Waikiki | Page 11 | Images of Old Hawaiʻi

June 30, 2019 by Peter T Young 1 Comment

Duke Kahanamoku

Born in 1890, Duke Paoa Kahinu Makoe Hulikohoa Kahanamoku was one of nine children of a Honolulu policeman. He was born at Haleʻākala, the “pink house” (home of Bernice Pauahi Bishop) located near ʻIolani Palace (near where Bank of Hawaiʻi now stands on King Street.)

With respect to his name “Duke,” he was named after his father. The elder Kahanamoku was born during the Duke of Edinburgh’s visit to the islands in 1869.

The elder Duke explains his naming as “after I was washed by Mrs. Bishop she gave me the name “The Duke of Edinburgh.” The Duke heard and was glad and came to house and I was presented to him and tooke [sic] me in his arms. And that is how I got this name.” (Nendel)

Duke lived in interesting times in Hawaiʻi; in his lifetime, Hawaiʻi moved from an independent monarchy to full statehood in the United States of America.

Kahanamoku’s family lived in a small house on the beach at Waikiki where the present day Hawaiian Hilton Village now stands. He would never graduate from High School due to the need to help his family earn enough money to live.

Duke Kahanamoku had a very normal upbringing for a young boy his age in Waikiki. He swam, surfed, fished, did odd jobs such as selling newspapers and went to school at Waikiki grammar school.

For fun and extra money he and others would greet the boatloads of tourists coming to and from Honolulu Harbor. They would dive for coins tossed into the water by the visitors, perform acrobatic displays of diving from towers on boat days, and explore the crop of newcomers for potential students to teach surfing and canoeing lessons to on the beach.

He earned his living as a beachboy and stevedore at the Honolulu Harbor docks. Growing up on the beach in Waikiki, Duke surfed with his brothers and entertained tourists with tandem rides.

By the time that Kahanamoku burst upon the world scene in 1911 (at the age of 21,) shattering American and world records in the one hundred and fifty yard freestyle swimming races at an Amateur Athletic Union (AAU) sanctioned meet in Honolulu Harbor, sport had become a tool of nationalism used by countries around the world to demonstrate modern manliness and vigor. (Nendel)

He later won an Olympic gold medal in 1912 – a feat he repeated eight years later at the age of 30. In 1924, he won the silver. Overall he won five medals at the various Olympic Games.

Returning to Hawaiʻi as a hero, yet unable to find a suitable job, Duke took his swimming ability abroad through exhibition swimming competitions – he also used every opportunity to introduce the world to surfing (he even appeared in 28-films as a bit-part actor, with such stars as John Wayne.)

However, fame brought him into politics and he served as Sheriff for thirteen consecutive 2-year terms. He initially ran as a democrat, but later switched and served as a Republican. After the office was eliminated, he became the city’s official greeter.

However impressive these feats are, it was his love of surfing that Duke is most remembered. He used surfing to promote Hawaiian culture to visitors who wanted to fully experience the islands.

Through his many travels, Duke Kahanamoku introduced surfing to the rest of the world and was regarded as the father of international surfing. On one trip to Australia in 1914-15, Kahanamoku demonstrated surfing and made such an impression that the Australians erected a statue of him. (Nendel)

British royal, Prince Edward asked Kahanamoku to teach him to surf. Duke heartily agreed.

Focusing surfing at home – and at Waikiki – the Outrigger Canoe and Surfboard Club was formed in 1908 in order “to give an added and permanent attraction to Hawaii and make Waikiki always the Home of the Surfer.” (Nendel) Duke joined the club in 1917.

Duke is credited for writing an article “Riding the Surfboard” in the January, 1911 edition of ‘The Mid-Pacific Magazine.’ It notes, “How would you like to stand like a god before the crest of a monster billow, always rushing to the bottom of a hill and never reaching its base, and to come rushing in for half a mile at express speed, in graceful attitude, of course, until you reach the beach and step easily from the wave to the sand? “

“Find the locality, as we Hawaiians did, here the rollers are long in forming, slow to break, and then run for a great distance over a flat, level bottom, and the rest is possible. Perhaps the ideal surfing stretch in all the world is at Waikiki beach, near Honolulu, Hawaii.”

On August 2, 1940, he married, Nadine Alexander, a girl from the mainland.

At the Huntington Beach Surfing Walk of Fame, Kahanamoku was the first ‘Surf Pioneer’ inductee in 1994. In 1999, Surfer magazine honored Duke as the century’s most influential surfer and placed his portrait on the cover of its annual collector’s edition.

In its December 27, 1999 issue, Sports Illustrated named Duke Kahanamoku the top athlete in the list of the top 50 greatest 20th-century athletes in Hawaiʻi.

On August 24, 2002, the United States Postal Service issued a commemorative stamp in honor of the man whom Robert Rider, Chairman of the Postal Service Board of Governors, called “a hero in every sense of the word.” The stamp honored Duke Kahanamoku, a man regarded with the reverence bestowed upon a legendary figure in his home State of Hawaiʻi.

“Kahanamoku represented a link to old Hawai`i and its monarchy and proud people as well as serving as the emerging image of modern Hawaiʻi as depicted in travelogues and television advertisements. There is no question that Kahanamoku is a symbol of the old and new Hawaiʻi.” (Nendel)

At his funeral services in 1968, Reverend Abraham Akaka said, “Duke Kahanamoku represented the aliʻi nobility in the highest and truest sense – concern for others, humility in victory, courage in adversity, good sportsmanship in defeat. He had a quality of life we are all challenged and inspired to emulate.”

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Nadine_and_Duke_Kahanamoku-(Star-Bulletin)

Duke_Kahanamoku_in_his_late_teens-(WC)-1900s

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Duke Paoa Kahanamoku with his surfboard-(WC)-c. 1910-1915

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7 Jul-12 Sep 1920: Duke Paoa Kahanamoku (Lane #5) of the USA preparing to start a race in a Swimming event at the 1920 Olympic Games in Antwerp, Belgium. Kahanamoku won gold medals in the 100 Metres Freestyle and the 4 x 200 Metres Freestyle events. Mandatory Credit: IOC Olympic Museum /Allsport

Duke_Kahanamoku_accepting_the_Olympic_Gold_Medal_from_King_Gustav,_Stockholm,_Sweden-(WC)-1912

Bernice Pauahi's residence at Haleʻākala-the building itself is called Aikupika - near what is now the intersection of Bishop and King streets

June 18, 2019 by Peter T Young 1 Comment

Aloha Amusement Park

An amusement park for the city of Honolulu was a long contemplated project by a number of prominent citizens, and various sites convenient to the public traffic were considered.

The “official” opening of Aloha Amusement Park on Kalākaua Avenue in Waikīkī was September 14, 1922. (Although the American Legion held a 4th of July carnival there as its first use (even though the park was not completed, they used the partially completed facility for the celebration.)

The three-day 4th of July celebration attracted nearly 25,000 paid admissions to the park; of this number, 16,395 attended on the closing day.

That year’s annual report of the Honolulu Rapid Transit and Land Company noted the opening of the park “resulted in a considerable increase in night travel. This attraction in its present location will no doubt stimulate travel on the cars.” (In part, the siting of the facility was due to the accessibility over the transit line.)

Reportedly, the Advertiser described it as “another laurel to the wreath of Honolulu’s progressiveness.”

The reception was not all good. Apparently, the Outdoor Circle and many residents called it an “atrocious ballyhoo bazaar”. There were complaints of commercialization of Waikīkī.

Likewise, a petition, signed by property owners in the area, said the park was misrepresented when the permit was granted, would lead to immorality. RA Vitousek, attorney, represented the park and its manager, WA Cory.

City Supervisors said they cannot revoke the permit but feel it should be investigated. (Krauss) (The City’s 1922 financial report notes a $50 expense, for “Aloha Amusement Park Investigation”.)

The operator noted the complaints were coming from people who are already operating hotels, bath houses and dancing places – all of which were catering to the rich. He noted that the rest of the people should have a place in the same area. (He had considered and decided against siting the Park in Pālama.)

Aloha Park was adjacent to Fort DeRussy, an American army base and was opened by the Aloha Amusement Company, a group of local investors. They invested $250,000 to build and equip the park with modern rides. They hired Los Angeles resident Cory to manage the park and gave him a stake in the new company.

While Honolulu only had a permanent population of 90,000, it also had a transient population of 30,000 soldiers, sailors and tourists. And its mild climate was perfect for year around operation.

Although its proximity to the army base was helpful, the five-acre site required extensive filling and dredging to make it into an amusement resort. Two acres were set aside as sunken gardens and grass lawns.

Technical director Mark Hanna was in charge of the park’s construction. The park’s entrance was designed after the Palace of Fine Arts arcade at the 1915 San Francisco Exposition.

The park’s rides included the Big Dipper roller coaster designed by Prior and Church of Venice, California, a Noah’s Ark fun house, a 70 foot high Traver Seaplane, a ten-car Dodgem, a carousel built by Arthur Looff, and a miniature railroad.

The dance hall had a floor 120 x 150 feet, with a 20 foot lanai, where refreshments were served, and contained boxes for private parties. Music was provided by the Hawaiian brass band, that played at the band pavilion where a big musical revue was staged nightly.

Electric lights at light brightly lit up the grounds and rides. Free daily entertainment was provided. Oscar V. Babcock performed his thrilling bicycle loop-the-loop during the park’s opening weeks.

Running into financial difficulties, the Park went into bankruptcy in 1924. New investment came in and the park was renamed Waikiki Park. It is believed the park lasted until the 1930 Depression.

The Park played a role in the Massie case in 1931. Five young men who had been charged with rape of Thalia Massie, as she walked home from a Waikiki nightclub, had reportedly been at a dance at the Aloha Amusement Park (and used that as an explanation in their defense.)

Lots of information here from National Amusement Park Historical Association and Bob Krauss’s newspaper notes.

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1925 Entrance to the Waikiki Amusement Park-Ilikai

Aloha Amusement Park-Hnl SB-Sept 14, 1922

Honolulu and Vicinity-Map-1934-(portion-noting-Waikiki_Park)

Honolulu and Vicinity-Map-1934-(portion-noting-Waikiki_Park)-Waikiki_Park-Honolulu-Map-1927

June 14, 2019 by Peter T Young 3 Comments

Moana Hotel

Waikīkī was once a vast marshland whose boundaries encompassed more than 2,000-acres (as compared to its present 500-acres we call Waikīkī, today).

In the late-1890s, with additional steamship lines to Honolulu, the visitor arrivals to Oʻahu were increasing. In 1896, Walter Chamberlain Peacock, a wealthy Waikīkī homeowner at the time, proposed to build Waikīkī’s first major resort to provide a solution to the area’s main drawback – the lack of suitable accommodations on the beach.

Often called the “First Lady of Waikīkī,” the Moana Hotel has been a Hawaiʻi icon since its opening opened on March 11, 1901.

The original wooden center structure of the Moana Hotel is the oldest existing hotel in Waikīkī. As such, it deserves recognition as a landmark in Hawaii’s tourist industry.

Designed in the old colonial style architecture of the period, it boasted 75 rooms and was the costliest, most elaborate and modern hotel building in the Hawaiian Islands at the time.

Each room on the three upper floors had a bathroom and a telephone – innovations for any hotel of the times. The hotel also had its own ice plant and electric generators. The first floor had a billiard parlor, saloon, main parlor, library, office, and reception area.

The Moana was one of the earliest “high-rise” buildings in Hawaii and was the costliest hotel in the islands. In spite of numerous renovations and changes, it has retained its tropical openness and is a welcome change from the more modern high-rises that surround it.

The original four story wood structure, designed by OG Traphagen, a well known Honolulu architect, features an elaborately designed lobby which extends to open lanais and is open to the Banyan Court and the sea.

By 1918, Hawaii had 8,000 visitors annually and by the 1920s Matson Navigation Company ships were bringing an increasing number of wealthy visitors.

This prompted a massive addition to the hotel. In 1918, two floors were added along with concrete wings on each side, doubling the size of the hotel.

In the 1920s, the Waikīkī landscape underwent a dramatic re-development when the wetlands were drained with the construction of the Ala Wai Canal. The reclaimed lands were subdivided into 5,000-square foot lots.

Matson Navigation Company bought the Moana in 1932; it paired with Matson’s other Waikīkī property, the Royal Hawaiian.

From 1935 until 1975, the Moana Hotel courtyard was home to the “Hawaii Calls” worldwide radio show, with its trademark sound of waves breaking in the distance.

The 1941 bombing of Pearl Harbor and Second World War interrupted the flow of visitors to Waikīkī and the region becomes a rest and recreation area for soldiers and sailors coming and going to the war in the Pacific.

After the war, tourism thrived in the late-1940s and 50s, with the introduction of regularly scheduled airline service from the West Coast.

1959 brought two significant actions that shaped the present day make-up of Hawai‘i, (1) Statehood and (2) jet-liner service between the mainland US and Honolulu (Pan American Airways Boeing 707.) (That year, the Moana was sold to the Sheraton hotel chain.)

These two events helped guide and expand the fledgling visitor industry in the state into the number one industry that it is today. Tourism exploded. Steadily during the 1960s, 70s and 80s the millions of tourists added up, as did the new visitor accommodations in Waikīkī.

The Moana remains a constant reminder of the old Waikīkī.

In the center of the Moana’s courtyard stands a large Banyan tree. The Indian Banyan tree was planted in 1904 by Jared Smith, Director of the Department of Agriculture Experiment Station (about 7-feet at planting, it is now over 75-feet in height.)

In 1979 the historic tree was one of the first to be listed on Hawaii’s Rare and Exceptional Tree List. It has also been selected by the Board of Trustees of America the Beautiful Fund as the site for a Hawaii Millennium Landmark Tree designation, which selects one historic tree in each state for protection in the new millennium.

In 1905, the Moana Hotel was at the center of one of America’s legendary mysteries. Jane Stanford, co-founder of Stanford University and former wife of California Governor Leland Stanford, died in a Moana Hotel room of poisoning.

After several renovations and additions, the hotel now accommodates 794 guest rooms, two restaurants, spa and a bunch of other hotel amenities.

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Moana Hotel-Apuakehau Stream-(Kanahele)-1915

May 26, 2019 by Peter T Young 3 Comments

Uncle George

George Lycurgus (1858–1960) was a Greek American businessman who played an influential role in the early visitor industry of Hawaiʻi.

He was instrumental in the development of the Hawaiian Volcano Observatory and Hawaiʻi Volcanoes National Park.

In 1893, Lycurgus leased a small guest house on Waikīkī Beach. He expanded it and renamed it the “Sans Souci” (French for “without care” and named after the palace of Frederick the Great in Germany.)

It became one of the first Waikīkī beach resorts (that end of Waikīkī is still called “Sans-Souci Beach.”) Among its guests was Robert Louis Stevenson.

Stevenson wrote in the guest book: “If anyone desires such old-fashioned things as lovely scenery, quiet, pure air, clean sea water, good food, and heavenly sunsets hung out before their eyes over the Pacific and the distant hills of Waianae, I recommend him cordially to the Sans Souci.”

“In 1893 Sans Souci was a rambling hostelry, nestled among the coconut and palm trees of Waikiki Beach. The guests occupied small bungalows, thatched-roof affairs about ten by twelve, the bed being the principal article of furniture.”

“It was in one of these bungalows that Stevenson had established himself, propped up with pillows on the bed in his shirt-sleeves.” Scribner’s Magazine, August, 1926.

By 1898, the Spanish American War had increased American interest in the Pacific. Hawaiʻi was annexed as a territory of the United States and Lycurgus applied for American citizenship.

He opened a restaurant called the Union Grill in Honolulu in 1901. He later invested in a logging venture in 1907 and also bought the Hilo Hotel in 1908.

In 1903, when he returned to Greece to visit his mother, he met and married Athena Geracimos from Sparta. She was probably the first Greek woman in Hawaiʻi.

In December 1904, George and his nephew (Demosthenes Lycurgus) became principal stockholders of the Volcano House Company and took over the management of the Volcano House hotel on the Big Island of Hawaiʻi.

His nephew always introduced him as “Uncle George” to the guests, which earned him his new nickname.

He worked with Lorrin Thurston and others for ten years, starting in 1906, to have the volcano area made into Hawaiʻi Volcanoes National Park.

In January 1912, geologist Thomas Jaggar arrived to investigate the volcano. A building for scientific instruments was built in a small building next to the hotel. Jaggar stayed in Volcano for the next 28 years.

In 1921, George Lycurgus sold the Volcano House to the Inter-Island Steam Navigation Company and moved to Hilo. During the Great Depression the company was going bankrupt and Lycurgus bought it back.

A fire destroyed the hotel in 1940, ironically from a kitchen oil burner, not volcanic activity. Only a few artifacts, such as a koa wood piano, were saved.

At the age of 81, he traveled to Washington, DC to have the construction of the new park headquarters building farther back from the lip of the crater.

That allowed him, in 1941, to build a more modern hotel at the former Hawaiian Volcano Observatory site. He reopened the new Volcano House (designed by notable architect Charles William Dickey.)

After another eruption in 1952, at the age of 93, he arranged a publicity stunt involving riding a horse to the rim of the erupting vent and tossing in his ceremonial bottle of gin. (The offering of gin became a regular at Volcano after that.)

Uncle George died in 1960 at the age of 101.

The National Park recently announced that Hawaiʻi Volcanoes Lodge Company has been selected to operate the Volcano House Hotel, Nāmakanipaio cabins and campground and other commercial services within Hawaiʻi Volcanoes National Park. The facility is scheduled to reopen in late-2012.

Volcano has been a special place for me.

As a kid, our family often visited Volcano and regularly stayed at the Volcano House. I remember seeing and meeting Uncle George while he was sitting before the continuously-burning fireplace at the Volcano House.

Decades later, I purposefully went to Volcano to plan the formation of my first business; the initial planning was on cocktail napkins at the Volcano House bar (the business succeeded.)

Today, the Young siblings own a house at Volcano our mother built; I used to visit there once a month, but now get back to it less frequently.

The Volcano Art Center Gallery is located in the 1877 Volcano House Hotel (now adjacent to the Volcano Visitor Center) under a cooperative agreement with the National Park Service.

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Uncle George Lycurgus

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San Souci Beach Area – large house (Mitchell) is where Natatorium is now located-1886

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May 11, 2019 by Peter T Young 1 Comment

“The Queen’s Retreat” (Waikīkī)

“In 1868, the year of her 30th birthday and the sixth anniversary of her marriage to John (Dominis), Lili‘uokalani inherited valuable property in Waikiki”. (Star Bulletin)

“The Queen’s Retreat” was in the district of Hamohamo (“rub gently,”) it consisted of two homes – one, called Paoakalani (“the royal perfume,”) was her principal home in Waikīkī.

The other was Ke‘alohilani (“the royal brightness,”) located opposite Kūhiō Beach, which she referred to in her memoirs as “my pretty seaside cottage.”

“In contrast to stately Washington Place, the one-story Ke‘alohilani was open on two sides with a large and inviting living room ‘filled with all things Hawaiian,’ where Lili‘uokalani and her ohana could gather in joy and hospitality”.

“Next to a satin pillow, embroidered in heavy thread proclaiming ‘There Is No Place Like Home,’ stood feathered kahilis. … A feather cape, a knitted afghan, a dog’s tooth necklace, a gold-plated bracelet …”

“… all intermingled in the home Lili‘uokalani came to love so dearly. ‘I danced around the rooms. It was my own!’” (Lili‘uokalani; Hawaii Bar Assn)

Here, she retreated to relax and informally entertain family, friends and on occasion, visiting royalty. She also spent much of her time composing her songs and translating Hawaiian stories into English.

Her home served as a comforting getaway from the pressures of business at ʻIolani Palace, several miles away.

“Hamohamo is justly considered to be the most life-giving and healthy district in the whole extent of the island of Oʻahu; there is something unexplainable and peculiar in the atmosphere of that place, which seldom fails to bring back the glow of health to the patient, no matter from what disease suffering.”

The Queen “derived much amusement, as well as pleasure: for as the sun shines on the evil and the good, and the rain falls on the just and the unjust, I have not felt called upon to limit the enjoyment of my beach and shade-trees to any party in politics …”

“While in exile it has ever been a pleasant thought to me that my people, in spite of differences of opinions, are enjoying together the free use of my seashore home.” (Lili‘uokalani)

In setting up the Lili‘uokalani trust, “Assisted by her attorneys, Lili‘uokalani conveyed all her real property to three trustees (brother-in-law Archibald S Cleghorn, business agent Curtis P Iaukea, and attorney William O Smith) on December 2, 1909. She retained the right to use Washington Place and Ke‘alohilani as her residences”. (Hawaii Bar Assn)

After the Queen’s death, Ke‘alohilani, as well as the pier and beach fronting the area (including the fisheries,) was transferred to Prince Kūhiō.

The Prince and his wife, Princess Elizabeth Kahanu, temporarily lived in Queen Lili‘uokalani’s Waikīkī cottage, Ke‘alohilani, for about a year.

They razed it and constructed a new home, which they called Pualeilani (“heavenly flower lei” or “flower from wreath of heaven.”)

After Prince Kūhiō died at Pualeilani on Jan. 7, 1922, the property was given to the city; by 1938 the name of the pier, as well as the beach area fronting it, became known as Kūhiō Beach.

The surf break in front of this is still known as Queen’s, because this was facing the Queen’s home.

Kuekaunahi stream used to run through the property; this small stream paralleled Kapahulu Avenue and crossed Waikīkī Beach at the intersection of Kalākaua and Kapahulu Avenue.

The stream was eventually enclosed in a culvert and at the shore its waters were channeled into the ocean through the Kapahulu Groin.

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