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June 29, 2019 by Peter T Young Leave a Comment

Kamehameha V Cottage

Prince Lot Kapuāiwa, who later became Kamehameha V, owned a cottage in an area now known as Moanalua Gardens next to a kalo patch, a fishpond and Chinese Hall.  Moanalua Gardens is a 24-acre privately-owned public park in Honolulu, Hawaii.

The cottage, built during the 1850s, is a single-story wooden structure laid out in Hawaiian style with a Victorian motif.

The building is comprised of three separate units: a cooking and eating unit; a living and sleeping unit; and an entertaining pavilion (this third unit is a post-Kamehameha V addition). The units are all attached to each other by a series of roofed lanai.

The exterior wall of the center building is made of clapboard whereas that of the dining and kitchen hall is made of board and batten.

The exterior trim is of Victorian Gingerbread (the cresting), accenting each of the different roof styles of the units (gable, simple shed, hip, and domelike roofs). The single unifying factor of the roof in the overall building is the consistent use of wooden shingles.

The original cottage (the center unit) was very simple with minimal ornamentation. The revival of hula performances may have had some influence on the construction as the original cottage had a lanai that completely surrounded the building where hula could have been performed for invited guests.

In 1856, Prince Lot built the kitchen and dining unit as a separate building using tongue-and-groove material with vertical molded battens over the joints.

Lot Kapuāiwa, four years older than his brother Kamehameha IV, ascended to the throne at his brother’s death in 1863.  Like his brother, he ruled for nine years (1863 to 1872.)

In 1864, when it appeared that a new constitution could not be agreed upon, he declared that the Constitution of 1852 be replaced by one he had written himself.

Kamehameha V (Lot) founded the Royal Order of Kamehameha I on April 11, 1865, in commemoration of his grandfather Kamehameha the Great.

The stated purpose of the order was “to cultivate and develop, among our subjects, the feelings of honor and loyalty to our dynasty and its institutions and … to confer honorary distinctions upon such of our subjects and foreigners as have rendered,  or may hereafter render to our dynasty and people, important services.”

Known as “the bachelor king,” Lot Kamehameha did not name a successor, which led to the invoking of the constitutional provision for electing kings of Hawai`i.

Under the Kingdom’s 1864 constitution, if the king did not appoint a successor, a new king would be elected by the legislature from the eligible Hawaiian royals still alive. William Charles Lunalilo and David Kalākaua were the candidates; Lunalilo was the more popular of the two.

The property was transferred to Bernice Pauahi Bishop, the last of the Kamehameha line.  She willed (in 1884) the ahupua‘a (land division) of Moanalua to Samuel Mills Damon.

In the 1900s, Damon renovated the cottage and used it as a residence.  In 1961, lattice work around the building was added, and around 1972-1973, a new shingled roof was installed.

The building has been situated at three different Moanalua sites since its original construction. It was moved to its present location in 1960.

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Kamehameha_V_Cottage_at_Moanalua_Gardens
Moanalua Park in the 1880s (HSA)
Moanalua Park in the 1920s (HSA)
Moanalua Park panorama. 1880s (HSA)
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Filed Under: Ali'i / Chiefs / Governance, Buildings Tagged With: Royal Order of Kamehameha, Damon, Moanalua Gardens, Kamehameha V, Hawaii, Bernice Pauahi Bishop, Prince Lot Kapuaiwa, Prince Lot

June 28, 2019 by Peter T Young Leave a Comment

Hawaiʻi Theatre

The Hawaii Theatre is celebrating its 90th anniversary.  It was placed on the National Register of Historic Places because of its excellent architectural and interior design, craftsmanship, and detailing.

The theater is a rare example of eclectic architecture that was relatively common to this area of Honolulu prior to World War II.

The theater, historically, had two primary functions. During its early years it was both a live center for the performing arts and a motion picture theater, its dual uses gradually shifted, and in later years it functioned solely as a motion picture theater.

In March, 1920, the Honolulu architectural firm of Emory and Webb was commissioned to do the design plans. On June 9, 1921, a construction contract was awarded to Pacific Engineering Company, another Hawaiian company.

Official opening of the theater was held on September 6, 1922, and was attended by Governor Wallace R. Farrington and members of the Territorial government, and members of social circles.

It is the oldest theater still remaining in Honolulu and the State of Hawaiʻi that was originally planned, built and used as a legitimate theater and concert hall.

Great pride was expressed that “the finest theater in Honolulu…is a home product.”

“Honolulu is to be congratulated on what is being done for the entertainment of its residents and visitors. It has now a most attractive and well conducted amusement place in Aloha Park and its new Hawaii Theater is as if one of the best and most attractive from the white light district of New York had been carried bodily across the continent and out into the Pacific to the Paradise of the Pacific.”  (Maui News, October 3, 1922)

The theater was built at a cost of a half million dollars and was ranked with the most modern theaters in America for that period.

It was equipped with air conditioning, indirect lighting, a fire/emergency exit system, wicker chairs in the balcony and a seating capacity for 1,726 persons, and was the largest and the first modern theater in the Territory of Hawaiʻi.

The Hawaii Theatre is situated at the southwest corner of the intersection of South Pauahi and Bethel Streets in Downtown Honolulu and abuts the Chinatown Historical District.

The Hawaii Theatre opened as a showplace for vaudeville, silent films, plays, musicals, and Hawaiian entertainments. It slowly evolved into a plush movie palace until it fell on hard times in the 1970s, when Waikīkī became the entertainment destination for locals and tourists alike.

In the 1980s, concerned citizens banded together around the mission to preserve and restore the Hawaii Theatre and formed the Hawaii Theatre Center, a 501(c)3 nonprofit that owns and operates the historic Hawaii Theatre.

The Hawaii Theatre hosts approximately 100,000 patrons annually showcasing the finest in local, national, and international entertainments.

Each year the Hawaii Theatre Educational Programming Project reaches thousands of Hawaii’s children through programming geared specifically for student matinee performances. The Hawaii Theatre Center SHOWTIME! Student matinee series has drawn thousands of students to the historic theatre to experience the wonders of performance.

In 2005 the League of Historic America Theatres named it the “Outstanding Historic Theatre in America”; in 2006 the National Trust for Historic Preservation gave Hawaii Theatre its highest “Honor Award” for national preservation; and in 2006 the Hawaii Better Business Bureau presented its “Torch Award for Business Ethics” to the Hawaii Theatre Center, the first small nonprofit to receive that award.

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Filed Under: Buildings, General Tagged With: Hawaii, Hawaii Theatre, Chinatown

June 27, 2019 by Peter T Young Leave a Comment

Hale Ali‘i

When the seat of government was being established in Lāhainā in the 1830s, Hale Piula (iron roofed house,) a large two-story stone building, was built for Kamehameha III to serve as his royal palace.

But, by 1843, the decision was made to permanently place a palace in Honolulu; Hale Piula was then used as a courthouse, until it was destroyed by wind in 1858 – its stones were used to rebuild a courthouse on Wharf Street.

In Honolulu, Kekūanāo‘a (father of two kings, Kamehameha IV and V) was building a house for his daughter (Princess Victoria Kamāmalu.)

The original one story coral block and wooden building called Hanailoia was built in July 1844 on the grounds of the present ‘Iolani Palace.

But, in 1845 Kamehameha III took possession of it as his Palace; from then on, Honolulu remained the official seat of government in Hawai‘i.

At the time when Kekūanāo‘a erected the old Palace, the grounds were not so spacious as they are at present.  On the western corner was Kekūanaō‘a’s house, which he had named Hali‘imaile.

Kekauluohi, a premier, erected her house in the vicinity.  When John Young was premier, he built and lived in Kīna‘u Hale.  Also, on the premises was Pohukaina.

The site of the Palace was once a section of the important heiau (temple,) Ka‘ahaimauli; other heiau were also in the vicinity of the Palace, including Kanela‘au and Mana.

The Palace was used mainly of official events and the structure had mainly offices and reception areas, since smaller buildings on the grounds served as residences for the rulers and their court; it was only one-third the floor area of the present Palace.

Kamehameha III built a home next door (on the western side of the present grounds, near the Kīna‘u gate, opening onto Richards Street;) he called the house “Hoihoikea,” (two authors spell it this way – it may have been spelled Hoihoiea) in honor of his restoration after the Paulet Affair of 1843. (Taylor and Judd)

(In 1843, Paulet had raised the British flag and issued a proclamation annexing Hawai‘i to the British Crown.  This event became known as the Paulet Affair.  Queen Victoria sent Rear Admiral Richard Thomas to restore the Hawaiian Kingdom.  That day is now referred to as Ka La Hoʻihoʻi Ea, Sovereignty Restoration Day.)

“Hoihoikea” was a large, old-fashioned, livable cottage erected on the grounds a little to the west and mauka side of the old Palace.  This served as home to Kamehameha III, Kamehameha IV and Kamehameha V: the Palace being used principally for state purposes. (Taylor)

The palace building was named Hale Ali‘i meaning (House of the Chiefs.)

During the reign of Kamehameha V, cabinet councils were frequently held there.  This was where the council called the Constitutional Convention, the result of which was the abolition of the constitution of 1852 and the creation of a new one.

Hale Ali‘i was renamed ‘Iolani in 1863, at the request of King Kamehameha V (Lot Kapuāiwa.)  The name “‘Iolani” was chosen by King Kamehameha V to honor his deceased brother, the former king, Kamehameha IV (Alexander Liholiho ‘Iolani.)

“‘Io” is the Hawaiian hawk, a bird that flies higher than all the rest, and “lani” denotes heavenly, royal or exalted.

The Palace served as the official state structure for five Kings: Kamehameha III, Kamehameha IV, Kamehameha V, Lunalilo and the first part of Kalākaua’s reign.

Theodore Heuck, who had earlier designed the new Mausoleum, designed a building called ‘Iolani Barracks, completed in 1871, to house the royal guards. Over time the various other houses on the grounds were removed and replaced with grass lawns.

Although the old palace was demolished in 1874, the name ʻIolani Palace was retained for the building that stands today.

The construction of the present ‘Iolani Palace began in 1879 and in 1882 ‘Iolani Palace was completed and furnished.

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Pohukaina-in_front_of_Hale_Alii-original_Iolani_Palace-1850s
White building in the front is old royal Mausoleum-Pohukaina. Wooden building behind it is original ʻIolani Palace
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The old palace, which was built in 1845 and was replaced by Iolani Palace in 1882
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No._2._View_of_Honolulu-Emmert-c._1854)-(portion-Hale_Alii_is to the right - flag in front-Kawaiahao Church behind)
'Io, the Endemic Hawaiian Hawk

Filed Under: Ali'i / Chiefs / Governance, Buildings Tagged With: Kamehameha V, Kamehameha IV, Kauikeaouli, Kamehameha III, Hale Alii, Kekuanaoa, Hawaii, Kalakaua, Iolani Palace, Lunalilo

June 25, 2019 by Peter T Young 1 Comment

Honolulu Chinatown

We associate and call the approximate 36-acres on the Ewa side of Downtown Honolulu, “Chinatown.”  But it wasn’t always called that; and, the Chinese were not the only group to occupy the place.

In ancient times, the area fronting Honolulu Harbor was said to be called “Kou.”  Back then, the shoreline was along what is now Queen Street (in the 1850s-60s, the reef was filled over to make the Esplanade – where Aloha Tower now stands.)

Honolulu Harbor, also known as Kuloloia, was entered by the first foreigner, Captain William Brown of the English ship Butterworth, in 1794.  He named the harbor “Fair Haven.”  The name Honolulu (meaning “sheltered bay” – with numerous variations in spelling) soon came into use.

To the left of Kou was “Kapuʻukolo;” beginning near the mouth of Nuʻuanu Stream, makai of King Street was “where white men and such dwelt.”  Of the approximate sixty white residents on O‘ahu in 1810, nearly all lived in the village, and many were in the service of the king.

Among them were Francisco de Paula Marin, the Spaniard who introduced and cultivated many of the plants commonly associated with the Islands, and Isaac Davis, friend and co-advisor with John Young to Kamehameha.

Marin arrived in the Hawaiian Islands in 1793 or 1794; Kamehameha granted Marin a couple acres of land Ewa of the King’s compound on the Honolulu waterfront (near Nuʻuanu Stream.)

He planted a wide range of fruits and vegetables, vine and orchards – his “New Vineyard” grapevines were located Waikīkī side of Nuʻuanu Stream and makai of Vineyard Street; when a road was cut through its mauka boundary, it became known as Vineyard Street

In 1809, Kamehameha I moved his compound here, to an area referred to as Pākākā fronting the harbor (this is the area, in 1810, where negotiations between King Kaumuali‘i of Kaua‘i and Kamehameha I took place – Kaumuali‘i ceded Kauaʻi and Ni‘ihau to Kamehameha.)

By the late-1830s, some 6,000 people lived in the town proper, with perhaps another 3,000 in the suburbs. Foreigners numbered 350-400 – about 200-250 were Americans, 75-100 English, 30-40 Chinese and the remainder, a thin sprinkling of French, Spanish, Portuguese and other nationalities.

Hawaiians’ houses, estimated to number 600, were chiefly of the traditional “grass shack” type, vulnerable to occasional high winds that scalped, twisted, or even demolished them.  A few foreigners lived in wooden or coral “stone” homes; most, however, inhabited houses built of adobes.

At the end of 1837, the Gazette complained about the mud walls encroaching on streets. Thoroughfares were reduced to skinny, zigzag alleys, and squares to “pig-sty corners” where pedestrians inched sideways.

The newspaper, campaigning for a regular plan, warned that neglecting this matter would make it “… an expensive and difficult task for the future population to rectify the mistakes of their ancestors.”  1838 is remembered as the year Honolulu got real roads.

By 1848, the city was regularly laid out with principal streets crossing at right angles, cut up into regular squares – “making it easy to find the way from one part to another without difficulty.” The most of the streets are wide and pleasant (however, the white adobe walls fronting the streets “when the sun is bright the reflection of this light and heat is very unpleasant.”)

While the first Chinese arrived in Hawaiʻi in 1789, it wasn’t until 1852 that the Chinese became the first contract sugar plantation laborers to arrive in the islands.

With the growth of the sugar industry, the need for plantation laborers became imperative, and China was selected as the best source of immediate cheap labor due to proximity and the interest of the Chinese in coming to Hawaii to work.

Between 1852 and 1876, 3,908 Chinese were imported as contract laborers, compared with only 148 Japanese and 223 South Sea Islanders. Around 1882, the Chinese in Hawaii formed nearly 49% of the total plantation working force, and for a time outnumbered Caucasians in the islands.

It had been noted, according to one observer in 1882, for the fact that the great majority of its business establishments “watchmakers’ and jewelers’ shops, shoe-shops, tailor shops, saddle and harness shops, furniture-shops, tinshops, cabinet shops and bakeries, (were) all run by Chinamen with Chinese workmen.”

By 1884, the Chinese population in Honolulu reached 5,000, and the number of Chinese doing plantation work declined.   As a group they became very important in business in Hawaii, and 75% of them were concentrated in the 25 acres of downtown called Chinatown where they built their clubhouses, herb shops, restaurants, temples and retail stores.  In 1896, there were 153 Chinese stores in Honolulu, of which 72 were in Chinatown.

In 1886, calamity struck Chinatown when a fire raged out of control and destroyed the homes of 7,000 Chinese and 350 Native Hawaiians, and most of Chinatown. The fire lasted three days and destroyed over eight blocks of Chinatown.

Then, again, in 1900, the area burned when deliberate fires set to wipe out the bubonic plague spread through Chinatown.

The highest proportion of Chinese inhabitants in this area, as recorded by an official census, was 56.3 percent in 1900, just three months after the second devastating Chinatown fire, and this ratio dropped to 53.8 percent in 1920 and still further to 47.0 percent in 1930.

By 1940, Japanese had exceeded the number of Chinese residents, and by 1970, persons of Chinese ancestry made up less than 20 percent of the inhabitants of the area.

Honolulu’s Chinatown is one of the oldest Chinatowns in the Western Hemisphere.  Inspiration and information here comes from chinatownhi-com.

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Chinatown
Chinatown was enclosed with a fence and access was restricted until May 17, 1900, no building was permitted.
River Street looking toward Punchbowl from King Street
Chinatown from King and River Streets. Only the shells of Kaumakapili Church and the fire station remain standing
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Filed Under: Economy, Buildings, Place Names Tagged With: Hawaii, Honolulu, Chinatown

June 24, 2019 by Peter T Young 1 Comment

Shangri La

Doris Duke was the only child of tobacco and electric energy tycoon James Buchanan Duke.

She received large bequests from her father’s will when she turned 21, 25, and 30; she was sometimes referred to as the “world’s richest girl.”

She also acquired a number of homes. Her principal residence was Duke Farms, her father’s 2,700-acre estate in Hillsborough Township, New Jersey. Here she created Duke Gardens, 60,000-square-foot public indoor botanical display that were among the largest in America.

She spent summer weekends working on her Newport Restoration Foundation projects while staying at Rough Point, the 49-room English manor-style mansion that she inherited in Newport, Rhode Island; she also had a home at “Falcon’s Lair” in Beverly Hills, California, once the home of Rudolph Valentino.

She also maintained two apartments in Manhattan: a 9-room penthouse with a 1,000-square-foot veranda at 475 Park Avenue and another apartment near Times Square that she used exclusively as an office for the management of her financial affairs.

In the late 1930s, Doris Duke built her Honolulu home, Shangri La, on five acres overlooking the Pacific Ocean and Diamond Head. Shangri La incorporates architectural features from the Islamic world and houses Duke’s extensive collection of Islamic art, which she assembled for nearly 60 years.

It was a retreat and sanctuary for a woman who greatly valued her privacy; she typically spent winters there.

From its inception, Doris Duke’s estate was envisioned by its founder as a home of Islamic art and architecture. As early as 1936, Shangri La was shaped by a symbiotic relationship between the built environment and the collection.

For nearly 60 years, Doris Duke commissioned and collected artifacts for Shangri La, ultimately forming a collection of about 3,500 objects, the majority of which were made in the Islamic world.

In the same manner that her father transformed Duke Farms from flat New Jersey farmland into his ideal of a magnificently landscaped country estate, Doris Duke transformed her own private Shangri La into a haven from the unwanted publicity that came with being one of the wealthiest women in the world.

Through an Exchange Deed dated December 8, 1938 between the Territorial Land Board of Hawai‘i and Ms. Duke, two underwater parcels (totaling approximately 0.6 acres) were added to the Duke property.

The transfer gave the Territory a perpetual easement of a four-foot right-of-way for a pedestrian causeway along the coastline.

At water’s edge below the estate, Duke then dynamited a small-boat harbor and a seventy-five-foot salt-water swimming pool into the rock. The harbor was built to protect Duke’s fleet of yachts, including Kailani Lahilahi, an ocean-going, 58-foot motor yacht and Kimo, the 26-foot mahogany runabout that Duke sometimes used to commute into Honolulu.

Doris Duke died at her Falcon’s Lair home on October 28, 1993, at the age of 80. In her will, Duke set in motion plans to open Shangri La to the public as a place for the study of Islamic art and culture.

Doris Duke’s philanthropic work extended throughout her lifetime; her estimated $1.3-billion fortune was largely left to charity. Duke’s legacy is now administered by the Doris Duke Charitable Foundation, dedicated to medical research, prevention of cruelty to children and animals, the performing arts, wildlife and ecology.

Today, Shangri La is open for guided, small group tours and educational programs. In partnership with the Doris Duke Foundation for Islamic Art – which owns and supports Shangri La – the Honolulu Museum of Art serves as the orientation center for Shangri La tours.

Education programs such as residencies, lectures, performances, panel discussions, among other special events with a focus on Muslim arts and culture are offered. The estate can also be visited by public tour and by virtual tour.

The public shoreline access and small basin is a popular swimming hole (which the State recently took over); in addition, the harbor’s jetty serves as a jump-off point to get to two nearby surf breaks, Cromwells and Browns.

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Shangri_La-Life-1937
Doris Duke and husband James Cromwell vacationing in Hawaii (wsj-com) 1935
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photograph by Cory Lum/Civil Beat
photograph by Cory Lum/Civil Beat
Sawing paving stones from sand stone taken from the yacht harbor (©Doris Duke Charitable Foundation. All rights reserved) -1937
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Filed Under: General, Buildings, Prominent People Tagged With: Hawaii, Shangri La, Doris Duke

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Images of Old Hawaiʻi

People, places, and events in Hawaiʻi’s past come alive through text and media in “Images of Old Hawaiʻi.” These posts are informal historic summaries presented for personal, non-commercial, and educational purposes.

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