawai‘i.

Then, whaling came swiftly to an end.  In 1859, oil was discovered and a well was developed in Titusville, Pennsylvania; within a few years this new type of oil replaced whale oil for lamps and many other uses – spelling the end of the whaling industry.

At volcano … in 1898, Lorrin Thurston owner of Volcano House and head of the Hawai‘i Promotion Committee (forerunner to the Hawai‘i Visitors and Convention Bureau) worked closely with the Inter-Island Steam Navigation Company to create an excursion business from Honolulu to his hotel at Kīlauea.

Although he sold his interest in Volcano House to hotelier George Lycurgus (1858–1960) in 1904, Thurston continued to promote Kīlauea and Hawai‘i’s other natural sites.

He helped with the establishment of the Hawaiʻi National Park, an entity to encompass both Kīlauea and Haleakalā.  Hawai‘i’s new National Park, established August 1, 1916, was the thirteenth in the new system and the first in a US territory.  (Chapman)

The history of the Park generally mirrors the history of Kīlauea Military Camp (KMC.) Interest in Kīlauea as a military training and rest area began in September 1911, when Companies A and F, Twentieth Infantry, arrived. They were followed two years later by one hundred men from Company D, First Infantry, who camped near the Volcano House.  (Nakamura)

Thurston helped negotiate a lease for about 50-acres of land from Bishop Estate; trustees held the lease (they included Ex offico the Commander of the Army Department of Hawaii; Ex officio the Commanding General of the National Guard of Hawaii; Lieut Col John T. Moir, National Guard, Island of Hawaiʻi; GH Vicars of Hilo and LA Thurston of Honolulu and Hilo).

In the early years, to get there, off-island folks took steamer ships to either Hilo or Punaluʻu (from Hilo they caught a train to Glenwood and walked/rode horses to Volcano. From Ka‘ū, a five-mile railroad took passengers to Pahala and then coaches hauled the visitors to the volcano. Later, the roads opened.

The Kilauea Military Camp is located at an elevation of 4,000-feet, directly on the belt road around the island (the road was later relocated mauka of the Camp.)

KMC greeted its first group of US Army Soldiers from Company A, 2nd Infantry, November 6, 1916. Three buildings for dining and recreation were still unfinished, so the visiting Soldiers were expected to provide their own sleeping tents. A couple weeks later, November 17, KMC was officially opened, and many Soldiers came to this unique site.

Then, WWI broke out and virtually all of the troops in Hawai‘i had transferred to the continental US, many of them then moving on in succeeding months to the trenches of France and Belgium.  (Chapman)

To keep the place going, school summer programs and Boy Scouts stayed at the camp.  Following WWI, the trustees transferred their KSBE lease to the Park Service.  By late-1921, soldiers on recreation leave started to return to the Camp and the facilities started to expand.

As part of the original agreement, the Navy built its own rest and recreation camp on a 14-acre parcel adjacent to KMC in 1926. The Navy camp was transferred to KMC’s control in 1935.  (KMC)

On July 1, 1961, Hawaiʻi National Park’s units were separated and re-designated as Haleakalā National Park and Hawaiʻi Volcanoes National Park.  The relationship between the military and Park Service was not always smooth. 

Today, Kīlauea Military Camp is open to all active and retired armed forces, Reserve/National Guard, dependents, other uniformed services, and current and retired Department of Defense civilians, including Coast Guard civilians and sponsored guests.

© 2023 Ho‘okuleana LLC

by Peter T Young Leave a Comment

Pelekunu

“The glimpses of Molokai which one obtains from a steamer’s deck while passing to Honolulu from San Francisco or in passing to and from Maui (along its south shore,) give the impression that the island is bleak, mountainous and desolate.”

“Skirting its (north) shores on the Hālawa, Wailua and Pelekunu sides on Wilder’s fine steamer Likelike, gives a far different picture.  For miles sheer precipices rise from the sea and tower 1,500 feet into the air.”

“Now and then, and sometimes in groups, beautiful waterfalls are seen on the face of the cliff, now falling in clear view for a couple of hundred feet, now hidden under denses masses of foliage, only to reappear further down, another silvery link In the watery thread which ends In a splash and scintillating mist in the breakers below.”  (Hawaiian Gazette, March 31, 1905)

The large windward valleys – Pelekunu, Wailau and Halawa – and Papalaua, along with all of Kalaupapa comprise the old Hawaiian Koʻolau Moku (district) of Molokai.

Literally defined, the word Pelekunu means “smelly for lack of sunshine.” (Pukui)   Being that it is such a tall and narrow valley, the sun is out for only about seven hours a day. Short days, coupled with the windward tendency for rain, creates a generally damp condition in Pelekunu.

Marion Kelly gives an alternate possibility suggesting the name Pelekunu relates to Pele, the goddess of the volcano. The area is said to be sensitive to very light earthquakes that are felt by the folks in the area, thus the name, Pelekunu, “coughing” or “grumbling” Pele.

Archaeological evidence suggests this area of Molokai was traditionally the home of the majority of early Hawaiians. The water supply was ample; ʻauwai (irrigation ditches,) loʻi kalo (wetland taro ponds) and habitation sites were found here.

“Every possible square yard was utilized for growing taro as the patches go nearly to the beach and even up the small ravines which cut the sides of the valleys. … In the matter of food, the emphasis which has been placed upon taro should not obscure the importance of fish whether from deep water or from other places and of fruits and other plant products.”

“The depth of the sea off this region prohibited the development of fish-ponds … but fishing with hook and line or with nets found rich opportunities.”  (Phelps, NPS)

The “narrowness of the gulches and their steep slopes result in the patches being no more than 12-feet on a side and the down-slope retaining wall may have to be seven-feet high.  The stream flows on one side of the gulch and is tapped at the highest placed patch, the water running successively into the lower ones.” (Phelps (1937,) NPS)

Pelekunu is an unusual ahupua‘a for several reasons. Within the Pelekunu ahupua‘a are three lele (disconnected portions of associated land) that belong to ahupua‘a on the other side of the island in the Kona District. Another unusual feature is that the ahupua‘a of Kawela actually extends up and over the mountains at the back of Pelekunu and runs into the valley.

Additionally, the ahupua‘a of Pelekunu includes not only most of the valley itself (less the extension of Kawela at the back and the lele within), but also the land of Honokaʻupu to the west as well as the small valley of Waiahoʻokalo just beyond.  (Eminger/McElroy)

The windward valleys developed into areas of intensive irrigated taro cultivation and seasonal migrations took place to stock up on fish and precious salt for the rest of the year. Kalaupapa was well known for its bountiful ʻuala (sewwt potato) crops and its fine-grained, white salt which was preferred over that from the salt ponds of Kawela and Kaunakakai.  (Strazar)

Emory (1916) describes Pelekunu Valley as the “most densely populated area of the ahupuaʻa … where we found miles and miles of huge stone terraces, witnesses of a once thriving population that must have run into the thousands.”  Taro was grown on the flat land and in the steep ravines of the valley.  (NPS)

The earliest recorded population figures we have for Molokai are those of visiting missionaries in 1823. A loose estimate of three to four thousand inhabitants in 1823 was published by Claudius S. Stewart in 1830. The Reverend Harvey Rexford Hitchcock who established the first permanent Mission Station at Kaluaʻaha in 1832, gave a census figure of 6,000 for the island.  (Strazar)

These early counts were generally taken in the field by both native school teachers and missionaries. During this period, the Reverends Hitchcock and Smith preached once a week at seven different stations from Kamaloʻo to Hālawa, and in 1833 they estimated the population of the entire island to be about 3,300.  (Strazar)

During the years around 1854, taro was raised extensively in the windward valleys and shipped as far away as Maui. Everywhere the inhabitants (of Pelekunu) were busy making baskets of ki (ti) leaves …., which they used to pack and transport … the product of their oasis, taro reduced to paʻiʻai (dry poi.)  (Strazar)

In 1898, Johnny Wilson (later Mayor of Honolulu) looked into living in Pelekunu and farming there.  Wilson’s parents’ friends included John and Lydia Dominus (Queen Liliʻuokalani) and King Kalākaua.

“We had known Mr. Wilson quite well as a young man when he was courting his wife. My husband and myself had warmly favored his suit; and, with his wife, he naturally became a retainer of the household, and from time to time they took up their residence with us.”  (Liliʻuokalani)

During her imprisonment, Queen Liliʻuokalani was denied any visitors other than one lady in waiting (Mrs. Eveline Wilson – Johnny’s mother.)  Johnny would bring newspapers hidden in flowers from the Queen’s garden; reportedly, Liliʻuokalani’s famous song Kuʻu Pua I Paoakalani (written while imprisoned,) was dedicated to him (it speaks of the flowers at her Waikiki home, Paoakalani.)

Johnny Wilson brought his wife Jennie Kini Kapahu to Pelekunu to live in 1902. The entry in Johnny’s diary for Tuesday, April 8, 1902, reads, “Arrived Pelekunu & occupied Koehana’s house”   According to Bob Krauss, Kini was “one of Hawai‘i’s premier hula dancers” and not used to country life; the Hawaiians in the valley wondered how long Kini would stick it out.

In the beginning Johnny and Kini lived at the shore, but sometime after the 1903 tsunami Johnny built Kini a house farther back in the valley.  Later, Johnny bought Kini a piano, the only one in Pelekunu.  (Krauss)

Kini did stick it out for quite a while. She helped teach the children in Pelekunu and ran their taro operation while Johnny was away. Eventually, however, Kini did leave the valley; in the summer of 1914, Kini finally got tired of the rain. She staged a one-woman mutiny and moved to a drier place on Molokai at Kamalō, where Johnny had a cattle ranch.

Wilson tried to aid the small native Hawaiian farmers by arranging for a steamer schedule to remote taro- and rice-producing areas.   When his plans for a commercial line fell through Wilson convinced the federal administration to place a post office in Pelekunu, guaranteeing regular steamer visits to deliver the mail. (Cook)

However, when his wife left (she was postmistress,) no one filled the post and the post office closed.  The steamships tried to keep regular schedules to Pelekunu to support the valley’s residents.  However, they were not regular enough and eventually others abandoned Pelekunu valley, deeming it as too isolated to remain viable in a cash economy. (Cook)

(Johnny Wilson served three times as mayor of Honolulu: from 1920 to 1927, 1929 to 1931 and from 1946 to 1954.)

In 1986, The Nature Conservancy purchased nearly 5,800-acres of Pelekunu Valley from Molokai Ranch to create a preserve to protect its natural and cultural resources.  (It contains nearly all the native Hawaiian aquatic fish, crustacean and mollusk species; in addition, 27-rare plant, 5-endemic forest bird and 2-endemic land snail species have been reported in the area.)  (TNC)

The Pelekunu Preserve is managed in partnership with the State Department of Land & Natural Resources through the Natural Area Partnership Program; due to its remote, rugged location, Pelekunu Preserve is not open to the public.

Pelekunu Preserve is bordered by four other managed natural resource areas: state-owned Pu‘u Ali‘i and Oloku‘i Natural Reserve Areas (NARs), Kalaupapa National Historic Park and the Conservancy’s Kamakou Preserve.

It is a part of the East Molokai Watershed Partnership (EMoWP); (a public-private partnership that protects more than 30,000 acres of contiguous ecosystems that range from sea level to 4,970 feet in elevation.)

© 2023 Hoʻokuleana LLC