Images of Old Hawaiʻi

by Peter T Young Leave a Comment

Progress Block

“A few years ago even the most progressive citizens of the Paradise of the Pacific would state that there was ‘nothing in real estate’ in Honolulu, and every man with money was chasing after sugar stock or doubling his coin in the business which justly, if not politely, must be described as usury.”

” New blood and fresh ideas were wanted to shake up the community from the lethargy in which every body apparently had fallen.”  (The Independent, April 25, 1898)

“One day CS Desky arrived on the scene, and it didn’t take him very long before he had realized the wonderful opportunities which the islands offered …. Desky treated the public to surprise after surprise. … The new Progress Block erected by him … deserves a special mention being the best finished and up-to-date building ever seen in Honolulu.”  (The Independent, April 25, 1898)

But, wait – that is getting ahead of the story.  Let’s look back; in doing so, we’ll see some history related to some familiar Honolulu institutions.

With a growing maritime industry in the Islands, in 1833, the Seamen’s Friend Society sent Rev John Diell to establish a chapel in Honolulu; the Bethel Chapel and the seamen’s chaplaincy were dedicated on November 28, 1833, in a service attended by “the king, Kīnaʻu, and the principal chiefs … together with a respectable number of residents, masters of vessels and seamen.”

As the population of the town continued to grow, it became evident there was a need to form a separate and self-supporting church; so, in 1852, the Second Foreign Church in Honolulu came into existence.  In 1856, they built a permanent house of worship at the corner of Fort and Beretania streets and the name of the organization was changed to the Fort Street Church of Honolulu.

The Fort Street English Day School was officially established in 1865; it met in the basement of the Fort Street Church.  The Fort Street School was split in 1895 into Kaʻiulani Elementary School and Honolulu High School (the high school moved into Keōua Hale – former residence of Princess Ruth Keʻelikōlani (now the site of the Central Intermediate School.))  (Later (1907,) the Honolulu High School moved again; that year it changed its name to McKinley High School (Oʻahu’s oldest public high school.))

In April 1887, Fort Street Church prepared a proposal to reunite the Bethel and itself into a new organization, and from that time until the formal union, the two churches worshipped together.  Selection of the new church’s name was settled by vote; the final result was Central Union 28, Church of the Redeemer 18, and Bethel Union 1.

Thus, Central Union Church began its existence. The original congregation numbered 337 members – 250 from the Fort Street Church, 72 from Bethel Union, 13 from other churches and 2 on confession of faith at the first service.  By 1888, increased church membership made it apparent that the Central Union congregation was outgrowing the Fort Street building.

All of these activities (with the Church and School using, then leaving the property) eventually freed up the site at the corner of Fort and Beretania Street (the former home of what are now Central Union Church and McKinley High School.)  This is across the Fort Street Mall from the Cathedral of Our Lady of Peace.

Several newspaper articles help explain what happened next.  The July 27, 1897 issue of the Hawaiian Gazette starts it off with a front page headline reading, “Progress Block.”

“Plans have just been completed at the offices of Ripley & Dickey (Clinton Briggs Ripley and Charles William “CW” Dickey,) architects, for the Progress building, to be erected at the corner of Fort and Beretania streets, according to the orders of CS Desky, proprietor.”

“The Progress building is to be built out of the native rock that is now being so much used in the construction of the latest improved business blocks that have recently been put up in the city, and, taken all in all, it is to be the most beautiful business block in the city, with the very best and most convenient of situations.”  (Hawaiian Gazette, July 27, 1897)

Stores fronting on Fort street are on the first floor; the second floor will have 11 suites of offices (with first-class lavatories and two broad corridors) and the third floor will be the “crowning feature” of the whole building (amusement hall and ball room.)  (Hawaiian Gazette, July 27, 1897)

“The floor of the hall will be polished and waxed for dancing, and a canvas covering will be on hand at all times, to be used during concerts and entertainments. The whole building will be most elegantly finished, and the furnishings will be of the very best.”  (Hawaiian Gazette, July 27, 1897)

“Ground will be broken on the old church property at Fort and Beretania streets next Monday for a three-story stone store and office building that is to contain the finest amusement hall west of San Francisco … to be known as the Progress block.”  (Hawaiian Star, June 25, 1897)

“When Mr CS Desky’s Progress Block, corner of Fort and Beretania, is completed, which will be in about three months, Honolulu will have practically a second up-town theater. The hall on the third floor of the Progress building will be a regular little bijou of a music-hall. There will be a stage of good size and the main auditorium will seat 800 people.”  (Hawaiian Gazette, February 1, 1898)

“Mr Dusky bought the large tract of land known as the Irwin homestead with frontages on Chaplain Lane, Fort street and Beretania street … he has erected the magnificent Progress building which is an ornament to the city and a credit to the owner to the architect and the builder.”

“In a few weeks the building will be delivered by the contractor to the owner and the public will have a chance to inspect and admire the structure which certainly is entitled to the name ‘Progress.’”  (The Independent, April 25, 1898)

The building was completed in May 1898; by July, newspaper reports note that “every store and room in the building was rented.”

It is still here; however, what we see today is not a single building.

“Bruce Cartwright will now identify himself with the development of upper Fort street, yesterday he closed a deal with CS Desky for the purchase of the property just makai of the Progress block, and within ten days he will, it is slated, break ground for a three story stone and brick building, similar in construction and appearance to the Progress block. In fact the plans already prepared by Mr. Desky for an extension of his building will be used, with a few changes.”  (Hawaiian Star, April 26, 1898)

“The makai wall of the present Progress Block will serve as the mauka wall of the new building. Arches will be made in this point wall and for the upper floors of the two blocks there will be used the same electric elevator.”  (Hawaiian Gazette, May 6, 1898)  Construction of Cartwright’s building started on May 4, 1898.

Some of the former users of the property returned; there are several references to Honolulu High School holding commencement exercises in Progress Hall.  Others used the facilities, as well – including some ‘firsts’ in Hawaiʻi.

Progress Hall (“about the only available place at that time where meetings could be held”) ushered in the Elks (with 90 charter members, first initiation and installation took place April 15, 1901.)  Likewise, the First Hebrew Congregation of Honolulu was formally organized at a meeting of some thirty of the Jewish residents of the city in Progress Hall Sunday afternoon, October 27, 1901.

In 1981, both buildings were completely gutted and a new interior designed of steel beams and heavy timber. Elevators, a new roof, central air conditioning, sprinkler systems, safety systems, new window designs and an entrance canopy were added. Some references say a fourth floor was added.  (Burlingame)

Today, Hawaiʻi Pacific University occupies the Model Progress Building (it is not clear when the “Model” moniker was added to the building name;) uses include, Center for Student Life and First-Year Programs, Commuter Services, Dean of Students Office, ELS Language Center, faculty offices and spaces/uses for various departments and programs.

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by Peter T Young Leave a Comment

Pūlaholaho

In former times, the area we now call downtown Honolulu was not called Honolulu; instead, each land section had its own name.  (A map in the album notes many of the different areas and their respective place names. )

‘Kou’ was later used to describe the district roughly encompassing the present day area from Nuʻuanu to Alakea Streets and from Hotel to Queen Streets Street (Queen Street was, then, only a pathway along the water’s edge.)

The harbor was known as Kuloloia.  It was entered by the first foreigner, Captain William Brown of the English ship Butterworth, in 1794.  He named the harbor “Fair Haven.”  The name Honolulu (meaning “sheltered bay” – with numerous variations in spelling) soon came into use.

Kamehameha I, who had been living at Waikīkī since 1804, moved his court here in 1809.  His immediate court consisted of high-ranking chiefs and their retainers.

In 1815, Kamehameha I granted Russian representatives permission to build a storehouse near Honolulu Harbor.  Instead, directed by the German adventurer Georg Schaffer (1779-1836,) they began building a fort and raised the Russian flag.  When Kamehameha learned of this, he sent several chiefs to remove the Russians.

The partially built blockhouse was finished by Hawaiians; they mounted guns protected the fort.  Its original purpose was to protect Honolulu by keeping enemy or otherwise undesirable ships out.

By 1830, the fort had 40 guns mounted on the parapets; it was called Fort Kekuanohu (literally, ‘the back of the scorpion fish,’ as in ‘thorny back,’) because of the rising guns on the walls.  (Fort Street is so named, because of the fort on the waterfront.)

One of the areas nearby was called Pūlaholaho (it is down near the old waterfront, ʻEwa side of where the fort was.  (In today’s perspective, it runs from Merchant, Nuʻuanu, Queen Streets and up through the breezeway of the Harbor Court project (this used to be the location of Kaʻahumanu Street.)

April 25, 1825, Richard Charlton arrived in the Islands to serve as the first British consul. A former sea captain and trader, he was already familiar with the islands of the Pacific and had promoted them in England for their commercial potential (he worked for the East India Company in the Pacific as early as 1821.)

Charlton had been in London during Kamehameha II’s visit in 1824 and secured an introduction to the king and his entourage.  By the time he arrived in Hawai‘i in 1825, instructions had already arrived from Kamehameha II that Charlton was to be allowed to build a house, or houses, any place he wished and should be made comfortable.  This apparently was due to favors Charlton had done for the royal party.  (Hawaiʻi State Archives)

Charlton didn’t play well with others.  A report by Thrum noted, “July 13th (1827) – Last evening the English consul, in conversation with Boki told him he would cut Kaahumanu’s head off and all the residents were ready to join in it. Guards were ordered out in all parts of the village. Mr. Charlton may be ready to take up arms against the chief but few, if any, I believe would follow or join with him.” (Thrum)

In spite of that, Charlton did receive land for his home and for Consular offices.  The records suggest that the land under the present Washington Place premises were part of a grant from the chiefs to Charlton in 1825-26 to provide a permanent location for a British Consulate.  (HABS)

(Charlton later sold that property to Captain John Dominis (December 26, 1840,) who later built Washington Place. … By the way, Beretania Street was so named because of the British Consulate there.)

Charlton claimed this and other lands as his personal property.  He also claimed land down by the waterfront.  There was no disagreement over a small parcel, Wailele, but the larger adjoining parcel he claimed (Pūlaholaho) had been occupied since 1826 by retainers and heirs of Kaʻahumanu.

In making his claim for Pūlaholaho, Charlton showed a 299-lease dated October 5, 1826 issued to him by Kalanimōku.  That claim, made in 1840, however, was made after Kalanimōku and Kaʻahumanu had died.

Following Charlton’s presentation of his claim to rights of the entire land section of Pūlaholaho, Kamehameha III sought a means of providing security for the native residents on the land, and claimed that Pūlaholaho belonged to the crown.  (Maly)

In rejecting Charlton’s claim, Kamehameha III cited the fact that Kalanimōku did not have the authority to grant the lease.  At the time the lease was made, Kaʻahumanu was Kuhina Nui, and only she and the king could make such grants.  The land was Kaʻahumanu’s in the first place, and Kalanimōku certainly could not give it away.  (Hawaiʻi State Archives)  The dispute dragged on for years.

This, and other grievances purported by Charlton and the British community in Hawai‘i, led to the landing of George Paulet on February 11, 1843 “for the purpose of affording protection to British subjects, as likewise to support the position of Her Britannic Majesty’s representative here”.

Following this, King Kamehameha III ceded the Islands and Paulet took control.  After five months of British rule, Queen Victoria, on learning the injustice done, immediately sent Rear Admiral Richard Darton Thomas to the islands to restore sovereignty to its rightful rulers.

On July 31, 1843 the Hawaiian flag was raised.  The ceremony was held in area known as Kulaokahuʻa; the site of the ceremony was turned into a park, Thomas Square.

On November 26, 1845, legal title to Charlton’s land claim was secured and was sold to British businessman, Robert C Janion (of Starkey, Janion and Co – that company later became Theo H. Davies & Co and one of Hawaiʻi’s ‘Big 5.’)   (Liber 3:221; Maly)  Charlton stayed in Honolulu until February 19, 1846, when he left Hawai’i for the last time.

Pūlaholaho was subdivided and Janion auctioned off the properties in 1846.  Captain Heinrich (Henry) Hackfeld opened a store on one of them in October 1849.  His company, H Hackfeld & Co, later became American Factors, Amfac, another Hawaiʻi ‘Big 5’ company.

A lasting legacy is the Melchers Building, the oldest commercial building in Honolulu, erected in 1854, at 51 Merchant Street, built for the retail firm of Melchers and Reiner. Its original coral stone walls are no longer visible on most sides, under its layers of stucco and paint (check the makai side of the building to see the coral blocks.)

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by Peter T Young Leave a Comment

Mauka-Ewa Corner of Richards and Hotel Streets

I wasn’t sure what to call this post.  It includes a little bit of history and is essentially a discussion of the evolution of the site and building that now houses the Hawai‘i State Art Museum.

The uses evolved from scattered homes to the Hawaiian Hotel to the Armed Forces YMCA to Hemmeter Corporation headquarters to No. 1 Capitol District Building, and now to the Hawai‘i State Art Museum and State offices.

Here’s a little bit of history.

Back in the mid-1800s, the growth of steamship travel between Hawai‘i and the West Coast of the United States, Australia and New Zealand caused a large increase in the number of visitors to the islands.

The arrival and departure of Samuel Clemens (Mark Twain,) the Duke of Edinburgh and others included envoys, politicians, merchants and opportunists, created the need of good hotel accommodations to lodge similar visitors.

The Hawaiian Hotel was proposed in 1865, but not laid down until 1871.  The Hotel was located on the Mauka-Ewa corner of Hotel Street and Richards Street and was formally opened by a ball on February 29, 1872.

The Hawaiian Hotel was later called the Royal Hawaiian Hotel, because King Kamehameha V felt adding “Royal” to the name would give it regal feel.

Therefore, first “Royal Hawaiian Hotel” was not in Waikīkī; rather, it was in downtown Honolulu (the later one, in Waikīkī, opened over fifty years later, in 1928.)

In 1879, the Royal Hawaiian Hotel was surrounded by dwellings, including several thatched-roof hale, but the hotel expanded over the next twenty years and replaced most of the residences.

Reportedly, Kalākaua kept a suite there; the Paradise of the Pacific noted it was “one of the coolest buildings in the city.”  (I’m not sure that this is the same “cool” that I refer to as “waaay cool.”)

By 1900, the last dwellings and a doctor’s office were located on the corner of Beretania and Richards Streets.  These were all gone by 1914.

In November 1917, the Royal Hawaiian Hotel was purchased by a group of local businessmen and became the official headquarters of the Armed Services YMCA in Hawai‘i.

In 1926, the hotel was demolished and the present building was constructed.  The Army and Navy YMCA building was erected on the site of the former Royal Hawaiian Hotel in 1927.

Through the middle of the century, the downtown “Y” was a popular destination for service men from all branches of the military.

By the mid-1970s, an increasing number of junior enlisted personnel were married with children.

The Armed Services YMCA responded to the changing needs of the military by opening family centers at Aliamanu Military Reservation, Iroquois Point Housing, Marine Corps Base Hawaii-Kaneohe, Wheeler/Schofield and Tripler Army Medical Center.

The building was rehabilitated in the late-1980s by Hemmeter Corporation, when it was renamed No. 1 Capitol District Building.

This remodeled office complex became the Hemmeter Corporation Building.  After completion in 1988, the historic building served as Hemmeter Headquarters for several years.

Hemmeter Design Group earned national awards for the redevelopment of the historic YMCA building in downtown Honolulu.

Today, the Hawai’i State Art Museum (managed by the Hawai’i State Foundation on Culture and the Arts) and several State offices are housed in the historic Spanish-Mission style building.

The Hawai‘i State Art Museum opened in the fall of 2002.  The museum is located on the second floor of the No. 1 Capitol District Building.

The museum houses three galleries featuring (and serves as the principal venue for) artworks from the Art in Public Places Collection.

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by Peter T Young Leave a Comment

Major Warren’s Hotel

“Major (William R) Warren was Honolulu’s first restauranteur. His establishments, both in Honolulu and California, were famous for their excellent cuisine.”  (Hoyt)

Warren ‘The Major’ – he of the big paunch, red face, and blonde eyebrows – was in the hotel business in 1817 and offered a July 4 dinner in 1818.  (Greer)

Land Commission Award records note, “this lot was first occupied by William R Warren, who originally obtained it from Kaikioʻewa (governor of Kauai) before the year 1819.”  (avakonohiki)

In 1819 he obtained property at what is now Hotel and Bethel Streets, and around 1825 built a structure referred to as the ‘Warren House’ and ‘Major Warren’s Hotel.’  (Schmitt)

It apparently also served as town hall, or general meeting place for the public to assemble and plan for celebrations, or discuss questions of importance in the community, or serving as a ball room. (Thrum)

“(Warren) gave the use of his large dining room to the ‘Oahu Amateur Theatre.’ Major Warren had moved his Honolulu establishment several times, but in 1834 he was located approximately, on the makai-ewa corner of Fort and Beretania Streets, almost opposite the present Catholic Cathedral.  (Hoyt)

So prominent was this Warren name in the community that in 1836, when the naming of the streets was being considered the suggestion was made that ‘the open space near Messrs. Peirce & Brewer’s establishment” (corner of Fort and Hotel) “from Rooke & Peabody’s house to Major Warren’s old stand be named Warren Square.’  (Thrum)

Warren’s pioneering enterprise, ‘Major Warren’s Hotel,’ gave ‘Hotel Street’ its name in downtown Honolulu (although in the 1830s that part of Hotel between Fort Street and the hotel was also called Warren Square.)  (Greer, Clark)

Warren went to California.  “That this boniface had a winning personality may be judged by the following description of him on his departure in February, 1838: ‘A gentleman with a smiling visage, a rotund figure, a disposition like a sunbeam, and a heart as big as the Island of Hawaii was Major Warren.’”  (Thrum)

Dr. Ed. Espiner took over Warren’s interest in the premises and continued for some time without change of name. In December, 1840, Espiner sold the property to Wm. French and the ‘Warren Hotel’ name continued until 1844.

On June 15, 1844, French made a 50/50 partnership deal for operation of the hotel with Ahung, a Chinese. He brought in three Chinese copartners – Atai, Ahsing, and Ahlan – all doing business as Hungtai.  Ahung soon died; at his death Hungwa bought into the enterprise and became the proprietor of the Canton Hotel – featuring Chinese cooks and waiters. (Greer)

Hungwa ran advertisements in the local paper noting, “Canton Hotel.  The undersigned having taken the premise formerly known as the ‘Warren Hotel,’ begs to assure the public that he has spared no expense in fitting up the same for the comfort and convenience of residents and visitors, and solicits a share of the public patronage.  Billiard Room and newly fitted Bowling Alleys attached.” (Polynesian, April 26, 1845)

Samuel Thompson, one of the town’s celebrities, succeeded to it in July, 1849, to maintain it as a first class hotel under the same name.  His term was brief, John Bartlett as proprietor of the ‘Canton’ when it was fitted up and became a noted resort for officers of ships in the flush whaling days.

“Jack Bartlett,” as he was familiarly called, was cash-keeper for many of the officers and he served them honestly.  Bartlett passed away in May, 1858.  Following his death the ‘Canton Hotel’ was maintained by various parties for several years until September of 1865, when Samuel Loller of the International leased the premises and opened up the same January, 1866, under the changed name of Eureka Restaurant (it later changed to Eureka Hotel and Restaurant.)  (Thrum)

In 1878, F. Horn, put his Horn’s Bakery at the property; Horn died August 5th, 1896, but the business was continued by his widow for several years, then she sold it to the New England Bakery business.  (Thrum)

Later, the Aloha Park, then the Collegia Theatre was on the site (across the street from Empire Theatre – the building there still goes by the Empire name.)

Today, the property ( at the mauka-Diamond Head Corner of Hotel and Bethel Streets) is known as the Marine Finance (built in 1910 – it was known as the National Building when National stores occupied a bunch of it;  it’s the home to the Plumbers and Fitters Union and several other shops and offices.

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by Peter T Young 1 Comment

Hula Cop

In the heyday of the Queen’s Surf (flagship property for the Spencecliff Corporation,) the Barefoot Bar was ground zero for local comedy and entertainment. Sterling Edwin Kilohana Mossman was the ringleader.

Mossman sang and did comedy and included a lot of others in the evening’s entertainment.  The footprints of many of these Island and internationally known entertainers lined the stairway up to the second floor bar.

A detective with the Honolulu Police Department during the day, after dark he was one of Hawaiʻi’s most popular entertainers. His diversified careers earned him the nickname “Hula Cop”. (TerritorialAirwaves)

But this story is not about that Hula Cop, this is about Pedro Jose, another ‘entertainer’ who earned that local moniker.  Due to his looks and 6-foot, six-inch frame, he was also known as the “Tall and Handsome One.”

Pedro (Peter – Pete) Jose (Hose) was born in Honolulu on September 29, 1881. His father came from the Cape Verde isthmus off the coast of Africa.  Cape Verdeans were of African Portuguese ancestry.

While directing traffic, Pete danced the hula on Downtown Honolulu streets. (Guttman)

“As he motions with his original comical gestures to the drivers of vehicles when to come ahead, Peter wears that everlasting smile.  No traffic is dense enough, no weather is too hot nor is any driver too grouchy to spoil that smile.  And the result is that everybody else smiles, too, and there is no pessimism at Merchant and Fort street.” (Honolulu Star-Bulletin, August 11, 1917)

“Like William Shakespeare, Peter Hose believes that when you smile the world smiles with you, and when you weep you weep alone. Hence it has become Peter’s business to keep the populace of Honolulu smiling when it happens down around, the corner of Merchant and Fort streets during the morning and late in the afternoon.”

“Peter Hose is the great tall six foot, six inch traffic cop whom everybody who ever passed along Merchant or Fort street when he was on duty remembers. Aside from his broad and everlasting smile, one discovers; upon closer examination, that Peter wears about the broadest brimmed hat made and the largest shoes obtainable in the city about twelves it was said the other day.”  (Honolulu Star-Bulletin, August 11, 1917)

“The sidewalk on Merchant street; from a point in front of the entrance to the savings department of Bishop & Co bankers, to the entrance of the Henry Waterhouse Trust Co on Fort street, opposite C Brewer & Co office, is considered the financial curb of Honolulu for there at almost any time of the day, except during the Exchange session, will be found the brokers, tipsters and stock traders swapping yarns, swapping tips, making bets, and winning the war.”

“But even these pursuits are apt to grow dull at times and in those dull moments Traffic Policeman Peter Hose, better known as “The Tall and Handsome One,” who holds sway at the corner of Merchant and Fort street, supplies the comedy element and keeps the broker throng amused with his Chaplin stunts.”  (Honolulu Star-Bulletin, December 17, 1917)

“Pete Hose, the ‘hula cop,’ … was a traffic cop who could make motorists laugh. To make motorists laugh in a traffic crush is no small accomplishment. …. Pete made the drivers laugh with just a suggestion of ‘the immortal Hawaiian hula dance when he beckoned to traffic.”

“’Hula cop’ was the nickname he went by. Besides being courteous he was efficient. He did favors for people, but never forgot that he was an officer. The people liked and respected him. That little touch of the clown in his makeup won their hearts.”

“A modern electric traffic device was installed recently at one of the busy corners in Honolulu, and the people dedicated it to Pete Hose. At a short ceremony, city officials spoke, and members of the traffic department and friends of Pete Hose praised his work.”

“(T)he courtesy that Hose expressed in his whole life perhaps could be copied with benefit by some of them.  A little touch of humor makes the whole world kin – and often brings humanity’s homage, as in Pete Hose’s case.”  (Manitowoc Herald Times, December 13, 1926)

“Honolulu’s “hula cop,” who has caused thousands of tourists to laugh at his downy antics as he directed traffic through the downtown thoroughfares, has been ‘promoted’ from the ‘stop and go’ job to a position as waterfront policeman.”

“Peter will now direct the tourists as they set foot on Hawaiian soil, and there is little doubt that a few weeks of acquaintance with the new surroundings will set him ‘hula-ing.’”

“Indeed, when the white-suited Hawaiian band strikes up the strains of ‘Honolulu Tomboy’ or ‘Hula Blues’ as the boats come in or sail away, no one who knows Peter Hose would rightfully expect him to make those arms and legs behave. (New Castle News, PA, April 23, 1924)

“He is philosophically inclined, Peter is, and he believes in the plain, honest smile. He first went on the police force about 10 years ago and he has discovered in his long experience that there is one thing that does more to prevent collisions, hard words and ill feeling one thing that keeps the traffic moving smoothly and that as a real smile.”   (Honolulu Star-Bulletin, August 11, 1917)

 “Peter Hose, Honolulu’s ‘Hula Cop,’ big, smiling, hearty, known by nearly every man, woman and child in Honolulu and easily remembered by tens of thousands of world tourists who have passed through Honolulu the last 18 years, is no more.”

“‘Pete’ made a gallant, though a losing, fight with tuberculosis. One morning… he left Lēʻahi for home. ‘I know I am going to die,’ he said, ‘and I am going to die at home, among my own kin folks.’”  (Knowlton, Advertiser, Advertiser January 5, 1925)  The image shows Pedro Jose, Honolulu’s Hula Cop.

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