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January 30, 2016 by Peter T Young 4 Comments

ʻAilāʻau

The longest recorded eruption at Kilauea, arguably, was the ʻAilāʻau eruption and lava flow in the 15th century, which may be memorialized in the Pele-Hiʻiaka chant. It was the largest in Hawaiʻi in more than 1,000-years.

The flow was named after ʻAilāʻau was known and feared by all the people. ʻAi means the “one who eats or devours.” Lāʻau means “tree” or a “forest.”

ʻAilāʻau was, therefore, the forest eating (destroying) fire-god. Time and again he laid the districts of South Hawaii desolate by the lava he poured out from his fire-pits. (He was the fire god before Pele arrived at Hawaiʻi Island.)

He was the god of the insatiable appetite; the continual eater of trees, whose path through forests was covered with black smoke fragrant with burning wood, and sometimes burdened with the smell of human flesh charred into cinders in the lava flow.

ʻAilāʻau seemed to be destructive and was so named by the people, but his fires were a part of the forces of creation. He built up the islands for future life. The flowing lava made land. Over time, the lava disintegrates and makes earth deposits and soil. When the rain falls, fruitful fields form and people settled there.

ʻAilāʻau still poured out his fire. It spread over the fertile fields, and the people feared him as the destroyer giving no thought to the final good.

He lived, the legends say, for a long time in a very ancient part of Kilauea, on the large island of Hawaii, now separated by a narrow ledge from the great crater and called Kilauea Iki (Little Kilauea).

The ʻAilāʻau eruption took place from a vent area just east of Kilauea Iki. The eruption built a broad shield. The eastern part of Kilauea Iki Crater slices through part of the shield, and red cinder and lava flows near the center of the shield can be seen on the northeastern wall of the crater.

The eruption probably lasted about 60 years, ending around 1470 (based on evaluation of radiocarbon data for 17 samples of lava flows produced by the ʻAilāʻau shield – from charcoal created when lava burns vegetation.) The ages obtained for the 17 samples were averaged and examined statistically to arrive at the final results.

The radiocarbon data are supported by the magnetic declination and inclination of the lava flows, frozen into the flows when they cooled. This study found that these “paleomagnetic directions” are consistent with what was expected for the 15th century.

Such a long eruption naturally produced a large volume of lava, estimated to be about 5.2 cubic kilometers (1.25 cubic miles) after accounting for the bubbles in the lava. The rate of eruption is about the same as that for other long-lasting eruptions at Kilauea.

This large volume of lava covered a huge area, about 166 square miles (over 106,000-acres) – larger than the Island of Lānaʻi. From the summit of the ʻAilāʻau shield, pāhoehoe lava flowed 25-miles northeastward, making it all the way to the coast.

Lava covered all, or most, of what are now Mauna Loa Estates, Royal Hawaiian Estates, Hawaiian Orchid Island Estates, Fern Forest Vacation Estates, Eden Rock Estates, Crescent Acres, Hawaiian Acres, Orchid Land Estates, ʻAinaloa, Hawaiian Paradise Park and Hawaiian Beaches. (USGS)

After a time, ʻAilāʻau left these pit craters and went into the great crater and was said to be living there when Pele came to the seashore far below.

When Pele came to the island Hawaiʻi, she first stopped at a place called Keahialaka in the district of Puna. From this place she began her inland journey toward the mountains. As she passed on her way there grew within her an intense desire to go at once and see ʻAilāʻau, the god to whom Kilauea belonged, and find a resting-place with him as the end of her journey.

She came up, but ʻAilāʻau was not in his house – he had made himself thoroughly lost. He had vanished because he knew that this one coming toward him was Pele. He had seen her toiling down by the sea at Keahialaka. Trembling dread and heavy fear overpowered him.

He ran away and was entirely lost. When he came to that pit she laid out the plan for her abiding home, beginning at once to dig up the foundations. She dug day and night and found that this place fulfilled all her desires. Therefore, she fastened herself tight to Hawaii for all time.

These are the words in which the legend disposes of this ancient god of volcanic fires. He disappears from Hawaiian thought and Pele from a foreign land finds a satisfactory crater in which her spirit power can always dig up everlastingly overflowing fountains of raging lava. (Westervelt)

The ʻAilāʻau flow was such a vast outpouring changed the landscape of much of Puna. It must have had an important impact on local residents, and as such it may well be described in the Pele-Hiʻiaka chant.

Hiʻiaka, late on returning to Kilauea from Kauaʻi with Lohiau, sees that Pele has broken her promise and set afire Hiʻiaka’s treasured ʻōhiʻa lehua forest in Puna. Hiʻiaka is furious, and this leads to her love-making with Lohiau, his subsequent death at the hands of Pele, and Hiʻiaka’s frantic digging to recover the body.

The ʻAilāʻau flows seem to be the most likely candidate because it covered so much of Puna. The timing seems right, too – after the Pele clan arrived from Kahiki, before the caldera formed (Hiʻiaka’s frantic digging may record this), and before the encounters with Kamapuaʻa, some of which probably deal with explosive eruptions between about 1500 and 1790. (Information here is from USGS and Westervelt.)

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Ailaau Flow-Kīlauea summit overflows-their ages and distribution in the Puna District, Hawai'i-Clague-map
Ailaau Flow-Kīlauea summit overflows-their ages and distribution in the Puna District, Hawai’i-Clague-map
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Ailaau_lava_flow-map-USGS
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Kilauea_map-Johnson
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Hawaii-Volcanoes-NPS-map
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CraterRimDrive-dartmouth
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Age and Distribution of Lava Flows in Kilauea-USGS
Age and Distribution of Lava Flows in Kilauea-USGS
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Kilauea-Byron-1825

Filed Under: General, Hawaiian Traditions, Place Names Tagged With: Hawaii, Hawaii Island, Volcano, Pele, Puna, Kilauea, Ailaau

November 5, 2015 by Peter T Young 3 Comments

Malia Puka O Kalani

The ahupua‘a of Waiakea, South Hilo, is large, about 95,000 acres. It extends from the coast to approximately the 6,000-foot elevation on the windward slope of Mauna Loa.

Waiakea was held by Kamehameha. When he died in 1819, his son Liholiho received the lands. The property was affirmed as Crown Land during the Mahele.

Kuleana properties generally refer to cultivated fields with house lots, indicating habitation and agricultural production within the same zone; at Waiakea, kuleana were generally within the coastal zone.

After contact, the coastal area continued to contain the vast majority of the population. Houses and stores were concentrated in the northern half of Hilo Bay, somewhat removed from Waiakea, because at the time the main pier for Hilo was at the mouth of the Wailuku River. (Cultural Surveys)

Keaukaha is along the central coastline of the Waiakea ahupuaʻa; it was included in lands designated to the Hawaiian Homes Commission.

The Hawaiian Homes Commission act was approved by President Harding on July 9, 1921. In the first five years, over 60 homes were established in the ‘Kuhio Settlement’ of the Hawaiian Homes lands at Keaukaha, in the vicinity of Hilo.

The 1929 Report of the Commission notes, “Kuhio Settlement, in the subdivision of Keaukaha near the town of Hilo, Island of Hawaii, has proven to be an unqualified success.”

“One-acre lots have been given to Hawaiians who work for wages in the City of Hilo or in adjacent industries.” By 1930, more than 200-house lots had been assigned. (Pukui)

Among the ‘reserved lots for public purposes’ within the Keaukaha lands was a 1-acre lot (lot #127) for a Catholic Church Site. (Report of the Hawaiian Homes Commission, 1929)

This church became Malia Puka O Kalani (St Mary, Gate of Heaven,) one of only two parishes in the Diocese of Honolulu located on Hawaiian Home Lands.

The Mission Statement of the church: “Malia Puka O Kalani is a Roman Catholic parish on Hawaiian Home Lands in Keaukaha, Hawaiʻi dedicated to building a church community filled with the Holy Spirit, guided by God’s Word and enriched by the Hawaiian culture.”

In 1934, the parish, under the care of the Sacred Hearts Fathers, built a large hall on the property. This was used as a place of worship as well as a community center. In 1940 the existing church which seats 120 people was constructed.

In 1954, the Maryknoll Fathers assigned the first resident pastor to the parish. Today, the parish is under the care of the Diocese of Honolulu as the ministry on the Hawaiian Homelands continues.

In a 2011 church pastoral plan, parishioners note, “As a parish, we are committed to maintaining our Hawaiian culture within the framework of the Roman Catholic Church.”

“We intend to continue our traditions of lay involvement in liturgy and of volunteerism within and beyond the parish. Parishioners and visitors alike are drawn to our vibrant community and to the spirit existing in the faith expression of our Hawaiian traditions.”

DHHL records note the St. Mary, Gate of Heaven (Malia Puka O Kalani) Catholic Church is operating under a license from the Commission (1999-2028.)

About 35-years ago, Malia Puka O Kalani Catholic Church started a small Advent workshop known as the Big Island Liturgy and Arts Conference. It grew.

It is recognized as “One of the remarkable accomplishments of Malia …. This conference has attracted many of today’s brightest and best known composers and artists”. (GIA Music for the Church)

It has grown to attract some of the biggest names in liturgical music and many noteworthy keynote speakers. The Marianists in Honolulu began hosting the event in 2003.

The program is now known as Marianist BILAC; all the conference events now take place on the campus of Chaminade University and Saint Louis School in Kaimuki. (This year’s theme is ‘The Spirit of Malia – 40 Years of BILAC;’ it starts November 5, 2015.) (Lots of information here is from Malia Puka O Kalani.)

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Malia_Puka_O_Kalani_Catholic_Church
Malia_Puka_O_Kalani_Catholic_Church

Filed Under: Missionaries / Churches / Religious Buildings Tagged With: Malia Puka O Kalani, Hawaii, Hawaii Island, Keaukaha

October 16, 2015 by Peter T Young Leave a Comment

Laniākea Cave

Reverend Asa and Lucy Thurston were in the Pioneer Company of American Christian Missionaries to the Hawaiian Islands, arriving in Kailua-Kona on the Thaddeus in 1820.

“After an accurate investigation of the places adjacent, in which they thought it might be found, they chose a valley, about half a mile from the residence of the governor, and near the entrance of Raniakea, as the spot where they were most likely to meet with success.” (Ellis)

They made their home in Kailua Village, in a home the Hawaiians named Laniākea. Thurston received Laniākea, a 5.26 acre homestead parcel as a gift from Governor Kuakini.

As noted by Rev. Sereno Edwards Bishop, in his book “Reminiscences Of Old Hawaii” (1916:) “In the early (1830s,) Kailua was a large native village, of about 4,000 inhabitants rather closely packed along one hundred rods of shore, and averaging twenty rods inland.”

“It had been the chief residence of King Kamehameha, who in 1819 died there in a rudely built stone house whose walls are probably still standing on the west shore of the little bay. Nearby stood a better stone house occupied by the doughty Governor Kuakini.”

“All other buildings in Kailua were thatched, until Rev. Artemas Bishop built his two-story stone dwelling in 1831 and Rev. Asa Thurston in 1833 built his wooden two-story house at Laniākea, a quarter of a mile inland.”

“Most of the native huts were thatched with the stiff pili grass. The better ones were thatched with lau-hala (pandanus leaf) or with la-i.” (Bishop)

“Five acres were enclosed with a stone wall three feet wide and six feet high, with simply the front gate for entrance. A large thatched house was erected. Space was allowed for a yard twenty-five feet in breadth.” (Lucy Thurston)

“Thatched houses are not durable, therefore, in the course of years, we had a succession of dwellings, but this was the general arrangement. In the 12th year of the Mission, a two-storied wooden house was erected in the children’s yard, and the wall for their special enclosure removed, as the times no longer required such an accommodation.” (Lucy Thurston)

In 1823, English protestant missionary William Ellis joined forces with American protestant missionary Asa Thurston and a party of explorers to circumnavigate the island of Hawaii.

“In the course of the forenoon, two of our number visited the ruins of an old military fortification, formerly belonging to the makaʻāinana, (common people.)”

“All that at present remains, is a part of the wall, about twelve feet high, and fourteen feet thick at the bottom, built of lava, and apparently entire.”

“In the upper part of the wall are apertures resembling embrasures; but they could not have been designed for cannon, that being an engine of war, with which the natives have but recently become acquainted.”

“The part of the wall now standing, is near the mouth of Raniakea (Laniākea,) the spacious cavern … which formed a valuable appendage to the fort.” Ellis)

“The whole face of the country marked decisively its volcanic origin; and in the course of their excursion they entered several hollows in the lava, formed by its having cooled and hardened on the surface, while, in a liquid state underneath, it had continued to flow towards the sea, leaving a crust in the shape of a tunnel, or arched vault, of varied thickness and extent.

“After entering it by a small aperture, they passed on in a direction nearly parallel with the surface; sometimes along a spacious arched way, not less than twenty-five feet high and twenty wide…”

“… At other times, by a passage so narrow, that they could with difficulty press through, till they had proceeded about 1,200 feet; here their progress was arrested by a pool of water, wide, deep, and as salt as that found in the hollows of the lava within a few yards of the sea.” (Ellis)

“One may walk along it for about fifteen minutes, through a passage which often reaches a considerable height. … The cave runs into a deep subterranean pool of very cold water, and further progress can be made only by swimming through an aperture in the makai end, when one may enter an inner cave, which is said to lead to the sea.” (Kinney, 1913)

“More than thirty natives, most of them carrying torches, accompanied (Ellis’ group) in their descent; and on arriving at the water, simultaneously plunged in, extending their torches with one hand, and swimming about with the other.”

“The partially illuminated heads of the natives, splashing about in this subterranean lake; the reflection of the torch-light on its agitated surface; the frowning sides and lofty arch of the black vault, hung with lava, that had cooled in every imaginable shape …”

“… the deep gloom of the cavern beyond the water; the hollow sound of their footsteps; and the varied reverberations of their voices, produced a singular effect; and it would have required but little aid from the fancy, to have imagined a resemblance between this scene and the fabled Stygian lake of the poets.”

“The mouth of the cave is about half a mile from the sea, and the perpendicular depth to the water probably Not less than fifty or sixty feet.”

“The pool is occasionally visited by the natives, for the purpose of bathing, as its water is cool and refreshing. From its ebbing and flowing with the tide, it has probably a direct communication with the sea.” (Ellis)

When war threatened the early inhabitants of Kona, and it was not uncommon, those who could not fight took refuge in the cave, and while the battles raged overhead, the refugees sent forays up the mountain and to the sea, via the cave, to gather food and water. (laniakea)

“In this cavern, children and aged persons were placed for security during an assault or sally from the fort, and sometimes the wives of the warriors also, when they did not accompany their husbands to the battle.”

“The fortification was probably extensive, as traces of the ancient walls are discoverable in several places; but what were its original dimensions, the natives who were with us could not tell. They asserted, however, that the cavern, if not the fort also, was formerly surrounded by a strong palisade.” (Ellis)

When the Thurstons retired to Honolulu, the house and land became the property of Mokuʻaikaua Church.

In 1980, sections of the cave had collapsed and the entrance was choked with debris and the entrance near the Thurston House was disturbed by squatters.

Waste products and debris have been dumped into the cave, causing an accumulation of sediment and muck within the cave. The western entrance to the cave near Hale Halawai is blocked. Large concrete pillars within the cave apparently were place to support improvements above. (Rasmussen)

The Laniākea house fell into disrepair, and in the 1990s the Laniākea Foundation was formed to save the ruins of the cave and home site from development. (laniakea)

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Kailua_Bay-Map-Jackson-Reg1325 (1883)-portion

Filed Under: Missionaries / Churches / Religious Buildings, Place Names Tagged With: Kailua-Kona, Asa Thurston, Laniakea, Lucy Thurston, American Board of Commissioners of Foreign Missions, ABCFM, Hawaii, Hawaii Island, Kuakini, Pioneer Company

October 13, 2015 by Peter T Young Leave a Comment

People’s Theatre

A century after Captain James Cook’s arrival in Hawaiʻi, sugar plantations started to dominate the Hawaiian landscape. A shortage of laborers to work in the growing (in size and number) sugar plantations became a challenge. The only answer was imported labor.

Starting in the 1850s, labor shortages were eased by bringing in contract workers from Asia, Europe and North America. There were three big waves of workforce immigration: Chinese 1852; Japanese 1885 and Filipinos 1905.

Several smaller, but substantial, migrations also occurred: Portuguese 1877; Norwegians 1880; Germans 1881; Puerto Ricans 1900; Koreans 1902 and Spanish 1907.

Plantation labor contracts were usually of three to five year lengths, after which the laborer could return to the homeland, continue to work for the plantations (much desired by the plantation management,) or remain in Hawaiʻi and look for improved employment opportunities off the plantation (least desired by plantation management.)

Individuals found in the towns by 1900 were generally of four employment backgrounds: a small merchant class, skilled works (such as carpenters, blacksmiths, livery personnel) who had performed these functions on the plantations, those with previous homeland farming experience and unskilled laborers.

At Honokaʻa, the original village had developed along a portion of the coastal Government Road above the Haina sugar mill, near the fork between the Waimea and Kukuihaele Roads, and close to the Rickard residence (plantation manager’s house.)

By 1914, the town had a significant Japanese retail contingent, mostly on the Waipiʻo side of town. The increase in population, ingress into town, combined with the advent of Prohibition in 1920, set the stage for new forms of recreation.

Previously, entertainment in the town had been geared toward single men, drummers (traveling salesmen) and plantation workers in the form of the Hotel Honokaʻa Club, other ethnic clubs, bars, and pool and billiard halls.

Family entertainment consisted of shibai and bon dances at the local Hongwanji Buddhist temple, as well as movies screened in open-air venues by traveling “movie men.” The word shibai was introduced into the common local vocabulary of Hawaiʻi by way of Japanese immigrants and literally translates as “a play” or “a dramatic performance.”

The initial venues consisted of live entertainment rather than films. Live entertainment consisted of troupes of acrobats, kabuki (classical Japanese dance-drama), shibai, singing and storytelling.

The late 1920s through the 1930s marked a period of growth in the construction of indoor theater venues. Between the 1840s and 1970, over 400 theaters were constructed in the Hawaiian Islands.

Literally every town on Hawaiʻi Island, large and small, had at least one theater. They were built primarily by Japanese and Euro-American entrepreneurs, and others financed by the plantations. The first documented theater was erected at Pāhoa in Puna in 1917.

The first Honokaʻa Theatre (now known as the “Old Tanimoto Theater”) opened in 1921 on the mauka side of Government Road (Māmane Street). This theater was operated by Manki Harunaga and his partner J. Fujino in a warehouse-like structure.

Hatsuzo Tanimoto was born about 1864 in Japan and immigrated to Honomū, Hawaiʻi in 1887. He and his wife, Momi Yamamoto, arrived in the Islands on the SS Belgic in 1891.

The family then resided in Honomū, where Hatsuzo was the “proprietor” of a department store. Hatsuzo spoke English though Momi did not. The Tanimoto’s had 8 children; two daughters and six sons. In birth order they were Yoshio (son), Zenichi (son), Shizuno (daughter), Jitsusaburo (son), Yoshimi (son), Teruo (son), Takaichi (son), and Yoshino (daughter) (all born in Hawaiʻi.)

In 1929, Hatsuzo Tanimoto purchased the lot of the present People’s Theatre from the estate of former Hawai’i Island Royal Governor John T Bake.

In 1932 Hatsuzo Tanimoto purchased three lots, including the lot with the Honokaʻa Theatre. The $700 sale included “all machinery, equipment, furniture and fixtures…in the said Honokaʻa Theatre.” He continued the lease until 1934. Hatsuzo eventually closed this theater and leased the space to other businesses.

Tanimoto followed the fashion of the day by constructing a building specifically designed to show films as well as present live entertainment. The lot is located on the makai side of Māmane Street extending just Waipi’o side of the Bank of Hawaii lot.

In 1938, Hatsuzo Tanimoto purchased another lot on the makai side of the road, Waipi’o side of the People’s Theatre Unlike the People’s Theatre, Hatsuzo placed this property under his Hilo Theatres, Ltd., company.

This second Honokaʻa Theatre was constructed in 1939. Although it sported a neon “Honokaʻa Theatre” sign, it was best known as the “Doc Hill Theater”, named after an influential local politician who had arrived in Hawaiʻi years before as a spectacles salesmen who adopted the moniker “Doc”.

The “Doc Hill Theatre” was also informally called the “Republican Theatre,” as opposed to the People’s Theatre (which served as the “Democratic Theatre.”)

By 1939 Tanimoto had opened five theatres along the Hāmākua Coast, including Honomū, Hāmākua (at Paʻauilo) and Papaʻaloa.

Their presence was a testament to the rise of alternative entertainment during the Prohibition era, when bars, restaurants and other watering holes were forced to close or go underground.

Japanese films were shown on Mondays (average attendance 30 people), with Filipino films shown on Tuesdays (average attendance 15-20 people), and X-rated films shown on Wednesdays (average attendance 15 to 20). Thursday and the weekends were reserved for family entertainment (average attendance 50 to 60 people per night).

The 650-seat People’s Theatre is one of the largest buildings in Honokaʻa, and its only operating theater. Built in 1930 by Hatsuzo Tanimoto, its Neo-Classical Revival style architecture is typical of theaters built during the 1920s and ‘30s in Hawaii.

In 1943, William “Doc” Hill bought Hilo Theaters Ltd., with the exception of the People’s Theatre. The rest of these theaters have been either torn down, closed, or repurposed, making the People’s Theatre the only one left between Waimea and Hilo, and the largest outside Hilo.

Today, stage entertainment includes local musical groups, yoga and tai chi, the annual Hāmākua Music Festival, and a fashion show on 1st Fridays (a community street fair held the first Friday of every month).

The Tanimoto family ran the theater until 1990. Today, the theater is owned and run by retired doctor Tawn Keeney and his daughter Phaeton.

The theater lobby sports a café serving healthy breakfasts, sandwiches and sweets along with locally grown, artisanal Hāmākua coffee, and these days new-releases are shown with a modern digital projection system. Wi-Fi equipped, the lobby and café is still a meeting place for the town’s 3,000 residents and visitors to Honokaʻa. (Lots of information here is from NPS and Honokaʻa Historical Project)

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Honokaa-Peoples-Theatre-ca 1930
Honokaa-Peoples-Theatre-ca 1930
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Honokaa-Peoples-Theatre-ca 1944
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Honokaa Peoples Theatre
Honokaa Peoples Theatre

Filed Under: Economy, Buildings Tagged With: Hawaii Island, Hamakua, Honokaa, People's Theatre, Hawaii

September 1, 2015 by Peter T Young Leave a Comment

Hilo

Hilo Hanakāhi, i ka ua Kanilehua
Hilo of Hanakāhi, where the rain is in the lehua forest
(Naumu)

Each island was divided into several moku (districts,) of which there are six in the island of Hawaiʻi. There is a district called Kona on the lee side and one called Koʻolau on the windward side of almost every island. (Alexander) The moku of Hawaiʻi Island are: Kona, Kohala, Hāmākua, Puna, Kaʻū and Hilo.

In old Hawaiʻi, it was the nature of ‘place’ that shaped the practical, cultural and spiritual view of the Hawaiian people. The name chosen might reflect the physical characteristics of the place, it might recall some event which occurred there, or it might refer to the god or gods which invested that spot.

The meaning of a particular Hawaiian place name might have been evident to all, or understandable only to those intimately familiar with the place and its history. Often times a single place name carried more than one meaning. In addition to its easily discernible descriptive meaning, a place name might also possess a kaona, a hidden meaning.

The name ‘Hilo’ carries several meanings.

Hilo is the name of a renowned Polynesian navigator who is believed to have discovered this coast. His chief, to honor the feat, named the area for him.

Hilo means “twisted,” like a thread or rope as in spun, drawn out and twisted into thread.

Hilo is the name of the first day of the month according to Hawaiian calculation (the first night of the new moon – the first thin, twisted sliver of light.) (It was a favorable day, and the potato, melon and banana seeds planted by the farmer on this day would bear well. (Fornander))

While we call the district and broad Bay Hilo, there are three parts of Hilo: Hilo Pali Kū, Hilo One and Hilo Hanakāhi.

Hilo Pali Kū means “Hilo of the standing cliffs” and refers to the northern part of this moku, where the shore is mainly high, rocky cliffs (extending from the cliffs on Wailuku River to Ka‘ula.)

Hilo One or “Sandy Hilo,” is a stretch of black sand beach fronting the downtown area ( extending from Kanukuokamanu (at the mouth of Wailoa Stream) to Wailuku River.)

Hilo Hanakāhi (the area from Waiākea to the Puna boundary,) named after a great chief of Hilo, is the area south of Kanukuokamanu, where the Wailoa pond meets the ocean. Mokuola, also called Coconut Island, sits in the bay. (Kumukahi) Hanakāhi was renowned for the peace and prosperity of his reign.

Hilo has a long history, and already was populated when the first European visitors arrived. It has been the residence of chiefs and the home of legendary heroes.

The song Hilo Hanakāhi names various places on the island of Hawaii and things for which they were noted: rain, pandanus, wind and sea. The listing is more or less in clockwise direction. The annual makahiki processions went in this order. ʻUmi-a-Liloa was strongly advised by his priests to travel in this fashion.

Pukui notes, when seeking knowledge of the past, to travel with your right (strong) arm on the side of the mountains, where strength lies. Journeys for relaxation or to lessen grief, journey with the sea on the left side, to wash away sorrows and tribulations. (Elbert & Mahoe)

The song, Hilo Hanakāhi, takes the listener on a tour around the Big Island of Hawaiʻi; leaving from Hilo you are taken through eight different districts and learn the physical attributes of each: Hilo, rain in the lehua forest …

… Puna fragrant hala blossoms; Kaʻū , wind scattered dust; Kona, land of calm seas; Kawaihae, a sea that whispers; Kohala, a gusty wind; Waimea, a cold pelting rain and Hāmākua, cliffs where the bird soars, returning to the rain in the lehua forest. (Naumu)

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Hilo-1891-Map_over_Google_Earth
Hilo-1891-Map_over_Google_Earth
View_of_Hilo,_Mauna_Kea_and_Mauna_Loa_in_the_1820s
View_of_Hilo,_Mauna_Kea_and_Mauna_Loa_in_the_1820s
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Hilo_illustration,_c._1870s
'Hilo_Bay',_oil_painting_by_Joseph_Nawahi,_circa_1868
‘Hilo_Bay’,_oil_painting_by_Joseph_Nawahi,_circa_1868
'View_of_Hilo_Bay',_oil_painting_by_Joseph_Nawahi,_1888
‘View_of_Hilo_Bay’,_oil_painting_by_Joseph_Nawahi,_1888
WLA_haa_Hilo_from_the_Bay_by_James_Gay_Sawkins_1852
WLA_haa_Hilo_from_the_Bay_by_James_Gay_Sawkins_1852
View_of_Hilo,_Mauna_Kea_and_Mauna_Loa-Bingham-in_the_1820s
View_of_Hilo,_Mauna_Kea_and_Mauna_Loa-Bingham-in_the_1820s
Ke_Kūlanakauhaleʻo_Hilo,_1874
Ke_Kūlanakauhaleʻo_Hilo,_1874
Hilo
Hilo
Hilo-DMY
Hilo-DMY
Hilo_by_Harvey_Hitchcock-between 1871 and 1891
Hilo_by_Harvey_Hitchcock-between 1871 and 1891
Edward_Bailey_-_'View_of_Hilo_Bay',_oil_on_canvas,_c._1875
Edward_Bailey_-_’View_of_Hilo_Bay’,_oil_on_canvas,_c._1875
Charles_Furneaux_-_'Hilo',_oil_on_canvas,_c._1880s
Charles_Furneaux_-_’Hilo’,_oil_on_canvas,_c._1880s
Near Hilo wharf. Mauna Kea in the background.-(HSA)-PPWD-5-2-011-1895
Near Hilo wharf. Mauna Kea in the background.-(HSA)-PPWD-5-2-011-1895
Beach scene at Hilo Bay, Hawaii-(HSA)-PPWD-5-2-009
Beach scene at Hilo Bay, Hawaii-(HSA)-PPWD-5-2-009

Filed Under: General Tagged With: Hawaii, Hawaii Island, Hilo

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Images of Old Hawaiʻi

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