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Waikīkī – Kauhale O Hoʻokipa

We are happy to announce that Native Hawaiian Hospitality Association (NaHHA,) serving as the sponsor for the Waikīkī – Kauhale O Hoʻokipa Scenic Byway, has retained Hoʻokuleana LLC to assist in the application, designation and planning processes for the Byway through the Hawaiʻi Scenic Byway Program.

The Hawaiʻi Scenic Byways Program is designed to complement the National Scenic Byways Program, a nationwide effort to identify, promote, manage and invest in roadways that are the most significant in their region with regard to these scenic, historic, recreational, cultural, archeological and natural qualities.

The purpose of the Hawai`i Scenic Byways Program is to formally designate Hawaiʻi Scenic Byways and to establish and implement Corridor Management Plans (CMPs) for our corridors.

The Hawaii Scenic Byways Program identifies and recognizes:
• roads that “tell a story” that is special;
• roads with outstanding scenic, cultural, recreational, archaeological, natural and historic qualities; and
• roads that will benefit from a coordinated strategy for tourism and economic development

First, the name – it is not only descriptive of the meaning and feeling of Waikīkī as we know it today, it is also a metaphor of Waikīkī in traditional (ancient Hawaiian) times, at multiple levels.

In ancient times, a ‘kauhale’ was a cluster of structures [a living compound.]  The traditional Hawaiian home was the kauhale (Lit., plural house;) this was a group of structures forming the homestead – with each building serving a specific purpose.

Literally, ‘Waikīkī – Kauhale O Hoʻokipa’ translates to ‘Waikīkī – Home of Hospitality.’  But, this context of “Home” can expand and also represent the community of Waikīkī.

Starting with Māʻilikūkahi, who ruled in the 1400-1500s (at about the same time Christopher Columbus crossed the Atlantic,) Waikīkī became the Royal Center for Oʻahu’s ruling Aliʻi.  It remained as such, through Kamehameha I.

The Royal Centers were areas selected by the Ali‘i for their residences and Ali‘i often moved between several residences throughout the year.  The Royal Centers were selected for their abundance of resources (water, fishing, fertile land, etc) and recreation opportunities, with good surfing and canoe-landing sites being favored.

The Scenic Byways program serves to identify “Intrinsic Qualities” along the corridor; these include Scenic, Natural, Historic, Cultural, Archaeological and Recreational.

These intrinsic qualities break into two clusters:
“Land” (Scenic, Natural and Recreational,) and
“People” (Historic, Cultural and Archaeological)

Sites and Stories of Waikīkī, as illustrated through its Intrinsic Qualities, help tell the stories of the Land (‘Āina) and its People from the earliest beginnings of Hawai‘i to today.  Waikīkī – Kauhale O Hoʻokipa will be incorporating several core story themes:
• Royal Residences
• Visitor Industry
• Military
• Natural/Geologic
• Socio-Economic-Political
• Side Trips

Although many of the sites and structures of Waikīkī from the ancient times are long gone, many of these pre-contact Hawaiian places, environment, people, history and culture still convey the sense of earlier importance through continued use of original place names for areas, streets, surf sites, symbols, etc and other references to these people, places and times.  Though gone, they are not forgotten and continue to express the ways of the past.

Through the telling of stories of Waikīkī (and a goal of the establishment of a Scenic Byway (and dream of NaHHA founder, George Kanahele,)) we help to restore Hawaiianness to Waikīkī in a positive, productive and respectful way.

The sense of place of Waikīkī lies within these stories, under the overarching contexts of “Aloha” and “Hoʻokipa” (Hospitality.)

“Waikīkī’s significance is as a place of history, not destination.” (George Kanahele)  Restoring some of Waikīkī’s historical and cultural integrity through Waikīkī – Kauhale O Hoʻokipa Scenic Byway will help to illustrate “I ka wā mamua, ka wā mahope” (The future is in the past.)

This is our third Scenic Byway opportunity.  We also assisted the Kona Sponsor of “Royal Footsteps Along the Kona Coast” with their Corridor Management Plan (the first approved in the State,) as well as helping the Kōloa Sponsor of Holo Holo Kōloa Scenic Byway with their permits and CMP.

In addition to each of those receiving Historic Preservation Commendations from Historic Hawaiʻi Foundation, the Kona project also received the Environment/Preservation Award from the American Planning Association-Hawaiʻi Chapter and the Pualu Award for Culture & History from the Kona-Kohala Chamber of Commerce.

For more information on this project, you can click the following link for a background summary of Waikīkī,  the Scenic Byway Program and the many stories that are told along its roadways.

Click here for more information on the Waikīkī – Kauhale O Hoʻokipa

The image shows our theme image, theme statement and mission/vision – ultimately, we see this Scenic Byway helping to “Restore Hawaiianness to Waikīkī.”

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Keʻelikōlani – Princess Ruth

A great-granddaughter of Kamehameha, a grand-niece to Kamehameha II and III, and a half-sister of Kamehameha IV and V, Ruth Keʻelikōlani was born in Pohukaina, O‘ahu on February 9, 1826.

Ruth’s heritage was controversial.  She was the poʻolua (“two heads”) child of Kāhalaiʻa and Kekūanāoʻa.  (Johnson)

Her mother, Pauahi, was said to be carrying the child of Kāhalaiʻa when she married Kekūanāoʻa. Kekūanāoʻa claimed Keʻelikōlani as his own in court, and the matter was officially settled, though it would be debated again in later years, even by her own half-brother, Lot.  (Nogelmeier)

After Pauahi’s death, Kekūanāoʻa married Kīna‘u, and they became the parents of Lot Kapuāiwa, Alexander Liholiho, and Victoria Kamāmalu, making Keʻelikōlani a half-sister to these three.

Her mother, Pauahi, died while giving birth to Keʻelikōlani, who was then cared for by Kamehameha’s wife, Ka‘ahumanu, who herself died six years later. The Princess was then sent to live with her father, Kekūanāoʻa, and her stepmother, Kīnaʻu.

At the age of sixteen, Keʻelikōlani married William Pitt Leleiōhoku. While serving as governor of Hawai‘i Island, Leleiōhoku died, only twenty-two years old. They had two children, only one of whom – William Pitt Kīnaʻu – survived childhood. Tragically, he died at the age of seventeen in an accident on Hawai‘i.

Keʻelikōlani’s second husband was the part-Hawaiian Isaac Young Davis, grandson of Isaac Davis (a Welsh advisor to King Kamehameha I.)

In 1862, they had a son, Keolaokalani (‘The Life of the Heavenly One.’)  (No one knew then that Keolaokalani would be the last baby born into the Kamehameha line.)  Keʻelikōlani gave him as a hānai to Bernice Pauahi.

Lot (Kamehameha V,) forced Ruth to renounce all ties with Keolaokalani as her heir. (But six months was all the time Pauahi would have with her son. He died on August 29, 1862.)

Then Lot insisted that she adopt William Pitt Leleiōhoku II, King Kalākaua’s youngest brother and heir apparent.    She did; however, Leleiōhoku predeceased Ruth.

Determined to uphold the honor of her ancestors, she retained many traditional religious practices. Although she learned English among other subjects at the missionary-run Chief’s Children’s School, she was a staunch supporter of the Hawaiian language and traditional cultural practices.

Able to speak and write English, she chose not to. Trained in the Christian religion, she held fast to practices and beliefs that were considered pagan, including her patronage of chanters and hula dancers.  (Nogelmeier)

When Madame Pele threatened the town of Hilo with a lava flow in 1881, the people asked Keʻelikōlani to intercede. The Hawaiian-language newspaper Ko Hawai‘i Pae Aina published a letter with the heading “Ka Pele ai Honua ma Hilo” (Pele, devourer of land at Hilo) that describes the immediate danger, “Hapalua Mile ka Mamao mai ke Koana aku” (the distance from town being only one half mile). Ke‘elikōlani offered traditional oli (chants) and hoʻokupu (tribute) to Pele and later reportedly camped at the foot of the flow. The flow stopped just short of town.  (Bishop Museum)

She was a member of the Privy Council (1847,) the House of Nobles (1855-1857) and served as Governor of the island of Hawaiʻi (1855-1874.)

She was godmother to Princess Kaʻiulani. At Kaʻiulani’s baptism, Ruth gifted 10-acres of her land in Waikīkī where Kaʻiulani’s father Archibald Cleghorn built the ʻĀinahau Estate.

Keʻelikōlani was respected as one of considerable rank, and as time passed, she was said to be “Ka Pua Alii Kiekie pili ponoi o ko Kamehameha Hale – the highest-ranking descendant of Kamehameha’s line … ke Alii kahiko aku i ko na Alii e ae a pau – the chiefess with the most historic lineage of all”.  (Ka Nupepa Kuokoa, 1883 – Nogelmeier)

Throughout her life she was regularly addressed by all as Ka Mea Kiʻekiʻe – Highness. Foreigners knew her as “Princess Ruth.”

By the time King Kalākaua was elected, Keʻelikōlani was the richest woman in the kingdom, having inherited the estates of her parents and siblings.

Despite owning Huliheʻe Palace, a Western-style house in Kailua-Kona, she chose to live in a large, traditional grass home on the grounds of that oceanfront property.

She later chose to build Keōua Hale, a large, ornate mansion on her land in Honolulu.  Keōua Hale was a Victorian-style mansion, and the most expansive residence of the time; it was larger than ʻIolani Palace.

The house was completed in 1883; however, Princess Ruth Keʻelikōlani never lived in the palace. She became ill immediately after the house warming and birthday luau.

Her doctors recommended that she return to Huliheʻe, her Kailua-Kona residence, where they believed she would more quickly regain her health.  She died in 1883 at Haleʻōlelo at her large native-style home (thatch house) on the grounds of Huliheʻe Palace in Kailua, Hawaiʻi.

At her death, Keʻelikōlani’s will stated that she “give and bequeath forever to my beloved younger sister (cousin), Bernice Pauahi Bishop, all of my property, the real property and personal property from Hawaiʻi to Kauaʻi, all of said property to be hers.” (about 353,000 acres)

This established the land-base endowment for Pauahi’s subsequent formation of Kamehameha Schools at her death.  Princess Bernice Pauahi Bishop passed away a year later.

The image shows Keʻelikōlani in 1877; in addition, I have added related images in a folder of like name in the Photos section on my Facebook and Google+ pages.

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Na Pōhaku Ola Kapaemahu A Kapuni – The Healing (Wizard) Stones of Kapaemahu

Pōhaku or stones are believed to hold mana or spiritual power. Pōhaku are featured in shrines as manifestations of ʻaumakua (family guardians,) akua (deities) and ʻuhane (spirits.) Throughout the islands are famous and named pōhaku which figure prominently in healing and health.

At Waikīkī, Oʻahu on Kūhiō Beach Hawaiian legend says Na Pōhaku Ola Kapaemahu A Kapuni were placed here in tribute to four soothsayers, Kapaemahu, Kahaloa, Kapuni and Kinohi, who came from Tahiti to Hawaiʻi (long before the reign of Oʻahu’s chief Kakuhihewa in the 16th century.)

Kapaemahu was the leader of the four and honored for his ability to cast aside carnality and care for both men and women. Kapuni was said to envelop his patients with his mana. While Kinohi was the clairvoyant diagnostician, Kahaloa— whose name means “long breath”—was said to be able to breathe life into her patients.

The art of healing they practiced is known in the Islands as la‘au lapa‘au. In this practice, plants and animals from the land and sea, which are known to have healing properties, are combined with great wisdom to treat the ailing.

They gained fame and popularity because they were able to cure the sick by laying their hands upon them. Before they returned to Tahiti, they asked the people to erect four large pōhaku as a permanent reminder of their visit and the cures they had accomplished.

Legend says that these stones were brought into Waikīkī from Waiʻalae Avenue in Kaimuki, nearly two miles away. Waikīkī was a marshland devoid of any large stones. These stones are basaltic, the same type of stone found in Kaimukī.

On the night of Kāne (the night that the moon rises at dawn,) the people began to move the rocks from Kaimukī to Kūhiō Beach.  During a month-long ceremony, the healers are said to have transferred their names — Kapaemahu, Kahaloa, Kapuni and Kinohi — and or spiritual power, to the stones.

One of the pōhaku used to rest where the surf would roll onto the beach known to surfers as “Baby Queens”, the second pōhaku would be found on the ʻEwa side of ʻApuakehau Stream (site of Royal Hawaiian Hotel), and the last two pōhaku once sat above the water line fronting Ulukou (near the site of the present Moana Hotel.)

It was not until the first decade of the 1900s that Gov. Archibald Cleghorn discovered two stones on his property and two on an adjacent property.

Recognizing their significance, Cleghorn had them excavated and placed together on his estate with the stipulation that they should not be moved.

However, in 1941, the estate land was leased out for the building of a bowling alley.   Upon the bowling alley’s demolition, in 1958, the stones were identified and repaired.  (They were used in the building’s foundation.)

Then, in 1963, they were relocated to Kūhiō Beach.  In 1980, the stones were moved again, approximately 50 feet mauka (toward the mountains) from their 1963 location.

Finally, in 1997, action began to create a permanent and more appropriate home for the stones.  Cultural historian and great-great-grandson of Archibald Cleghorn, Manu Boyd, reportedly said, “The value and meaning of the stones had faded over time with the changing values and mores of the day. Then, their importance was remembered and embraced by people who wanted to restore them.”

For years, committed individuals collaborated on plans to create a wahi pana (sacred place) where Na Pohaku could be honored and protected.  This wahi pana (or legendary site) was restored with the Assistance of Papa Henry Auwae and the Queen Emma Foundation 1997.

In addition to the many involved with the restoration, a delegation from Tahiti was present for the final ceremonies. These individuals blessed the stones with wild basil, traditionally used for cleansing, and presented a small stone from Tahiti named Ta‘ahu ea as a ho‘okupu (offering). That stone is now set on top of the altar in front of Na Pohaku.

Following the direction of Papa Auwae, four plants with medicinal value were added to the site—ma‘o (Hawaiian cotton), ‘ohe (bamboo), makahala (wild tobacco) and naupaka kahakai (beach naupaka).

The group Na Haumana La‘au Lapa‘au O Papa Auwae is the adoptive caretaker of Na Pōhaku. Babette Galang, who studied la‘au lapa‘au under Auwae, explained, “We were advised by Papa Auwae before his passing that we were to malama [take care of] the site.”

The image shows Na Pōhaku Ola Kapaemahu A Kapuni.  Lots of information here from Karyl Reynolds.  In addition, I have included other images in a folder of like name in the Photos section on my Facebook and Google+ pages.

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Historic Downtown Honolulu – HHF

Historic Hawaii Foundation has developed a map and self-guided walking tour documenting twenty-five historic sites along a 3-mile route in historic Downtown Honolulu.

1 – Hawai‘i State Capitol (1969)
Hawaii’s State Capitol building houses the offices of the Governor and Lieutenant Governor, offices of state legislators, and the chambers of the state House and Senate. The Capitol was constructed at the direction of Governor John A. Burns and designed by the firms of Belt, Lemmon & Lo of Honolulu, John Carl Warnecke & Associates and Architects Hawai‘i. The building opened in 1969.  Like the Hawaiian Islands, the Capitol is surrounded by water, and the outer columns that rise from the reflecting pools represent Hawaii’s palm trees.

2 – Board of Water Supply Building (1959)
The BWS building was completed in 1959 and was designed by famous architect Hart Wood in a local Hawaiian Style that combined elements of Asian and American influences. The entire building is constructed of reinforced concrete and the exterior was designed by renowned landscape architect Catherine Jones Thompson.

3 – Advertiser Building (1929)
The neo-Renaissance designed building by famed architects Walter Emory and Marshall Webb was home of the iconic Advertiser newspaper for over eighty years until the paper merged with the Star-Bulletin in 2010.

4 – Kaka‘ako Fire Station (1929)
Built in the Spanish Mission style, the historic fi re station is considered to be haunted. It is located across from the graveyard of smallpox victims from the 1850s. Kamehameha III created Honolulu’s fire department, making it the only one in America sponsored by royalty.

5 – Territorial Building (Kekuanao‘a) (1925)
Large fluted Corinthian columns grace the front of this classical revival-style building.  A stained-glass dome is positioned above the lobby.  Built as a governmental office building it continues to function as such today.

6 – Hawaii State Archives (1906)
Designed by Oliver Traphagen in the Renaissance Revival style, the building also known as Kana‘ina is currently used as the offices for the Friends of ʻIolani Palace. It was originally constructed to house Hawaiian governmental documents from before annexation based on a compromise with the US government.

7 – King Kamehameha Statue (1882)
The 18-foot bronze statue was dedicated in 1883 to represent the famed unifier of the islands, King Kamehameha I. It was sculpted by Thomas Gould in Florence.

8 – Ali‘iolani Hale (1874)
The State Supreme Court and the Judiciary History Center are located here. It is the oldest government building in Hawaiʻi. Originally commissioned as a new royal residence by Kamehameha IV, Kamehameha V decided that it should become an administrative building.

9 – ‘Iolani Palace (1882)
Home to the Hawaiian monarchy before it was overthrown in 1893, ‘Iolani Palace was built in the Italianate style with fluted cast-iron Corinthian columns, decorative iron railings, mansard-style tower roofs, and wide lanai on all sides. After the overthrow, from 1895 to 1968, ‘Iolani Palace served as the capitol of the Republic, Territory and State of Hawaiʻi. Restored to its
original grandeur, the building opened to the public as a historic site in 1978.

10 – US Post Office, Custom House and Court House (1922)
Designed by New York architects York and Sawyer, this classic Mediterranean-style structure features large roof overhangs, shaded arcades, open interior courtyards, spacious porticos and two towers. It is still currently used as the Downtown Post Office.

11-Dillingham Transportation Building (1929)
The Mediterranean/Italian Renaissance style building was designed by architect Lincoln Rogers. The building consists of three wings connected by a covered arcade and spans from Queen Street to Ala Moana Boulevard. It features an Art Deco lobby, painted high ceilings, and a classical cornice.

12 – Alexander & Baldwin Building (1929)
A design collaboration between Charles W. Dickey and Hart Wood. The building is a unique fusion of eastern and western design elements that features a double-pitched hipped tile roof, a fourth floor lanai, water buffalo heads above the first-floor windows, and a matte glazed terra cotta exterior.

13 – Joseph W. Podmore Building (1902)
Located at 202 Merchant Street, it was constructed in the Richardsonian Romanesque style from locally quarried lava rock.  It was originally built to be rented out as commercial and office space; it maintains the same purpose today.

14 – St. Andrew’s Cathedral (1867-1958)
It took over ninety years to complete this English Gothic-style headquarters of the Episcopal diocese in Hawaii. After visiting
Queen Victoria in England, Queen Emma raised $30,000 for the Anglican Church in Hawaii and to build St. Andrews Cathedral. Beretania was the Hawaiian interpretation for Britannia.

15 – Hawaii State Art Museum (formerly the Army and Navy YMCA) (1928)
Located on the original site of the Royal Hawaiian Hotel, the site was renovated and reconstructed in the late 1920s to become the Army and Navy YMCA. Designed by Lincoln Rogers, it features an open-sky courtyard; palladian windows; cast-stone detailing; iron-grille work and light fixtures; and arched openings. It is now the home of the Hawaii State Art Museum.

16 – Hawaiian Electric Building (1927)
This four-story building is characteristic of an early 18th century Spanish form that features half-stilted arched windows with
Churriguera -decorated column supports, a corner cupola and a low-rise, polygonal tiled roof. The building was designed by York and Sawyer with construction overseen by Emory and Webb.

17 – YWCA Building (1927)
The first structure in Hawaii designed completely by a woman. Julia Morgan, known for her work on Hearst Castle, designed the building in Spanish, Colonial and Mediterranean styles. It features a two-story loggia flanked by the outer buildings.

18 – ‘Iolani Barracks (1871)
Built between 1870 and 1871, the barracks were home to the Royal Household Guard and are situated within the ‘Iolani Palace grounds.  They were designed by Theodore Heuck. The barracks were relocated to the current position during construction of the state capital on the original site.

19- ‘Iolani Bandstand (1883)
Constructed for the coronation of King Kalākaua and Queen Kapi‘olani, the structure was moved and rehabilitated in the late 1900s. Most Friday’s at noon the Royal Hawaiian Band performs weather permitting.

20 – Washington Place (1846)
A Colonial Greek revival-style house was originally built for John Dominis, a clipper ship captain. It is most well known as the inherited residence of his daughter-in-law, Queen Lili‘uokalani. After the overthrow of the Hawaiian monarchy, the Queen lived in Washington Place until her death in 1917.  From 1922-2003, the residence housed Hawaii’s governors.  It is now a house museum and used for State events.

21 – Hawaii State Library (1913)
The library’s construction was made possible through a gift from industrialist Andrew Carnegie. The Greco-Roman style building was designed by Henry Witchfield and still serves today as the downtown branch of the Hawaii State Public Library.

22 – Honolulu Hale (1929)
Designed by Dickey, Wood and others, this Spanish mission style building features open-to-the-sky courtyards, hand-painted ceiling frescos, 1,500-pound bronze front doors, and 4,500-pound courtyard chandeliers. The main entry faces King Street, behind a zig-zag pattern of planters (for security reasons) and the exterior of the building is complex, with deeply fenestrated windows and balconies of carved stone. The tower is particularly complex and features varied window treatments, open and closed balconies, loggias and cast-concrete grill work.

23 – Kawaiaha’o Church and Cemetery (1842)
This is considered to be the mother Protestant Church in Hawaii. Construction started in 1837 based on Pastor Hiram Bingham’s own design of a “simple New England church”. The structure is comprised of some 14,000 coral blocks, each weighing up to 1,200 pounds. The church continues to conduct services in both English and Hawaiian.

24 – Mission Memorial Building (City Hall Annex) (1915)
Built by the Hawaiian Evangelical Association as a museum and archive to celebrate the 100th anniversary of the Protestant Missionaries in Hawaii. The city took over the building during the 1940s and it has since been converted to the City Hall Annex. It is an example of Georgian architecture.

25 – Mission Houses (1821, 1831, 1841)
These are the oldest standing western structures in Hawaii. The timbers for the first house were cut and fitted in Boston. The initial house introduced New England style architecture to Hawaii. Originally utilized as housing for the missionaries, the buildings exist today as living house museums open to the public.

The image shows the layout of the Historic Downtown Honolulu tour from Historic Hawaiʻi Foundation.  In addition, I have added other related images in a folder of like name in the Photos section on my Facebook and Google+ pages.

Click Here to Download App Prototype noting the Sites in Google Earth

(Hover over the number/icon to see the title; click on the number for image and short text (clicking on logo and other links take you to respective websites.))

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Hanami – Waimea Cherry Blossom Heritage Festival

Hanami (Japanese, literally, hana = flower and mi = look … “flower viewing”) is the Japanese traditional custom of enjoying the beauty of flowers; “flower” in this case almost always means cherry blossoms.

In Japan, the flowering cherry tree, or “Sakura,” is an exalted flowering plant.

On the continent, the plantings of cherry blossom trees originated in 1912, as a gift of friendship to the People of the United States from the People of Japan.

Over three-thousand cherry blossom trees were planted along the Tidal Basin of the reclaimed Potomac waterfront in Washington, DC.  Today, the National Cherry Blossom Festival is a DC spring celebration.

Cherry blossom trees are very temperamental. They grow in cold climates and require a lot of sunshine, space, rain and breeze. The flowers bloom when a cold spell is followed by a warm spell.

Waimea on the Big Island meets the criteria and today marks the 20th Annual Waimea Cherry Blossom Heritage Festival – with a bunch of activities and programs, focusing on the “Viewing of the Flowers in Springtime.”

The cherry trees in Waimea are in rows fronting Church Row Park. The first trees (there were initially only three) were planted in 1953 in honor of Fred Makino. These trees are the Formosan cherry trees from Taiwan, which produce flowers but no fruit.

In 1912, Fred Makino founded and edited the Japanese language newspaper Hawaii Hochi, which flourished through the Great Depression, two World Wars, dock strikes and political changes.  After Makino’s death in 1953, his wife decided to plant cherry trees in his memory.

From these, Parker Ranch gardener Isami Ishihara later propagated more trees.  Ishihara then approached Pachin Onodera of the Waimea Lions Club to suggest the trees be used to promote community beautification.

In 1972, led by President Frank Fuchino, the Waimea Lions Club started what was to become a cherry tree park at the County-owned Church Row by planting 20-trees donated by Ishihara.

In 1975, 50-more trees were added in a tree planting commemorating the visit of Emperor Hirohito and Empress Nagako to Hawaiʻi and to honor the first Japanese immigrants who settled in Waimea.

For two decades, Waimea’s free community festival has showcased the 60-year-old cherry trees planted at Waimea’s historic Church Row Park.  The event also celebrates this community’s rich Japanese cultural heritage and traditions at venues throughout town.

Look for pink banners identifying sites — from the Parker Ranch Historic Homes on Māmalahoa to the Hawaiian Homestead Farmer’s Market.

Everyone is invited to spend the day enjoying a lineup of Japanese and multi-cultural performing arts, plus hands-on demonstrations of bonsai, origami, traditional tea ceremony, mochi pounding and a host of colorful craft fairs and delicious foods.

Festivities begin at 9 am in the parking lot behind Parker Ranch Center with special guests, honorees and performances, including bon dancing.

Highlights this year will be an anniversary exhibit honoring some of the festival’s first performers and commemorating its founders – most notably the memory of the late Anne Field-Gomes, whose volunteerism benefited many Waimea organizations and events, including the festival.

Anne Field-Gomes died October 23, 2012 at the age of 84. She brought the AARP’s Tax Aid program to Waimea, served on the Waimea Community Association Board, and was treasurer for the Friends of Thelma Parker Library and the South Kohala Traffic Safety Committee. She was a member of the Waimea Outdoor Circle, St. James’ Church and Imiola Congregational Church and the Waimea Pupule Papale Red Hat Club.

The image is this year’s event poster.  In addition, I have added other related images in a folder of like name in the Photos section on my Facebook and Google+ pages.

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