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April 19, 2015 by Peter T Young 1 Comment

“A Quiet Retreat from the Noise and Bustle of Honolulu”

On October 23, 1819, the Pioneer Company of missionaries from the northeast US, set sail on the Thaddeus for the Islands. There were seven couples sent by the ABCFM to convert the Hawaiians to Christianity.

These included two Ordained Preachers, Hiram Bingham and his wife Sybil and Asa Thurston and his wife Lucy; two Teachers, Mr. Samuel Whitney and his wife Mercy and Samuel Ruggles and his wife Mary; a Doctor, Thomas Holman and his wife Lucia; a Printer, Elisha Loomis and his wife Maria; a Farmer, Daniel Chamberlain, his wife and five children. (The Honolulu contingent arrived on Oʻahu on April 19, 1820.)

In 1829, Kaʻahumanu wanted to give Hiram and Sybil Bingham a gift of land and consulted Hoapili. He suggested Kapunahou (although he had already given it to Liliha).

According to AF Judd, “Not unnaturally, Liliha objected to the proposal, but Hoapili consented. And Liliha’s resentment could avail nothing against the wish of her father, her husband, and the highest chief of the land.”

At first, the Binghams lived in a grass home erected by Kaʻahumanu beside a larger structure of her own. By 1831 the Binghams moved into a more permanent adobe cottage that stood beside a clump of hau trees.

While at Punahou, the Binghams created for themselves “a quiet retreat from the noise and bustle of Honolulu.” The building had two main rooms, a porch, a storeroom and a pantry. There was a separate cookhouse. (Punahou)

“Dear Punahou cottage, once my home sweet home, where the precious mother cherished her little ones.” (Hiram Bingham II, April 19, 1905)

The land was given to the Binghams (it was considered to be a gift from Kaʻahumanu, Kuhina Nui or Queen Regent at that time,) but by missionary rules, it was really given to the mission as a whole. (NPS) The Binghams left in 1840.

“The founding of Punahou as a school for missionary children not only provided means of instruction for the children, of the Mission, but also gave a trend to the education and history of the Islands. In 1841, at Punahou the Mission established this school and built for it simple halls of adobe.”

“From this unpretentious beginning, the school has grown to its present prosperous condition.” (Report of the Superintendent of Public Education, 1900)

“The trustees of Oahu College propose to set up a memorial in memory of the late Rev. Hiram Bingham, first missionary on the Island of Oahu, and a benefactor of the college.”

“The house occupied by Rev. Mr. Bingham was situated just mauka of the site now occupied by the president’s house on the college grounds and about 20 feet from the driveway.”

“The trustees will select a large bowlder and place it in position as nearly as possible on the spot where the house originally stood. One face of the rock will be trimmed off to receive a suitable inscription.” (Pacific Commercial Advertiser, July 20, 1897)

“The exact site of the cottage has since then been discovered by the unearthing of the foundation of the southern corner, and now, after the lapse of five years … we are here today to dedicate this memorial, and to witness to our belief in the propriety and usefulness of the same.” (Hiram Bingham II, April 19, 1905)

Like other missionaries who had benefitted from the generosity of the Hawaiian ali‘i, Bingham managed the land together with other mission members. As explained by fellow missionary Samuel Whitney on September 24, 1850, “The land could be received and immediately appropriated, as far as it was capable, to sustaining the missionary cause.”

“It was never my privilege to be a pupil at the Punahou Mission School but I can well remember how in summer days, when the heat was great and we were wont, for a change, to dwell in the humble cottage which stood here, an older sister and myself used to start out on foot to cross the dusty and arid plain two miles to Kawaiahao to attend the little mission school held in Dr. Judd’s back yard, the germ of this college.”

“Memory goes back sixty-six years to the delights of this refreshing spot, where, after the long weary walks of the day, I was wont to meet a mother’s welcome, and to refresh myself, not in this magnificent bathing tank so near at hand, but in an artificial pond originally constructed by my father for purposes of irrigation …”

“I remember with what delight I used to paddle about in my boat, only a box, in a fresh pond close to the spring. I remember how I was wont to stroll in the cool, shady spots so romantic to me in childhood among the banana trees which grew by the side of the taro patches”.

“… how in this cottage we children eagerly listened to the reading of “the Rollo Books” when they first appeared, and how we rejoiced over the toys as one by one they were taken from the box just arrived from around Cape Horn.”

“Finally, I remember how, in a neighboring shady grove, just a few yards makai of this cottage, not long before we went forth from it (was it prophetic?), I tried to sing with my sister the anthem ‘Daughter of Zion, awake from thy sadness,’ which we had heard sung by the choir in the old Bethel on King street.”

“Those were happy days, but they are forever gone. I would not have them back. It is enough for me, full enough that I have the memory of them, that in my oId age I hear the merry voices of the rising student generations as after school hours of faithful study they gleefully roam this campus, seeking rest and recreation”

“(M)y heart will to the last, beat with joy at the remembrance of the gift of my father and the continued prosperity of Oahu College.”

“In your walks through these shady avenues, kind friends, will you not once and again linger a moment here to reread this inscription (which I now unveil) and call to mind the labors of love which my dear father put forth in this city for the redemption of Hawaiʻi, and his parting gift, Punahou?” (Hiram Bingham II, April 19, 1905)

“The memorial tablet is a simple but beautiful affair. On a grass mound in the shape of a truncated pyramid is a pedestal of lava rock on which is a great rough lava boulder hewn out from the slopes of Rocky Hill.”

“On its rough face is an oval bronze tablet bearing in simple raised letters this inscription:” (Ceremonies In Memory of the Pioneer Missionary Rev Hiram Bingham, April 19, 1905)

“On This Spot
Stood The Home Of The
Rev. Hiram Bingham
Who Gave This Broad Estate
To The Cause Of
Christian Education”

(Hiram and Sybil Bingham are my great-great-great grandparents.)

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BinghamTablet-(Punahou Archives Photo)
BinghamTablet-(Punahou Archives Photo)
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Bingham_Tablet-(Punahou Archives Photo)
Dedication_of_BinghamTablet-1905-(Punahou Archives Photo)
Dedication_of_BinghamTablet-1905-(Punahou Archives Photo)
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Filed Under: General Tagged With: Hawaii, Hiram Bingham, Punahou

April 13, 2015 by Peter T Young Leave a Comment

For the Sake of Public Health

Hawaiian Mission Houses Historic Site and Archives presents it’s highly popular Cemetery Pupu Theatre series with a new set of historical characters.

These programs are waaay cool.

Actors are dressed in period costume, telling the life events of select individuals buried at O‘ahu Cemetery, at their respective grave sites.

Each ‘stage’ is at the respective subject’s gravesite at Oʻahu Cemetery in Nuʻuanu. There was nothing ghoulish about it; rather, it was very effective storytelling.

Cemetery Pupu Theatre takes us back to our shared history and allows us to “meet” people who have influenced Hawaiian history and hear their stories.

The scripts are researched and documented, making Cemetery Pupu Theatre a unique presentation of real history.

“For the Sake of the Public Health” presents a series of people who were intimately involved with the health, care and welfare of the people of Hawaiʻi.

Hawaiʻi faced many public health crises and had many healthcare needs during the days of the Kingdom, the Republic and the Territory.

Each person has an interesting and important story to share that sheds light on the challenges faced by doctors and victims of disease.

They are: the first licensed female physician in the islands tending to the needs of women and children; a dentist turned politician; a doctor who dedicated his life to fight against the Great White Plague of Tuberculosis; a doctor who did leprosy research at Kalihi Leper Hospital; and a victim of the 1853 smallpox epidemic.

These people who shaped health care in our islands today, help us remember those who have gone before us were public servants, and witnessed history.

Dr Archibald Sinclair (portrayed by Richard Valasek,) the founding director of Lēʻahi Hospital and an important pioneer in immunology who sought a cure for Tuberculosis.

Haliʻa is a composite character (portrayed by Karen Kualana) who was a victim of the 1853 smallpox epidemic in which 6,000 people died, 8% of the Kingdom’s population.

Dr John Mott-Smith (portrayed by Adam LeFebvre,) Hawaiʻi’s first royal dentist, who also negotiated both Reciprocity Treaties and was the Kingdom’s last ambassador to the United States.

Dr Sarah Eliza Pierce Emerson (portrayed by Karen Valasek,) Hawaiʻi’s first licensed female doctor, who was on the Board of Examiners for the Oʻahu Insane Asylum.

Dr William L. Moore (portrayed by Dezmond Gilla,) a member of the board of Health and superintendent of the Hilo Hospital, and was involved in searching for a cure for Leprosy.

Mike Smola and others at Hawaiian Mission Houses Historic Site and Archives researched the scripts.

William Haʻo directed “For the Sake of the Public Health.” He has performed in Hawaiian Mission Houses’ A Midsummer Night’s Dream, as well as all four Cemetery Pupu Theatre shows.

Carlyon Wolfe was the costume designer. She is currently the staff designer for Mānoa Valley Theatre. She has earned four Hawaiʻi State Theatre Council Poʻokela design awards for her efforts.

This sold out program was presented in June 2014 (with an encore in 2015.) If you weren’t one of the fortunate ones to see it live, the links will take you to the respective performances.

Click HERE for a link to the Mission Houses Calendar.

Don’t miss the Cemetery Pupu Theatre, or any of the other great programs at Mission Houses. (Lots of info here from Mission Houses.)

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OahuCemeteryEntrance
OahuCemeteryEntrance
Oahu-cemetery-crematorium&chapel
Oahu-cemetery-crematorium&chapel
Dr Archibald Sinclair (portrayed by Richard Valasek)
Dr Archibald Sinclair (portrayed by Richard Valasek)
Haliʻa a composite character (portrayed by Karen Kualana)
Haliʻa a composite character (portrayed by Karen Kualana)
Dr John Mott-Smith (portrayed by Adam LeFebvre)
Dr John Mott-Smith (portrayed by Adam LeFebvre)
Dr Sarah Eliza Pierce Emerson (portrayed by Karen Valasek)
Dr Sarah Eliza Pierce Emerson (portrayed by Karen Valasek)
Dr William L. Moore (portrayed by Dezmond Gilla)
Dr William L. Moore (portrayed by Dezmond Gilla)

Filed Under: General, Prominent People Tagged With: Oahu Cemetery, Medicine, Archibald Sinclair, John Mott-Smith, Sarah Eliza Pierce Emerson, William L Moore, Hawaii, Hawaiian Mission Houses Historic Site and Archives

April 5, 2015 by Peter T Young 1 Comment

Happy Easter

 

Filed Under: General

February 27, 2015 by Peter T Young Leave a Comment

Food Forest

It’s not food for human use – it’s a forest managed to provide habitat and food for recovering endangered bird species.

The Keauhou Bird Conservation Center (KBCC) Discovery Forest is a project and part of Hawaiʻi Forest Institute’s (HFI) Mahalo ʻĀina: Give Back to the Forest Program.

HFI’s Mahalo ʻĀina: Give Back to the Forest program seeks to expand public and private partnerships to gain support for the protection and perpetuation of Hawaii’s forest resources.

The objectives of the KBCC Discovery Forest are to:
• Restore an endemic forest canopy with koa;
• Restore an endemic forest understory with fruiting trees and shrubs;
• Improve habitat quality for endemic wild birds;
• Provide hands-on experiential education for local students; and
• Provide forest materials (fruits, browse, and perching) for captive birds KBCC.

Using captive propagation and release techniques, KBCC is reestablishing self-sustaining populations of critically endangered Hawaiian birds in the wild.

The Hawai‘i Endangered Bird Conservation Program breeds endangered Hawaiian birds in captivity, for release back into the wild.

For Phase I, HFI began work with KBCC and other community partners to create the Discovery Forest with 1,200 koa and other native trees. This project is providing service learning opportunities for youth volunteers and helping to develop habitat and food for native birds.

Koa trees are an essential part of native Hawaiian forests. They improve soil quality through a chemical process called nitrogen fixation, allowing other native plants, like the fruiting trees necessary for native bird life, to grow in the nutrient-poor, lava-based soil.

In addition, koa are the dominant crown cover in some areas, providing watershed protection and playing a large part in Hawaiian culture.

Koa is important from a conservation perspective because it provides habitat for native plants and animals. Although birds do not eat koa fruit, they forage on insects on and within the tree itself, and use cavities in koa for nesting.

Once a koa forest is established, understory fruiting species that are key to the diets of rare bird species can be planted in the area. Fruiting species include hōawa, kōlea, maile, māmaki, māmane, ‘ōhelo, ‘ōlapa, pilo and ‘ie’ie. (San Diego Zoo)

Notable long-term program efforts and successes include:
• Nēnē – (the State Bird) recovering from fewer than 50 birds to nearly 2,000
• ʻAlala – captive flock that has grown to 95
• Puaiohi – recovering from only a few dozen to approximately 500 (found only on Kaua‘i)
• Palila – a new population has been established on the north slope of Mauna Kea

The trees planted school groups are the beginning of a new native tree forest that will support the native bird species in the future.

This site, at an elevation of about 4,000-feet, was once grazed by cattle and was primarily covered in non-native kikuyu grass; forest restoration helps add to the existing collection of native species.

The land is owned by Kamehameha Schools and leased to KBCC, which is part of the Hawaiʻi Endangered Bird Conservation Program, a partnership between the San Diego Zoo Global Institute for Conservation Research, US Fish and Wildlife Service, and DLNR’s Division of Forestry and Wildlife.

The project to re-establish the koa forest has been funded through the support of the Hawai‘i Community Foundation and the Hawai‘i Tourism Authority. The koa seedlings were donated by the Three Mountain Alliance.

HFI was awarded a DLNR Division of Forestry & Wildlife (DOFAW) Forest Stewardship Program grant to develop a forest stewardship plan for the approximately 200-acre Discovery Forest site. (HFI)

Click the following link for more on Mahalo ʻĀina: Give Back to the Forest Program.
http://www.mahaloaina.org

I am honored and proud to serve as a director on the Hawaiʻi Forest Institute, an organization dedicated to promote the health and productivity of Hawaiʻi’s forests, through forest restoration, educational programs, information dissemination and support for scientific research.

Among other projects The Mahalo ‘Āina: Give Back to the Forest will benefit Kaʻūpūlehu Dryland Forest, LaʻiʻŌpua Dryland Habitat Preserve, Kaloko Makai Dryland Forest Preserve, Panaʻewa Zoo Discovery Forest, ʻĀina Mauna Christmas Tree Demonstration Project and Honolulu Zoo Children’s Discovery Forest. (Lots of information and images here is from HFI.)

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students learn about the endangered birds-HFI
students learn about the endangered birds-HFI
students learn about endangered birds-HFI
students learn about endangered birds-HFI
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Kirk-Derasin-talks-about-the-koa-seedlings-HFI

Filed Under: General Tagged With: Hawaii, Forestry, Hawaii Forest Institute, Hawaii Forest Industry Association

January 29, 2015 by Peter T Young Leave a Comment

Wisdom

We’re the same age.

We were born in the Islands; I have been fortunate to have visited her home island on several occasions.  She has flown over 3-million miles; I have over 1-million miles in my Hawaiian Air account.

She represents inspiration and hope – folks on the island named her recent child ‘Mana‘olana’ (Hope.)

They call her ‘Wisdom.’

She lives on Midway, at least during the breeding season she can be found there.  She is joined by about a million other Laysan albatross, there.  She has had around 35 chicks, nesting each year within 15-feet of prior years’ nests.  She’s the oldest known wild bird.

The Laysan species of albatross traditionally mate with one partner for life and lay only one egg at a time, each year. It takes much of that year to incubate and raise the chick.

Laysan albatross are black and white seabirds named after Laysan Island. They stand almost 3-feet tall, weigh 6 to 7-pounds and have wingspans of more than 6-feet.

They spend most of their days out at sea and spend hours gliding on headwinds – they eat mostly fish, fish eggs, squid and crustaceans.

Laysan albatross live on both land and sea. The birds spend nearly half the year in the North Pacific Ocean, touching land only during breeding season.

Here’s a link to short video of Laysan Albatross mating ritual on Midway:

Here’s a link to short video of Laysan Albatross sitting on nests on Midway:

Here’s some of the “street view” from Google:

Its traditional name ‘moli’ means a bone tattoo needle, which was made from the bone of an albatross.

Albatross are famously mentioned in Samuel Taylor Coleridge’s epic poem ‘The Rime of the Ancient Mariner,’ published in 1798 …

‘God save thee, ancient Mariner!
From the fiends, that plague thee thus!—
Why look’st thou so?’—With my cross-bow
I shot the Albatross.

Ah! well a-day! what evil looks
Had I from old and young!
Instead of the cross, the Albatross
About my neck was hung.

The Mariner’s act of shooting the albatross (that had once brought good luck to his ship) is the mother of irrational, self-defeating acts. He never offers a good explanation for why he does it, and his crewmates get so upset that they hang the dead albatross around his neck as a burden, so he won’t forget what he did.

To have an albatross around your neck is to have a constant reminder of a big mistake you made. Instead of the gift that keeps on giving, it’s the blunder that keeps on taking. The phrase has come to mean carrying a great burden.  (Schmoop)

Kuaiheilani, suggested as a mythical place, is the traditional name for what we refer to as Midway Atoll.  Described in the legend of Aukelenuiaiku, the origin of this name can be traced to an ancient homeland of the Hawaiian people, located somewhere in central Polynesia.  (Kikiloi)

According to historical sources, this island was used by Native Hawaiians even in the late-1800s as a sailing point for seasonal trips to this area of the archipelago.

Theodore Kelsey writes, “Back in 1879 and 1880 these old men used navigation gourds for trips to Kuaihelani, which they told me included Nihoa, Necker, and the islets beyond … the old men might be gone on their trips for six months at a time through May to August was the special sailing season.”  (Papahānaumokuākea MP, Cultural Impact Assessment)

Look at a map of the Pacific and you understand the reasoning for the “Midway” reference (actually, it’s a little closer to Asia than it is to the North American continent.)

Midway’s importance grew for commercial and military planners. The first transpacific cable and station were in operation by 1903. In the 1930s, Midway became a stopover for the Pan American Airways’ flying “clippers” (seaplanes) crossing the ocean on their five-day transpacific passage.

The US was inspired to invest in the improvement of Midway in the mid-1930s with the rise of imperial Japan. In 1938 the Army Corps of Engineers dredged the lagoon during this period and, that year, Midway was declared second to Pearl Harbor in terms of naval base development in the Pacific.

The construction of the naval air facility at Midway began in 1940. At that time, French Frigate Shoals was also a US naval air facility. Midway also became an important submarine advance base.

The reef was dredged to form a channel and harbor to accommodate submarine refit and repair. Patrol vessels of the Hawaiian Sea Frontier forces stationed patrol vessels at most of the islands and atolls.

The Battle of Midway (June 4-7, 1942) is considered the most decisive US victory and is referred to as the “turning point” of World War II in the Pacific.  The victory allowed the United States and its allies to move into an offensive position.

In 2000, Secretary of the Interior designated Midway Atoll National Wildlife Refuge as the Battle of Midway National Memorial, making it the first National Memorial designated on a National Wildlife Refuge.

Of all the Islands and atolls in the Hawaiian archipelago, while Midway is part of the US, it the only one that is not part of the State of Hawaiʻi.

Today, Midway is administered by the US Fish and Wildlife Service as Midway Atoll National Wildlife Refuge within Papahānaumokuākea Marine National Monument (a marine protected area encompassing all of the Northwestern Hawaiian Islands.)

The image shows Wisdom and her chick.  (USGS) In addition, I have added other related images in a folder of like name in the Photos section on my Facebook and Google+ pages.

© Hoʻokuleana LLC 2015

Filed Under: General, Place Names Tagged With: Hawaii, Papahanaumokuakea Marine National Monument, Midway, Albatross, Wisdom

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Images of Old Hawaiʻi

People, places, and events in Hawaiʻi’s past come alive through text and media in “Images of Old Hawaiʻi.” These posts are informal historic summaries presented for personal, non-commercial, and educational purposes.

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