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November 3, 2023 by Peter T Young Leave a Comment

Mo‘o-kahuna

There were two orders of temple priests, known as kahuna (experts), or kahuna pule (experts in praying). These were the priests of Ku, the war god, and the priests of Lono, the rain god who was lord of agriculture and of peace.

Each order or ‘school’ of priests had its distinctive genealogy, the mo‘o-Ku and the mo‘o-Lono. These were priests in charge of temple worship. As a caste, the priests of both gods were the mo‘o-kahuna.

Malo describes the two orders of the priesthood as follows: ‘There were two rituals which the king in his eminent station used in the worship of the gods; one was the ritual of Ku, the other that of Lono.’

‘The Ku ritual was very strict (oolea), the service most arduous (ikaika). The priests of this rite were distinct from others and outranked them.’

‘They were called priests of the order of Ku, because Ku was the highest god whom the king worshipped in following their ritual. They were also called priests of the order of Kanalu, because that was the name of their first priestly ancestor. These two names were their titles of highest distinction.’

‘The Lono ritual was milder, the service more comfortable. Its priests were, however, of a separate order and of an inferior grade. They were said to be of the order of Lono (mo‘o-Lono), because Lono was the chief object of the king’s worship when he followed the ritual. The priests of this ritual were also said to be of the order of Paliku.’ (Malo)

The priesthood of Lono traced its origin to Paliku, the great erect cliff (pali-ku) of the massive promontory named Kane-hoa-lani at the midpoint of the windward coast of Oahu.

The birthplace of Kamapua‘a was on the uplands above Ka-lua-nui Valley, a few miles southeast of Kane-hoa-lani. (Handy and Handy)

Palikū is recognized as the place of the first heiau (traditional Hawaiian religious temple) during the time of Haumea and Wākea and associated with an ancient cultural context that later underwent significant evolution.

When a great tidal wave swept Haumea, Wākea, and all of their followers out to sea, Wākea was instructed, presumably by the god Lono, ‘to cup his hands together to represent a heiau, then he caught a humuhumu-nukunukuapua‘a fish [triggerfish with a pig-like snout] . . . and stuck it head first into the cupped hands to represent a pig’. (Handy and Handy).

The followers repeated Wākea’s actions, and then the sea washed all of them ashore.

In gratitude to Lono, a temple was constructed at Palikū, and an order of priests called Mo‘o-kuauhau-o-Lono (literally “genealogical line of Lono”) was responsible for religious proceedings at this temple. (Malo)

Handy and Handy reported that the priestly order known as Palikū formerly performed rituals at temples called māpele.

Malo explains that any heiau erected by an ali‘i nui who followed the ritual of Lono was termed a mapele. The timber used in constructing the house of worship, the storied tower (lana-nu‘u-mamao) and the enclosure, would be lama wood, a native ebony (lama was selected because the word suggests enlightenment), and ti leaf served as thatching.

Māpele is defined as ‘thatched heiau. (temple) for the worship of Lono and the increase of food’ (Lono was god of abundance as well as of rain and storm). (Handy and Handy)

“The mapele was a thatched heiau in which to ask the gods blessing on the crops. Human sacrifices were not made at this heiau; pigs only were used as offerings.”

“The timber … used in the construction of the house, the fence about the grounds, and that used in constructing the lananuu-mamao was lama, and it was thatched with the leaves of the ti plant. There were also idols.”

“Any chief in rank below the king was at liberty to construct a mapele heiau, an unu o Lono, a kukoae, or an aka, but not a luakini. The right to build a luakini belonged to the king alone. The mapele, however, was the kind of heiau in which the chiefs and the king himself prayed most frequently.”

“The luakini was a war temple, heiau-wai-kaua, which the king, in his capacity as ruler over all, built when he was about to make war upon another independent monarch, or when he heard that some other king was about to make war against him; also when he wished to make the crops flourish he might build a luakini.”

“Luakini (was a) heiau of the highest class, a war-temple, in which human sacrifices were offered; named from a pit, lua, and kini, many; into which the mouldering remains were finally cast.” (Malo)

“When the people and the priests saw that the services of the luakini were well conducted, then they began to have confidence in the stability of the government, and they put up other places of worship, such as the Mapele, the Kukoea, the Hale-o-Lono.”

“These heiaus were of the kind known as hoouluulu (hoouluulu ai = to make food grow), and were to bring rain from heaven and make the crops abundant, bringing wealth to the people, blessing to the government, prosperity to the land.” (Malo)

© 2023 Ho‘okuleana LLC

Filed Under: Hawaiian Traditions, Ali'i / Chiefs / Governance Tagged With: Hawaii, Heiau, Paliku, Lono, Ku, Luakini, Moo-Ku, Moo-Lono, Moo-Kahuna, Mapele

May 26, 2018 by Peter T Young Leave a Comment

Luakini

“There were two rituals which the king in his eminent station used in the worship of the gods; one was the ritual of Ku, the other that of Lono. The Ku-ritual was very strict (oolea), the service most arduous (ikaika).”

“The priests of this rite were distinct from others and outranked them. They were called priests of the order of Ku, because Ku was the highest god whom the king worshipped in following their ritual.”

“They were also called priests of the order of Kanalu because that was the name of their first priestly ancestor. These two names were their titles of highest distinction.”

“The Lona-ritual was milder, the service more comfortable. Its priests were, however, of a separate order and of an inferior grade. They were said to be of the order of Lono (moo-Lono ), because Lono was the chief object of the king’s worship when he followed the ritual. The priests of this ritual were also said to be of the order of Paliku.”

“David Malo uses the terms mua and heiau almost as if they were interchangeable, and meant the same thing. The mua was the men’s eating house, tabu to women. The family idol, were probably kept there, and it seems as if some part of it was set apart as a shrine or heiau.” (Malo)

“The heiau at which fishermen worshipped their patron deity for good luck was of the kind called kuula; but as to the gods worshipped by fishermen, they were various and numerous, each one worshipping the god of his choice. The articles made tabu by one god were different from those made tabu by another god.” (Malo)

“Heiau ma‘o … was a temporary structure of small size for the use of the aliis only, any when its purpose was over, it was taken down. It was a slight structure covered with tapa cloth stained with ma‘o, of a reddish color.”

“The Ku-koa‘e was a temple for purification. The meaning of the word seems to have reference to a standing apart, by itself. For an anahulu, ten days, the king must not enter into any other heiau.”

“The mapele was a thatched heiau in which to ask the gods blessing on the crops. Human sacrifices were not made at this heiau; pigs only were used as offerings.”

“Any chief in rank below the king was at liberty to construct a mapele heiau, an mm 0 Lono, a kukoae, or an aka, but not a luakini. The right to build a luakini belonged to the king alone. The mapele, however, was the kind of heiau in which the chiefs and the king himself prayed most frequently.”

“The luakini was a war temple, heiau-wai-kaua, which the king, in his capacity as ruler over all, built when he was about to make war upon another independent monarch, or when he heard that some other king was about to make war against him; also when he wished to make the crops flourish he might build a luakini.”

“Luakini (was a) heiau of the highest class, a war-temple, in which human sacrifices were offered; named from a pit, lua, and kini, many; into which the mouldering remains were finally cast.” (Malo)

“It was a great undertaking for a king to build a heiau of the sort called a luakini to be accomplished only with fatigue and redness of the eyes from long and wearisome prayers and ceremonies on his part.”

The main features of a luakini, enclosed by walls or wooden fences, included the:

“Lananuumamao, or ‘anu‘u – a wooden framework obelisk that served as an oracle tower. It was usually more than twenty feet tall and contained three platforms.”

“The lowest symbolized the earth, the abode of humans, and was where offerings were placed; the middle was viewed as the space of birds and clouds and was where the high priest and his attendants conducted services …”

“… the highest platform symbolized the heavens – dwelling place of the gods – and could only be ascended by the high priest and the king. This was where the high priest received inspiration and acted as intermediary with the gods.”

“The entire structure was covered with bleached kapa. It was a highly visible component of the temple platform area and contained within a refuse or bone pit where decayed offerings and bones of victims were cast (lua pa‘u).”

“Lele — an offertorium, the altar on which offerings were left”

“Hale pahu — the drum house, enclosed except at the front”

“Hale mana — the largest, most sacred house on the heiau platform, used by the king and the officiating priest during kapu periods”

“Wai‘ea – a small house for incantations in which the ‘aha ceremony took place. Relaxing of the kapu proclaimed over the new heiau depended on obtaining an aha, a mat braided out of a rare seaweed found only in the deep ocean.”

“Coconut fiber was combined with the seaweed in braiding the ‘aha, which was used to decorate the shrine of Ku. If the seaweed was not found immediately, the search continued for months or years”

“Hale umu — the oven house for temple fires house at the entrance to the temple”

“Kipapa — a pavement of large stones for ceremonial use ‘ili’ili — a pavement of pebbles used as flooring”

“Haku ‘ōhi‘a — (Lord of the ‘ōhi‘a tree) the chief idol. Other temple images, up to twelve feet tall, were arranged in various ways within a heiau — some were in a fence configuration and others adorned the walls.” (Malo)

luakini-temple
luakini-temple

Filed Under: Hawaiian Traditions Tagged With: Hawaii, Heiau, Lono, Ku, Luakini

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