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March 29, 2026 by Peter T Young 1 Comment

Ossipoff Meets Mid-19th Century

The Walter Irving Henderson House in Kona was featured in a 1958 edition of Sunset Magazine – they said, “The house is small but takes care of a large number of guests without crowding.”

It is a combination of classics – the first floor structure was built, circa 1864, as a small church or meeting house; in 1953, the deteriorated church was renovated and the second floor was added, for use as a beach house.

The first-floor stone walls were part of the original Kahului Church building, and were constructed in a style that was typical of the Kona District in the mid-19th century.

Lava rock was a plentiful raw building material in Kona, while other construction materials such as wood were not as readily available. Once missionaries arrived, and began to build permanent houses of worship, they found that building with stone was the most economical and expeditious means of constructing what they needed.

These buildings were constructed with local lava rock held together with lime mortar produced with coral, typically burned on site. In some cases, the stones used came from local heiau. (It is not known if that was the case here, though there are records of heiau nearby.)

It is also not known who built the Kahului Church. One of the most well-known builders of Kona’s nineteenth century stone churches was the Reverend John D Paris, an American Board of Commissioners for Foreign Missions Protestant missionary who was first in charge of the mission’s Kaʻū area, and then the North Kona area.

Many church buildings constructed in the Kona area are attributed to Paris; however this is thought to be a former Catholic church.

The first floor stone walls were constructed circa 1864 when the land was granted to Kapae in Royal Land Grant #2961, and the Kahului Church building is believed to have been constructed.

It is likely that the readily available lava rock building material allowed the missionaries to build in a similar style to Paris. For example, this type of construction was also used in the larger St. Michael’s Catholic Church in Kailua town.

An 1892 map shows Kahului Church, along with a nearby structure labeled “Makuakane” (which translates approximately to “father” in English, giving a strong indication that this was likely a Catholic priest’s house.)

The structure was modified from the original one-story church form to its existing two-story appearance in 1953; the entire second floor and interior of the first floor were designed by celebrated local architect Vladimir Ossipoff.

Ossipoff’s design for the Henderson House was innovative, and created an extremely unique house that, though it does not look like most of his other work, nonetheless embodies the majority of his aesthetic and philosophy of design.

Ossipoff was a prominent architect in the Islands, working between the 1930s and 1990s. He was recognized locally, nationally and internationally for his designs. He is best known for his contribution to the development of the Hawaiian Modern movement.

This style is characterized by the work of architects who “subscribed to the general modernity of the International Style while attempting to integrate the cultural and topographical character of the (Hawaiian) region.” (Sakamoto)

The main portion of the first floor of the house is one large open room, and has a scored, finished concrete floor, painted plastered walls, and an open beamed ceiling that exposes the floorboards of the second floor.

The thick stone walls create deep niches at the door and window openings; the center-opening doors and shutters installed do not extend beyond the width of the walls.

The property perimeter has a dry stack rock wall, dating possibly to the early- to mid-1800s. This was when a government commission began requiring formal property boundaries be erected by the year 1862.

Walls of this type, comprised of stones fitted together without mortar to hold them in place, had commonly been constructed in pre-contact times for a variety of uses.

As early as Kamehameha I in the 1820s, dry-stack walls were used in the Kona area as barriers to prevent wandering cattle. As ranching grew in the later part of the nineteenth century, more walls were needed to contain the growing number of cattle.

In Kona building and repairing dry-stack stone walls was common until the 1930s, but diminished throughout the Territory of Hawaii with the greater availability of alternate materials for walls and fences at that time. (Most of the information here is from Jones, NPS.)

© 2026 Hoʻokuleana LLC

Filed Under: Missionaries / Churches / Religious Buildings, Buildings Tagged With: Hawaii, Hawaii Island, Kona, Kailua-Kona, Kahului, Vladimir Ossipoff, Walter Irving Henderson

March 28, 2026 by Peter T Young Leave a Comment

Waikapū

Maui is the second largest of the Hawaiian Islands, and covers about 730 square miles. Maui consists of two separate volcanoes with a combining isthmus between the two.

The Mauna Kahālāwai (West Maui Mountain) is probably the older of the two; Haleakala (East Maui) was last active about 1790, whereas activity on West Maui is wholly pre-historic.

The island of Maui is comprised of 12-moku (districts,) that are made up of a number of ahupuaʻa. The moku of Wailuku makes up an area known as Nā Wai ʻEhā (“The Four Great Waters”) – Waiheʻe River, Waiehu Stream, Wailuku (ʻĪao) Stream and Waikapū Stream. (Waikapū Stream is the only Nā Wai ‘Ehā stream that drains to the southern coast of Maui.)

“From Waiheʻe to Waikapū there is much good land below and bounding the ancient terrace area on the kula and in the lower valleys which would be ideal for sweet potato culture, but it is said that little was grown in this section because there was so much taro.” (Handy; Hana Pono)

“For generations the small, slowly growing population clustered around shore sites near streams that supplied them with water. Such sites are best for inshore fishing.”

“When they acquired taro, they no doubt rapidly cleared away the jungle along the streams to make room for taro patches, and there was a beginning of terraced flats that could be irrigated directly from the stream.” (Handy; Hana Pono)

The fertile kalo terraces, complex system of irrigation ʻauwai (ditches) and abundant fresh water from this area sustained Hawaiian culture for 1,000-years. Due to abundant water and fertile lands, there was substantial settlement between the 300- and 600-foot elevation at Waikapū.

The terraces were irrigated with water brought in ditches from springs and streams high in the valleys, allowing extensive areas of the valleys to be cultivated. The irrigation ditches and pondfields were engineered to allow the cool water to circulate among the taro plants and from terrace to terrace, avoiding stagnation and overheating by the sun, which would rot the taro tubers.

An acre of irrigated pondfields produced as much as five times the amount of taro as an acre of dryland cultivation. Over a period of several years, irrigated pondfields could be as much as 10 or 15 times more productive than unirrigated taro gardens, as dryland gardens need to lie fallow for greater lengths of time than irrigated gardens. (Kelly)

In Waikapū, there are different stories associated with the name of this valley and ahupuaʻa; the story of Puapualenalena and the conch shell may be the earliest known.

It was said that in ancient times a conch shell would ring out from the valley, heard around the island it was so loud and resounding. On the opposite, northern side of the stream a dog named Puapualenalena was infatuated with this conch and wanted it for himself.

One day, the owners of the conch had been careless and Puapualenalena gained entrance to the cave on the southern side of the stream that hid the conch, and from that point on it no longer sounded through the valley. The area was so named for the conch (Pu), The Water (Wai) of the Conch (Ka Pu.) (Nupepa Kuokoa, 1872; Hana Pono)

Some say the name comes from Kamehameha after the famous battle of Kepaniwai, when the defeated the forces of Kalanikūpule. Two versions are told.

One is Wai-ka-pu (the Water of the Conch,) for the place where Kamehameha sounded the Pu to begin the battle for Maui. The second is Wai-Kapu (the Sacred Water.) “Kamehameha landed at Kalepolepo, and a kapu was put upon the nearest stream. It became sacred to royalty, as was the custom and is known as Wai-kapu to this hour-that is, the forbidden water”. (Stoddard; Hana Pono)

The lower isthmus (between Mauna Kahālāwai and Haleakala) was sandy. “We passed through Waikapū in the middle of the isthmus …. Between this place and the northern shore, we walked over a bed of sand (a part of an extensive plain).” (Bingham)

In more modern times, the Waikapū ahupuaʻa and surrounding lowlands were given to Henry Cornwall for a sugar plantation, Waikapū Sugar Company, which eventually merged with others to become Wailuku Sugar Company (and later consolidated into the Alexander & Baldwin lands.).

Starting in about the 1850s, sugar cultivation destroyed the extensive terracing; by the mid-1900s, only remnant representations remained.

By 1866, a letter published in the Hawaiian language newspaper Nūpepa Kūʻokoʻa lamented “the current condition of once cultivated taro patches being dried up by the foreigners, where they are now planting sugar cane”.

“A permanent railroad was laid to Waiheʻe and to Waikapū connecting at Wailuku, from whence the cane was carried to a mill above Kahului. Another permanent line connected the other plantations. From these portable lines were laid into the fields, and it was thus possible to dispense with hundreds of mules and cattle and drivers heretofore used.” (Girvin)

© 2026 Hoʻokuleana LLC

Filed Under: Place Names Tagged With: Taro, Hawaii, Maui, Sugar, Waikapu, Na Wai Eha, Kalo

March 27, 2026 by Peter T Young 1 Comment

Four Horsemen

“Kuhio was not an heir-born but a created prince by royal proclamation at the coronation ceremonies of King Kalākaua and Queen Kapiʻolani in February, 1883, as was also his brother, the late David Kawananakoa. They were nephews of Kapiʻolani, the queen consort; sons of David Kahalepouli Piʻikoi, a high chief of Kauai, and Kinoiki Kekaulike.”

“Kuhio Kalanianaʻole was born at Kapaʻa, Kauai, March 26th, 1871, a lineal descendant of the last king of the islands of Kauai and Niʻihau. He married Elizabeth Kahanu K Kaauwai, a chiefess of the old regime, October 9th, 1896”. (Thrum)

“The last great work of Prince Kalanianaʻole was for his people. He labored ceaselessly for more than a year on a scheme of rehabilitation through which it is hoped the Hawaiian may be returned to the land of his ancestors, to live as fisherman and farmer.”

“Against formidable and aggressively active opposition the Prince managed to consummate his plans, and the ‘Rehabilitation Bill’ is now a law.”

“Through its operation large tracts of land … will be allotted to those of Hawaiian blood who desire to return to husbandry. Each will receive a sizeable farm and a sum in cash sufficient to put it under cultivation and sustain a family until the crops begin to yield…” (Mellen; Hitt)

A few years before the passage of the Rehabilitation Law, and a few days after the return of the Delegate Prince Kuhio from Washington, four Hawaiians, assembled at Pualeilani at Waikiki to discuss the subject “Rehabilitation of the Hawaiians.”

Dubbed the Four Horsemen, Kuhio, Rev Stephen Langhern Desha, Sr, John Carey Lane and Henry Lincoln Holstein had their pictures taken so Kuhio could show to his fellow congressmen at Washington his backers that brought up this important matter for rehabilitating its people.

Later other friends joined, and they were John H Wise, Noa Aluli, Akaiko Akana, Emil Muller, Attorney CK Breckons, and several others, and they planned to first pass the measure in the local legislature.

It was introduced by John Wise in the senate and backed by Senator Desha and John Lane, and it was introduced in the House by Speaker Holstein. It was through their efforts that it became a law and it was approved by congress at Washington. (Star-Bulletin)

Rev Stephen Langhern Desha, Sr had an unusual combination of ministry of the gospel, service in legislative bodies and publisher of a newspaper. He was behind the ‘Desha Bathing Suit Law,’ requiring all over 14 to cover up ‘at least to the knees,’ or be fined.

Desha began his career as pastor of the Napoʻopoʻo church, Kona and served Haili Church in Hilo for 45-years; he was a supervisor of the County of Hawaii and later elected to the senate of the Territory; and he was editor and business manager of the Hawaiian newspaper, ‘Ka Hoku o Hawaii.’

“Rev SL Desha is in a class by himself. One may listen to this man and watch him with much enjoyment without understanding a single word of what he says. … In eloquence of gesture, no speaker of any race I have seen can equal the Rev Desha when talking in Hawaiian.” (Hawaiian Star, October 10, 1908)

John Carey Lane was a member of the territorial senate from 1905 to 1907 and introduced the bill establishing the City and County of Honolulu. He was elected by an overwhelming majority to serve as Mayor of Honolulu from 1915 to 1917.

He was an avowed Royalist supporting Queen Liliʻuokalani, and Lane “was at her side when they usurped control and dethroned her in 1893, and he was among those who took part in the counterrevolution in 1895 with the hope of restoring her throne and native Hawaiian rule”. (Mellen; Advertiser, 1954)

Henry Lincoln Holstein served in the Senate of the Republic of Hawaiʻi from 1896 to 1898 and later as Speaker of the House in the House of Representatives of the Territorial legislature. Holstein served as the executor of Queen Liliʻuokalani’s estate.

The provisions of the Hawaiian Rehabilitation Act (Hawaiian Homes Act (HHCA)) are embodied the desires to (1) build up in Hawaiʻi a class of independent citizen farmers, and (2) place the Hawaiian and part-Hawaiian people back upon the land. (Rehabilitation in Hawaiʻi, 1922)

Passed by Congress and signed into law by President Warren Harding on July 9, 1921, the HHCA provides for the rehabilitation of the native Hawaiian people through a government-sponsored homesteading program. Native Hawaiians are defined as individuals having at least 50 percent Hawaiian blood.

DHHL provides direct benefits to native Hawaiians in the form of 99-year homestead leases at an annual rental of $1. In 1990, the Legislature authorized the Department to extend leases for an aggregate term not to exceed 199 years.

Homestead leases are for residential, agricultural or pastoral purposes. Aquacultural leases are also authorized, but none have been awarded to date. The intent of the homesteading program is to provide for economic self-sufficiency of native Hawaiians through the provision of land.

Other benefits provided by the HHCA include financial assistance through direct loans or loan guarantees for home construction, replacement, or repair, and for the development of farms and ranches; technical assistance to farmers and ranchers; and the operation of water systems.

“The last great work of Prince Kalanianaʻole was for his people. He labored ceaselessly for more than a year on a scheme of rehabilitation through which it is hoped the Hawaiian may be returned to the land of his ancestors…” (Mellen; Paradise of the Pacific, 1922)

On January 7, 1922, six months after he had succeeded in having the Hawaiian Homes Commission Act passed, Prince Jonah Kuhio Kalanianaʻole passed away. (hawaii-edu)

© 2026 Hoʻokuleana LLC

Filed Under: Ali'i / Chiefs / Governance, Hawaiian Traditions, Prominent People Tagged With: Hawaii, Department of Hawaiian Home Lands, Prince Kuhio, Rehabilitation of Hawaiians, Stephen Langhern Desha, John Carey Lane, Henry Lincoln Holstein, Four Horsemen, Rehabilitation

March 26, 2026 by Peter T Young 1 Comment

Prince Jonah Kūhiō Kalanianaʻole Piʻikoi

Born on March 26, 1871, Jonah Kūhiō Kalanianaʻole Piʻikoi (grandson of Kaua‘i King Kaumuali‘i and the cousin of King Kalākaua and Queen Lili‘uokalani) was prince of the reigning House of Kalākaua.

After the rule of the House of Kamehameha ended with the death of King Kamehameha V in 1872, and King Liholiho died in 1874, the House of Kalākaua ascended to the throne of the Kingdom of Hawaiʻi.

He became an orphan after his father died in 1880 and mother in 1884. Prince Kūhiō was adopted by King David Kalākaua’s wife, Queen Kapi‘olani, who was his maternal aunt.

He attended the Royal School and Punahou; studied four years in St. Matthew’s College, California; was a student at the Royal Agricultural College in England and graduated from a business college in England.

Historical accounts say that Kūhiō was tagged with the nickname “Prince Cupid” by a French teacher when he was very young because of his chubby stature and good-natured personality.

He witnessed the overthrow of the Hawaiian monarchy in 1893, took the side of the monarchy, was found guilty of treason for plotting a counter-revolutionary attempt and made a political prisoner.

Prince Kūhiō, eligible royal heir to the Hawaiian throne, Delegate to Congress for ten consecutive terms and tireless worker for native Hawaiian rights, was born along the Poʻipū coast at Kukui‘ula and grew up in Kōloa on Kaua‘i.

Kūhiō was often called Ke Ali‘i Maka‘āinana (Prince of the People) and is well known for his efforts to preserve and strengthen the Hawaiian people.

In politics, he was a Republican. He launched a campaign to establish local government at the County level; this led to the County Act in 1905. Under the Act, the islands were divided into five separate Counties.

Prince Kūhiō restored the Royal Order of Kamehameha I and established the Hawaiian Civic Club.

The Order of Kamehameha I was established on April 11, 1865 by King Kamehameha V (Lot Kapuāiwa) to honor the legacy of his grandfather, the unifier of these islands, Kamehameha the Great.

The Order was reorganized by Prince Jonah Kūhiō Kalanianaole in 1902. Today, the organization continues to guard, maintain and preserve the rituals and the memory of the ruling Chiefs of Hawai‘i.

Hawaiian Civic Clubs were organized in 1918 and were formed to provide scholarship aid for the education of Hawaiian students; preserve and promote the Hawaiian heritage, traditions, language and culture; improve the conditions of the Hawaiian people and community at large; and perpetuate the values that dignify all human life.

In 1919 he also introduced the first bill asking that Hawai‘i become a state.

While a delegate of Congress, he spearheaded the effort in the passage of the Hawaiian Homes Commission Act that provides lands for native Hawaiians.

He was concerned about the diminishing number of Hawaiians and their seeming inability to adapt to urban living. It was his dream to have Hawaiians return to the land and encourage them to be self-sufficient farmers, ranchers and homesteaders.

Jonah Kūhiō Kalanianaʻole Piʻikoi died on January 7, 1922 of heart disease. He was given the last state funeral for an Ali‘i; he is buried at Mauna ‘Ala, the Royal Mausoleum.

Prince Kūhiō Day is an official holiday in the State of Hawaiʻi. It is celebrated annually on March 26, to mark the birth of Prince Kūhiō.

© 2026 Hoʻokuleana LLC

Filed Under: Ali'i / Chiefs / Governance Tagged With: DHHL, Prince Kuhio, Royal Order of Kamehameha, Holo Holo Koloa Scenic Byway, Hawaii, Kalakaua

March 25, 2026 by Peter T Young 4 Comments

Tutasi

“No other clubs compared to the Hawaiian Room.” (Tutasi Wilson; Imada)

“Although the Lexington Hotel is located in New York City, it still had the ability to play an integral role in sharing and perpetuating the Hawaiian culture and traditions.”

“The Hawaiian Room was the hub of all things Hawaiian in the Big Apple, and these people were the ambassadors of Hawaiʻi to America.” (English)

‘The girls’ saw their mission as selling Hawaii in a nice way. (Imada)

From 1937-1966, in the heart of what was the largest city in the world at the time, the Hawaiian Room was a pioneering venue where authentic hula and Hawaiian music were shared with millions from around the world.

Its performers represented the finest talent Hawai‘i had to offer, and they were readily embraced and celebrated by the diverse New York community.

The Room itself was the first of its kind and featured a glamorous dining room with island decor, large dance floor and American orchestra, and a Hawaiian music and floor show that was unmatched in its professionalism, elegance, and beauty.

It was New York after all – the land of Broadway shows, fast- paced lifestyles, ethnic diversity, and celebrities. (hula preservation society)

Some of the important names in Hawaiian entertainment performed at the Lex. They include Alfred Apaka, Ed Kenney, Kui Lee, Manu Kanemura Bentley, Lei Becker Furtado, TeMoana Makolo, Mona Joy, Ray Kinney, ‘Uncle’ Keola Beamer, Olan Peltier Carpenter, Leialoha Kaleikini, Jennie Woodd and Lani McIntire. (Wood)

Tutasi was one of the performers at the Lexington Hotel’s Hawaiian Room.

Helen Tutasiilemauosamoa Wilson was born in Leone, Pago Pago American Samoa on March 7, 1914; she was the daughter of Helen Ripley of Leone, and Frederick Roy Wilson of Hope, Michigan.

In 1925, when Tutasi was 10 years old, she was sent to Honolulu where she attended Lincoln School and later Kamehameha School for Girls; thus, in 1933, becoming the first non-Hawaiian girl to graduate from the school.

Between trips back to Samoa, she studied at the University of Hawaiʻi, worked in social services, and later returned to Samoa to work in this field.

Eventually, Tutasi left Samoa for California to further her studies, but the offer of a role in ‘Mutiny On the Bounty’ was too tempting, and thus her career in movies began. (PPSEAW)

During her time in Hollywood, she was a roommate with actress Jane Wyman. She also met Jane’s boyfriend Ronnie, another actor, and quickly they all became good friends. (Ronnie was Ronald Reagan, the 40th US President.)

Movie life soon paled and she then accepted an offer to join the Honolulu Maids at the Hotel Lexington’s Hawaiian Room in New York where she started a new career that included Polynesian dancing, costume design and catering services.

Tutasi became a valued addition to Arthur Godfrey’s weekly CBS-TV program in New York with her dancing and acting. Also featured on the show was her lifelong friend Duke Kahanamoku. They were a big hit with the Hawaiʻi-conscious audience.

Later, Tutasi launched her own business called Polynesian Services and Entertainment, and became involved in the lucrative New York tourist business by featuring travel packages for a ‘Hawaiian South Seas Weekend in Atlantic City,’ where she supervised everything from the luau dinners to the Polynesian dancing and fashion shows. (SamoaNews)

Her first husband was Charles Simmons; they married in 1936, when she was 21 years old. Simmons, a Navy pilot, died less than two years later, killed during a test flight.

In 1960, Tutasi married Dr Lewis Steinhilber, the head surgeon at the American Samoa Hospital. Dr Steinhilber passed away in 1982; following his death, Tutasi relocated to Hawai’i.

“An advocate for education, Tutasi mentored many young Samoans, encouraging them to pursue professional goals not merely for personal advancement, but to help the aiga (family) and others. So many people have benefited from her kind generosity.” (SamoaNews)

‘Aunty Tutasi’ died April 5, 2013 in Hawaiʻi at the age of 99. She was buried in the Ripley Family Cemetery in Sogi, Saita’a. In her last will and testament she gave this tender farewell:

“My heartfelt wishes and aloha shall go to all my dear relatives and friends in Samoa and Hawaiʻi for their friendship and kindness extended to me throughout my lifetime. Aloha nui loa – Tutasi”. (SamoaNews)

© 2026 Hoʻokuleana LLC

Tutasi_Wilson-Tutasi Rebecca Ainu’u Wesley
Tutasi_Wilson-midweek
Tutasi Wilson-Wedding day toDr. Lewis Steinhilber-Tutasi Rebecca Ainu’u Wesley
Aunty Tutasi-samoa_news
Tutasi-Wilson-Tutasi Rebecca Ainu’u Wesley
Hawaiian_Room-Hotel_Lexington
Early advertisement for the Hawaiian Room
Hotel Lexington New York Hawaiian Room (1953)

Filed Under: General, Economy Tagged With: Hawaii, Kamehameha Schools, Hawaiian Room, Hotel Lexington, Tutasi

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