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December 20, 2012 by Peter T Young Leave a Comment

Puʻukoholā Heiau, Kawaihae, South Kohala, Hawaiʻi

One of the most famous heiau in Hawaiʻi is Puʻukoholā Heiau (“whale hill”,) a significant structure (224-feet by 100-feet) with walled ends, and open and terraced on the makai side – sitting above the Kohala shoreline.

In the 1780s, there were warring factions were fighting for control. The island of Hawaiʻi was in internal struggle when one of the aliʻi nui, Kalaniʻōpuʻu, died.

He passed his title to his son Kīwalaʻo and named his nephew, Kamehameha, keeper of the family war god, Kūkaʻilimoku.

Kīwalaʻo, the new ali‘I, then bestowed gifts of land to his uncle Keawemauhili, but left his own half-brother, Keōua Kuʻahuʻula, with nothing.

Kīwalaʻo was later killed in battle, setting off a power struggle between Keōua, Keawemauhili and Kamehameha. The 1782 Battle of Mokuʻōhai gave Kamehameha control of the West and North sides of the island of Hawaiʻi.

By 1790, the island of Hawaiʻi was under multiple rule; Kamehameha (ruler of Kohala, Kona and Hāmākua regions) successfully invaded Maui, Lānaʻi and Molokaʻi.

While on Molokaʻi, he sent an emissary to the famous kahuna (priest, soothsayer,) Kapoukahi, to determine how he could conquer all of the island of Hawaiʻi. Kapoukahi prophesized that war would end if Kamehameha constructed a heiau dedicated to the war god Kū at Puʻukohola.

Called back to Hawaiʻi by an invasion of Kohala by his cousin, Keōua (ruler of Kaʻū and part of Puna,) Kamehameha fought more battles without gaining a decisive victory.

One part of the legend stated that Kamehameha first intended to refurbish and rededicate Mailekini heiau, on the lower slope. But Kapoukahi, who had joined Kamehameha’s staff as royal architect, suggested that a new heiau on the summit would be more appropriate and provide greater benefits.

According to Thrum, Kapoukahi instructed Kamehameha “to build a large heiau for his god at Puʻukoholā, adjoining the old heiau of Mailekini.”

Thrum continues: “Of Mailekini heiau little of its history is learned, or what connection, if any, it had in its working with Puʻukoholā within two hundred feet above it. In early days it was said that traces of an underground passage existed, though it was difficult to tell whether or not the two temples were connected by it. … A tradition is current that this was the one that Kamehameha set out to rebuild that he might be successful in war, but on the advice of Kapoukahi he transferred his labors to the upper one of Puʻukoholā.”

According to Samuel Kamakau, Kamehameha “…summoned his counselors and younger brothers, chiefs of the family and chiefs of the guard, all the chiefs, lesser chiefs, and commoners of the whole district. Not one was allowed to be absent except the women. . . .The building of the heiau of Puʻu-koholā was, as in ancient times, directed by an expert … by a member of the class called hulihonua who knew the configuration of the earth (called kuhikuhi puʻuone) …”

“When it came to the building of Puʻu-koholā no one, not even a tabu chief, was excused from the work of carrying stone. Kamehameha himself labored with the rest. The only exception was the high tabu chief Ke-aliʻi-maikaʻi [Kamehameha’s younger brother]. …”

“Thus Kamehameha and the chiefs labored until the heiau was completed, with its fence of images (paehumu) and oracle tower (anuʻunuʻu), with all its walls outside and the hole for the bones of sacrifice. He brought down the ʻōhiʻa tree for the haku ʻōhiʻa and erected the shelter house (hale malu) of ʻōhiʻa wood for Kū-kaʻili-moku according to the rule laid down for the kahuna class of Pā‘ao.”

According to Historian Kuykendall, basing his information on Kamakau and Fornander, in 1790: “The building of this heiau was a great and arduous undertaking. Priests were everywhere about; they selected the site, determined the orientation, the dimensions, and the arrangement of the structure, and at every stage performed the ritualistic ceremonies without which the work could not be acceptable to the gods.”

Recalling the words of Kapoukahi, Puʻukoholā Heiau was being used by Kamehameha to secure unification of the Hawaiian Islands (at the same time that George Washington was serving as the US’s first president (1790.)

Many of the stones on Puʻukoholā Heiau are believed to have come from Pololu Valley. It is storied that Kamehameha and his men formed a human chain nearly 20 miles long and passed the stones one person to another all the way to the heiau site.

After completing the heiau in 1791, Kamehameha invited Keōua to come to Kawaihae to make peace. However, as Keōua was about to step ashore, he was attacked and killed by one of Kamehameha’s chiefs.

With Keōua dead, and his supporters captured or slain, Kamehameha became King of Hawaiʻi island, an event that according to prophesy eventually led to the conquest and consolidation of the islands under the rule of Kamehameha I.

In early 1795, Kamehameha took Maui, Lānaʻi, and Molokaʻi. With the conquest of Oʻahu that year, Kamehameha succeeded in bringing all the islands, but Kauaʻi, under his control. In 1810, Kaumualiʻi, that island’s paramount chief, acknowledged Kamehameha’s supremacy, completing the consolidation of the islands into the Kingdom of Hawai’i.

Puʻukoholā Heiau was designated as a Historical Landmark by the Hawaiian Territorial Government in 1928.

The Queen Emma Foundation donated 34 acres of land in 1972, encompassing Puʻukoholā Heiau and the John Young Homestead, making it possible for the establishment of Puʻukoholā Heiau National Historic Site.

Through an act of Congress on August 17, 1972, this site became one of the chosen few to be recognized as one of our nation’s crown jewels and national treasures, to be preserved and protected for future generations.

The image shows Puʻukoholā Heiau in 1890; in addition, I have added some other images in a folder of like name in the Photos section on my Facebook and Google+ pages.

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November 19, 2012 by Peter T Young Leave a Comment

Kakaʻako

Between approximately 20,000 and 5,000 years ago, water previously locked in glacial ice returned to the world’s oceans, and the sea-level rose over 300-feet to approximately its current level.

Rising sea levels flooded the previously dry, earlier reef deposits, which had formed hundreds of thousands of years previously when sea level was comparable to modern levels.

During this high stand, there appears to have been an increase in coral reef growth. The coastal area expanded seaward with marine sediments. The great shoreline sand berms must have developed around the islands at this time because this was when calcareous sand was being produced and delivered to the shorelines in large quantities. (Hammatt)

The current urban district we now call Kakaʻako is significantly larger than the traditional area of the same name, which is described in mid-19th century documents and maps as a small ‘ili (traditional land unit – portion of ahupuaʻa.)

The undeveloped natural condition of the area consisted of low-lying marshes, tidal flats, fishponds and reef areas. Beginning in the late-nineteenth century, these low-lying areas were filled in and then developed, which permanently changed the area into its present fully-urbanized character.

Kaka‘ako is mentioned in Thrum’s version of the legend of Kūʻula, the god presiding over the fish, and his son ʻAiʻai, who was the first to teach the Hawaiians how to make various fishing lines and nets, the first to set up a ko‘a kūʻula (a rock shrine on which the fishermen would place their first catch as an offering to Kūʻula) and the first to set up koʻa ia (fishing stations where certain fish were known to gather.)

Leaving his birthplace in Maui, ʻAiʻai traveled around the islands, establishing koʻa kūʻula and ko‘a ia; on O‘ahu, he landed first at Keana Point, and then traveled around the island.

This story mentions several place names near the Kaka‘ako area, including the Kuloloia shore, Pākākā (an ‘ili or heiau at Honolulu Harbor) and Kapapoko, an eating house near the harbor used by Ka‘ahumanu, wife of Kamehameha I. (‘Ī‘ī)

In addition to Kakaʻako, the modern reference to the area also includes lands once known as Ka‘ākaukukui, Kukuluāe‘o and Kewalo, and possibly smaller portions of other ‘ili.

Ka‘ākaukukui means “the right (or north) light,” and it may have previously been a maritime navigation landmark. Pukui describes Ka‘ākaukukui as a “[f]illed-in reef.”

According to Kekahuna, Ka‘ākaukukui was “a beautiful sand beach that formerly extended along Ala Moana Park to Kewalo Basin, a quarter mile long reef extended along the shore” (from Punchbowl to Cooke Street.)

Kukuluāe‘o, translates literally as the “Hawaiian stilt (bird)”, “to walk on stilts.” Pukui describes the area as “formerly fronting Ke-walo Basin” and “containing marshes, salt ponds, and small fishponds,” an environment well suited for this type of bird. Henry Kekahuna described it as an area where salt was formerly made.

Kewalo literally means “the calling (as an echo)” – it is the area between Cooke and Sheridan Streets. According to Pukui, “outcasts (kauwā) intended for sacrifice were drowned here”. Kekahuna said that at one time, it also had a sand beach as a part of the area, where various sports, such as surfing, were held.

Kewalo once had a freshwater spring in the central portion (current location unknown), as recorded in the proverb “Ka wai huahua‘i o Kewalo,” which translates as “The bubbling water of Kewalo.”

In traditional times, the area was characterized by fishponds, salt ponds, trails connecting Honolulu (Kou) and Waikīkī, and occasional taro lo‘i.

The area was traditionally noted for their fishponds and salt pans, for the marsh lands where pili grass and other plants could be collected, for ceremonial sites such as Puʻukea Heiau, Kewalo Spring and Kawailumalumai Pond at which sacrifices were made, and for their trails that allowed transport between the more populated areas of Waikīkī and Honolulu.

Important chiefs such as Huanui-ka-la-la‘ila‘i were born in the area and conducted religious rites, and commoners traveled to the area to procure food and other resources; some commoners probably also lived in the area, possibly adjacent to the ponds and the trails.

Kakaʻako is also associated with legendary accounts of the Waters of Haʻo, Kapoi and the heiau, and the legend of Hiʻiaka and more.

In 1911, it was estimated that about one-third of the coastal plain at Kakaʻako was a wetland. Hawaiians used the lagoonal/estuary environment of the Honolulu plain to construct fishponds.

In the post-Western Contact period, when the fishponds were no longer used, they were more often than not filled with material dredged from the ocean or hauled from nearby areas, garbage and general material from other sources. These reclaimed areas provided valuable new land near the heart of growing urban Honolulu.

Shortly after the turn of the century, Kakaʻako was a community of small stores, churches, schools, parks and clusters of residences in ethnic “camps” or neighborhoods. It has undergone lots of changes over the past century.

As late as 1940, Kaka‘ako’s population numbered more than 5,000 residents. But after World War II, community buildings, wood-frame camp houses, language schools, temples and churches were removed to make way for auto-body repair shops, warehouses and other small industrial businesses.

Few traces of its former residential existence remain. In the early 1950s, rezoning led to the conversion of the primarily residential and small business district into an urban industrial area.

Decades after the transition from residential to industrial, Kaka‘ako is now slated for redevelopment. Plans call for the re-establishment of a mixed residential and business community – although recent development and present plans include several high-rise developments.

It looks like the residential use is destined to return. As noted in a recent Star-Advertiser piece, resident growth in Kakaʻako is expected to more than triple, from 10,400 to 37,300, by 2035; the prediction was based on “the general consensus that Kakaʻako is ripe for development.”

Lots of information here is from reports from Cultural Surveys. The image shows an illustration of the region in 1854.

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November 16, 2012 by Peter T Young Leave a Comment

King Kalākaua

David Laʻamea Kamanakapuʻu Mahinulani Nalaiaehuokalani Lumialani Kalākaua was born in Honolulu to High Chief Kahana Kapaʻakea and the High Chiefess Analea Keohokālole, on November 16, 1836.

Per the custom of the times, he was hānai (adopted) by the chiefess Haʻaheo Kaniu, who took him to Maui, where the court of King Kamehameha III was located. When Kalākaua was four, he returned to Oʻahu to begin his education at the Royal School.

There, he became fluent in English and the Hawaiian language. At 16, he began studying law (although his obligations and positions he held prevented him from fully completing his legal training.)

By 1856, Kalākaua was on the staff of King Kamehameha IV. In addition to his military duties, Kalākaua served in the Department of the Interior; in 1863, he was appointed postmaster general.

In December 1872, King Kamehameha V died without designating an heir and per the law, an election was held to determine his successor. Kalākaua made his first bid for Hawaiʻi’s throne in 1873.

The kingdom’s Constitution stated if the monarch dies before naming a successor “such vacancy, shall cause a meeting of the Legislative Assembly, who shall elect by ballot some native Alii of the Kingdom as Successor”.

They were presented with two choices: Kalākaua, who ran on a campaign slogan of “Hawaii for Hawaiians” and William C. Lunalilo.

Lunalilo won; but he died a year later, leaving no successor. On February 12, 1874, nine days after the passing of King Lunalilo, an election was held between the repeat candidate David Kalākaua and Queen Emma – widow of King Kamehameha IV. Kalākaua won.

The triumphant Kalākaua toured the islands, stopping in every district to affirm his primary goals. “To the planters, he affirmed that his primary goal was the advance of commerce and agriculture, and that he was about to go in person to the United States to push for a reciprocity treaty. To his own people, he promised renewal of Hawaiian culture and the restoration of their franchise.” (Tabrah)

The Treaty of Reciprocity-1875 between the US and the Kingdom of Hawai‘i eliminated the major trade barrier to Hawai‘i’s closest and major market. Through the treaty, the US gained Pearl Harbor and Hawai‘i’s sugar (and other) planters received duty-free entry into US markets.

Under Kalākaua’s direction, the cornerstone for ʻIolani Palace was laid on December 31, 1879. Construction was completed in 1882; in December of that year Kalākaua moved into his palace with his wife, Queen Kapi’olani, the granddaughter of King Kaumuali’i of Kauaʻi.

Kalākaua was the first Hawaiʻi sovereign to visit the United States, as well as circumnavigate the globe (he did that twice.) His travels were to study the matter of immigration and to improve foreign relations. He also wanted to study how other rulers ruled.

He sought closer ties with Japan, and in 1883, Kapena (selected for the diplomatic mission to Japan) delivered a speech in Tokyo in which he declared that “His Majesty [Kalākaua] believes that the Japanese and Hawaiian spring from one cognate race and this enhances his love for you.” (Kuykendall)

” … Hawaii holds out her loving hand and heart to Japan and desires that your people may come and cast in their lots with ours and repeople our Island Home with a race which may blend with ours and produce a new and vigorous nation.” (Kuykendall)

Kalākaua had a passion for music, dancing, parties and the finest food and drinks and he lived up to the title of Merrie Monarch (a reference some suggest is linked to the nickname given to Charles II of England, who ruled (and partied) in the mid-1600s.)

His friend, Robert Louis Stevenson described Kalākaua as “a cultured intellectual of unusual mental powers.” A poet and lyricist, athlete and consummate politician, he was responsible for initiating the resurgence of Hawaiian cultural arts, particularly hula.

Kalākaua was a staunch supporter of native Hawaiian civil rights. In part, this led to a rebellion in 1887 forcing him to sign a new constitution relinquishing his powers as head of state and relegated him to a figurehead; it also imposed a fairly high property ownership qualification on those running for the new legislature. This new constitution became known as the Bayonet Constitution.

Two years later, Kalākaua retired to Waikīkī. His health began to fail by 1890 and under the advice of his physician he traveled to San Francisco, where he was given a warm welcome. “A title was a title, and (the Americans) enjoyed him as a personality.” (Tabrah))

He died on January 20, 1891, at the age 54, at the Palace Hotel in San Francisco. Kalākaua, Hawaiʻi’s last King, is said to have uttered his last words: “Tell my people I tried.”

Because he and his wife Queen Kapiʻolani did not have any children, his sister, Liliʻuokalani succeeded him to the Hawaiian throne. (Kalākaua was known as a Renaissance Man and into technology – those are the subjects of future stories.) I have added other images of Kalākaua in a folder of like name in the Photos section on my Facebook page.

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November 10, 2012 by Peter T Young 1 Comment

Liliʻuokalani

She was born Lydia Liliʻu Loloku Walania Wewehi Kamakaʻeha to High Chiefess Analeʻa Keohokālole and High Chief Caesar Kaluaiku Kapaʻakea on September 2, 1838.

At that time, children often were named in commemoration of an event. Kuhina Nui Kīnaʻu had developed an eye infection at the time of Liliʻu’s birth. She gave the child the names Liliʻu (smarting,) Loloku (tearful,) Walania (a burning pain) and Kamakaʻeha (sore eyes.)

In her youth she was called “Lydia” or “Liliʻu.” (She was also known as Lydia Kamakaʻeha Pākī, with the chosen royal name of Liliʻuokalani, and her married name was Lydia K. Dominis.) As was the custom, she was hānai (adopted) to Abner Pākī and his wife Laura Kōnia.

The Pākīs reared her with their birth daughter, Bernice Pauahi. The two girls developed a close, loving relationship. They attended the Chief’s Children’s School (Royal School,) a boarding school, together, and were known for their studious demeanor. Liliʻu’s brother, David Kalākaua, also was among the royal students educated there.

There Liliʻu learned and became fluent in English and studied music and the arts. (Her talent for music blossomed and she eventually wrote more than 150 songs including, “Aloha Oe.”)

At 24, on September 16, 1862, Liliʻu married John O. Dominis. Dominis’ father, a ship’s captain, had built a New England style home, named Washington Place, for his family. They lived with his widowed mother. The home later served as the former official residence of Hawai‘i’s Governor and today serves as a museum.

On February 12, 1874, nine days after the passing of King Lunalilo, an election was held between the repeat candidate David Kalākaua (her brother) and Queen Emma – widow of King Kamehameha IV. Kalākaua won.

At noon of the tenth day of April, 1877, the booming of the cannon was heard which announced that King Kalākaua had named Liliʻuokalani as heir apparent to the throne of Hawaiʻi. Liliʻu’s brother changed her name when he named her Crown Princess, calling her Liliʻuokalani, “the smarting of the royal one”.

From this point on she was referred to as Crown Princess with the name Liliʻuokalani. One of her first acts as Crown Princess was to tour the island of Oʻahu with her husband, sister and brother-in-law.

King Kalākaua died on January 20, 1891; because he and his wife Queen Kapiʻolani did not have any children, his sister, Liliʻuokalani succeeded him to the Hawaiian throne.

Kalākaua had been a staunch supporter of native Hawaiian civil rights. In part, this led to a rebellion in 1887 forcing him to sign a new constitution relinquishing his powers as head of state and relegated him to a figurehead.

Queen Lili‘uokalani sought to amend the constitution to restore some of the power lost during the reign of her brother. Local sugar planters and businessmen feared a loss of revenue and influence and instigated an overthrow.

On the afternoon of January 16, 1893, 162 sailors and Marines aboard the USS Boston in Honolulu Harbor came ashore under orders of neutrality.

To avoid bloodshed, the Queen yielded her throne on January 17, 1893 and temporarily relinquished her throne to “the superior military forces of the United States”. A provisional government was established.

The Queen issued a statement yielding her authority to the United States Government rather than to the Provisional Government:
“I Liliuokalani, by the Grace of God and under the Constitution of the Hawaiian Kingdom, Queen, do hereby solemnly protest against any and all acts done against myself and the Constitutional Government of the Hawaiian Kingdom by certain persons claiming to have established a Provisional Government of and for this Kingdom.”

“That I yield to the superior force of the United States of America whose Minister Plenipotentiary, His Excellency John L. Stevens, has caused United States troops to be landed a Honolulu and declared that he would support the Provisional Government.”

“Now to avoid any collision of armed forces, and perhaps the loss of life, I do this under protest and impelled by said force yield my authority until such time as the Government of the United States shall, upon facts being presented to it, undo the action of its representatives and reinstate me in the authority which I claim as the Constitutional Sovereign of the Hawaiian Islands.”

In 1895, Lili‘uokalani was imprisoned for eight months in ʻIolani Palace for her alleged knowledge of a counterrevolutionary attempt by her supporters.

On May 18, 1896, at 6:30 am, Lili‘uokalani was baptized and confirmed by Bishop Willis into the Episcopal Church, although she had been a long-time member of Kawaiahaʻo Church.

In her Deed of Trust dated December 2, 1909, which was later amended in 1911, Liliʻuokalani entrusted her estate to provide for orphan and destitute children in the Hawaiian Islands, with preference for Hawaiian children. Her legacy is perpetuated through the Queen Liliʻuokalani Children’s Center.

Queen Lili‘uokalani died at Washington Place on November 11, 1917, at the age of 79. After a state funeral, her remains were placed in the Royal Mausoleum at Mauna ʻAla.

The image shows Queen Liliʻuokalani in 1891. I have added other related images in a folder of like name in the Photos section on my Facebook page.

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September 27, 2012 by Peter T Young Leave a Comment

Kāneʻohe Bay Airshow – 2012

The Kāneʻohe Bay Airshow at Marine Corps Base Hawaiʻi will take place on September 29-30, 2012 and is free to the public.

Performances in the Air

US Navy Blue Angels

At the end of World War II, the Chief of Naval Operations, Chester W. Nimitz, ordered the formation of a flight demonstration team to keep the public interested in naval Aviation. The Blue Angels performed their first flight demonstration less than a year later in June 1946 at their home base, Naval Air Station (NAS) Jacksonville, Florida.

By the end of the 1940s, the Blue Angels were flying their jet aircraft, the Grumman F9F-2 Panther. In response to the demands placed on Naval Aviation in the Korean Conflict, the team reported to the aircraft carrier USS Princeton as the nucleus of Fighter Squadron 191 (VF-191), “Satan’s Kittens,” in 1950. Today the Blue Angels fly the Boeing F/A-18 Hornet.

Fat Albert

Transporting Blue Angels maintenance and support personnel, communication equipment and spare parts is a United States Marine Corps C-130T Hercules nicknamed, “Fat Albert Airlines.” In past Kaneohe Bay Airshows, Fat Albert has demonstrated its jet-assisted takeoff (JATO) capability which enables the plane to takeoff from as little as 1,500 feet of runway, climb at a steep 45-degree angle, and attain an altitude of 1,000 feet within 15 seconds.

Chuck Aaron

“Malibu” Chuck Aaron is the first and only civilian pilot ever to be licensed to perform helicopter aerobatics in the United States. In fact, he’s one of only a handful of pilots permitted to execute the dangerous maneuvers internationally. Chuck is also the first helicopter pilot to be presented with the Art Scholl Showmanship Award, an honor bestowed by the International Council of Air Shows to recognize the world’s most outstanding air show performers, and was inducted in 2011 to the prestigious Society of Experimental Test Pilots.

Kirby Chambliss

Kirby Chambliss is noted as one of the best aerobatic pilots in the world. A five-time winner of the U.S. National Aerobatic Championship and a former Men’s Freestyle World Champion, he’s also fast, world-class fast. Kirby is one of only two American pilots ever to win the Red Bull Air Race World Championship, an international series in which pilots push the envelope by executing aerobatic maneuvers with absolute precision while racing against the clock.

Mike Wiskus

Like many of the show pilots, Mike’s passion for aviation started when he was very young. Mike’s Dad took him to his first air show at their hometown in Iowa at the age of 10. Thirty two years later, Mike has accumulated more than 24,000 flight hours and has qualified in more than 40 aircraft. Mike keeps a very busy schedule flying for Corporate America as well as keeping a full time air show schedule from April through November.

Hank Bruckner

Hank Bruckner was always captivated by aircraft and flying. He became a flight instructor shortly before retiring from the Air Force in 1990, and began instructing, eventually starting his own flight school—Kaimana Aviation—where he currently teaches aerobatics, unusual altitude recoveries, spins and tailwheel transition training.

Clint Churchill

Clint’s flying career began 45 years ago while attending college at the University of Arizona. Upon graduating, Clint joined the Tucson Air National Guard. Two years later he completed USAF pilot training as a Distinguished Graduate. “Sensing the need to keep pulling some Gs,” as Clint puts it, he founded Acroflight, Inc. in 1996 and acquired an Extra 300L which he named Onipa’a (strong, steadfast). Clint has provided aerobatic rides to more than 500 customers and performed 24 air shows at various locations in Hawai’i. He has 4,200 flight hours, including 1,100 hours in the Extra.

Alan Miller

The son of a career Navy man, Alan Miller’s life-long passion for aviation began while growing up aboard Barbers Point Naval Air Station in Hawaiʻi. After two years of anticipation and preparation, Alan and his and crew are pleased to bring his uniquely “local style” two-part performance to Oahu for the very first time during the Kaneohe Bay Airshow in 2012.

Jacquie B

When most people turn 50, they figure it’s time to relax and settle into neutral while coasting toward retirement. Not Jacquie B! When Jacquie turned 50, she launched her solo aerobatic career with her one-of-a-kind Pitts Special biplane. Nearly ten years later, Jacquie B is still in this game, and her list of performance dates is growing. Moreover, Jacquie is a powerful inspiration to her two million fans who realize that they, too, can accomplish great things later in life.

Leap Frogs

The U.S. Navy Parachute Team, “Leap Frogs” will be free falling out of an aircraft 12,500 feet from the ground. When free falling, jumpers reach speeds of 180 miles per hour as their body straightens, similar to luge racers. Be on the lookout for the following formations: downplanes, sideplanes, dragplanes, diamonds, big stacks, tri-by-sides, and T formations.

The Flying Leathernecks

The Flying Leathernecks are a group of skydivers who share the passion for jumping. Their 10,000-ft. jump will be a patriotic exhibit including a large American flag, smoke trailers and starburst effects.

Flash Fire Jet Truck

Check out the action as the fire-breathing Flash Fire Jet Truck hits the runway in competition with planes overhead. Will it be wings or wheels that finish first? This act is sure to be a crowd pleaser for all ages, mixing all the fun and entertaining elements of a family friendly circus with a combination of extreme speed and high intensity, fire breathing excitement!

Action on the ground:

Marine Air-Ground Task Force Demonstration

Military Static Displays – Military vehicles and iarcraft

Taste of Oahu Food Booths

Xtreme Fun Children’s Carnival Rides

At ALL entry points to the air show flight line, ALL bags will be quickly inspected, and all individuals are subject to search prior to entering the air show flight line.

Please note that large bags and/or backpacks, ice chests and coolers will not be permitted. Small bags, such as purses, fanny packs, and diaper bags (8 1/2 x 11) will be permitted. It is recommended that spectators minimize the number and size of permitted items to reduce the inspection time prior to access into the flight line area.

There will be two entrance lines at each gate. One will be for people carrying bags, or other items to be inspected, and one for those with no inspection items.

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