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October 16, 2015 by Peter T Young Leave a Comment

Laniākea Cave

Reverend Asa and Lucy Thurston were in the Pioneer Company of American Christian Missionaries to the Hawaiian Islands, arriving in Kailua-Kona on the Thaddeus in 1820.

“After an accurate investigation of the places adjacent, in which they thought it might be found, they chose a valley, about half a mile from the residence of the governor, and near the entrance of Raniakea, as the spot where they were most likely to meet with success.” (Ellis)

They made their home in Kailua Village, in a home the Hawaiians named Laniākea. Thurston received Laniākea, a 5.26 acre homestead parcel as a gift from Governor Kuakini.

As noted by Rev. Sereno Edwards Bishop, in his book “Reminiscences Of Old Hawaii” (1916:) “In the early (1830s,) Kailua was a large native village, of about 4,000 inhabitants rather closely packed along one hundred rods of shore, and averaging twenty rods inland.”

“It had been the chief residence of King Kamehameha, who in 1819 died there in a rudely built stone house whose walls are probably still standing on the west shore of the little bay. Nearby stood a better stone house occupied by the doughty Governor Kuakini.”

“All other buildings in Kailua were thatched, until Rev. Artemas Bishop built his two-story stone dwelling in 1831 and Rev. Asa Thurston in 1833 built his wooden two-story house at Laniākea, a quarter of a mile inland.”

“Most of the native huts were thatched with the stiff pili grass. The better ones were thatched with lau-hala (pandanus leaf) or with la-i.” (Bishop)

“Five acres were enclosed with a stone wall three feet wide and six feet high, with simply the front gate for entrance. A large thatched house was erected. Space was allowed for a yard twenty-five feet in breadth.” (Lucy Thurston)

“Thatched houses are not durable, therefore, in the course of years, we had a succession of dwellings, but this was the general arrangement. In the 12th year of the Mission, a two-storied wooden house was erected in the children’s yard, and the wall for their special enclosure removed, as the times no longer required such an accommodation.” (Lucy Thurston)

In 1823, English protestant missionary William Ellis joined forces with American protestant missionary Asa Thurston and a party of explorers to circumnavigate the island of Hawaii.

“In the course of the forenoon, two of our number visited the ruins of an old military fortification, formerly belonging to the makaʻāinana, (common people.)”

“All that at present remains, is a part of the wall, about twelve feet high, and fourteen feet thick at the bottom, built of lava, and apparently entire.”

“In the upper part of the wall are apertures resembling embrasures; but they could not have been designed for cannon, that being an engine of war, with which the natives have but recently become acquainted.”

“The part of the wall now standing, is near the mouth of Raniakea (Laniākea,) the spacious cavern … which formed a valuable appendage to the fort.” Ellis)

“The whole face of the country marked decisively its volcanic origin; and in the course of their excursion they entered several hollows in the lava, formed by its having cooled and hardened on the surface, while, in a liquid state underneath, it had continued to flow towards the sea, leaving a crust in the shape of a tunnel, or arched vault, of varied thickness and extent.

“After entering it by a small aperture, they passed on in a direction nearly parallel with the surface; sometimes along a spacious arched way, not less than twenty-five feet high and twenty wide…”

“… At other times, by a passage so narrow, that they could with difficulty press through, till they had proceeded about 1,200 feet; here their progress was arrested by a pool of water, wide, deep, and as salt as that found in the hollows of the lava within a few yards of the sea.” (Ellis)

“One may walk along it for about fifteen minutes, through a passage which often reaches a considerable height. … The cave runs into a deep subterranean pool of very cold water, and further progress can be made only by swimming through an aperture in the makai end, when one may enter an inner cave, which is said to lead to the sea.” (Kinney, 1913)

“More than thirty natives, most of them carrying torches, accompanied (Ellis’ group) in their descent; and on arriving at the water, simultaneously plunged in, extending their torches with one hand, and swimming about with the other.”

“The partially illuminated heads of the natives, splashing about in this subterranean lake; the reflection of the torch-light on its agitated surface; the frowning sides and lofty arch of the black vault, hung with lava, that had cooled in every imaginable shape …”

“… the deep gloom of the cavern beyond the water; the hollow sound of their footsteps; and the varied reverberations of their voices, produced a singular effect; and it would have required but little aid from the fancy, to have imagined a resemblance between this scene and the fabled Stygian lake of the poets.”

“The mouth of the cave is about half a mile from the sea, and the perpendicular depth to the water probably Not less than fifty or sixty feet.”

“The pool is occasionally visited by the natives, for the purpose of bathing, as its water is cool and refreshing. From its ebbing and flowing with the tide, it has probably a direct communication with the sea.” (Ellis)

When war threatened the early inhabitants of Kona, and it was not uncommon, those who could not fight took refuge in the cave, and while the battles raged overhead, the refugees sent forays up the mountain and to the sea, via the cave, to gather food and water. (laniakea)

“In this cavern, children and aged persons were placed for security during an assault or sally from the fort, and sometimes the wives of the warriors also, when they did not accompany their husbands to the battle.”

“The fortification was probably extensive, as traces of the ancient walls are discoverable in several places; but what were its original dimensions, the natives who were with us could not tell. They asserted, however, that the cavern, if not the fort also, was formerly surrounded by a strong palisade.” (Ellis)

When the Thurstons retired to Honolulu, the house and land became the property of Mokuʻaikaua Church.

In 1980, sections of the cave had collapsed and the entrance was choked with debris and the entrance near the Thurston House was disturbed by squatters.

Waste products and debris have been dumped into the cave, causing an accumulation of sediment and muck within the cave. The western entrance to the cave near Hale Halawai is blocked. Large concrete pillars within the cave apparently were place to support improvements above. (Rasmussen)

The Laniākea house fell into disrepair, and in the 1990s the Laniākea Foundation was formed to save the ruins of the cave and home site from development. (laniakea)

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Kailua_Bay-Map-Jackson-Reg1325 (1883)-portion
Kailua_Bay-Map-Jackson-Reg1325 (1883)-portion

Filed Under: Missionaries / Churches / Religious Buildings, Place Names Tagged With: Kailua-Kona, Asa Thurston, Laniakea, Lucy Thurston, American Board of Commissioners of Foreign Missions, ABCFM, Hawaii, Hawaii Island, Kuakini, Pioneer Company

October 13, 2015 by Peter T Young Leave a Comment

People’s Theatre

A century after Captain James Cook’s arrival in Hawaiʻi, sugar plantations started to dominate the Hawaiian landscape. A shortage of laborers to work in the growing (in size and number) sugar plantations became a challenge. The only answer was imported labor.

Starting in the 1850s, labor shortages were eased by bringing in contract workers from Asia, Europe and North America. There were three big waves of workforce immigration: Chinese 1852; Japanese 1885 and Filipinos 1905.

Several smaller, but substantial, migrations also occurred: Portuguese 1877; Norwegians 1880; Germans 1881; Puerto Ricans 1900; Koreans 1902 and Spanish 1907.

Plantation labor contracts were usually of three to five year lengths, after which the laborer could return to the homeland, continue to work for the plantations (much desired by the plantation management,) or remain in Hawaiʻi and look for improved employment opportunities off the plantation (least desired by plantation management.)

Individuals found in the towns by 1900 were generally of four employment backgrounds: a small merchant class, skilled works (such as carpenters, blacksmiths, livery personnel) who had performed these functions on the plantations, those with previous homeland farming experience and unskilled laborers.

At Honokaʻa, the original village had developed along a portion of the coastal Government Road above the Haina sugar mill, near the fork between the Waimea and Kukuihaele Roads, and close to the Rickard residence (plantation manager’s house.)

By 1914, the town had a significant Japanese retail contingent, mostly on the Waipiʻo side of town. The increase in population, ingress into town, combined with the advent of Prohibition in 1920, set the stage for new forms of recreation.

Previously, entertainment in the town had been geared toward single men, drummers (traveling salesmen) and plantation workers in the form of the Hotel Honokaʻa Club, other ethnic clubs, bars, and pool and billiard halls.

Family entertainment consisted of shibai and bon dances at the local Hongwanji Buddhist temple, as well as movies screened in open-air venues by traveling “movie men.” The word shibai was introduced into the common local vocabulary of Hawaiʻi by way of Japanese immigrants and literally translates as “a play” or “a dramatic performance.”

The initial venues consisted of live entertainment rather than films. Live entertainment consisted of troupes of acrobats, kabuki (classical Japanese dance-drama), shibai, singing and storytelling.

The late 1920s through the 1930s marked a period of growth in the construction of indoor theater venues. Between the 1840s and 1970, over 400 theaters were constructed in the Hawaiian Islands.

Literally every town on Hawaiʻi Island, large and small, had at least one theater. They were built primarily by Japanese and Euro-American entrepreneurs, and others financed by the plantations. The first documented theater was erected at Pāhoa in Puna in 1917.

The first Honokaʻa Theatre (now known as the “Old Tanimoto Theater”) opened in 1921 on the mauka side of Government Road (Māmane Street). This theater was operated by Manki Harunaga and his partner J. Fujino in a warehouse-like structure.

Hatsuzo Tanimoto was born about 1864 in Japan and immigrated to Honomū, Hawaiʻi in 1887. He and his wife, Momi Yamamoto, arrived in the Islands on the SS Belgic in 1891.

The family then resided in Honomū, where Hatsuzo was the “proprietor” of a department store. Hatsuzo spoke English though Momi did not. The Tanimoto’s had 8 children; two daughters and six sons. In birth order they were Yoshio (son), Zenichi (son), Shizuno (daughter), Jitsusaburo (son), Yoshimi (son), Teruo (son), Takaichi (son), and Yoshino (daughter) (all born in Hawaiʻi.)

In 1929, Hatsuzo Tanimoto purchased the lot of the present People’s Theatre from the estate of former Hawai’i Island Royal Governor John T Bake.

In 1932 Hatsuzo Tanimoto purchased three lots, including the lot with the Honokaʻa Theatre. The $700 sale included “all machinery, equipment, furniture and fixtures…in the said Honokaʻa Theatre.” He continued the lease until 1934. Hatsuzo eventually closed this theater and leased the space to other businesses.

Tanimoto followed the fashion of the day by constructing a building specifically designed to show films as well as present live entertainment. The lot is located on the makai side of Māmane Street extending just Waipi’o side of the Bank of Hawaii lot.

In 1938, Hatsuzo Tanimoto purchased another lot on the makai side of the road, Waipi’o side of the People’s Theatre Unlike the People’s Theatre, Hatsuzo placed this property under his Hilo Theatres, Ltd., company.

This second Honokaʻa Theatre was constructed in 1939. Although it sported a neon “Honokaʻa Theatre” sign, it was best known as the “Doc Hill Theater”, named after an influential local politician who had arrived in Hawaiʻi years before as a spectacles salesmen who adopted the moniker “Doc”.

The “Doc Hill Theatre” was also informally called the “Republican Theatre,” as opposed to the People’s Theatre (which served as the “Democratic Theatre.”)

By 1939 Tanimoto had opened five theatres along the Hāmākua Coast, including Honomū, Hāmākua (at Paʻauilo) and Papaʻaloa.

Their presence was a testament to the rise of alternative entertainment during the Prohibition era, when bars, restaurants and other watering holes were forced to close or go underground.

Japanese films were shown on Mondays (average attendance 30 people), with Filipino films shown on Tuesdays (average attendance 15-20 people), and X-rated films shown on Wednesdays (average attendance 15 to 20). Thursday and the weekends were reserved for family entertainment (average attendance 50 to 60 people per night).

The 650-seat People’s Theatre is one of the largest buildings in Honokaʻa, and its only operating theater. Built in 1930 by Hatsuzo Tanimoto, its Neo-Classical Revival style architecture is typical of theaters built during the 1920s and ‘30s in Hawaii.

In 1943, William “Doc” Hill bought Hilo Theaters Ltd., with the exception of the People’s Theatre. The rest of these theaters have been either torn down, closed, or repurposed, making the People’s Theatre the only one left between Waimea and Hilo, and the largest outside Hilo.

Today, stage entertainment includes local musical groups, yoga and tai chi, the annual Hāmākua Music Festival, and a fashion show on 1st Fridays (a community street fair held the first Friday of every month).

The Tanimoto family ran the theater until 1990. Today, the theater is owned and run by retired doctor Tawn Keeney and his daughter Phaeton.

The theater lobby sports a café serving healthy breakfasts, sandwiches and sweets along with locally grown, artisanal Hāmākua coffee, and these days new-releases are shown with a modern digital projection system. Wi-Fi equipped, the lobby and café is still a meeting place for the town’s 3,000 residents and visitors to Honokaʻa. (Lots of information here is from NPS and Honokaʻa Historical Project)

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Honokaa-Peoples-Theatre-ca 1930
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Honokaa-Peoples-Theatre-ca 1944
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Honokaa Peoples Theatre
Honokaa Peoples Theatre

Filed Under: Economy, Buildings Tagged With: Hawaii Island, Hamakua, Honokaa, People's Theatre, Hawaii

September 1, 2015 by Peter T Young Leave a Comment

Hilo

Hilo Hanakāhi, i ka ua Kanilehua
Hilo of Hanakāhi, where the rain is in the lehua forest
(Naumu)

Each island was divided into several moku (districts,) of which there are six in the island of Hawaiʻi. There is a district called Kona on the lee side and one called Koʻolau on the windward side of almost every island. (Alexander) The moku of Hawaiʻi Island are: Kona, Kohala, Hāmākua, Puna, Kaʻū and Hilo.

In old Hawaiʻi, it was the nature of ‘place’ that shaped the practical, cultural and spiritual view of the Hawaiian people. The name chosen might reflect the physical characteristics of the place, it might recall some event which occurred there, or it might refer to the god or gods which invested that spot.

The meaning of a particular Hawaiian place name might have been evident to all, or understandable only to those intimately familiar with the place and its history. Often times a single place name carried more than one meaning. In addition to its easily discernible descriptive meaning, a place name might also possess a kaona, a hidden meaning.

The name ‘Hilo’ carries several meanings.

Hilo is the name of a renowned Polynesian navigator who is believed to have discovered this coast. His chief, to honor the feat, named the area for him.

Hilo means “twisted,” like a thread or rope as in spun, drawn out and twisted into thread.

Hilo is the name of the first day of the month according to Hawaiian calculation (the first night of the new moon – the first thin, twisted sliver of light.) (It was a favorable day, and the potato, melon and banana seeds planted by the farmer on this day would bear well. (Fornander))

While we call the district and broad Bay Hilo, there are three parts of Hilo: Hilo Pali Kū, Hilo One and Hilo Hanakāhi.

Hilo Pali Kū means “Hilo of the standing cliffs” and refers to the northern part of this moku, where the shore is mainly high, rocky cliffs (extending from the cliffs on Wailuku River to Ka‘ula.)

Hilo One or “Sandy Hilo,” is a stretch of black sand beach fronting the downtown area ( extending from Kanukuokamanu (at the mouth of Wailoa Stream) to Wailuku River.)

Hilo Hanakāhi (the area from Waiākea to the Puna boundary,) named after a great chief of Hilo, is the area south of Kanukuokamanu, where the Wailoa pond meets the ocean. Mokuola, also called Coconut Island, sits in the bay. (Kumukahi) Hanakāhi was renowned for the peace and prosperity of his reign.

Hilo has a long history, and already was populated when the first European visitors arrived. It has been the residence of chiefs and the home of legendary heroes.

The song Hilo Hanakāhi names various places on the island of Hawaii and things for which they were noted: rain, pandanus, wind and sea. The listing is more or less in clockwise direction. The annual makahiki processions went in this order. ʻUmi-a-Liloa was strongly advised by his priests to travel in this fashion.

Pukui notes, when seeking knowledge of the past, to travel with your right (strong) arm on the side of the mountains, where strength lies. Journeys for relaxation or to lessen grief, journey with the sea on the left side, to wash away sorrows and tribulations. (Elbert & Mahoe)

The song, Hilo Hanakāhi, takes the listener on a tour around the Big Island of Hawaiʻi; leaving from Hilo you are taken through eight different districts and learn the physical attributes of each: Hilo, rain in the lehua forest …

… Puna fragrant hala blossoms; Kaʻū , wind scattered dust; Kona, land of calm seas; Kawaihae, a sea that whispers; Kohala, a gusty wind; Waimea, a cold pelting rain and Hāmākua, cliffs where the bird soars, returning to the rain in the lehua forest. (Naumu)

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Hilo-1891-Map_over_Google_Earth
Hilo-1891-Map_over_Google_Earth
View_of_Hilo,_Mauna_Kea_and_Mauna_Loa_in_the_1820s
View_of_Hilo,_Mauna_Kea_and_Mauna_Loa_in_the_1820s
Hilo_illustration,_c._1870s
Hilo_illustration,_c._1870s
'Hilo_Bay',_oil_painting_by_Joseph_Nawahi,_circa_1868
‘Hilo_Bay’,_oil_painting_by_Joseph_Nawahi,_circa_1868
'View_of_Hilo_Bay',_oil_painting_by_Joseph_Nawahi,_1888
‘View_of_Hilo_Bay’,_oil_painting_by_Joseph_Nawahi,_1888
WLA_haa_Hilo_from_the_Bay_by_James_Gay_Sawkins_1852
WLA_haa_Hilo_from_the_Bay_by_James_Gay_Sawkins_1852
View_of_Hilo,_Mauna_Kea_and_Mauna_Loa-Bingham-in_the_1820s
View_of_Hilo,_Mauna_Kea_and_Mauna_Loa-Bingham-in_the_1820s
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Ke_Kūlanakauhaleʻo_Hilo,_1874
Hilo
Hilo
Hilo-DMY
Hilo-DMY
Hilo_by_Harvey_Hitchcock-between 1871 and 1891
Hilo_by_Harvey_Hitchcock-between 1871 and 1891
Edward_Bailey_-_'View_of_Hilo_Bay',_oil_on_canvas,_c._1875
Edward_Bailey_-_’View_of_Hilo_Bay’,_oil_on_canvas,_c._1875
Charles_Furneaux_-_'Hilo',_oil_on_canvas,_c._1880s
Charles_Furneaux_-_’Hilo’,_oil_on_canvas,_c._1880s
Near Hilo wharf. Mauna Kea in the background.-(HSA)-PPWD-5-2-011-1895
Near Hilo wharf. Mauna Kea in the background.-(HSA)-PPWD-5-2-011-1895
Beach scene at Hilo Bay, Hawaii-(HSA)-PPWD-5-2-009
Beach scene at Hilo Bay, Hawaii-(HSA)-PPWD-5-2-009

Filed Under: General Tagged With: Hawaii, Hawaii Island, Hilo

July 28, 2015 by Peter T Young Leave a Comment

John Davis Paris

John Davis Paris was born to George and Mary (Hudson) Paris, September 22, 1809 near Staunton, Virginia, the eldest of six sons. His father was a farmer of Scotch-Irish extraction, originally from France; his mother’s parents came from Wales and the north of England.

“My father was very industrious, working hard early and late. His farm was on the main valley road leading to Lexington; he owned about ninety acres which he improved and to which he added in after years. On it he erected a saw mill and a flour mill and did an enormous business for one man.”

“He and my mother were members of Hebron church, strict Presbyterians, and known by all as consistent Christians. My father’s house was a home for ministers and missionaries, and under its hospitable roof all good men ever found a hearty welcome.”

“From a little boy I had a secret desire to he a minister of the gospel, partly I think because my parents always spoke in the highest terms of those who preached the gospel.” (Paris; The Friend, April 1, 1926)

At the age of nineteen, his father gave him permission to go to school. He carted firewood and lumber on Saturdays to pay tuition and extras.

In 1835, he distributed bibles and religious books for the American Bible Society. “Traveling once in North Carolina, I came to a hotel about sun set. … I was requested to offer prayers … In the morning I was again requested to lead the family worship, which I was glad to do.”

“Then calling for my horse which had been well fed and groomed, I was about to pay my bill, when the Landlord very courteously said, ‘No, I never charge ministers of the gospel. … we have all enjoyed family worship with you…’ I protested that I was not a minister, but he declared that I was equal to one”. (Paris; The Friend, April 1, 1926)

Paris entered Bangor Theological Seminary in 1836, graduating in 1839 with Rev Daniel Dole and was ordained the same year.

That year, he offered to serve as a missionary in Africa. He was accepted by the American Board of Commissioners for Foreign Missions, but, after consultation, was appointed to the Indian Mission in Oregon Territory.

He was married to Miss Mary Grant of New York City, on October 25, 1840, and sailed from Boston November 14 in the company of Dole, Bond and Rice. They arrived in the Islands on May 21, 1841.

“News had just been received at the Island of the unsettled and hostile state of the Indians which afterwards terminated in the tragical and terrible massacre of Dr. Whitman ma! (Ma, the Hawaiian collective, means ‘with all his family or associates.’)”

“Mr. William Rice and his wife, together with ourselves, who had been destined for the Oregon Mission, were advised to remain at the Islands where there was urgent need.” (Paris; The Friend, April 1, 1926)

Paris was first stationed in Kaʻū. It was a remote district, difficult of access. He was the first resident missionary there.

“In these years of 1843 and 44, while our own dwelling was in building and not yet finished, we undertook the great work of building a stone House of Worship at Waiohinu. This first Christian temple was built entirely by the natives … “

“Since that time I have builded and consecrated nine houses of worship and crowned them with sweet-toned bells, ordered from the United States and paid for by the people”. (Paris; The Friend, May 1, 1926)

Mrs Paris died on February 18, 1847; Paris returned with two daughters to the U.S. On September 7, 1851, Paris married Miss Mary Carpenter of New York City; they returned to the Islands in 1852 and he was stationed at Kaʻawaloa.

One notable incident is worth mentioning – “For several years past, one (Joseph Ioela) Kaʻona … imbibed the idea that he was a prophet sent by God to warn this people of the end of the world. For the three years he has been preaching this millerite doctrine on Hawaiʻi, and has made numerous converts.” (PCA, October 24, 1868)

“By the mid-1860s, Kaʻona claimed to have had divine communications with Elijah, Gabriel, and Jehovah, from whom he’d received divine instructions and prophetic.” (Maly) Followers called him ‘The Prophet;’ his followers were referred to as Kaʻonaites.)

“These fanatics believe that the end of the world is at hand, and they must be ready. They therefore clothe themselves in white robes, ready to ascend, watch at night, but sleep during the day, decline to cultivate anything except beans, corn, or the most common food.” (PCA, October 24, 1868)

“For a time, all went on smoothly enough, until Kaʻona began to introduce some slight innovations in the form of worship, which were opposed by Mr. Paris and minority of the congregation and the church became split into two factions. … The feud continued to increase …” (Hawaiian Gazette, November 18, 1868)”

Eventually a riot broke out and Sheriff Neville and another were both brutally killed. The event has been referred to as Kaʻona’s Rebellion, Kaʻona Insurrection and Kaʻona Uprising. Kaʻona eventually surrendered; David Kalākaua and Albert Francis Judd had been appointed Kaʻona’s defense attorneys.

Here’s a summary on Kaʻona and the rebellion: http://wp.me/p5GnMi-8e

Until 1870, Paris had the general supervision of the mission work on Western Hawaiʻi. That year he moved to Honolulu where he lived for some time in the old mission house. He started a Theological Seminary there.

He later returned to Kona. The last eleven years of his life were spent in the upper Kaʻawaloa. The house was built on the foundations of Kapiʻolani’s home.

Davis died at his home at Kaʻawaloa at 9:30 am, July 28, 1892, after an illness of seven days. “He took a severe cold, which settled on his lungs. His strength failed rapidly, and he was unable to take nourishment to keep.” (The Friend, September 5, 1892)

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John_Davis_Paris

Filed Under: Missionaries / Churches / Religious Buildings Tagged With: Missionaries, John Davis Paris, American Board of Commissioners of Foreign Missions, ABCFM, Hawaii, Hawaii Island

June 4, 2015 by Peter T Young 3 Comments

Punaluʻu

Punaluʻu i ke kai kau haʻa a ka malihini
Punaluʻu, where the sea dances for the visitors.

“The coast of Kaoo (Kaʻū) presents a prospect of the most horrid and dreary kind: the whole country appearing to have undergone a total change from the effects of some dreadful convulsion.”

“The ground is every where covered with cinders and intersected in many places with black streaks, which seem to mark the course of a lava that has flowed, not many ages, back, from the mountain Roa [Mauna Loa] to the shore.”

“The southern promontory looks like the mere dregs of a volcano. The projecting headland is composed of broken and craggy rocks, piled irregularly on one another, and terminating in sharp points.” (King Captain Cook’s Journal. 1779)

Henry ʻŌpūkahaʻia was born around 1792 in the area between Punaluʻu and Nīnole. At the age of 16, after his parents had been killed, he boarded a sailing ship anchored in Kealakekua Bay and sailed to the continent. “Memoirs of Henry Obookiah” (the spelling of his name prior to establishment of the formal Hawaiian alphabet, based on its sound) was published.

ʻŌpūkahaʻia, inspired by many young men with proven sincerity and religious fervor of the missionary movement, had wanted to spread the word of Christianity back home in Hawaiʻi; his book, a compilation of his writing, inspired the Pioneer Company of missionaries to sail to Hawaiʻi (October 23, 1819.)

In June 1823, William Ellis joined American Missionaries Asa Thurston, Artemas Bishop and Joseph Goodrich on a tour of the island of Hawaiʻi to investigate suitable sites for mission stations.

Coming from Waiʻōhinu, Ellis noted, “The country appeared more thickly inhabited, than that over which we had travelled in the morning. The villages along the sea-shore were near together, and some of them extensive.”

The following is his perspective on the area at ‘Punaruu’ (Punaluʻu.) “(W)e came to Punaruu, where the people of that and the next village, Wailau, collected together in a large house, and were addressed by one of the company, on the nature and attributes of the true God.”

“We generally preferred speaking to the people in the open air, as we then had more hearers, than when we addressed them in a house. But in the middle of the day, we usually found it too hot to stand so long in the sun. The services, which we held in the morning and evening, were -always out of doors.”

“We now left the road by the sea-side, and directed our course towards the mountains. Our path lay over a rich yellow looking soil of decomposed lava, or over a fine vegetable mould, in which we occasionally saw a few masses of lava partially decomposed.”

“There was but little cultivation, though the ground appeared well adapted to the growth of any of the produce of the islands. After walking up a gentle ascent, about eight miles, we came to a solitary hamlet, called Makaʻaka, containing four or five houses in which three or four families were residing.” (Ellis, 1823)

During the 1830s, Protestant missionaries from Kona and Hilo would make occasional visits into Kaʻū but a permanent missionary presence would not be installed until the early-1840s when Catholic and Protestant missions were established in the district.

In 1842, the Protestant minister John Paris settled in Waiʻōhinu where he founded a church and school. In 1843, Rev. Paris reported that a stone meeting house (church) had been built at Punaluʻu and that the school’s average attendance there was 140. (Paris preached three Sundays each month at Waiʻōhinu and one Sunday at Punaluʻu.) Cultural Surveys)

Chester H Lyman in 1846, coming south from Volcano through the ʻōhiʻa forest of tree ferns and below Kilauea, passed through Kapapala, where he encountered dwellings and canoe-making sheds, the first such to be seen on descending the mountain.

He was impressed with the green hills, the moist state of the soil, the “several horses with cattle and goats” feeding near the chief’s house; and “the fires of Kilauea which shone up magnificently on the clouds like the light of a conflagration at evening.

Punaluʻu village he found “romantically situated on the beach, shut in in part by a rough lava stream.” Continuing along the shore, he passed the black-pebble beach of Nīnole and found “a succession of small villages” whose inhabitants were “extensively engaged in fishing.” (Handy)

While cattle and goats were the focus of commercial agriculture in the region in the 1850s, wheat growing was attempted in Kaʻū; but it proved difficult to co-ordinate the size of the wheat crop with the requirements of the flour mills. The business did not become a permanent one. (Kuykendall)

Life in Kaʻū during the 1860s was disrupted and devastated by the forces of nature. In March of 1868 began a sequence of major earthquakes and eruptions of Mauna Loa, a prelude to an earthquake in early April that precipitated an “earthquake and the tidal wave destroying the villages from Punaluʻu to Kaʻaluʻalu (north-east of South Point.”) (Handy)

Then, sugar changed the regional landscape. Alexander Hutchinson established the Hutchinson Sugar Company (1868) and Hawaiian Agricultural Company, was established in Pāhala (1876,) the latter used Punaluʻu as its port.

The railroad from Punaluʻu to the village of Keaiwa (where the Pāhala Sugar Mill was located) was reported in June 1878 to be “the first railroad in these islands”. Railroads continued to operate in Kaʻū until the 1940s but the Pāhala – Punaluʻu railroad was discontinued in 1929. (Cultural Surveys)

Starting in the late-1800s, to get people and goods around the Islands, folks would catch steamer ships; competitors Wilder Steamship Co (1872) and Inter-Island Steam Navigation Co (1883) ran different routes, rather than engage in head to head competition.

For Inter-Island’s routes, vessels left Honolulu stopping at Lāhainā and Māʻalaea Bay on Maui and then proceeding directly to Kailua-Kona.

From Kailua, the steamer went south stopping at the Kona ports of Nāpoʻopoʻo on Kealakekua Bay, Hoʻokena, Hoʻopuloa, rounding South Point, touching at the Kaʻū port of Honuʻapo and finally arriving at Punaluʻu, Kaʻū, the terminus of the route. (From Punaluʻu, five mile railroad took passengers to Pāhala and then coaches hauled the visitors to the volcano from the Kaʻū side.)

The Punaluʻu Harbor and Landing served the communities of Punaluʻu and Nīnole and the sugar plantation at Pāhala and was considered the “port town for the district in 1880.” (Orr) By the mid-1880s Punaluʻu had storehouses, a restaurant, a store, and numerous homes constructed of lumber. (Cultural Surveys)

C Brewer & Company acquired the sugar interests in the Pāhala to Nīnole-Punaluʻu area that were merged into Kaʻū Sugar (the last harvest was in 1996;) Brewer also went into macadamia nuts and other ventures.

Between 1969-1972, at Nīnole and Punaluʻu, C Brewer Properties, Ltd developed the Sea Mountain 18-hole golf course community, which included the Colony I condominium project, Kalana I single-family residential subdivision, the Aspen Institute Center for Humanistic Studies, the Black Sands Restaurant and the Kaʻū Center for History and Culture.

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Punaluu village, Hawaii-S00084-1880
Punaluu village, Hawaii-S00084-1880
Punalu‘u Landing c. 1880 showing portion of village-CS
Punalu‘u Landing c. 1880 showing portion of village-CS
Punaluu, Hawaii Island-PP-30-6-018-ca_1890
Punaluu, Hawaii Island-PP-30-6-018-ca_1890
Punaluu landing, Hawaii Island-PP-30-6-002
Punaluu landing, Hawaii Island-PP-30-6-002
Punaluu landing, Hawaii Island-PP-30-6-001-1915
Punaluu landing, Hawaii Island-PP-30-6-001-1915
Punalu‘u Landing from Punalu‘unui Heiau ('sacrificial stone' in foreground)
Punalu‘u Landing from Punalu‘unui Heiau (‘sacrificial stone’ in foreground)
Portion of 1931 Coastal Chart showing closeup of Punalu‘u Town-CS
Portion of 1931 Coastal Chart showing closeup of Punalu‘u Town-CS
Ninole Pond-1954-1972-Kelly-Cultural Surveys
Ninole Pond-1954-1972-Kelly-Cultural Surveys
Fern Forest Road to the volcano from Punaluu, Hawaii Island-PP-28-13-008
Fern Forest Road to the volcano from Punaluu, Hawaii Island-PP-28-13-008
Andrews Chart of Punalu‘u Roadstead c. 1880s showing restaurant, store and store-CS
Andrews Chart of Punalu‘u Roadstead c. 1880s showing restaurant, store and store-CS
Punaluu_Ahupuaa-DAGS_2402-1875
Punaluu_Ahupuaa-DAGS_2402-1875

Filed Under: Place Names Tagged With: Hawaii, Hawaii Island, Punaluu

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