Images of Old Hawaiʻi

by Peter T Young Leave a Comment

Kapaeloa

The literal translation for the moku (district) of Waialua is “two” (lua) “water(s)” (wai), which may be a reference to the pair of major streams that empty into its two main bays (Waialua and Kaiaka.)  An alternative interpretations of the meaning of Waialua suggest a particular lo‘i (irrigated taro patch,) a specific place called Kemo‘o and a cruel ancient chief named Waia.

Others suggest, “Waia, grandson of Wākea was said to be a cruel chief. He cared nothing of the gods or of doing good. He had men and women killed for the fun of killing them. When he saw a maiden with shapely legs, he ordered them cut off and if a man or a woman had beautiful tatooing he was put to death. … Waia lived and practised evil deeds at Waialua – as such, the place was named for him Waia-lua (Doubly disgraceful.)”  (Handy & Pukui)

“For the 28 generations from Hulihonua (the first man in the ancient Hawaiian past) to Wākea, no man was made chief over another. During the 25 generations from Wākea to Kapawa, various noted deeds are mentioned in the traditions and well-known stories.  Kapawa was the first chief to be set up as a ruling chief. This was at Waialua, Oʻahu; and from then on, the group of Hawaiian Islands became established as chief-ruled kingdoms”. (Kamakau)

Historic evidence indicates a fishing village, or a scattering of small fishing villages, extending from the west side of Waimea Bay back towards Waialua. This area along the coast and inland was known as Kāpaeloa (it’s in Waialua, and shares a boundary with Waimea ahupuaʻa that is in the moku of Koʻolauloa.)

In times past, Kāpaeloa may have been an ahupuaʻa; however, in later references (ie LCAs) Kāpaeloa is considered an ‘ili (land division smaller than an ahupua‘a) of either Kawailoa or (in the early-nineteenth century) Kamananui ahupua‘a.

The area is a relatively dry place, generally unsuitable for wet-taro cultivation, but ideal for its access to marine resources and deep-sea fisheries.  Any cultivation would have been limited to small gardens – families likely exchanged marine resources for other foodstuffs, such as taro, with farmers from nearby areas.

Here and in close proximity are four significant sites: Kūpopolo, a large heiau (temple;) Keahuohāpu’u, a fish-attracting shrine on a rocky point; Kaʻahakiʻi a tongue-shaped stone marking the ahupua‘a boundary between Waimea and Kawailoa; and Pu‘u o Mahuka Heiau at Pūpūkea.

This area, and some of the sites above are associated with Kaʻōpulupulu the last O‘ahu born Kahuna Nui (supreme spiritual leader) of the island.

In 1773, a leadership change was decided on Oʻahu where Kahahana would replace Kūmahana; this was the second chief to be elected (rather than conquest or heredity) to succeed to the leadership of Oʻahu, the first being Māʻilikūkahi who was his ancestor.  Kaʻōpulupulu was Waimea’s presiding priest and served Kahahana.

A story says Kahahana asked Kaʻōpulupulu to determine whether the gods approved of him, and whether the island of Kaua‘i would surrender if he invaded its shores. Kaʻōpulupulu requested that a temple be built where he could “speak to the great chief Kekaulike (of Kaua‘i) through the thoughts of the great akua Mahuka.”

At first, Heiau Kūpopolo was built on the beach of Waimea Bay; however, when Kaʻōpulupulu used it, he received no answer from Kaua‘i. It was thought the temple was in the wrong location.

Off shore of this area is Wānanapaoa, a small group of islets.  Several believe they were so named (Wānanapaoa literally translates to “unsuccessful prophecy”) because Kūpopolo heiau there did not live up to its intended function.

Because the kahuna believed that “thoughts are little gods, or kupua, that travel in space, above the earth … they fly freely as soaring birds,” he had another heiau, Puʻu O Mahuka built high on the cliffs. From there, Kaʻōpulupulu sent out thought waves, and the answer quickly returned – Kaua‘i wished for peace.  (Johnson; OHA)

“At that time, Kahekili was plotting for the downfall of Kahahana and the seizure of Oʻahu and Molokaʻi, and the queen of Kauaʻi was disposed to assist him in these enterprises.”  (Kalākaua)

Kahekili deceived Kahahana by having him believe Kaʻōpulupulu had offered the government and throne of Oʻahu to him (Kahekili), but that out of affection for his nephew he had refused; and he intimated strongly that Kaʻōpulupulu was a traitor to Kahahana.

Kahahana believed the falsehoods and it subsequently caused friction between Kahahana and Kaʻōpulupulu and the Oʻahu King turned a deaf ear to his kahuna’s advice and by the later part of 1782 or beginning of 1783, he arranged to have Kaʻōpulupulu killed.

Kahahana, who dispatched his best runners and trusted warriors to kill Kaʻōpulupulu and his son, Kahulupue … On the eve of the expected arrival of the messengers of death, Kaʻōpulupulu warned his son of their doom, saying: “I see in the sudden rise of dust that death will be here anon.”…Hardly had he given utterance to those words, when father and son were dragged out and speared.

Weakened, Kaʻōpulupulu commanded his wounded son, who had gained a point where a few steps would have placed him at the mercy of the angry sea: “E nui ke aho e kuʻu keiki a pa ke kino I ka ili kai a na ke kai ka ua ʻāina la” – Spend not your strength my son until your body strikes the surface of the ocean, for the land belongs to the sea.” This cryptic message culminated in the invasion of Oʻahu by Kahekili, aliʻi nui of Maui.  (Nui; Cultural Surveys)

Back to the sites of Kāpaeloa, Keahuohāpuʻu is believed to be either a koʻa (although fishing koʻa are characterized with coral, this one does not have coral in its construction) or a kūʻula associated with the fish (or shark) god Kāneʻaukai.  (The hāpuʻu is a kind of grouper fish.)

Kaʻahakiʻi was a “tongue-shaped stones, with only the tip protruding above the ground.”  It could still be seen in 1930s; when road construction occurred here, the workers worked abound the stone.

Another stone “in the vicinity” was blasted by railroad builders “apparently causing the death of three workmen.” A local Hawaiian referred to this stone as a kupua, “which he defined as a stone belonging to a particular region”.  (McAllister; Cultural Surveys)

During the Māhele in 1848, nearly the entire ahupua‘a of Kawailoa was awarded to Victoria Kamāmalu (LCA 7713.)  During the second half of the nineteenth century, following the death of Kamāmalu in 1866, Kawailoa Ahupuaʻa was passed on to successive members of the aliʻi (chiefs) eventually to Bishop Estate.

Today, Kūpopolo Heiau is used as an outdoor classroom for archaeological field training for the North Shore Field School (a cooperative effort of Kamehameha Schools and UH.)  Students and community volunteers learn how to identify, document and investigate archaeological artifacts, features and other cultural landscapes.  (Lots of information here from Cultural Surveys)

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by Peter T Young 4 Comments

Hawaiʻi Youth Correctional Facility

American and English heritage found those members of society who either cannot care for themselves or who do not fit societal expectations have been the subject of ‘parens patriae’ (parent of the nation,) whereby the state acts as the parent of any child or individual who is in need of protection (i.e., destitute widows, orphans, abused and neglected children and law violators of minority age.)

In 1850, the Kingdom of Hawaiʻi passed its first legislation towards the care and training of Hawaiʻi’s delinquent youth.

Then, the legislature, on December 30, 1864, approved “An act authorizing the board of education to establish an industrial and reformatory school for the care and education of helpless and neglected children, as also for the reformation of juvenile offenders”.

“The only object of the said industrial and reformatory schools shall be the detention, management, education, employment, reformation, and maintenance of such children as shall be committed thereto as orphans, vagrants, truants, living an idle or dissolute life, who shall be duly convicted of any crime or misdemeanor”.  (Hawaiian Commission, Annexation Report, 1898)

In 1864, Kamehameha V created, and placed administratively under the Kingdom’s Board of Education, the Keoneʻula Reformatory School, an industrial and reformatory school for boys and girls in Kapālama.  The first juvenile facility of its kind in the Islands. (The site is now home to the Princess Victoria Kaʻiulani Elementary School on King Street.)

The Board had authority to establish other industrial schools across the Islands. (Jurisdiction shifted from the Board of Education to the Board of Industrial Schools in 1915, then to the Territorial Department of Institutions in 1939.)

The Industrial School model was in response to the belief that segregation in an institutional setting was the most effective way to address the needs of neglected and delinquent youth. Major characteristics of this congregate-care facility included strict regimentation, harsh punishment, unequal treatment for boys and girls, a poor education system and an emphasis on work.

Initially, the board leased nine-acres in Kapālama, initially for 15-boys and 2-girls, and had them grow taro, vegetables and bananas.  In 1903, with the growing population, 75-boys were relocated from Keoneʻula to farmland in Waialeʻe on the North Shore, where wards could learn “habits of industry.”

Farming activities were intended as much to make this facility self-supporting as to provide therapy and training for the wards. Reports about the Waialeʻe institution refer to conditions as always overcrowded.

Meanwhile, female wards moved from Kapālama to Mōʻiliʻili, then in the 1920s to the Maunawili Training School on the mauka side of Kalanianaʻole Highway in Kailua, Koʻolaupoko.

The girls’ Maunawili complex included five major buildings sited on approximately 430-acres on the slopes of Olomana.  All the buildings (primarily designed by CW Dickey) were constructed between 1927 and the opening of the school in February 1929, with the exception of the gymnasium which was built in 1938.

According to an early Honolulu Star-Bulletin report, “the buildings are scattered about over the hillside, each different from the other in architectural detail. The effect is pleasing; there is no air of the reform school about the place.”  (NPS)

In 1931, the boys’ facility underwent a name change from Waialeʻe Industrial School to the Waialeʻe Training School for Boys; that year, the girls’ Maunawili complex became known as the Kawailoa Training School.

These were Territorial institutions, in rural Oʻahu, formerly under the Department of Public Instruction but from 1915 were under a Board of Industrial Schools.  (Report of Governor’s Advisory Committee on Crime, 1931)

Delinquent or dependent children under 18 years of age may be committed to these schools by the juvenile courts in proceedings not to be deemed criminal in nature; no child under 14 may be confined in any jail or police station either before, during or after trial, and no child under 18 may be confined with any adult who shall be under arrest, confinement or conviction for any offense.  (Report of Governor’s Advisory Committee on Crime, 1931)

Then, in succeeding decades, various types of facilities and locales were used to house, train and educate the youths.

In 1950, three “cottages” for boys (named, Olomana, Kaʻala and Maunawili) were built on the makai side of Kalanianaʻole Highway from the girls’ Kawailoa Training School in Kailua.  Then, all operations at the Waialeʻe Training School for Boys (111-boys and 45-staff members – the entire population from Waialeʻe) transferred to the new facility and the name changed to the Koʻolau Boys Home.

In 1961, all operations came under a combined administrative unit (including housing both male and female youths) with a new name, the Hawaiʻi Youth Correctional Facility (HYCF,) a branch of the Corrections Division of the reorganized Department of Social Services and Housing.

HYCF is the state’s sole juvenile facility. It’s comprised of two separate facilities with three housing units: two boys’ housing units and a girls’ housing unit (with certain exceptions, HYCF houses boys confined for long terms at the main secure custody facility (“SCF.”)

The SCF is comprised of a central courtyard surrounded by three housing modules, with ten cells and a common area in each module, a school, a gymnasium, kitchen facilities, offices for administrative and medical staff, and two isolation cells.

The Olomana School, Olomana Hale Hoʻomalu and Olomana Youth Center were established since 1985 and provide support services to alienated students throughout the State of Hawaiʻi.

Olomana School (operated by the DOE) offers three main educational programs:  incarcerated youth are served at HYCF; the Olomana Hale Hoʻomalu program is to provide educational and support services to students who are temporarily confined to the juvenile detention facility; and The Olomana Youth Center serves at-risk students from Windward Oahu’s secondary schools and also HYCF students who are in transit.

Due to the pending litigation in 1991 against the State regarding conditions of confinement for women, the temporary Women’s Community Correctional Center (in what was the Koʻolau Boys Home on the makai side of the highway) was remodeled and completed in 1994 as the State’s primary women’s all-custody facility.

Women’s Community Correctional Center (WCCC) is the only women’s prison in Hawaii. It also serves the needs of pre-trial and sentenced female offenders. The facility houses female offenders who are of maximum, medium and minimum custody levels.

The facility is comprised of four (4) structures; Olomana, Kaala, Maunawili and Ahiki Cottages. Every cottage operates in accordance with specific programs and classification levels.  WCCC also offers a 50-bed gender responsive, substance abuse therapeutic community called Ke Alaula.  (Lots of information here from reports from the Auditor, Center on Juvenile and Criminal Justice, Office of Youth Services and NPS.)

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by Peter T Young Leave a Comment

Historic Homes of Waikīkī

A Waikīkī historic home walking tour from the Historic Hawaiʻi Foundation is a self-guided itinerary, suitable for individual travelers, and focuses on sites of historic or cultural significance that are either open to the public or visible from the public way.

The Historic Homes in Waikīkī Walking Tour takes 45-minutes or more. The tour starts at the War Memorial Natatorium, then head towards Diamond Head to the Tahitienne apartment.

The traveler then weaves in between the Honolulu Tudor/ French Norman Cottages and other charming historic residential homes. At the end of the tour, the traveler will finish off with the Mediterranean inspired La Pietra School for girls.

1.  The War Memorial Natatorium is significant as a major social and recreational local landmark and for its association with the history of competitive swimming. The swimming complex was rendered in a Beaux-Arts style and was finished in the summer of 1927, the first “living” was memorial in the United States.

The property contains a 100 meter saltwater swimming pool, concrete bleachers that rises 13-levels high, and a main entryway that includes an elaborate sculpture and triumphal arch entablature. The memorial is dedicated to those from Hawai‘i who served in World War I.

2.  The Tahitienne is a nine-story apartment building rendered in a 1950 modern, utilitarian style. The Tahitienne was planned and built by California architects Bob Fraser and Paul Hammarbarg. Local Architect, Edwin L Bauer, helped design the layout and interiors of the apartments.

This building is associated with the commercial development of real estate in Hawaiʻi, and specifically with the co-operative apartments in Honolulu.  There are approximately 50 co-operative apartments which appeared during the 1950s and early 1960s in Honolulu, which remain functioning as a co-op.

3.  The Egholm Residence was built in 1926 in the Diamond Head Terraces subdivision.  It is significant as one of the few examples of small cottages in the Spanish Colonial Revival style popular in Hawai‘i in the 1920s and early 1930s. The hipped red clay tile roof, stucco exterior and arcaded entrance are characteristic features of this style.

The residence is the work of notable architect and builder Carl William Winstedt. The modest scale of this house is rare compared to the other palatial residences built in the Spanish Colonial Revival style during this time period in Hawai‘i.

4.  The Honolulu Tudor/French Norman Cottages Thematic Group are made up of fifteen different residences, built between 1923 and 1932. These homes display a high degree of craftsmanship and design detail and include the work of several local architects and builders, including: Earl Williams, Hart Wood, John Morley, Theo Davies & Co., and J Alvin Shadinger.

5.  The James JC Haynes Residence, built in 1926, is a two story, shingle sided house facing south. The house stands out as a well-constructed house, having been built by Lewers & Cooke, rendered in a distinctive colonial style distinguished by its high pitched, front facing gable roofs clad with cut shingles and closed eaves with 4″ beaded tongue and groove soffits.

The house is also significant for its adaptation of this colonial revival form to Hawai‘i’s climate. Its easy access to the outdoors bespeaks a Hawai‘i architectural tradition for informal living.

6.  The CW Dickey Residence, built in 1926, is associated with the well-known local architect, Charles William Dickey, and the development of the Hawaiian style of architecture. This cottage, with its prominent double-pitched hipped roof, became the prototype for numerous modest cottages built in the Islands during the late 1920s and 1930s.

Through the use of graceful sloping roofs, overhanging eaves, extensive windows and screened openings, and lanai, Dickey said, “I believe I have achieved a distinctive Hawaiian type of architecture” (Honolulu Advertiser, March 14, 1926). The house appears intact and serves as a well-crafted, well-designed statement of Dickey’s development of an exclusive Hawaiian style of architecture.

7.  Doctor Frank and Kathryn Plum Residence was constructed by Rudolph Bukeley in 1929.  It is significant as an example of a Cotswold Cottage style residence constructed in Hawai‘i during the time period of the late 1920s and early 1930s.

It well reflects the style with its romantic asymmetric massing, and its use of such eclectic and picturesque elements as its skewed gable, front bay window, wrought iron mock-balconet in the round arched gable vent, canted walls with their wound arched doors, double pitched roof, and shed roof dormers.

8.  Built in 1923, Fred Harrison Rental Property is a one and a half story, shiplap sided, vernacular style house. It is a good example of a dwelling constructed as a middle class rental property.

Although a modest house, it presents a distinctive appearance to the street with the curved, sweeping roofline; prominent bay window; double gable ends on the west side; and a front doorway that does not face the street.

9.  The Adolph Egholm Kiele Avenue House is a single story, Spanish Mission Revival style cottage that was constructed in 1926. It features stucco walls and a red clay tile, hipped roof with overhanging eaves and exposed rafter tails.

The house sits on a lava rock basement and is distinguished by its centered, outset, flat roofed front porch with its round arched openings.  It is significant as a good exaple of a Spanish Mansion cottage built during the 1920s.

10.  The Mrs. Josephine Ketchum Residence is a Craftsman-style bungalow built in 1931.  It is significant for its architecture as an example of a Craftsman inspired house in Hawai‘i. The naturally-stained board and batten walls and use of heavy timbering are character-defining elements of the building’s design.

In addition to these typical craftsman hallmarks, the house features the “Hawaiian” style, double-pitched hipped roof, which was very popular in the Islands during the late 1920s and early 1930s. This further accentuated the horizontal sense of the house, another typical Craftsman characteristic. The screened lanai and exterior bathroom door further fix its location near the beach, where a number of houses from this period featured such doors for use by beach goers.

11.  The Folk Residence, Tavares Residence and Coconut Avenue Residence were built by John Morley for the Pacific Trust Company and are part of the Honolulu (made up of fifteen different residences, built between 1923 and 1932.

These homes display a high degree of craftsmanship and design detail and include the work of several local architects and builders.)

12.  The Helene Morgan Residence is a single story, Hawaiian style duplex with a pair of double-pitched hipped roofs with overhanging eaves and exposed rafter tails.

Presently, the house is a single family dwelling, but originally it was two separate laid out units connected by a passage. The duplex sits on a raised, post and pier, foundation with lava rocks at the base.

13.  The Richard M Botley Residence was built in 1931.  It is significant for its architecture as a good example of a Spanish Mission Revival house built in Hawai‘i during the period 1920-1931.

It is characteristic of the style with its red tile roof and white masonry walls. The two-story, L-shaped house was designed by noted Honolulu architect Robert Miller.

14.  Constructed in 1929, Hibiscus Place is a two-family Mediterranean Revival style residence. The builder, Charles Ingvorsen and his wife, Mary M. Ingvorsen, came to the United States from Denmark. He developed a number of smaller homes in the Diamond Head Terrace subdivision, and retained this property high on the slopes of Diamond Head for his family.

Originally, the Hibiscus Place land consisted of approximately 17,739 square feet but, the property was subdivided in the 1950’s into three separate parcels. The current owner acquired and reassembled two of the three parcels of land into a single property that now consists of 12,495 square feet.

15.  La Pietra, which was constructed in 1921, is an extensive two-story Mediterranean Style building built to resemble an Italian Villa. Its two stories are arranged in a hollow square containing a central rectangular patio. The central patio is lined on all four sides with arcades supported by cut sandstone Doric columns.

La Pietra is significant as a representation of the kind of lifestyle enjoyed by the very wealthy in Hawaiʻi at that time as well as an example of Mediterranean architecture. The building was designed by prominent Chicago-based architect David Adler for Walter F Dillingham, a prominent Honolulu industrialist and businessman known as the Baron of Hawaiʻi Industry.

16.  Kapi‘olani Park was dedicated in 1877 and is a recreational open space of 160 acres. Kapi‘olani Park has an extensive and varied history. The park began as a private preserve that transitioned over the years into the present-day iconic public park. Kapi‘olani Park is historically significant for its past association with indigenous Hawaiian culture and royalty.

King Kalākaua envisioned the park as a place of recreation for all and named it after his famous Queen, Kapi‘olani. Long before the park was established, on Waikīkī/Kapiʻolani park area was the center of Hawaiian culture on Oʻahu. Agricultural cultivation, fishponds, coconut groves and indigenous settlements dotted the area.

17.  The Diamond Head Lighthouse is a 57 foot white concrete pyramidal tower with a red roof. It sits seemingly on the side of a sharp cliff when viewed from seaward, and at night the light can be seen up to 18 miles by the mariner.  It was first established in 1899 to guide mariners into the then budding port of Honolulu.

Constructed in the Monarchy period, the lighthouse and accompanying buildings have not changed since 1917. The lighthouse itself is of the classic lighthouse design – a thick white tower with a barn-red pointed roof.

Heritage Tourism Reminders
Please remember to be respectful and considerate towards the owners of the Historic Homes you are viewing.

  • Heed signs and respect the fact that each house is privately owned.
  • Please do not trespass.
  • Try not to loiter or display suspicious behavior around these houses.
  • Do not litter.

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by Peter T Young Leave a Comment

Hickam

The first successful air flight was in a hot air balloon in 1783; since heated air is lighter than cool air, the balloon would rise into the sky. The pilot would ride in a basket attached to the balloon and control the height by adding and subtracting more heat.

The problem with hot air balloons is that you cannot go the way you want. If the wind is blowing west, that means you would have to go west, too.

Flight took a new turn with the invention of the airplane in 1903; the military quickly became aware of its use in combat. “It can go faster and higher than horses,” said one Army aviator. The US War Department bought its first plane in 1909 and it was assigned to the new Army Air Corps.

It wasn’t until the National Security Act of 1947 became law on July 26, 1947 that a separate, independent Department of the Air Force was created, headed by a Secretary of the Air Force.

In Hawaiʻi, the US Army built Luke Field on Ford Island (constructed in 1917;) by 1928, they recognized the benefit of an expanded air presence, including in Hawaiʻi, and they began looking for a new site for modernizing the national defenses here.

Site selection narrowed to about 2,200-acres of land bordered by Pearl Harbor channel on the west, Pearl Harbor Naval Reservation on the north, John Rodgers airport on the east and Fort Kamehameha on the south.

The land was acquired from Bishop, Damon and Queen Emma Estates and on May 31, 1935 Hickam Air Field was dedicated (it was named in honor of Lt. Col. Horace Meek Hickam, a distinguished aviation pioneer who was killed in an aircraft accident on November 5, 1934, at Fort Crockett in Galveston, Texas).

In naming boulevards and avenues on Hickam Field, the War Department deemed it appropriate to remember those early aviation pioneers who were killed in the Hawaiian Islands as a result of airplane accidents: Fox Blvd. -1st Lt. Robert E. Fox, killed 1920; Cornet Ave. -Pvt. Harman J. Cornet, 1920; Boquet Blvd. -1st Lt. Ulric L Boquet, 1921; Manzelman Circle -1st Lt. Earle R Manzelman, 1921; Vickers Ave. -SSgt. Vernon Vickers, 1921; Owens St. -Sgt. Ross Owens, 1922; Julian Ave. -1st Lt. Rupert Julian, 1923; Monthan St. -1st Lt. Oscar Monthan, 1924; Moore St. -1st Lt. William G. Moore, 1924; Catlett St. -2nd Lt Carter Catlett, 1925; Porter Ave. -TSgt. Aaron A. Porter, 1925; Worthington Ave. -1st Lt. Robert S. Worthington, 1927; Signer Blvd. -Capt. John A Signer, 1927; Kuntz Ave. -1st Lt Clyde A. Kuntz, 1929; Atterbury Circle -2nd Lt. Ivan M. Atterbury, 1930; Mills Blvd. -SSgt. Ralph O. Mills, 1930; Scott Circle -2nd Lt William J. Scott, 1931; Baker St. -2nd Lt. George C. Baker, 1931; Wilson St. -Pfc Hicks G. Wilson, 1935 and Beard Ave. -1st Lt. William G. Beard, 1936.

Hickam Field, as it was then known, was completed and officially activated on September 15, 1938. It was the principal Army airfield in Hawaiʻi.

By the end of 1939, the Air Corps organization located at Hickam Field were, Headquarters, 18th Wing; 5th Bombardment Group; Headquarters Squadron, 5th Bombardment Group; 23rd Bombardment Squadron; 31st Bombardment Squadron; 72nd Bombardment Squadron; 4th Reconnaissance Squadron and 17th Air Base Commando (shortly after, the 11th Bombardment Group was included.

In connection with defense plans for the Pacific, aircraft were brought to Hawaii throughout 1941 to prepare for potential hostilities.  The only airfield large enough to accommodate the B-17 bomber (the Flying Fortress, at the time, the Air Corps’ most-modern airplane,) in May 1941, Hickam received the first mass flight of bombers (21 B-17s) from Hamilton Field, California.

When the Japanese attacked Oahu’s military installations on December 7, 1941, Hickam Field was an important objective; because the success of the Japanese attack was dependent on eliminating air opposition and precluding US planes from following their aircraft back to their carriers and bombing the task force.  Hickam suffered extensive damage, about half of its planes had been destroyed or severely damaged, and personnel casualties totaling 139 killed and 303 wounded.

During the war years, the base played a major role in pilot training and aircraft assembly work, in addition to serving as a supply center for both air and ground troops. Hickam served as the hub of the Pacific aerial network, supporting transient aircraft ferrying troops and supplies to, and evacuating wounded from, the forward areas.

On March 26, 1948, Hickam Field was renamed Hickam Air Force base.   After World War II, Hickam was the US primary mobility hub in the Pacific comprised of the Air Transport Command and its successor, the Military Air Transport Service, until July 1957 when Headquarters Far East Air Forces completed its move from Japan to Hawaiʻi and was redesignated the Pacific Air Forces.

Hickam Air Force Base supported the Apollo astronauts in the 1960s and 1970s; Operation Homecoming (return of prisoners of war from Vietnam) in 1973; Operation Babylift/New Life (movement of nearly 94,000 orphans, refugees and evacuees from Southeast Asia) in 1975; and NASA’s space shuttle flights during the 1980s and into the 1990s.

The 2005 Defense Base Closure and Realignment Commission (BRAC) Report to the President combined the once-independent Pearl Harbor Naval Station (Navy) and Hickam Air Force Base (Air Force) management functions with the establishment of Joint Base Pearl Harbor-Hickam (effective October 1, 2010.)

Hickam now consists of 2,850 acres of land and facilities sharing its runways with the adjacent Honolulu International Airport as a single airport complex, operated under a joint-use agreement.

In October 1980, the Secretary of the Interior designated Hickam AFB as a National Historic Landmark, recognizing it as one of the nation’s most significant historic resources associated with World War II in the Pacific. A bronze plaque reflecting Hickam’s “national significance in commemorating the history of the United States of America” took its place among other memorials surrounding the base flagpole. (Lots of information here is from NPS and ‘Hickam’)

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by Peter T Young Leave a Comment

Grand Tour of Oʻahu

In October 1875, Queen Emma (widow of King Kamehameha IV) decided to take a trek around the islands.  She asked John Adams Cummins (a member of the House of Representatives, the son of an English settler and a Hawaiian mother, and also one of Kamehameha V’s closest friends) to organize the trek and to accompany her.  (Kanahele)

Called the “Prince of Entertainers” and the “entertainer of princes,” Cummins was a prominent Waimanalo sugar planter known for his generous and lavish hospitality to royalty and commoner alike and for his knowledge and love of Hawaiian traditions.

Cummins made sure meticulous arrangements were in place as twenty men safeguarded the Queen around the clock.  The Queen had a head steward who had twenty men under him, ten of whom guarded by day and ten by night.

Then on November 5, 1875, the festivities began.  Leading a vibrant procession into Waimanalo were Cummins, Queen Emma and her mother.

“The streets of Honolulu were thronged with people to witness the grand sight, and it would appear that the whole city and many from the country had turned out to see the departure. We rode down Nuʻuanu street and along King and up into Beretania and thence out towards Kamōʻiliʻili.”  (Hawaiian Gazette)

A huge celebration took place at Mauna Loke (Cummins Waimanalo home,) the first stop of a two-week “Grand Tour of Oʻahu” by the Queen.  She stayed three days, by which time the number present – both invited and uninvited – was in the hundreds.

Cummins had built two large, thatched lanai that seated 200 people. The lūʻau and hula performances were followed by fireworks and rockets fired from the surrounding Koʻolau Mountains at Waimanalo.

Along their circle-island journey, preceding the procession, posters were placed at different parts of the island noting the respective dates of arrival so that local folks would be ready with food, entertainment and accommodations.

After breakfast, everybody went sea bathing or into the mountains to gather maile, ʻawapuhi, ʻohawai and palapalai for lei. Fishermen caught honu (turtle), ʻopihi, ʻokala, uhu, palani, heʻe, lole, ʻohua, manini and kumu.  (Krauss)

As the cavalcade moved from Lanikai and Makapuʻu to Kāneʻohe, then to Waikāne, Punaluʻu and beyond, the people continued to arrive with Hoʻokupu (gifts) of food stuffs for the Queen.  (Kanahele)

At Punaluʻu, the Queen agreed to ride with Cummins in a canoe; it was tied with hundreds of feet of rope to two horses who galloped parallel to the water for four miles on the beach.

“The Queen left her shoes and stockings and got into the canoe and sat down, holding firmly by the out-rigger. The beach was crowded with people to witness the great sight of a Queen taking a perilous ride in the surf.”  (Cummins; Commercial Advertiser)

“We got away for Kahuku … This is the land of the hala tree. We had four very large houses, and all the walks around and from house to house were covered with matting called ‘ue’. Every one took care of his own horse and all were welcome. … At night I had all the torches burning, which lighted up all Kahuku.”

“Our party by this time had increased to over three hundred, and the number of visitors and friends from the neighborhood was very large. At the midnight luau I sent word around among the people that there should be no one leaving here for Waimea or Waialua who had not a wreath of hala-fruit, and that we would leave after breakfast on the morrow.”

“The inhabitants of Waialua district were exceedingly kind to the Queen and her party. … Natives from distant Waiʻanae brought to Her Majesty quantities of their famous fine-flavored cocoanuts, called poka-i. …”

“Assuredly Waialua never saw such a sight before and never will again. Every surfboard in the vicinity was in use, and there were some rare actors amongst this mass of people, who hailed from all parts of the island.” (Cummins; Commercial Advertiser)

Oxcarts loaded with hoʻokupu  arrived from the countryside. Torch bearers renewed their stock of kerosene at every Chinese store on the route.  Waialua had never seen a procession of 400 women on horseback in bright-colored costumes wearing lei and maile, every face wreathed in smiles.  (Krauss)

“(A)fter another great breakfast, the cavalcade was formed for the ride towards Honolulu. It was one of the most beautiful sights ever seen, to look back on the procession from the uplands; and Her Majesty was continually looking back at the bright colored procession which followed us, four abreast.”  (Cummins; Commercial Advertiser)

The next day, parties from Honolulu joined the group for a grand lūʻau hosted by Princess Keʻelikōlani at Moanalua. “Here all the Hawaiian luxuries were ready for a final lūʻau on an exceedingly grand scale. I never saw such an abundance of leis made of lehua blossoms, and cannot imagine where they came from.”

“Just as the party were ready to partake of the viands a very heavy shower of rain, accompanied with thunder and lightning, fell, which drenched everyone to the skin. Still we determined to sit through it. I should state that we were here joined by about two hundred people on horseback from town.”

After the lūʻau, they resumed their march towards town.  “Her Majesty and the horse were covered with leis of lehua and pikaki, and every one of the seven or eight hundred were likewise bedecked with leis.”

“We led the procession, followed by the whole cavalcade, along King street, up Richards and along Beretania to Her Majesty’s house. All dismounted and bade Her Majesty farewell”.  (Cummins; Commercial Advertiser)

“It is unlikely that such (a Hawaiian holiday) could ever be repeated.”  (Cummins)

It lasted 15 days.

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