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December 6, 2016 by Peter T Young Leave a Comment

Shrine Bowl

The College of Hawai‘i was founded in 1907 (now known as the University of Hawai‘i.) Two years later, in 1909, the university fielded its first football team.

The “Fighting Deans,” as Hawai‘i athletic teams were known then, defeated McKinley High School, 6-5, under head coach Austin Jones in its inaugural game. The historic game was played before 2,500 fans at O‘ahu College (now known as Punahou School.)

In 1926, the Rainbows made the newly built Honolulu Stadium, a 24,000-seat facility in Moiliili, their home field. UH played its first game at the stadium on November 11 against the Town Team. Hawai‘i lost that game, 14-7, before 12,000 fans.

For 48 years, the affectionately nicknamed “Termite Palace” housed the Rainbows and their fans until the construction of Aloha Stadium in 1975.

The Aloha Chapter of the Shriners sponsored the Shrine Bowl Classic, pitting Hawai‘i against mainland teams. For the 11th annual Classic, teams in the three-game series included San Jose State College, the University of Hawaii, and Willamette. The game guaranteed a $5,500 payout – enough to cover teams’ travel expenses, plus a small profit for the athletic departments.

“Today, 24 hours before the Shrine battle, staunch supporters of the Rainbow football machine will express utter confidence in their warriors at a mammoth rally to be held in Hemenway hall.”

“All week Hawai‘i students had been anticipating this occasion together with the arrival of Willamette University. For even as they were on the high seas, awesome tales of Willamette’s football power reached Hawai‘i.”

“While aiming for their third success in the Shrine games, the Rainbows realize that they will be thoroughly scouted by San Jose, their opponent in the Police Benefit December 12. But the desire to maintain an undefeated intersectional record for the season and the prestige gained by a victory over Willamette will add to the lust for conquest.” (Ka Leo o Hawai‘i)

On November 26, hundreds of supporters gathered at a noisy rally at Salem’s Southern Pacific railroad depot to see the Willamette delegation off. At 10:30 am, the train rolled south toward the Port of San Francisco. (Southworth)

On the San Jose side, while Ben Winkleman was listed as the official coach, advisor-coach Glenn Scobey ‘Pop’ Warner, retired after several decades of successful college coaching, did all the coaching. (Hamill)

Twenty-five members of the San Jose State College football team, and twenty-seven football players from Willamette University, plus their head coaches and assorted friends and family members, boarded the Lurline at the Port of San Francisco. On November 27, the Lurline left from San Francisco’s Pier 35 and glided under the 4-year-old Golden Gate Bridge.

On the 28th, the Lurline left the Los Angeles-area dock in San Pedro with 783 passengers. Folks on board did what people on cruises do: enjoy the view, try not to get seasick, and discuss what they’ll see when they get to their destination.

The Shriners met and greeted the teams. They furnished the players with cone-shaped straw hats which mimicked the conical ones the Shriners wore. University of Hawai‘i coeds supplied flowered leis, while Hawaiian tunes played and hula girls swayed.

Both the Willamette and San Jose contingents checked into the opulent Moana hotel in Honolulu, one of only two hotels on Waikiki Beach at the time. Their nine-day stay in a double room on the “American plan” cost $54 per person.

Three days after arriving, the Willamette Bearcats played what was slated as the first in the three-game series. Their opponent was Hawai‘i, with profits from this opening Shriner’s game designated for disabled children. The game started at 2:30 pm December 6.

24,000 had shown up to watch the Shriner’s game, the largest crowd in the stadium’s history. Since the 1920s, Shriner football games had been the biggest and most popular sporting event in Hawai‘i. Spectators for this Willamette-San Jose game comprised a tenth of Honolulu’s current population. (Southworth)

Hawai‘i won 20-6. The next scheduled games were San Jose vs. Hawai‘i on December 13 and San Jose vs. Willamette on December 16.

Plans changed …

“… they had planned this picnic for us, or gathering, with the University of Hawai‘i, and they were supposed to come by at 9:30 in the morning. And so, we’d had breakfast, and we were out, enjoying the sunshine, looking, you know, and waiting for that bus to come, and the bus didn’t come.”

“While we were sitting out there, we saw planes fly over. They were just silver specks up in the sky. And then somebody got up and walked through the hotel and went out on the beach and they said, ‘Hey, there’s maneuvers going on out here.’” (Ken Jacobson; Southworth)

“We didn’t realize we were seeing the start of World War II for the US; mostly we just heard noise.” (Wayne Hadley; Southworth)

The police declared a state of emergency beginning that evening, enacting martial law and ordering everyone off the streets. The military closed and censored regular channels of communication.

The teams volunteered to assist the Army, essentially temporarily conscripting them. Their first task was guarding the perimeter of an ammunitions stash.

The US Army Corp of Engineers had been bombed from their headquarters the previous day, and moved their ammunition storage to the fenced Punahou School in the hills above Honolulu. The military instructed the players to call out, “Halt, who goes there! Stand and be recognized!”

Women from the Willamette group volunteered as nurses’ aides at Tripler Army Hospital. They helped overworked staff with a group of children hit by shrapnel on their way to Sunday School the morning of December 7, 1941

The women kept the children company until their families could locate them, assisting with meals and reading to them. The women also made beds, helped change dressings, carried food trays, and bathed and took temperatures of the wounded.

On December 7, the day of the Pearl Harbor attack, the SS Coolidge had been traveling to San Francisco when it was diverted to Honolulu to pick up injured soldiers.

The Coolidge, a former luxury cruise liner, arrived in Honolulu on December 17 with evacuees from the Philippines. Officials quickly assembled a small on-board hospital to transport soldiers wounded at Pearl Harbor to California medical centers. Two Navy doctors and three Navy nurses would care for 125 patients.

On December 19, the Coolidge was ready to leave Honolulu. The football groups received only two hours’ notice. “The day that we got to come home, they had scheduled a trip to Pearl Harbor so we could see the damage that was done, and they were gonna take us out there for a sight-seeing, and then instead they said we were going home.” (Jacobson; Southworth)

Willamette’s players had to sign a form promising to assist with evacuation of wounded soldiers from the ship, if necessary. Two players were assigned to one patient deep in the bowels of the ship. The players acted as orderlies, carrying patients to the operating room, feeding them, and changing dressings. They also chatted with patients to boost morale.

Frank Knox, the Secretary of the Navy, later wrote the following to Carl Knopf, president of Willamette: “On board, as passengers, were the football squads of Willamette University and San Jose College, in Honolulu for games with the University of Hawai‘i at the time of the Japanese attack.”

“These men, under their respective coaches, volunteered in case of emergency to rescue and place in the ship’s boats the seriously wounded men. They drilled at their assignments.”

“In addition, they volunteered and did feed such wounded as were unable to help themselves. They promoted good morale among the patients in many ways. I consider the services rendered by these young men to be very commendable.” (Knox; Southworth)

On December 25, 28 days after they’d originally left San Francisco, the Coolidge sailed under the Golden Gate Bridge. To most, it felt like a miracle from God. The Willamette group burst into tearful song, California, Here I Come! As it turned out, they’d arrived just one day later than their originally-scheduled return. (Southworth)

None of the athletes for either squad was injured that day. The teams volunteered to assist the Army and volunteered to assist the wounded on their ship’s return to the mainland.  Most of the San Jose State and Willamette players would serve in the military. Many would see combat over the next 3-years. (Marqua)

San Jose Spartans Video:

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Lurline-SanJoseSpartans-Nov_27,_1941
Lurline-SanJoseSpartans-Nov_27,_1941
Willamette Cheerleaders and Players
Willamette Cheerleaders and Players
Willamette Footbal Team
Willamette Footbal Team
Arriving footbal players in Shriners hats
Arriving footbal players in Shriners hats
Roaring_Rainbows-Ka Leo-Dec_5,_1941
Roaring_Rainbows-Ka Leo-Dec_5,_1941

Filed Under: General, Military, Economy Tagged With: Willamette, San Jose State, Hawaii, Pearl Harbor, University of Hawaii, Football, Shrine Bowl

December 5, 2016 by Peter T Young Leave a Comment

Seth Parker

In 1933, radio broadcaster Phillips Lord purchased the schooner ‘Georgette,’ which he renamed as ‘Seth Parker’ after the character he played on his popular radio show, ‘Sunday Evening at Seth Parker’s.’ (The character ‘Seth Parker’ was a clergyman and backwoods philosopher based on his real-life grandfather.)

Lord first broadcast the program from his hometown of Jonesport, Maine, and then aboard the four-masted Seth Parker. With on-location reports from Lord each week, the program was billed as ‘The Cruise of the Seth Parker.’

Phillips Lord conceived an idea to sail his new ship to various exotic ports, with a team of celebrities, to broadcast his radio programs. The Seth Parker sailed from Portland Maine on December 5, (Woram) calling at various ports on the East Coast to broadcast the show. (Offshore Radio Guide)

The ship passed through the Panama Canal and sailed to the South Pacific. “For a while the plan worked. Then, mid-way between Samoa and Tahiti, the Seth Parker on Feb 8, 1935, ran into a storm. She radioed for help describing ‘mountainous’ waves breaking over the decks.”

“Next came a report from the schooner that the storm had subsided and ‘all’s well.’ (However,) On Feb 10 the Seth Parker was again in trouble, again calling for help.”

“The ‘Australia,’ 300 miles away by that time, returned to repeat her ‘rescue’ act. This time she took off the schooner’s nine crew members. Lord and four others remained aboard, and the vessel was towed by navy tug to Pago Pago.” (Advertiser, June 12, 1936)

The damage to the ship during the typhoons was so great that the radio crew ended any thoughts of further broadcasts aboard the wounded ship. (Offshore Radio Guide)

“About that time Hawaiian Tuna Packers, Ltd, decided to buy her as a bait boat and sent representatives to Samoa to inspect her. Upon hearing from scouts that the big schooner was in ‘good shape’ the company completed the purchase”. (Advertiser, June 12, 1936)

In April 1935, Hawaiian Tuna Packers took an option on the schooner. Chris Holmes had tanks fitted in the ship, with the idea of filling them with sardines to use as bait for tuna.

The ship was sold to Chris Holmes’ company for $10,000, a tenth of what it cost Phillips Lord to buy and outfit the Seth Parker for his exotic radio junkets. The vessel sailed for Honolulu on July 3. (Offshore Radio Guide)

“En route, the Seth Parker began to leak badly. Her new skipper radioed for help, and the coast guard cutter Tiger was dispatched to her assistance. The trip from Pago Pago to Honolulu took the schooner 64 days.”

“Reconciled to its bad bargain, Tuna Packers abandoned hope of putting the schooner to any use. It was then that Christian R Holmes, company president, decided to take the ship to Coconut Island.”

“And there she has been … bedded in concrete almost up to her waterline. At a glance, however, the ship seemed to be moored in a specially-constructed berth and ready at any time to take off again to the open seas.”

“For a long while she was immaculately groomed. Her hull was kept spotless white, her decks polished, her four masts ready for sails, but it was just a front.”

“Her whole interior was fitted with a bar, a theater and other entertainment, features for amusement of Mr Holmes’ guests on his fabulous island retreat.” (Advertiser, June 12, 1936)

Holmes bought the island from Bishop Estate to use as a tuna-packing factory. As he wasn’t satisfied with the size of the island, he decided to enlarge it to 28 acres, more than double its original size, using material taken from a sandbar in Kaneohe Bay.

Holmes had a vision of creating a private paradise, so while working on increasing the size of the island he also enhanced it by building a saltwater swimming pool and fishponds (which later became useful for HIMB) and adding numerous exotic plants and trees.

He also built a bowling alley, brought a shooting gallery from an amusement park in San Francisco, and built bars at several spots on the island. The boat was used in the movie ‘Wake of the Red Witch,’ starring John Wayne. (Parkvall)

The stately silhouette of the Seth Parker remained intact until Holmes’ death in 1944. The masts were removed around 1945. Some attempt was made to maintain the hull during the next few years, but the ship slowly rotted away.

A fire in the 1960s accelerated the ship’s demise. As the paint on the hull wore off, the original name Georgette and home port of San Francisco became visible. (Offshore Radio Guide)

“If you’ve ever seen a bleached and crumbling skeleton of some large animal on the sands of a mainland desert, you’ll have an idea what the Seth Parker looks like today.”

“Her masts are gone, her bow sprit has long since rotted away, her hull is drab and peeling, part of her deck rail has disintegrated and hunks have rotted out of her decks. Even the bar and theater and baubles that gave her her final claim to glory have been stripped away.” (Advertiser, June 12, 1936)

Today all that is left is a mound of green vegetation where the Seth Parker once was berthed. For many years the wheel of the ship was on display in the main house on Coconut Island, but the wheel was later donated to the Hawai‘i Maritime Center at Honolulu Harbor. (Offshore Radio Guide)

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Seth Parker - Moku O Loe - Coconut Island
Seth Parker – Moku O Loe – Coconut Island
Moku_o_Loe-Seth Parker-Silva
Moku_o_Loe-Seth Parker-Silva
Coconut Island-Seth Parker in Background- 1940
Coconut Island-Seth Parker in Background- 1940
Seth Parker-Woram
Seth Parker-Woram
Seth Parket (lower left) Moku_o_Loe-Life-1937
Seth Parket (lower left) Moku_o_Loe-Life-1937
Coconut Island-1946
Coconut Island-1946
Aboard the Seth Parker-Spokane Daily Chronicle-Feb_17,_1934
Aboard the Seth Parker-Spokane Daily Chronicle-Feb_17,_1934
Coconut Island Club International
Coconut Island Club International
Phillips_Lord_as_Seth_Parker_1939
Phillips_Lord_as_Seth_Parker_1939
Wake of the Red Witch
Wake of the Red Witch

Filed Under: General, Place Names, Prominent People, Economy Tagged With: Seth Parker, Chris Holmes, Hawaii, Oahu, Kaneohe Bay, Kaneohe, Hawaiian Tuna Packers

December 3, 2016 by Peter T Young Leave a Comment

Ka‘ahumanu Learns the Letters

“She would amuse herself for hours at cards, or in trimming and stringing the bright, yellow nuts of the Pandanus, for odoriferous necklaces or rude coronets, listen to vile songs and foolish stories, and sometimes make interesting inquiries.”

“Her stiffness towards the missionaries, to whom her little finger, instead of a right hand, had been sometimes extended, had unbent from the time of her severe illness …”

“(T)here was reason to hope that continued kindness and God’s blessing would bring her over, and make her a friend and coadjutor.”

“Deeming it of great importance to induce her, if possible, to substitute the reading of divine truth for her heathenish or trifling engagements at this period – more than two years after commencing our work – Mrs. B and myself called at her habitation, in the centre of Honolulu.”

“She and several women of rank were stretched upon the mats, playing at cards, which were introduced before letters. It was not uncommon for such groups to sit like tailors, or to lie full length with the face to the ground …”

“… the head a little elevated, the breast resting on a cylindrical pillow, the hands grasping and moving the cards, while their naked feet and toes extended in diverging lines towards the different sides or extremities of the room.”

“Being invited to enter the house, we took our seats without the accommodation of chairs, and waited till the game of cards was disposed of, when the wish was expressed to have us seated by her. We gave her ladyship one of the little books, and drew her attention to the alphabet, neatly printed, in large and small Roman characters.”

“Having her eye directed to the first class of letters – the five vowels, she was induced to imitate my voice in their enunciation, a, e, i, o, u.”

“As the vowels could be acquired with great facility, an experiment of ten minutes, well directed, would ensure a considerable advance.”

“She followed me in enunciating the vowels, one by one, two or three times over, in their order, when her skill and accuracy were commended. Her countenance brightened.”

“Looking off from her book upon her familiars, with a tone a little boasting or exulting, and perhaps with a spice of the feeling of the Grecian philosopher, who, in one of his amusements, thought he had discovered the solution of a difficult problem, leaped from the bath, exclaiming “Eureka! I have found,” the queen exclaimed, ” Ua loaa iau! I have got it”, or, it is obtained by me.”

“She had passed the threshold, and now unexpectedly found herself entered as a pupil.”

“Dismissing her cards, she accepted and studied the little book, and with her husband, asked for forty more for their attendants.”

“The next day, securing the co-operation of Kamāmalu, we invited her to accompany us to church. Hawaiian etiquette would hardly allow her to turn off the daughter unheeded.”

“Directing her plain, American-built wagon, with unpainted covering, to be brought to her door, though she had no trained steeds or coach-horses to draw it, she mounted it, and drawn by her willing servants, was conveyed half a mile, to the place of worship.”

“Numbers, at the same time, moved on over the plain, at the sound of the church-going bell, and came to the house of God in company, and listened to the teaching of Divine truth.”

“The following Sabbath, the church was full.”

“The Gospel was proclaimed, the Savior’s dying love was commemorated at his table, and the praise of God resounded in the songs of Zion, and all our hearts were encouraged by the decisive evidence of a new and important impulse being given to our cause.”

“The need of a great increase of native teachers and of the labors of a native ministry was now apparent.” (The entire text here is from Hiram Bingham, speaking of Ka‘ahumanu.)

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Kaahumanu-(HerbKane)

Filed Under: General, Ali'i / Chiefs / Governance, Missionaries / Churches / Religious Buildings, Schools Tagged With: Kaahumanu, Literacy, Hawaii, Hiram Bingham, Missionaries

December 2, 2016 by Peter T Young Leave a Comment

‘Duke of Uke’

William ‘Bill’ Tapia was born in Liliha, Honolulu on New Year’s Day 1908. As a child he heard musicians playing at a neighbor’s house and became fascinated by the size and sound of the ukulele, which had been introduced to the Islands by Portuguese immigrants in the late 19th century.

He bought his first ukulele at age 7 for 75 cents from one of the first men to make them commercially. At 10 he came up with his own version of “Stars and Stripes Forever,” which he played for troops headed for duty in the last months of World War I.

Bill Tapia, Stars and Stripes Forever:

The youngest of five children, he had to help support his mother after his father, a barber, left the family. At 12, he dropped out of school to play in vaudeville shows in Honolulu.

“I worked in every theater on the islands. The Hawaiian Amusement Company ran almost all the theaters, the big ones. I worked in the Waikiki Theater, Princess Theater, every theater.”

“I was a kid and I had a car that drove me around. I had to be at this place at 8 o’clock, I’d go and play a couple of songs. People would laugh and scream. Then I had to get in the car quickly and the guy would drive me to another theater. We were going like mad!”

During the day, he hung out with beachboys in Waikiki and taught tourists and celebrities to play the uke. He was a traveling musician on ocean liners traveling between Hawai‘i and the mainland.

He taught tourists to play the ukulele and wrote an early instruction manual; among his pupils were movie stars like Shirley Temple and Clark Gable.

At 19 he performed at nightclubs and speakeasies in Hollywood and at parties at the home of Charlie Chaplin. At 21 he sat in with Louis Armstrong’s band at a Los Angeles nightclub. By this time he was playing the banjo and guitar, in addition to the ukulele, and was moving between Hawaii and the mainland.

When the Royal Hawaiian Hotel staged its grand opening in 1927, Mr. Tapia played ukulele in the orchestra. In 1933, the Royal Hawaiian hired him to drive one of its touring cars — a yellow-and-blue seven-passenger Packard — to ferry the wealthy and famous to scenic spots.

He played the ukulele for his passengers and threw in a lesson for anyone interested. His pupils included Jimmy Durante, Shirley Temple and the stars of the Our Gang comedies. He even claimed to have taught a lick or two to Arthur Godfrey.

During World War II, Mr. Tapia organized entertainment for serviceman in Honolulu. But after World War II he switched to the guitar to get jobs playing jazz, his favorite kind of music, and for a half-century had almost nothing to do with the instrument that had defined his youth and middle age.

By 1952, he and his wife had settled in the East Bay. He worked mostly in San Francisco and Oakland, performing in house bands at top nightclubs while augmenting his income teaching guitar, banjo and uke.

His life took a turn in 2001, after both his wife (Barbie) and their daughter (Cleo) died. By then living in Orange County to be closer to relatives, Tapia rediscovered the ukulele on a visit to a music shop to have a guitar restrung.

After playing with local ukulele clubs and taking on students, he began performing ukulele shows all along the West Coast and in Hawai‘i.

Tapia was “discovered” as a ukulele virtuoso at a time when the instrument was having a resurgence of popularity. He became a ukulele star, twice making the Top 10 on the jazz charts, wowing concertgoers by playing the ukulele behind his head à la Jimi Hendrix.

In 2004, when he was 96, he released an album of ukulele music, “Tropical Swing.” A year later he released another, “Duke of Uke.”

He was elected to the Ukulele Hall of Fame. “He is truly an amazing jazz soloist,” Dave Wasser, a director at the Ukulele Hall of Fame Museum, told The Times in 2007, three years after Tapia was inducted into the hall.

“He has a very smooth, graceful kind of style with the ukulele. It’s the kind of really soft, light touch that you get from somebody that has been with an instrument for many years.”

Tapia gave private ukulele lessons and continued performing live, including at the Warner Grand Theatre in San Pedro, where he celebrated his 100th birthday with a special concert. Bill Tapia died December 2, 2011 at the age of 103. (Lots of information here is from NY Times, LA Times, Star Advertiser, Reuters, Gordon, Spengler, Gilbert and Verlinde.)

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BillTapia-jazztimes-1935
BillTapia-jazztimes-1935
BillTapia-tapia-spengler-1950
BillTapia-tapia-spengler-1950
BillTapia-Duke of Uke
BillTapia-Duke of Uke
tapia-band
tapia-band
BillTapia-holiday-1955
BillTapia-holiday-1955
BillTapia-holiday
BillTapia-holiday
BillTapia-UkuleleHallOfFame
BillTapia-UkuleleHallOfFame
Bill_Barbie_Cleo-tapia_spengler
Bill_Barbie_Cleo-tapia_spengler
BillTapia-spengler
BillTapia-spengler
Bill-Tapia-holiday-July-2011
Bill-Tapia-holiday-July-2011

Filed Under: Economy, General, Prominent People Tagged With: Hawaii, Ukulele, Bill Tapia

December 1, 2016 by Peter T Young Leave a Comment

Makahiki

There were four months devoted to the observances of the Makahiki, during which time the ordinary religious ceremonies were omitted, the only ones that were observed being those connected with the Makahiki festival. The keepers of the idols, however, kept up their prayers and ceremonies throughout the year. (Malo)

Traditionally, the rising of Makaliʻi (Pleiades) at sunset following the new moon (beginning in late-October or early-November) in noted the change of the season to winter.

The Makahiki is a form of the “first fruits” festivals common to many cultures throughout the world. It is similar in timing and purpose to Thanksgiving, Oktoberfest and other harvest celebrations – it celebrated Lono, god of plenty.

Something similar was observed throughout Polynesia, but it was in pre-contact Hawaiʻi that the Makahiki festival was celebrated during a designated period of time following the harvesting season.

The first period of the Makahiki was the kapu time when the people, although they had stopped working, were not yet allowed to play. Before they could play, the taxes for the King – the pig, the taro, the sweet potatoes, the feathers, the kapa, the mats, all things that were made – had to be brought together and offered on the alters of Lono. (Handy)

Then an image of Lono was carried around the island by the priests. At each of the ahupua‘a, the chief of that district presented the gifts. (Handy)

The Makahiki circuit conducted by the Lono priests carrying the akua loa representation of Lono was marked not only by the collection of tribute within each territorial unit (ahupua‘a), but also by large gatherings of people from each community as the procession of priests and warriors passed through. (Kirch)

Once the ʻAuhau (taxes) and hoʻokupu (offering) were collected, the Makahiki festival, including sports, feasting and dancing, could begin.

While the lands rested and are softened by the rains, in preparation of the new planting season, all wars were prohibited and goodwill prevailed. The chiefs joined with the makaʻāinana in feasting, testing or argumentative skills and athletic competition. (PKO)

At the end of the Makahiki festival, the king went off shore in a canoe. When he came in, a group of men with spears rushed at him (he was protected by his own warriors.) It was believed that unless the king was sacred enough to be superior to death, he no longer was worthy of representing Lono. (Handy)

Various rites of purification and celebration closed the observance of the Makahiki season. During the special holiday the success of the harvest was commemorated with prayers of praise made to the Creator, ancestral guardians, caretakers of the elements and various deities – particularly Lono.

The Kukui tree is considered to be the kinolau, or form, of Kamapuaʻa, the pig god, the lover of fire goddess Pele (perhaps due to light’s affinity with fire) and so a pig’s head carved from kukui wood is placed on the altar to Lono at the annual Makahiki festival.

Kapa was closely linked to Lono. White kapa streamers adorned the akua loa, or ‘long god’ during the Makahiki. The hale o Lono temples were located immediately inside the eastern boundary of each ahupua‘a. They served in the annual tribute collection by the ali‘i during the Makahiki. (Kirch)

Captain Cook sailed past Hāmākua, Hilo, Puna, and Kaʻū and put in at Kealakekua Bay, and on January 17, 1779, he put in at Kaʻawaloa Bay – the sails and masts of the ships of Captain James Cook resembled Lono’s akua loa.

When Captain Cook appeared they declared that his name must be Lono, for Kealakekua was the home of that deity as a man, and it was a belief of the ancients that he had gone to Kahiki and would return. (Kamakau)

“During the Makahiki season … the people of different districts gathered at one place”. (Malo) Kamakau, noted that “a place had been made ready” before the arrival of the Makahiki gods, where sporting matches were performed after the tribute offerings were made. (Kirch)

Hawaiian ethno-historic sources indicate the existence of special gathering places where members of an ahupua‘a community would assemble during the Makahiki period, especially for the offering of tribute to the Lono priests and for various sports, games and other ceremonies associated with this important ritual period. (Kirch) On such has been identified on Kauai.

Lono, the god of agriculture, along with Kāne’s help, insures a life cycle and abundance to all animal husbandry and crops. Kanaloa, the god of the sea, also needs Kāne’s help in order to insure a life cycle for the fish. This is significant as these three components are represented at Kāneiolouma on the South Shore of the island of Kauai.

“The heiau was the principal medium through which all religious activities were manifested, and was therefore the most important representative of religion collectively in ancient Hawai‘i.”

As noted by Henry Kekahuna in his 1959 mapping of the Kāneiolouma complex, the Kāneiolouma heiau at Poʻipū had three main sections (religion, agriculture and aquaculture (fish ponds.))

“On the East side, there is a large sports arena where Hawaiian games such as forearm wrestling, or uma, wrestling, or hakoko, and deadly grappling, or lua, were carried on.” (Kekahuna)

“On the South side, there is a large fishpond where special fish intended only for the ali‘i were raised. The Waiohai spring is the center of this fishpond.”

Extensive walled enclosures, alters, numerous bases for temple images, shrines, taro patches, irrigation ditches, a series of large fishponds, house platforms, extensive cooking areas, and terracing throughout make this complex ideal for rehabilitation.

Within the complex, an intricate system of walls and terraces trace the architecture of an ancient way of life. Near its center, the complex contains what may be the only intact Makahiki sporting arena in the state.

The Kāneiolouma and agricultural site complex is part of a huge complex of agricultural and habitation sites ranging from Kōloa town to the coast of Poʻipū and ranging from the Weliweli area westward to Kukui‘ula Bay and the Kōloa Field System.

Per the Bishop Museum Planetarium, December 1, 2016, marks Makahiki (start of the Hawaiian year.) To mark the start of the Makahiki season: 1) wait for the star cluster of the Pleiades to rise at sunset, which occurs every year on November 17; 2) wait for the new moon that follows this sunset rising of the Pleiades, which occurs in 2016 on November 29 …

3) wait for the first visible crescent moon that follows this new moon. This year, this slender crescent should be visible in the west at dusk on December 1, thus marking the start of the Makahiki season and of the Hawaiian year. (BM)

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Webber drawing of a Makahiki boxing match before Capt. Cook done at Napoopoo in 1779
Webber drawing of a Makahiki boxing match before Capt. Cook done at Napoopoo in 1779
Makahiki-Cook's arrival-HerbKane
Makahiki-Cook’s arrival-HerbKane
Akua Loa at Bishop Museum
Akua Loa at Bishop Museum
Kaneiolouma-Poipu,_Kauai
Kaneiolouma-Poipu,_Kauai
Kaneiolouma-Poipu, Kauai
Kaneiolouma-Poipu, Kauai
Kaneiolouma-Henry_Kekahuna-Map
Kaneiolouma-Henry_Kekahuna-Map
Makahiki-Mural-MauiCollege
Makahiki-Mural-MauiCollege
Makahiki-Hookupu-MauiCollege
Makahiki-Hookupu-MauiCollege
Makahiki-Hookupu_MauiCollege
Makahiki-Hookupu_MauiCollege
Makahiki-Celebration-MauiCollege
Makahiki-Celebration-MauiCollege
Makahiki-Celebration_MauiCollege
Makahiki-Celebration_MauiCollege

Filed Under: Hawaiian Traditions Tagged With: Hawaii, Makahiki, Makalii, Ahupuaa, Pleiades, Kaneiolouma

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