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June 20, 2016 by Peter T Young 1 Comment

Arthur L Andrews Outdoor Theatre

Cornell-educated core faculty was brought in during the early days of the College of Hawai‘i to help build a foundation for the University of Hawai‘i’s future.

One such was Arthur Lynn Andrews; He was born in 1871 in McLean, New York and received a MA and his doctorate from Cornell University.

When he arrived in the islands in 1910, he first joined the College of Agriculture and Mechanic as an English professor. College classes were held in a remodeled residence in the backyard of a high school at Beretania and Victoria; the entire student enrollment was 17.

Andrews was active in all aspects of university life. He did not play football but is said to have introduced the famous Statue of Liberty feint play to island teams.

In 1913, he produced the University’s first play, “The Revolving Wedge,” and engaged students in playwriting. He organized the first campus newspaper and the first annual, sang in the glee club and played third base on the baseball team. (UH)

Andrews became the first Dean of the College of Arts and Science, when the College of Hawai‘i was transformed into the University in 1920.

Debate was once a major part of the university. Andrews founded the debate and forensics program in 1924, modeling it after the world famous Oxford Union.

He then became Dean of Faculties from 1930 until 1936, when he retired. From 1941 to 1943, he was a member of the board of Regents. (NPS)

Construction of the Manoa Campus almost stopped during the great depression in the 1930s. Exceptions were projects for which the Federal Emergency Relief Administration (FERA – under the ‘New Deal’) provided the manpower.

One such project at the University was an Outdoor Theater. The University provided $5,213 (cost of materials) and $50,000 was provided by the FERA.

The Outdoor Theatre was designed by Ralph Fishbourne and Professor Arthur R. Keller served as the consulting engineer. The landscape designer was a noted UH graduate and landscape architect in Hawaiʻi, Richard Tongg.

The structure was designed with a 5,500 person seating capacity with some of the stone material for the seating coming from Fort Ruger.

The approximate size of the space is 200 feet wide by 300 feet long. The curve of the Outdoor Theatre portion has a sweeping 60-foot radius. The Outdoor Theatre seating is partially sunken into the ground, with the stage area set below grade. The 25 foot by 35 foot concrete surface at the center of the raised stage gives way to lawn, used as an extension of the formal stage.

It opened on June 20, 1935. Originally the structure was called Andrews Amphitheatre (named after Andrews,) but President Gregg Sinclair renamed it “Arthur L. Andrews Outdoor Theatre” in an attempt to use the proper descriptive vocabulary, since ‘Amphitheatre’ refers to a structure that wraps all of the way around the stage.

The graduating class of 1935 was the first to hold commencement ceremonies in the Outdoor Theatre. The theatre was dedicated at the Annual Commencement on June 12, 1945, to Dr Andrews who had died a month earlier.

In the 1970s there was discussion of adding a retractable roof in order to guarantee dry events, but these ideas were terminated in favor of keeping the garden design preserved and open to daylighting. Andrews served as a venue for graduation ceremonies, speeches, and concerts.

The University has two programs dedicated to Andrews: Arthur Lynn Andrews Distinguished Visiting Professor of Asian Studies to promote Asian and Pacific studies at UH through the selection of outstanding visiting professors each year and Arthur Lynn Andrews Award for Fiction awarded to the top entry from undergraduate and graduate students – entries not to exceed 10,000 words. (UH)

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Andrews-Amphitheater-1935
Andrews-Amphitheater-1935
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Arthur Lynn Andrews
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Andrews-Amphitheater 1940
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Arthur Lynn Andrews-gravestone-Oahu Cemetery
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Andrews Outdoor Theatre
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Andrews-UH-1950s graduation-EBay
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Andrews Amphitheater
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UH Manoa – Before Andrews Amphitheater-1932
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UH Manoa – Andrews Amphitheater noted-1937
UH Manoa - Andrews Amphitheater noted-1936
UH Manoa – Andrews Amphitheater noted-1936

Filed Under: Buildings, Schools, Economy Tagged With: Hawaii, Oahu, University of Hawaii, Arthur L Andrews Outdoor Theatre, Andrews Amphitheatre

June 17, 2016 by Peter T Young Leave a Comment

Maui Grand Hotel

“Those Honeymoon Isles are getting all sorts of publicity these days, says last Sunday’s Bystander … ‘The Valley Isle’ and Wailuku city of 30,000, a hundred miles or a half-day by boat from O‘ahu Island, and the gateway to the colossus extinct crater, ‘Haleakala,’ will step into the tourist limelight this season with the lure of the new Grand Hotel …”

“… a Wailuku Clift – snow white, solid and beautiful, with every San Francisco fad and fancy of comfort, convenience and service, and a capacity for 100 patrons.”

“General manager AJ de Souza of the Grand Hotel Company has just returned to the Maui Wailuku following a month at the Fielding, San Francisco, buying the equipment, engaging a manager Frederick McDonald and “planting” the Pacific Slope with patronage publicity.” (Maui News, October 6, 1916)

“General manager de Souza said that the new Grand will be the Maui ‘Mecca’ this season with its California high-type hotel accommodations, the want of which has until now decimated tourist travel to the deep and dead Vesuvius, whose dimensions are incomprehensible and its depth bottomless and unknown.”

“Thus Maui, Wailuku, the new Grand Hotel and the bottomless Haleakala will this season and henceforth vie and rank with Oahu, Honolulu.”

“Waikiki Beach and their horde of hotels in the eye and appetite of the rich and multiplying America winter and summer tourist, indefinitely barred out of Europe.”

“The Maui ‘Mecca’ Wailuku and the new Grand will soon bid Western Hotels and Travel fans to the added development of the ‘Hawaiian’ paradise.” (Maui News, October 6, 1916) Folks also learned, “The Grand hotel is going to work in conjunction with the St Francis of San Francisco.” (Star Bulletin, September 23, 1916)

The early hype helped, but shortly after, the hotel was in bankruptcy proceedings, “it is quite true that the Grand Hotel company is involved and unable to pay its debts”. (Star Bulletin, July 21, 1917)

Associated litigation suggested “Rumors are flying thick and fast as to the nature of the probable adjustment of the case. One theory is to the effect that the Grand will be purchased and turned into a Japanese hospital. This is more or less of an old story, but is probably one of the plans upon which those interested are working.” (Maui News, September 28, 1917)

The hotel, the largest hotel on Maui until after World War II, later ended up under the operation of William H Field and his Maui Hotel Company. “Mr. Field built and opened the Maui Hotel 21 years ago which at that time was considered far in advance of Maul’s needs for years to come.”

“Later he built additions and enlarged the Maui into the present building. Three years ago he formed the idea of securing a string of hotels on Maui and leased from George Freeland the Pioneer Hotel at Lahaina, the West Maui port being considered the main gateway to Maui for tourists and traveling men, and he conducted the two hotels under his one management.”

“To these he added the Grand Hotel two years ago and conducted the three under one management. Finding it unnecessary to conduct two dining rooms he closed the one in the Maui Hotel and used that building as an annex or for room accommodations only for guests who took their meals at the Grand.” (Maui News, January 6, 1922)

Later, EJ Walsh owned the Maui Grand Hotel. Walsh was “one of the big wheels for Kahului Railroad”. He also “ran the observation station in Haleakala.” Back then (the 1930s and 40s,) Haleakala was not a national park. It was run privately. (Haleakala National Park was established in 1961.) (Kaneshiro)

Walsh began furnishing meals and other services for visitors at Haleakala in 1936, becoming the first concessioner in this section of the park. (NPS)

One famous Grand guest was Georgia O’Keeffe; she was in the Islands to submit two paintings for a Dole Pineapple ad campaign. More than six months after her arrival in Hawaiʻi, O’Keeffe had produced 20-paintings, not one included a pineapple and she subsequently “submitted depictions of a papaya tree and the spiky blossom of a lobster’s claw heliconia” for the Dole ads.

“This little hotel is very good – the Japanese boy carries my things up and down stairs for me – There is a Danish man (Harold Stein) who has charge of recreational work for the island who treats me as if I am his own special guest – It makes things easy”. (Georgia O’Keeffe, March 25, 1939; Saville)

The large two-story wooden structure stood on Wailuku’s Main Street; cars drove into the hotel’s semi-circle driveway and it was the center of social life and fine dining into the 1960s. (Tsuchiyama) In 1961, The Maui Grand Hotel closed and was demolished for a service station (the site of the Chevron at Main and Church.)

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Maui Grand Hotel-PP-41-8-039-1937
Maui Grand Hotel-PP-41-8-039-1937
Grand Hotel-Wailuku
Grand Hotel-Wailuku
Maui Grand Hotel
Maui Grand Hotel

Filed Under: Economy, Buildings Tagged With: Maui Grand Hotel, Hawaii, Maui, Wailuku

June 14, 2016 by Peter T Young 1 Comment

Kapiʻolani Maternity Home

“The Hui Hoʻolulu a Ho‘ola Lahui of Kalākaua I was organized at Kawaiahaʻo, Her Royal Highness Princess Kapili Likelike being President. … A large number of members joined the Society on this day, some 51. The amount of money collected was $17.00, the dues being ten cents per month.” (Report of the Executive Committee, February 19, 1874)

“His Majesty Kalākaua designed and established an organization for benevolent work amongst his people; it was called the Ho‘oululahui. The first meeting of the society having been appointed at Kawaiahaʻo Church, there was a good attendance of the first ladies of the city, not only those of Hawaiian families, but also of foreign birth.”

“It was my brother’s intention that the society should have as its head Her Majesty Kapiʻolani, his queen … Like many other enterprises of charity, the original intentions of the founders have been improved upon; and the society is merged in other good works, or its purposes diverted to slightly different ends. The organization is now consolidated in the Maternity Home …” (Liliʻuokalani)

Attending Queen Victoria’s Jubilee celebration, 1887, in London, Kapiʻolani made many visits to hospitals and foundling homes and returned to Hawaiʻi with much enthusiasm and exciting plans for her hospital. She wanted to establish a hospital for underprivileged Hawaiian women to have the best care for mothers and babies.

“The Kapiʻolani Maternity Home, corner of Beretania and Makiki Sts, was opened to the public on Saturday afternoon (June 14, 1890) their Majesties the King and Queen drove up to the home punctually at 3 o’clock”.

“Quite a large number of ladies were out to inspect the Home, the lady board of managers taking particular pains to shew them round. It is to be hoped that this beautiful new home will be largely availed of by Hawaiians.”

“There are five bedrooms, one furnished by Mrs TR Foster, one each by the Widemann and Robinson families, one by Mrs Canavarro and Mrs JI Dowsett, and one by Mrs S Parker, Mrs TW Everett and Mrs EP Low.”

“They all looked cosy and neat. In the dining room are hung pictures of the King and Queen. There is also a matron’s room and a kitchen with range. Mrs. Johnson has been placed in the home as matron.” (Pacific Commercial Advertiser, June 16, 1890)

“The Ho‘oulu and Ho‘ola Lahui Society, that instituted the Home and appointed a Board of Managers for it, has acquired an endowment fund of $8,000, only the interest of which is available for the Home.”

“Her Majesty gives the house free for the first year, which will expire in four and a half months from date. Dr. Trousseau’s generous tender of free professional services was also for the first year.” (Daily Bulletin, January 22, 1891)

It started in the former residence of Princess Kekaulike, then moved into an adjacent building (former home of August Dreier,) a more spacious 2-story structure. Services included child birthing, as well as simple neo-natal and maternal care. If complications arose, physicians from Queen’s would assist.

“The Home was unique in many regards. First, it represented one prong of the Kalākaua’s’ attempt to deal with the declining population of the native Hawaiians in the kingdom.”

“Second, the Home was established and dominated in its early management by women, And third, in comparison to the other crown-based health entities (Queen’s Hospital, Lunalilo Home and Lili‘uokalani Children’s Center,) the Kapiʻolani Home was least endowed by the mechanism of royal philanthropy.” (Kamakahi)

Fundraising was on going … “The charity luau given on Saturday under the direction of Queen Dowager Kapiʻolani, for the benefit of the Kapiʻolani Maternity Home was an unqualified success in every particular.”

“During the day the ice cream booth was also a small mint, as no young man who possessed fifty cents was allowed to depart without first spending it. … The coffee stand was … assisted by a bevy of young ladies. They all did their share towards the substantial result of the day. … The luau reflects great credit on everybody concerned, and should return a handsome sum for the Kapiʻolani Home. (Pacific Commercial Advertiser, March 7, 1892)

Luau fundraising continued as the facility was expanded, “The trustees of the Kapiʻolani Maternity Home have found it necessary to build an additional wing to the main building to meet the pressing demands and it is intended to hold a luau and fair on the grounds of the Home in the early part of the month of October coming for the purpose of raising additional fund to the already existing building fund of $4,500.” The Independent, August 26, 1903)

By the early-1920s, the Home’s sights were set on the creation of a medical facility with physicians on staff. Rather than compete with other medical institutions (Queen’s, Kuakini, Tripler, St Francis, etc,) in general care, it moved its location, again, and from Home to Hospital status, and changed its name to Kapiʻolani Maternity and Gynecological Hospital in 1931. (Kamakahi)

Across town, Albert and Emma Wilcox purchased land and built a hospital; in 1909, the Kauikeōlani Children’s Hospital opened on Kuakini Street and was named in Emma’s honor. (The deaths of five of her siblings at early ages greatly influenced Emma’s concern for the welfare of all native Hawaiians.)

In 1978, the Kapiʻolani Hospital and the Kauikeolani Children’s Hospital merged to become Kapiolani Medical Center for Women & Children. (KMC)

Renovation and expansion began with construction of a new 17-floor parking structure that opened in 2013. A new five-story, 200,000 square-foot building is currently under construction and scheduled for completion in 2016. It will house an expanded Neonatal Intensive Care Unit (NICU) and Pediatric Intensive Care Unit (PICU).

The new building will also provide new space for the Rehabilitation Services Department and teaching space to train Hawaii’s future health care professionals in obstetrics and gynecology, pediatric and other specialty areas of care. It will include an auditorium and education and conference rooms. (KMC)

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Kapiolani Maternity Home - formerly the home of A Drier - on Makiki and Beretania St-PP-40-7-017
Kapiolani Maternity Home – formerly the home of A Drier – on Makiki and Beretania St-PP-40-7-017
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A_Woman_with_a_Baby_at_the_Kapiolani_Maternity_Home-1912
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Queen Kapiolani Statue

Filed Under: General, Ali'i / Chiefs / Governance, Buildings Tagged With: Emma Kauikeolani Wilcox, Albert Wilcox, Georges Trousseau, Kapiolani Medical Center, Ahahui Hooulu a Hoola Lahui, Kauikeolani Children's Hospital, Hawaii, Queen Victoria, Kapiolani, Lunalilo Home, Queen's Hospital

June 13, 2016 by Peter T Young 1 Comment

Objets d’art

Honolulu’s first neon sign flickered to life on February 19, 1929, with the opening of Gump’s Waikiki an antiques and home furnishing store. (Honolulu) The third oldest structure in Waikiki, Gump’s was one of the first retail shops in Waikiki.

S & G Gump was founded in San Francisco in 1861 as a mirror and frame shop by Solomon Gump and his brother, Gustav. It later sold mouldings, gilded cornices and European artwork to those recently made wealthy from the California Gold Rush.

With the beginning of a new century, the Gump brothers handed over the reins to Solomon’s son, Alfred Livingston Gump. Soon thereafter, the San Francisco earthquake of 1906 forced AL, as he was known, to rebuild and restock the store.

He looked to the Far East for new inspiration, sending buyers to Japan and China to find exotic rugs, porcelain, silks, bronzes and jade. Among the most prized acquisitions, a Ch’ing Dynasty gilded wood Buddha, still gazes serenely over the first floor of Gump’s. It remains the largest of its kind outside of a museum.

By the 1920s, San Francisco was roaring right along with the rest. Gump’s and The City had become intertwined – the store synonymous with San Francisco in its elegance, worldly style and maverick spirit. (Gumps)

Back in the Islands, as tourism began to develop in the 1920s and 30s, people saw commercial possibilities for Waikiki. One of the most endearing was the Honolulu branch of S&G Gump Company of San Francisco.

Asian design elements were beginning to influence architecture in Hawai‘i, and the merging of these motifs and Western forms became visible in the Gump Building, as well as the Alexander & Baldwin Building on Bishop Street in Downtown Honolulu and the Honolulu Museum of Art.

In 1927, Hawai’i architect Hart Wood was commissioned to design this new outpost perfectly located between the Far East and the West.

The store opened in 1929, across the street from the recently completed Royal Hawaiian Hotel, to cater to the affluent traveler and Honolulu elite. It carried an aura of class and provided products from around the world to Hawai’i’s doorstep, presenting tourists and residents with an ornately appointed atmosphere filled with ancient and modern objet d’art. (Oahu Publications)

In Mr. Wood’s work there is a notable lack of the garishness, over-ornamentation and ‘weirdness’ too often loosely associated with Oriental architecture. His roofs curve, it is true, but only slightly; colored tiles are used, but in a restrained manner.

“The insertion of a grill of plaster in a plain stucco wall, the design and size being in walls are of stucco, quite plain, the roofs of tile, the whole effect one of substantial simplicity. The only difference lies in the details of ornamentation, mostly about the doors and windows.”

“One of the more noticeable of these decorative details is found in the designs of iron grill work, leaded windows, balcony railings and like places. Chinese designs are geometrical, mostly coordinated squares keeping with the medium, offers one of the most charming forms of decoration imaginable.”

“The introduction of color by the use of tiles is interesting also, not only in tiling for the roof, but inset in the walls as decoration. Where wood is used, natural teak is preferred, and the pillars are simply slender round columns with a characteristic cross bar treatment at the top.”

“An outstanding example of such a building is the branch shop at Waikiki of the S & G Gump Company of San Francisco. It is of two story, concrete construction of pleasing design.”

“The walls are of white stucco, the gutters, leaders and leader heads are of antique copper verde, and the plaster grills as mentioned before, it proves a particularly effective way to use this form of decoration.”

“Gateway openings in the walls are of quaint and unusual design, one of them being a ‘moon gate’ which is shown in one of the illustrations. The circle motif appears again in one of the slightly curving roof of imperial blue tiles.”

“This brilliant blue is a favorite roof color in China and one that blends well with the blue of the sub-tropical sky. No other colors than this blue, jade and white appeal in the building, except the dark teakwood pillars of the entrance and railings of the several balconies.”

“A white plaster wall incloses three courtyards, and these walls are pierced by windows of the shop. All the windows show the geometrical design in the shape of the panes or in grills. Balcony railings are also geometrical.” (The Architect & Engineer, October 1929)

Back then, it was a two-story white building standing virtually alone on Kalākaua Avenue. It is an example of the architecture of Hawai‘i’s pre-War territorial period, 1898-1941, when the sugar and pineapple industries were operating at full tilt.

A number of distinctive buildings were constructed during those years, adapting features of Asian, Mediterranean or European styles that suited Hawai‘i’s tropical climate, including large openings to catch the trade winds, wide eaves and often a double-pitched hipped roof.

The first commercial perfume successfully made in Hawaiʻi from local island flowers (pikake, pink plumeria and fern lei – each sold in hand-carved wooden bottles) was introduced in January 1935 at the Gump’s store in Waikiki. (Schmitt)

If the Gump family had a vision of the potential for shopping along Kalākaua Avenue, they were decades ahead of their time. Even in the 1950s and early 1960s, Kalākaua Avenue was not a center of high-end retail sales.

February 24, 1951 Gump’s announced it will close its Waikiki store after 25 years of business in Honolulu. The store was closed to settle the estate of AL Gump.

It was not until the 1980s, with the arrival of waves of visitors from Japan, that a significant number of other high-end shops, comparable to Gump’s, sprang up in Waikīkī.

In fact, the Gump building in Waikīkī was converted into a McDonald’s restaurant (in the 1970s or 1980s.) With the boom that began in the late-1980s, it was sold in 1991 to a corporate affiliate of high-end retailer Louis Vuitton Malletier of Paris, refurbished and, in 1992, rededicated to retail. (Kelley)

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Gump’s-anthurium-table

Filed Under: Economy, Buildings Tagged With: Waikiki, Gumps, Hawaii

June 9, 2016 by Peter T Young Leave a Comment

Dillingham Transportation Building

In 1889, after devoting twenty years to the hardware business, Benjamin Franklin (Frank) Dillingham created the O‘ahu Railroad and Land Company (OR&L.) This company was primarily responsible for the development of the 160-mile O‘ahu Railroad.

Through these rail interests, the corporation became involved with the development of the various sugarcane plantations along its route, and later expanded its cane activities to the islands of Kauai, Maui and Hawai‘i with the McBryde, Kihei, Puna and Ola‘a Sugar Companies. (NPS)

Ultimately OR&L sublet land, partnered on several sugar operations and/or hauled cane from Ewa Plantation Company, Honolulu Sugar Company in ‘Aiea, O‘ahu Sugar in Waipahu, Waianae Sugar Company, Waialua Agriculture Company and Kahuku Plantation Company, as well as pineapples for Dole.

By the early-1900s, the expanded railway cut across the island, serving several sugar and pineapple plantations, and the popular Haleʻiwa Hotel. They even included a “Kodak Camera Train” (associated with the Hula Show) for Sunday trips to Hale‘iwa for picture-taking.

When the hotel opened on August 5, 1899, guests were conveyed from the railway terminal over the Anahulu stream to fourteen luxurious suites, each had a bath with hot-and-cold running water. Dillingham died April 7, 1918 (aged 73.)

Built in 1929, in memory of Dillingham by his son Walter Francis Dillingham, the 4-story Dillingham Transportation Building carries the ‘transportation building’ because at that time the Dillingham family was concerned with various types of transportation to and around Hawaii.

Walter founded the Hawaiian Dredging Company (later Dillingham Construction) and ran the O‘ahu Railway and Land Company founded by his father.

The building was designed in an Italian Renaissance Revival by architect Lincoln Rogers of Los Angeles, who also designed the Hawaii State Art Museum (1928.)

“Lincoln Rogers, architect of the building, in choosing a style of architecture generally called ‘Mediterranean’ with Italian Renaissance as the guiding principle, found a motif ideally suited to a semi-tropic city surrounded by sparkling seas and green-clad mountains.” (Honolulu)

The Dillingham Transportation Building is Italian Renaissance concrete and concrete block structure with three connected wings, and is a good example of the Mediterranean revival style applied to a commercial structure.

The first story round arched arcade, upper story quoins and the low pitched, tile, hipped roof, well convey the style. The Mediterranean and Spanish mission revival styles enjoyed tremendous popularity in Hawaii during the twenties.

These styles, the closest European equivalents to tropical design, were considered to be the most appropriate forms for Hawaii’s climate with their arcades providing a sense of airy openness.

The Dillingham Transportation Building is one of a number of downtown buildings to employ these styles, and is the most imposing of the Mediterranean revival buildings in the area. (NPS)

The structure has a Spanish tile hip roof, and below the eave there is a frescoed decoration. The entrance lobby features Art Deco patterns of variously colored marbles and bricks. (Historic Hawai‘i)

You will note nautical references above the door arches and along the outside walls of the building – noting ships, sailors and twisted rope patterns (even over the elevators.)

The Dillingham Transportation Building shares arcade space with the nearby Pacific Guardian Building, whose street address is ‘through’ the Dillingham lobby. (Star-Bulletin)

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Dillingham Transportation Building-PP-8-4-003-00001
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Dillingham Memorial Dedication Plaque-400
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Filed Under: Economy, General, Buildings, Prominent People Tagged With: Oahu, Downtown Honolulu, Oahu Railway and Land Company, Dillingham, Benjamin Franklin Dillingham, Walter Francis Dillingham, Dillingham Transportation Building, OR&L

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Images of Old Hawaiʻi

People, places, and events in Hawaiʻi’s past come alive through text and media in “Images of Old Hawaiʻi.” These posts are informal historic summaries presented for personal, non-commercial, and educational purposes.

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Hoʻokuleana LLC

Hoʻokuleana LLC is a Planning and Consulting firm assisting property owners with Land Use Planning efforts, including Environmental Review, Entitlement Process, Permitting, Community Outreach, etc. We are uniquely positioned to assist you in a variety of needs.

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