Hana | Images of Old Hawaiʻi

September 15, 2025 by Peter T Young Leave a Comment

Waiʻanapanapa

Popoalaea (ball of red clay,) a chiefess of rank in Hana district on Maui during the rule of Kamohoali‘i, is won as a reward of victory in strength-testing games by the chief Kakea (Kaakae, Makea) and he makes their home close to the crater above Kaupo at a place called Koae-kea because there the koae birds flock (or at the village of Hono-ka-lani.)

He is jealous, especially of her fondness for her younger brother. (Beckwith)

Kakae (also the name of their great-grandfather, but could have been a namesake) was more than twenty years older than Popoalaea and as time went on he grew more jealous and suspicious of her and threatened her constantly until she began to fear for her life.

Her brother, Piʻilaui, who was of a gentle nature, decided to move near her to keep her company and they would wander through the woods in search of plants and herbs for his house. They were happy in their affection for each other and forgot the jealousy of Kakae.

Then Kakae, angered by this affection of the brother and sister, threatened to kill Popoalaea.

Fearing for her life, she and her faithful companion, Manona … fled … traveling by the underground passage (for the great mountain (Haleakala) is honeycombed with caves and caverns, and lava tubes leading to the ocean.)

At last they reached the sea, the beach of Papaloa (?Pailoa.) There, where the waters have washed the rocks for centuries were to be found wild caves and deep places where only the sunbeams play and here the women thought to hide in safety.

In one of the caves they found refuge…. Kakae, searching for his wife, came to the village of Honokalaui where he heard strange tales from the fisher folk of spirits wandering on the shore at night. …

The wife hid in a cave, but the shadow of the kahili waved by the attendant betrayed their hiding place, and Kaʻakea killed them both. On the night of Ku, the water in the pool is said to run red. (Pukui)

From that day to this the caves in that region have been called Waiʻanapanapa (water flashing rainbow hues, glistening water) – for the death of Popoalaea it is said the place sparkled with rainbow stones which the gods in their pity sent … (Reportedly, as told by Emma Kalelookalani Omstead and printed in the Paradise of the Pacific.)

Today, on the night of Ku, god of justice, the water in the pool runs red. At some time each morning prismatic colors (anapa) such as are sacred to divine chiefs play over the waters of this pool as proof of her innocence.

The water of the pool makes even a dark skin look white when immersed in it. (Beckwith)

A State Park was established at Waiʻanapanapa, with campground and trails.

December 20, 2024 by Peter T Young Leave a Comment

Christian Jacob Hedemann

Christian Jacob Hedemann was born at Flensborg in the Dukedom of Slesvig, Denmark on May 25, 1852; he was the son of a military surgeon Christian August Ferdinand Hedemann, 1810-1879, and his wife Caroline Amalie Cloos, 1824-1867.

Christian Jacob Hedemann married Meta Marie Magdalene Nissen in Denmark October 27, 1877; she was born at Copenhagen June 23, 1850.

Christian Jacob Hedemann was educated at the famous boarding School Herlufsholm (founded 1565), and at the Danish Technical University from which he graduated. In 1870-1878 he served as a draughtsman and constructor of machinery at Burmeister & Wain at Copenhagen. (Wangel)

“A friend of his father, August Unna, a Danish sugar plantation owner on Hana, Maui an isolated part of the islands, offered Christian Hedemann a position as chief engineer.” (Davis)

In 1878 he came to Hawaii and became factory manager and engineer on the Hana plantation. (Nellist) Hedemann was responsible for the construction of sugar mill machinery to be delivered to Hana.

This appointment turned out to become a 6-years employment, and a life-long friendship. In 1884 he came to Honolulu Iron Works in order to construct machinery for sugar cane industry. (Wangel)

When Mr. Hedemann joined the Honolulu Iron Works in 1884, it was little more than a repair shop. With the development of the sugar industry on a large scale in Hawaii, the plant began the manufacture of sugar mill machinery and the furnishing of complete sugar factories. It has constructed most of the modern sugar mills in the Territory. (Nellist)

As a manufacturer of sugar cane factory equipment he got Honolulu Iron Works to become leading in the world. 1904 he was appointed general manager of Honolulu Iron Works. (Wangel)

In 1905, Mr. Hedemann realized the need for a New York branch and, against the advice of many leading business men of Honolulu, an office was opened in small quarters at No. 11 Broadway, New York City.

All purchasing for the iron works was then done directly through this office, thus dispensing with Eastern agents, and contracts for the furnishing of sugar factories and equipment in Puerto Rico, Cuba, Mexico and Louisiana were obtained. One of these was for the largest sugar factory in the world, located in Cuba, having a daily grinding capacity of 9,000 tons of cane.

Hedemann also went to Japan and Formosa and secured contracts for the building of seven large sugar mills, all of the machinery being built at the Honolulu works, and later fifteen sugar factories were constructed in the Philippines.

The Honolulu Iron Works had a plant in Manila where the requirements of the Philippines are met and two dry docks for the repairing of local ships. The New York office of the Honolulu Iron Works Co. became a large division and occupied a large portion of two floors in the famous Woolworth Building, besides operating a branch engineering office in Havana, Cuba. (Nellist)

1917 he retired from Iron Works Management, retained as Advisory and Technical Director, 3rd Vice President of the firm. (Wangel)

Hedemann was also a noted, although amateur, photographer. “Hedemann carried a camera with him, having taken up photography as a natural extension of his fascination with mechanical developments.”

“He made a visual record of his experience in the islands, photographing the family’s exotic surroundings and providing evidence of its well being, that could be kept for posterity and shared with his relatives in Denmark.”

“He created a virtually unrivalled view of 19th century Hawaii, highlighting change and industrial development in the islands. … Hedemann’s first dated photograph, a view of his house with a Danish flag flying gaily overhead was taken February 1, 1880.” (Davis)

“Early in 1883 Hedemann went to considerable trouble to convert his carriage shed into a small studio where he could take portraits. To illuminate the room, he made sections of the roof removable, creating a makeshift skylight.”

“Using plans from early photo journals, he had a portable reflector and head rests made in the blacksmith and carpenter shops at the mill.”

“In this ‘Big Photo Studio in Hana, Sandwich Islands’, as he jokingly called it, Hedemann executed a body of work of lasting importance.”

“Opening the studio not only enhanced his ability to control the photographic environment but also created a neutral location where the haole (Caucasian) photographer could establish a formal relationship with unfamiliar sitters.”

“Before starting the studio, Hedemann’s portraits were limited to family members and fellow Danes; now he proceeded to produce a remarkable visual inventory of the growing ethnic diversity in Hana.”

“Photographs he took there, as Meta noted later, depict ‘the many different people who came around to work in the fields from time to time … Southern Islanders, Chinese, Portuguese, and even a small colony of Scandinavians.’” (Davis)

“Hedemann took his camera inside sugar mills, and the Honolulu Iron Works. His photographs of the mills reflect personal pride in his accomplishments as well as the prevailing fervor of the steam age and Hedemann’s love of ‘beautiful things for the sake of their perfection of design and intricate workmanship.’”

“The gleaming sugar mill machinery of Hana Plantation provided forms pleasing to the photographer’s eye but also emblems of the industrial era.”

“Hedemann helped organize the Hawaiian Camera Club, drawing amateur photographers he knew in Honolulu together with others he had met during his travels around the islands on Iron Works business.” (Davis)

In March, 1917, he was decorated by the King of Denmark as a “Knight of Dannebrog.” He became an American citizen in 1903. (Nellist)

November 20, 2024 by Peter T Young Leave a Comment

Battle of Kalaeʻiliʻili

In Europe, Great Britain defeated France in the Seven Years’ War (1756-1763,) becoming the dominant power in Europe, North America and India. The war cost a lot of money; to raise funds Britain decided to levy taxes on the Colonies on the American continent.

For instance, the passed Quartering Act (required the colonies to provide barracks and supplies to British troops;) Stamp Act (taxed newspapers, almanacs, pamphlets, broadsides, legal documents, dice and playing cards;) Sugar Act (increased duties on non-British goods shipped to the colonies) and Currency Act (prohibited American colonies from issuing their own currency.)

This marked the beginning of Colonial opposition to the British (1765) and Colonists cried out against ‘taxation without representation.’

Turmoil was in the Islands, as well – some folks on Maui were also feeling that they were not being treated fairly; in addition, a power struggle was emerging.

Wailuku was considered a Royal Center (politically, ceremonially and geographically important during traditional times) with many of the chiefs and much of the area’s population residing near or within portions of ‘Īao Valley and lower Wailuku. (FWS)

The period immediately preceding contact with the Europeans was one of considerable upheaval and conflict. (FWS)

After the death of Kamehamehanui (the late king of Maui,, which happened about 1765, Nāmāhana (the widow queen of Kamehamehanui) married Keʻeaumoku. (Fornander)

Nāmāhana’s brother, Kahekili, then became King of Maui, was displeased that Nāmāhana had taken Keʻeaumoku for her husband, and he became Keʻeaumoku’s enemy.

Nāmāhana and Keʻeaumoku lived at the large and fertile land of Waiheʻe.

Some people on Maui felt that the abundance of resources would have allowed all to be well fed; they felt they were not getting their share.

In particular, Kahanana (at the time, a lesser chief in Waiheʻe) was neglected by Keʻeaumoku and his court when the chief of Waiheʻe distributed fish, after fortunate catches, among the subordinates and warriors living on the land. (Fornander)

Kalākaua writes that “Kahekili induced Kahanana … to embroil Keʻeaumoku in a difficulty with his own people.”

One evening Kahanana killed three of Keʻeaumoku’s men. An insurrection arose and Kahekili, who was in the vicinity, took the side of Kahanana.

The resultant Battle of Kalaeʻiliʻili (c. 1765) was fought because the rich agricultural resources of the Waiheʻe River Valley and the offshore marine resources were being unevenly distributed by the chief Keʻeaumoku and other Molokai chiefs.

A general fight ensued between the Kahanana party, being supported by Kahekili, and Keʻeaumoku. Keʻeaumoku and his chiefs maintained their ground for some days, but were eventually overmatched, beaten and obliged to flee. (Fornander)

The Battle reportedly marked the beginning of Kahekili’s reign and Keʻeaumoku and the Molokai chiefs were driven out of Waiheʻe.

But the anger of Kahekili pursued the fugitives. Invading Molokai, he engaged Keʻeaumoku and his Molokai allies in a sea-fight and Kahekili was again victorious. The naval engagement off Molokai is called the battle of “Kalauonakukui.” (Fornander)

Keʻeaumoku fled to Hāna, where Mahihelelima, the governor under Kalaniʻōpuʻu, received him and his wife and entertained them at Kaʻuiki. (Fornander)

At Kaʻuiki, Keʻeaumoku appears to have found a short repose in his turbulent career; he was not heard of again for some years. It is probable that he made his peace with Kalaniʻōpuʻu and was permitted to remain at Hāna. (Fornander)

It was later, there at Kaʻuiki, Hāna, Maui, in about 1768, that Keʻeaumoku and his wife Nāmāhana had their first child, Kaʻahumanu, future and famous Queen of Kamehameha the Great.

Again, several years pass by with Kalaniʻōpuʻu still holding portions of the Hāna district on Maui and the great fort of Kaʻuiki; but about the year 1775, the war between Hawaiʻi and Maui broke out again. (Fornander)

Kahekili successfully defended his capital in Wailuku throughout the 1770s, until his defeat at the hands of Kamehameha’s forces. (FWS) (Kamehameha went on to conquer the Islands of Hawaiʻi, Maui Nui and Oʻahu by 1795 (defeating Kalanikūpule, Kahekili’s son) and ultimately ruled the island chain in 1810.)

Back on the continent, the discontent between the Colonists and the British Crown led to the American boycott of taxed British tea and the Boston Tea Party in 1773, and ultimately the American Revolutionary War (1775–1783) and then the War of 1812.

September 19, 2024 by Peter T Young Leave a Comment

Kīpahulu

The south-eastern section of the island of Maui, comprising the districts of Hāna, Kīpahulu, Kaupo and Kahikinui, was at one time a Royal Center and central point of kingly and priestly power.

This section of the island was prominent in the reign of Kekaulike, and has Maui’s largest heiau (Piʻilanihale Heiau – near Hāna.) Others also seated their power here.

Long before the first Europeans arrived on Maui, Kīpahulu was prized by the Hawaiian aliʻi for its fertile land and abundant ocean.

The first written description of Kīpahulu was made by La Pérouse in 1786 while sailing along the southeast coast of Maui in search of a place to drop anchor:

“I coasted along its shore at a distance of a league (three miles) …. The aspect of the island of Mowee was delightful. We beheld water falling in cascades from the mountains, and running in streams to the sea, after having watered the habitations of the natives, which are so numerous that a space of three or four leagues (9 – 12 miles, about the distance from Hāna to Kaupō) may be taken for a single village.” (Bushnell)

“But all the huts are on the seacoast, and the mountains are so near, that the habitable part of the island appeared to be less than half a league in depth. The trees which crowned the mountains, and the verdure of the banana plants that surrounded the habitations, produced inexpressible charms to our senses …”

“… but the sea beat upon the coast with the utmost violence, and kept us in the situation of Tantalus, desiring and devouring with our eyes what it was impossible for us to attain … After passing Kaupō no more waterfalls are seen, and villages are fewer.” (Bushnell)

With the development of the whaling industry on the island in 1880s Kīpahulu population started to decline as people moved to main whaling ports, such as Lāhainā.

In the early-1900s, one of the regular ports of call for the Inter-Island Steam Navigation Company was Kīpahulu. Steamships provided passenger service around Maui and between the islands.

Kīpahulu Landing also provided a way for growers and ranchers to ship their goods to markets. Today the land where Kīpahulu Landing existed is private but protected with a conservation easement, overseen by the Maui Coastal Land Trust (now part of the Hawaiian Islands Land Trust.)

A famous Kīpahulu resident was Charles Lindbergh. He was the first to make a solo nonstop flight across the Atlantic Ocean. Other pilots had crossed the Atlantic before him; but Lindbergh was the first person to do it alone nonstop.

“Early in the morning on May 20, 1927 Charles Lindbergh took off in The Spirit of St. Louis from Roosevelt Field near New York City. Flying northeast along the coast, he was sighted later in the day flying over Nova Scotia and Newfoundland.”

“From St. Johns, Newfoundland, he headed out over the Atlantic, using only a magnetic compass, his airspeed indicator, and luck to navigate toward Ireland.” (New York Times, May 21, 1927)

“On the evening of May 21, he crossed the coast of France, followed the Seine River to Paris and touched down at Le Bourget Field at 10:22 pm. … A frenzied crowd of more than 100,000 people gathered at Le Bourget Field to greet him. ” (New York Times, May 21, 1927)

Lindbergh was introduced to Maui by his friend Sam Pryor, a Pan American Vice President and supporter of his flight across the Atlantic. Having first visited Pryor’s home near Hana, Lindberg later acquired land next to him and built his house.

Lindbergh died of cancer on Aug. 26, 1974, in his home on Maui. He was buried on the grounds of the Palapala Hoʻomau Church. (Pryor died in 1985 and is buried there, too – as well as Sam’s six gibbons.)

Kīpahulu’s Palapala Hoʻomau Church started construction in 1857 and was completed in 1862; it was restored in 1965 (with a lot of help from Lindberg and Pryor.)

In January 2012, the Palapala Hoʻomau Preservation Society was created to care for the Church. For many years, an endowment administered by the Hawai‘i Conference Foundation, set up by the Lindbergh and Pryor families, provided funds for maintenance and upkeep of the property. (hcucc)

In recent years, the need for restoration work on the church has gone beyond what the endowment fund can provide. Although there is no regular worshipping community at Palapala Hoʻomau, the historical significance of the church and graveyard, as well as the number of visitors who come to the property each year, led the Hawai‘i Conference Foundation to find a solution. (hcucc)

Mike Love of the Beach Boys later bought the Lindberg home, a 5-acre estate, down a twisting, scenic road a few miles from Hāna. Love also purchased the Pryor’s 14-acre adjacent site and house. (Los Angeles Times, December 31, 1989)

August 17, 2024 by Peter T Young Leave a Comment

Georgia O’Keeffe

“The pineapple is quite beautiful as it grows. When it is little and you look down into it as I did into the corn when I painted it – it is very handsome – and later when it is big and has not turned ripe it is a wonderful green and purple sort of color – very beautiful among its foliage …” (Georgia O’Keeffe; Saville)

James Drummond Dole founded Hawaiian Pineapple Company in 1901. Within a few years pineapple production at Wahiawa had increased that Dole planned a cannery at Iwilei, near the shipping facilities of Honolulu Harbor.

Later (1922,) Dole bought the Island of Lānaʻi and transformed it into the largest pineapple plantation in the world, with 20,000 farmed acres and a planned plantation village to house more than a thousand workers and their families.

The ad agency for Dole was looking for something special for a national magazine advertising campaign; in exchange for an all-expense-paid trip, they asked Georgia O’Keeffe to submit two paintings from Hawai‘i. She was also free to paint for herself.

The second of seven children of Wisconsin dairy farmers, Georgia Totto O’Keeffe (November 15, 1887 – March 6, 1986) knew by age ten that she wanted to become an artist. In 1908, she won a prize for a still-life oil painting. After a short hiatus, she painted in earnest and in 1917 held her first solo show (organized by Alfred Stieglitz, her future husband.)

O’Keeffe became one of the greatest female artists of the 20th century. Best known for her still-life paintings, she painted natural settings at their most basic: large-scale flowers, bones and landscapes.

On January 30, 1939, O’Keeffe and Stieglitz headed to New York’s Grand Central Station to start the trip. Nine days later, she stepped off the Lurline, was draped with ʻilima and crown flower lei and found herself in the Islands. (Stelle)

She spent her first month in Hawai‘i on O‘ahu. After 2-weeks, she finally saw a pineapple field; it was “all sharp and silvery stretching for miles off to the beautiful irregular mountains. … I was astonished – it was so beautiful.” (O’Keeffe; Steele)

On March 10, she moved to Maui and ended up in Hāna. “This seems to be the best yet. The trip over by plane was fine – I will be off in the far away some where – but every one says is the good place. The flying was very good and I am fine – 9 in the morning on a new island seems good – Wish you could see it.” (Postcard, O’Keeffe to Stieglitz, March 10, 1939; Saville)

She was hosted by the Willis Jennings family (he was manager of the Hāna sugar plantation;) “You would laugh to see where I am now – almost at the end of the road on Maui – a little sugar plantation town – at the managers house – the only white family for 60 miles and it is different as the man in Honolulu told me it would be – The mans wife is not at home but his daughter is”. (Letter, O’Keeffe to Stieglitz, March 12, 1939; Saville)

Twelve-year-old Patricia Jennings became her companion and guide for the next ten days. “The road to Hāna was there, but not paved all the way. We always took a picnic lunch because you never knew how long it would take.” (Patricia Jennings; Tarleton)

O’Keeffe would drive the family car to favorite island sites with Patricia, then send the girl off to amuse herself while she painted. The one exception was when a sudden ‘Īao Valley shower made them retreat to the car. Patricia watched, without speaking, enthralled by the brush in her hand, the effortless glide of oil paints onto canvas. (Tarleton)

“It is hard to tell about the islands—the people have a kind of gentleness that isn’t usual on the mainland. I feel that my tempo must definitely change to put down anything of what is here—I don’t know whether I can or not—but it is certainly a different world—and I am glad I came.” (O’Keeffe to Stieglitz, March 12, 1939; Saville)

From Hāna she spent a few days in Wailuku, then, headed to Volcano on the Big Island. “We drove about hundred and 75 miles—part of it through as tropical woods as I have seen—about a third of it along the sea—then up to the top of the volcano where they left me at the (Volcano House) hotel – It was a good day” (O’Keeffe to Stieglitz, March 31, 1939; Saville)

“I didn’t care for that place. I don’t like steam coming out of the earth and holes in the road where the earth has opened up and not closed properly – and great bumps about a foot high where the pavement just rose up and didn’t go down.” (O’Keeffe to Stieglitz, March 31, 1939; Saville) She soon left the Volcano area and headed to the Kona Inn.

“I guess we did this area of the island pretty thoroughly – First we watched fishermen bringing in their net of fish in a little bay -what beautiful fish – every color and many queer shapes – very very beautiful color – the men swim and dive about – have quite a time gathering their net in.” (O’Keeffe to Stieglitz, April 3, 1939; Saville)

“All day I was driving over here (Hilo) from Kona Inn and it was a wonderful day – Warm and lovely and blue this morning – the loveliest part the Parker Ranch – quite like (New Mexico) but it is high and the lower part of the island – shore line and sea floating off in space like a map far below with no edge where it went off into the sky – sky became water and water became sky – and all so delicate and lovely – It was as beautiful as anything I’ve ever seen.” (O’Keeffe to Stieglitz, April 9, 1939; Saville)

She returned briefly to O‘ahu and sailed for California on the Matsonia on April 14. More than six months after her arrival in Hawaiʻi, O’Keeffe had produced 20-paintings, not one included a pineapple and she subsequently “submitted depictions of a papaya tree and the spiky blossom of a lobster’s claw heliconia” for the Dole ads.

Some creative ad copy featuring the heliconia noted, “Hospitable Hawaiʻi cannot send you its abundance of flowers or its sunshine. But it sends you something reminiscent of both – golden fragrant Dole Pineapple Juice”;– it ran nationally in Vogue and the Saturday Evening Post. (Yagi)

For the other ad, “(t)actful Art Director Charles Coiner,” as Time Magazine reported in 1940, “spouted to Painter O’Keeffe about the beauty of pineapples in bud, urg(ing) her to give the pineapple a break. He phoned Honolulu, had a budding plant put aboard the Clipper.”

“Thirty-six hours later the plant was delivered to the O’Keeffe studio in Manhattan. ‘It’s beautiful, I never knew that,’ exclaimed Artist O’Keeffe… She promptly painted it, and Dole got a pineapple picture after all.” (Yagi)

A year after her Hawaiʻi trip, in 1940, she bought a house at Ghost Ranch, in New Mexico. After Stieglitz died in 1946, she settled his estate and moved to New Mexico permanently. There in the wilderness and isolation she continued to paint, and she remained in New Mexico until her death at the age of 98. (Steele)

There is an interesting side note to this story; one day, I received an unrelated FB message asking about Willis Jennings (Patricia’s father.) Unrelated to that, earlier that same day, I received word that Patricia Jennings Morriss Caldwell had just passed away at the age of 87. Patricia Jennings is the mother of my HPA classmate, Lex Morriss.