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May 14, 2024 by Peter T Young Leave a Comment

Consolidated Amusement

The first moving pictures were first publicly shown in Hawaiʻi in February 1897.  A little over a decade later, the ‘cameraphone’ arrived, it was “the picture machine that sings and talks”.  (Hawaiian Start, January 18, 1909)

“Harry Werner and his wife Leona Clifton leave in the SS Alameda on Wednesday next for the mainland … Werner will devote his attention abroad to the cameraphone, a device producing the effect of talking-moving pictures and which he may bring to Honolulu later.”  (Hawaiian Star, September 12, 1908)

“Harry Werner was an incoming passenger on the SS Lurline arriving this morning.  He has been away several months and returns with a cameraphone, a moving picture novelty popular at the Coast but never introduced here.”  (Hawaiian Star, January 13, 1909)

“In reproducing the picture and vocal record at exactly the same rate of movement, the moving picture machine is placed as usual at a point behind the audience at the back of the Opera House, while the talking machine is located near the screen.”

“By this means we have a perfect concordance between the two apparatus.  This great novelty will open in the Opera House next Saturday evening.  Seats are on sale … Prices 15¢, 25¢, 35¢ and 50¢.”  (Evening Bulletin, January 21, 1909)

“Tonight the Cameraphone will make its first how to a Honolulu audience.  The program selected is sure to please as it made up of operatic trio, duets and solos, as well as vaudeville acts and dramatic numbers.”  (Evening Bulletin, January 23, 1909)

And so the modern movie phenomenon began.

By 1910, a dozen nickelodeons were operating in downtown Honolulu, including the Savoy. The Liberty, the first modern, “fireproof” theatre, opened on Nuʻuanu Street in 1912.  Others opened.

In 1911, many of the independent theatres joined forces and formed the Honolulu Amusement Company; it was later renamed Consolidated Amusement, eventually operating more than three dozen theatres at its peak and became the Islands’ largest theatre chain (first under J Albert Magoon, then his son, John Henry Magoon.)  (Angell)

J Alfred Magoon was a prominent Honolulu lawyer and promoter of the Honolulu Consolidated Amusement Co. (which controlled the Bijou, Hawaii, Ye Liberty and Empire theatres at Honolulu.) (Variety, 1916)

“Articles of incorporation were filed today by the Consolidated Amusement Company Ltd. …  The incorporators are GT Chong, president, who holds 1,498 shares of the stock; J Alfred Magoon, vice president, holding 1,498 shares of stock; Robert McGreer, treasurer, holding one share; John Henry Magoon, secretary, holding one share, and William H. Campbell, holding one share. L Abrams is named as auditor.”  (Honolulu Star-Bulletin, October 5, 1912)

Joel C Cohen was instrumental in the organization of the Honolulu Amusement Co., Ltd., in which were consolidated a number of moving picture houses. He became president and manager of the Consolidated Amusement Co., Ltd., in 1913; he also operated a motion picture exchange which supplied all the theaters of the Territory with films.

Back then, movie going was not the near-dawn to waay-dark, 7-days-a-week phenomenon that it seems to be today.  “… a law was passed in this past legislative session giving the responsibility to the board of supervisors of each county to make laws to approve showing movies on the Sabbath; the Consolidated Amusement Company put a request before the board of supervisors of the City and County of Honolulu at the meeting of that board on this past Tuesday night, to ask for approval to show movies on Sundays.”  (Ka Nupepa Kuokoa, May 14, 1915)  (Sunday performances were allowed May 23, 1915.)

Downtown Honolulu’s Hawaiʻi and the nearby Princess theatres both opened in 1922, the biggest and fanciest the Islands had ever seen.  The Dickey-designed Waikīkī Theater opened in 1936.

“… the Hawaiʻi, a class of entertainment hitherto undreamed of in the Islands.  The Hawaiʻi Theatre is the home of Hawaiʻi’s people, whether living in Honolulu, Hawaiʻi, Maui or Kauaʻi. It is there for your entertainment and delight whenever you visit the Queen City.”    (Maui News, October 22, 1922)

But opportunities for movie entertainment were not limited to downtown Honolulu.

“Fun. Laughter. Excitement. These words describe the Kalaupapa Social Hall. Built in 1916, the hall hosted numerous recreational events and gatherings for all the residents of Kalaupapa. Isolated from the outside world both physically and socially, people needed a place for coming together, for socializing, for “talk story.” Now they had a suitable structure for hosting movies, dances, theater performances and concerts.”  (Paschoal Hall, (NPS))

“Hawaiʻi, in a few brief years, has been swept from the edge of world affairs close to its vortex.  And, until a very few years ago, the Territory was dependent for its amusements entirely upon such stray attractions as dropped off the steamers enroute between Orient and Occident.”

“The Consolidated Amusement Company has changed all that. It has brought the world’s best pictorial entertainment your door. And, now, it has afforded Island people, when in Honolulu the advantages of playhouse second to none in America so far as beauty and comfort is concerned.”  (Maui News, October 22, 1922)

By 1929 popularity of movies caused further expansion and, to meet the demand, Consolidated Amusement began constructing neighborhood theatres that year and into the 1930s, with well over a dozen built on the Island of Oʻahu.

“Honolulu in the early 1930s was mad about the movies. … To meet the growing demand, the leading theater operators, Consolidated Amusement, built more than two dozen neighborhood and rural theaters on O‘ahu and elsewhere during the decade. Every neighborhood had one.”  (Friends of Queen Theater)

 “On October 9th, 1931 the first sound program was shown in the Kalaupapa theatre with the dual equipment installed by the Consolidated Amusement Co. This equipment has given complete satisfaction since its installation and an average of two programs weekly has been maintained since the initial show.”  (Superintendent’s Annual Report, 1932)

“Everybody looked forward to the movies. There was nothing else to do on Monday and Friday except go to the movies unless there was a baseball game, then maybe they would go to the game and then come to the movie. But other than that, nobody misses the movie because it starts at 7:00.”

“During the War, (World War II) at one time they started it at 3:30 in order for it to get through before dark. They blacked out all the windows inside and then they showed the movie.” (Kalaupapa resident, NPS)

In all, there have been more than 400 theatres throughout the Islands. The tropical climate and social, cultural, and ethnic diversity contributed to a variety of theatre designs unique to Hawai’i — tin-roofed plantation theatres, neighborhood movie houses in exotic styles, large downtown “palaces,” and the uniquely beautiful, tropical 1936 Waikīkī Theatre.  (TheatresOfHawaii)

The most famous hula movie in Hawaiʻi is not a movie at all but a “trailer” featuring torch-bearing hula dancers appearing on the screens in all Consolidated Amusements Theatres before every feature-length film.

For the last 22 years, Consolidated Amusement has run the “Hawaiʻi” trailer more than a thousand times a day on its screens across the Islands.  Jon de Mello, the film’s producer, believes it is the longest running movie trailer ever made.  (Fawcett)

Click HERE for Consolidated Amusement’s trailer.

The first movies actually filmed in Hawaiʻi were ‘Honolulu Street Scene,’ ‘Kanakas Diving for Money’ (two parts), and ‘Wharf Scene, Honolulu,’ all made by two Edison photographers, W Bleckyrden and James White, on May 10, 1898 while in transit through Honolulu.  (Schmitt)

Keeping on the entertainment subject, television came to the Islands in late-1952. Station KGMB-TV was first with both a live program and televised motion pictures, initiating regular programming at 5:05 pm, December 1.  Color television was first viewed in Hawaiʻi on May 5, 1957 at 6:30 pm, when KHVH-TV presented a program of color slides and movies. (Schmitt)

Live television broadcasting to and from the Mainland was inaugurated on November 19, 1966, when KHVH-TV used the Lani Bird communication satellite to bring the Michigan State-Notre Dame football game at East Lansing to Island viewers.  (Schmitt)

© 2024 Hoʻokuleana LLC

Filed Under: Prominent People, Economy, General Tagged With: Hawaii, Hawaii Theatre, Waikiki Theater, Consolidated Amusement, Kalaupapa, Cameraphone, J Alfred Magoon

May 13, 2024 by Peter T Young Leave a Comment

Maʻo

“The town (Kailua-Kona) wore an interesting appearance, and at a distance looked much like a flourishing fishing village at home.”  (The Polynesian, July 28, 1840)

“A short distance … is the cotton factory which has attracted so much curiosity.  It is a thatched building, containing two native looms, and some dozen spinning jennies.  The cotton grows luxuriantly in the stony, dry soil of Kailua.”  (The Polynesian, July 28, 1840)

“Cotton may yet be king in the Hawaiian Islands and all the world may come to the Territory for its best supply of the staple.  For nowhere else in the world … is better cotton grown that is raised in Hawaiʻi.”

“Moreover, cotton growing is adapted to the small farmer. The man who has only one acre can do as well in proportion as the man who has an island barony.”  (Pacific Commercial Advertiser, October 21, 1909)

“(A)bout 150-acres of cotton were grown experimentally in the Territory.  Small areas were planted on all of the four principal islands.”  (Hawaiian Gazette, November 12, 1909)

There was a time when there was an effort to expand cotton and replace the growing sugar industry with cotton.

“People will want cotton just as long as they will want cane sugar, and perhaps longer. … If the planters of Hawaiʻi could suddenly change their sugar interest into fields of growing cotton with gins and other necessary machinery … they might be better off.”  (Pacific Commercial Advertiser, May 13, 1904)

“Cotton is one of the abandoned industries of Hawaiʻi. In 1836 it was planted at Hana, Maui, and in parts of Hawaiʻi.  In 1837, Governor Kuakini erected a stone cotton factory at Kailua and some very durable fabrics were produced by the simple machinery of that period.”

“During the civil war … when the seaports of the southern states were blockaded and cotton was made a very costly staple, the Hawaiian growers exported hundreds of bales to Boston.”

“It was not long after this, however, when sugar asserted almost complete sway over the planting interests and fields of cotton became only a memory.”  (Pacific Commercial Advertiser, May 13, 1904)

Maʻo, Hawaiʻi cotton, is actually native to the islands; it’s a member of the hibiscus family.  Genetic studies indicate that the Hawaiian cotton is a close relative of the Mexican species.

The name maʻo comes from the Hawaiian word ʻōmaʻo for green and shares the same name as the native Hawaiian thrush, ʻōmaʻo which has a greenish cast to its feathers.

Maʻo’s ancestors may have come to the islands from Central America as seeds on the wind, on the wings or droppings of birds or on the waves as floating debris. (hawaii-edu)

Once they arrived, they developed several genetic differences but the close relationship to other cottons has made Hawaiian cotton very important in the industry.

Although closely related to commercial cotton, the fibers of maʻo have not been used to produce cotton on a large scale.  (usbg)

Maʻo is genetically resistant to some diseases and pests of commercial cotton and through careful breeding programs has offered its resistance to the worldwide cotton crop. (hawaii-edu)

The early Hawaiians used the flower petals to make a yellow dye; the leaves were used for a light green (ʻōmaʻomaʻo) or a rich red-brown dye.

Isabella Abbott noted that “any green kapa deserves close scrutiny, too, for the green obtained from maʻo leaves is fleeting, fading within a few days. The Bishop Museum collection contains no kapa that has retained its green coloration, but a few pieces may once have been green, judging by their overall design.”  (hawaii-edu)

Although it lasted for about a century, cotton never became an important trade Hawaiʻi item.  (HTH)

© 2024 Hoʻokuleana LLC

 

Filed Under: Economy, General Tagged With: Hawaii, Mao, Cotton

May 12, 2024 by Peter T Young 5 Comments

Happy Mother’s Day!

The image shows my mother and grandmother in 1928 (my mother is the little girl sitting to the left, her mother is sitting nearby, wearing a hat.)

The scene is at Kailua-Kona at a site known as Pa O ʻUmi; over the years, most of this outcrop of land has been covered over with Aliʻi Drive – a small remnant remains extending beyond today’s seawall.

Here is where Chief ʻUmi-a-Liloa (who reigned about the same time Christopher Columbus was crossing the Atlantic) landed when he first came to Kailua by canoe, moving the Island’s Royal Center from Waipiʻo to Kailua.

On this point of rock ʻUmi ordered his attendant to dry his precious feather cloak (ʻahuʻula.) (The site is also referred to as Ka Lae O ʻAhuʻula.)

My mother was the great-great grand-daughter of Hiram Bingham, leader of first missionaries to Hawaiʻi who first landed in the Islands, here at Kailua-Kona in 1820. (Mokuʻaikaua Church, built by Bingham’s fellow missionary, Asa Thurston, is in the background, as well as Huliheʻe Palace (to the right.))

Check out the album of my mother’s 1928 trip around the Island of Hawaiʻi.

Happy Mother’s Day!

Pa_o_Umi
Pa_o_Umi
Mom's album016
Mom's album015
Mom's album013
Mom's album014
Mom's album017
Mom's album012
Mom's album011
Mom's album010
Mom's album009
Mom's album008
Mom's album007
Mom's album006
Mom's album005
Mom's album004
Mom's album002
Mom's album018

Filed Under: General

May 11, 2024 by Peter T Young Leave a Comment

Settling in at Kawaiaha‘o

When the missionaries arrived on O‘ahu in April 1820 they lived in the grass houses provided by traders and ship captains in an area just mauka of the fort (mauka of what is now the Aloha Tower area). The king controlled all construction in the Kingdom, and had given orders to Boki, the Governor of Oʻahu, to construct a group of houses for the missionaries.

Governor Boki delayed building any hale pili [grass house] for the missionaries. Governor Boki wanted no interference and rejected the mission’s requested location just inland of the main village. Boki argued that his farmers already used the land for growing kalo. (Leineweber)

April 22, 1820. “The governor [Boki] does not yet step forward to furnish us with houses of any kind, and we are a little embarrassed. Find some difficulty in procuring store rooms for all our baggage, because those storehouses, which are safe, are generally occupied; and we fear to expose many articles, in what are generally termed ‘straw-houses;’ as these are so liable to destruction by fire, and so easily broken open.”

“Part we have deposited in a framed house of capt. Babcock, two stories high, inclosed in the governor’s yard; – part in Mr. Oliver’s mud-house; – part in Mr. Beckley’s; – part in Mr. Marin’s straw house; and the rest, in the different houses where we lodge.” (Missionary Herald, 1821)

May 8. “Capt. Starbuck and capt. Pigot offered to make a vigorous effort to build us convenient houses, and to promote our more comfortable establishment; the governor neglecting to build for us, but giving us leave to choose our ground where we pleased, on the uncultivated plain.”

May 9. “Selected a pleasant spot, back of the village, for the site of our buildings. Concluded that a united effort to erect them might be secured with the least exposure to suspicion, by calling a general meeting, and proposing the object publicly.”

May 10. “Boka [Boki] presented us a patch of taro, and proffered such assistance, in the way of supplies, as we might, from time to time, be disposed to ask of him.”

“A circular was issued this morning, which invited the co-operation of the friends of humanity and truth, and requested the European and American residents, both temporary and permanent, masters and officers of vessels of different flags, together with the chiefs of the island, to assemble at the house of Mr. Bingham, and hear a statement of our views, and of the views of the government, with respect to our enterprise.”

“The meeting would then take measures to secure such immediate and efficient aid to our object, as our friends might be inclined to render; and, if it should be thought advisable, would appoint a committee to superintend whatever might be undertaken. At five o’clock, P. M. a general meeting was assembled, and organized by choosing capt. Adams moderator, and brother Loomis scribe.”

“The business of the meeting having been proposed, and explained by an interpreter, to the governor, he replied, that, in regard to the houses, he intended to superintend the building of them himself; as he had orders from Rehoreho [Liholiho], to build them.”

“It was then stated, on our part, that, although the government were friendly to our object, and disposed to patronize it; yet, as we knew, that, at present, they were embarrassed with other claims; as we wished neither to become burdensome to them, or detrimental to the claims of foreign traders, whom they owed …”

“… and as several gentlemen stood ready to lend a friendly hand, in the erection of buildings for the promotion of our object; – we desired to give all the opportunity to afford whatever assistance their kindness should dictate, and their ability allow.”

“The governor again said, No. He chose to build the houses himself, according to the orders from the king.”

“Capt. Pigot then inquired, whether the governor intended soon to build comfortable houses for the mission entirely free of our expense; and he answered plainly that he did.”

“Thus far the business was settled. A committee was then appointed to consult with Boka [Boki], respecting the place, the form, and the manner of building.”

“He said that the ground, which we had chosen, could not be granted us, because it belonged to the farmers; but named a particular part of the plain, where he thought it would be best for us to have our houses.”

May 11. “Today the village of Hanaroorah [Honolulu] has been in an uproar; but we have been unmolested. There has been considerable commotion in the streets; but our habitations have enjoyed peace.”

“We are happy in the assurance that neither we, nor the efforts which were made yesterday to promote our benevolent objects, were the cause of this commotion; though the lion might take occasion to roar, at this time, to prevent the good intended.”

“The prevalence of multiplied jealousies gives currency to invidious declarations and reports; and the collision of opposite interests is often followed by agitation and violence.” (Missionary Herald, 1821)

Boki suggested a spot, “three quarters of a mile from H[onolulu] on the high road to Witeti [Waikīkī] on an extensive plain with a view of the open sea in front & lofty mountains & fertile valleys in the rear.”

It was “on the arid plain, about half a mile east of the landing, then some distance from the village, but now included in it. After a few months, he erected three temporary habitations for the mission family, residing on that island.” (Bingham)

Maria Loomis saw the benefits of Boki’s suggested location, as it would put them away from the bustling activity of the harbor and village.

The curious and social nature of the Hawaiians challenged the women, and being further away from the town had its advantages. In the traders’ houses, Loomis recorded, “our doors and windows are daily darkened by gazing natives.”

Boki began to build this row of connected houses some three months after their arrival. The typical construction of several weeks moved into several months. In late September, the mission family finally moved from the houses of the ship captains to the new hale pili [grass houses]. This line of buildings became known as Missionary Row. This was at a place called Kawaiaha‘o.

By this time Samuel Whitney and Samuel Ruggles and their wives had left to begin a Mission Station on Kauai and Elisha Loomis to Kawaihae.

So only Hiram Bingham, Daniel Chamberlain with his wife and five children and Maria Loomis and child needed to be housed in the new location. The women immediately adapted each house to their own spatial requirements. (Leineweber)

“[W]e took possession of the premises assigned us by the government, and the buildings which had been chiefly erected by Boki, in the course of four months from our landing.”

“These houses, cottages or huts, tabernacles, barns or sheds, for it is somewhat difficult to say what term would give the true idea of the structure, were built in the usual style of Hawaiian architecture, by natives; the light timbers being brought on their shoulders some 14 miles, and the grass three.”

“Had we paid for them, as they came from their hands, they might have cost us sixty dollars each.”

“To describe them justly, would be to describe, in the main, the habitations of the whole nation – which may, perhaps, as well be done here as anywhere. The Hawaiian mode of building habitations was, in a measure ingenious, and when their work was carefully executed, it was adapted to the taste of a dark, rude tribe, subsisting on roots, fish, and fruits, but by no means sufficient to meet their necessities, even in their mild climate.”

“Round posts, a few inches in diameter, are set in the ground about a yard apart, rising from three to five feet from the surface. On a shoulder, near the top, is laid a horizontal pole, two or three inches in diameter, as a plate; on this, directly over the posts, rest the rafters. A point of the post, called a finger, rises on the outside of the plate, and passes between two points of the rafter projecting over the plate and below the main shoulder.”

“The joint thus constructed is held together partly by the natural pressure of the roof, and partly by lashings of bark, vines, or grassy fibres beaten, and by hand twisted and doubled into a coarse twine, and put on manifold so as to act as four braces – two from the post, and two from the rafter, extending to the plate, all being attached six to twelve inches from the joint.”

“Three poles or posts, about three times the length of the side posts, are set in the ground, one in the centre of the building, and the others at the ends, on which rests the nether ridge pole, supporting the head of the rafters. These crossing each other, the angle above receives the upper ridge pole, which is lashed to the nether and to the head of the rafters.”

“Posts of unequal length are set at the ends of the building, sloping a little inward and reaching to the end rafters, to which their tops are tied. A door-frame, from three to six feet high, is placed between two end or side posts.”

“Thatch-poles are tied horizontally to the posts and rafters, from an inch to three inches apart, all around and from the ground to the top ridge pole. At this stage the building assumes the appearance of a huge, rude bird cage. It is then covered with the leaf of the ki, pandanus, sugarcane, or more commonly (as in the case of the habitations for us) with grass bound on in small bundles, side by side, one tier overlapping another, like shingles.”

“A house thus thatched assumes the appearance of a long hay stack without, and a cage in a hay mow within. The area or ground within, is raised a little with earth, to prevent the influx of water, and spread with grass and mats, answering usually instead of floors, tables, chairs, sofas, and beds. Air can pass through the thatching, and often there is one small opening through the thatch besides the door, for ventilation and light.”

“Such was the habitation of the Hawaiian, – the monarch, chief, and landlord, the farmer, fisherman, and cloth-beating widow, – a tent of poles and thatch – a rude attic, of one apartment on the ground – a shelter for the father, mother, larger and smaller children, friends and servants.”

“Such a habitation, whose leafy or grassy covering readily contracted mould, dust, and vermin, was insufficient to secure the inmates from dampness and the oppressive heat of the vertical sun. Such houses, snugly built and in prime order, and much more, thousands of the same model, small, indifferently built …”

“… or falling to decay, by the force of wind, rain, and sun, or the rotting of the thatching, flooring, and the posts in the ground, – are ill adapted to promote health of body, vigor of intellect, neatness of person, food, clothing or lodging, and much less, longevity.”

“They cannot be washed, scoured, polished, or painted to good purpose, nor be made suitable for good furniture, pantry, or wardrobe, nor for the security of valuable writings, books, or treasures.”

“Nothing, therefore, would be more natural than that a heathen people occupying such habitations, and going bare-headed in the sun, should feel a depression or heaviness, – a tendency to listlessness, and even lethargy, which demands the stimulus of tobacco, rum, or awa, to give a temporary relief, or to add a zest to the few low pleasures within their reach.”

“Such habitations being erected for the pioneer missionaries, they introduced some improvements – partitions, window-frames, shutters, &c. (which have been copied to some extent), and afterwards gave them better models.”

“About as destitute of chairs, at first, as any of the natives, we made long seats of plank by the sides of one room, which we used for a school and for social and public worship for a time.” (Bingham, 21-years)

To help remember and learn from the past, as well as best portray the mission experience, Hawaiian Mission Houses has a Hale Pili under construction on the Hawaiian Mission Houses grounds, in about the same place as the hale pili of Missionary Row.

It is a representation of the hale described in journals and letters of William and Clarissa Richards, Charles and Harriet Stewart, and Betsey Stockton, all of whom lived in the hale that this reproduction represents. The dimensions primarily follow the Richards’ description.

© 2024 Hoʻokuleana LLC

Filed Under: Missionaries / Churches / Religious Buildings Tagged With: Kawaiahao Church

May 10, 2024 by Peter T Young 1 Comment

Wreck of the George N Wilcox

She was built in Scotland for H Hackfeld Co of Honolulu in 1892; she was named “George N Wilcox,” for the Grove Farm Plantation owner.

“George N Wilcox” had already completed one successful voyage when it sailed from Middleborough, England on May 10, 1894, bound for Honolulu around Cape Horn. (Soboleski)

Let’s look back …

On September 26, 1849, sea captain Heinrich (Henry) Hackfeld arrived in Honolulu with his wife, Marie, her 16-year-old brother Johann Carl Pflueger and a nephew BF Ehlers.

Having purchased an assorted cargo at Hamburg, Germany, Hackfeld opened a general merchandise business (dry goods, crockery, hardware and stationery,) wholesale, as well as retail store on Queen Street.

As business grew its shipping interest, manufacturing and jobbing lines developed a web of commercial relationships with Europe, England and the eastern seaboard. Hackfeld outfitted several whalers and engaged in the trans-shipment trade.

George Norton Wilcox (known as GN,) the second son of eight boys, born in Hilo August 15, 1839 to missionary parents, Abner and Lucy Wilcox, took over the lease for Grove Farm sugar operation on Kaua‘i and quickly became its sole owner.

GN Wilcox was not only a plantation owner; he was also an engineer, statesman, businessman and a world traveler. More importantly, he was also a philanthropist and humanist, who left an extensive legacy of endowments and public donations.

Back to the boat …

The bark George N Wilcox “left Middleborough on the 10th of last May for Honolulu, laden with 1000 tons of coal and about 1200 tons of general merchandise. In the latter portion of the cargo were tons of Christmas goods”. (Morning Call, September 30, 1894)

“The NW point of Molokai, within forty miles of Honolulu, is proving to be a place to be avoided. A heavy sea lolls in there from the northeast, and a strong current draws around the point.”

“On the afternoon of the 18th (September, 1894,) Captain Wolters of the line new iron bark GN Wilcox, 130 days out from Middleborough hove to in that part of Oahu Channel to wait for morning before rounding Dimond Head.” (The Friend, October 1, 1894)

“The vessel was off the coast of Molokai and going along under close sails. Captain Wolters was on deck and ordered the sails reefed, as he did not care to reach port until the following morning.” (Morning Call, September 30, 1894)

“In going about, the current set him ashore, and the valuable ship and cargo were suddenly wrecked at five o’clock beneath the precipice of that coast. The crew were compelled to take to the boats in haste, before the breakers swept over them.” (The Friend, October 1, 1894)

“Ten miles south-southeast from Molokai light house, firmly imbedded on the sharp high jutting rocks of Lae o ka Ilio Point, one of the most dangerous portions of the Hawaiian coast …

“… behind the tall sheltering lava cliffs on the windward side of the Island of Molokai and directly at the entrance of Kaiwi channel lies the wreck of the fine, new, steel German bark George N Wilcox.”

“Heavily listed to port, and with her snowy sails lashed into hundreds of strips, flying and flashing in every direction, and heavy angry seas washing her decks from stem to stern …”

“… the wrecked vessel a pitiable sight indeed, at once a menacing, though expensive monument to gross carelessness on the part of some or else the victim of a luckless fate. (Hawaiian Star, September 20, 1894)

“Considerable quantities of wreckage from the GN Wilcox are reported to have stranded along the windward shores of Oahu. Many valuable cases have been saved which floated out of the wreck. Parties who bought the wreck and cargo for $1,200 are making a good profit out of it. The vessel is fast breaking up.” (The Friend, October 1894)

“Captain Wolters has been sailing to the islands since 1871 and this is the first ship he has ever lost. He is considered the commodore of Hackfeld & Co’s fleet and is a man in whom the company has every confidence.”

“The first ship he ever brought out was the Elsie Wylie. Since that time he has had command of the old CR Bishop and the H Hackfeld. A few years ago he gave up going to sea for some time and superintended the building of the company’s ships.”

“When the Wilcox was completed, a little over two years ago, he was given the command of her and took her to the islands on her maiden voyage.”

The crew “corroborated the details of the wreck as given, and say that Captain Wolters did all that man could do to save the fine vessel of which he was commander.” (Morning Call, September 30, 1894)

The machinery and railroad material were salvaged, but, according to Rex Hitchcock who was deputy-sheriff of the island at that time, the Hawaiians disposed of most of the Rhine wine. (Cooke)

© 2024 Hoʻokuleana LLC

George N Wilcox-Morning Call-Sept 30 1894
George N Wilcox-Morning Call-Sept 30 1894

Filed Under: Sailing, Shipping & Shipwrecks Tagged With: Hawaii, Shipwreck, George N Wilcox

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Images of Old Hawaiʻi

People, places, and events in Hawaiʻi’s past come alive through text and media in “Images of Old Hawaiʻi.” These posts are informal historic summaries presented for personal, non-commercial, and educational purposes.

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Hoʻokuleana LLC

Hoʻokuleana LLC is a Planning and Consulting firm assisting property owners with Land Use Planning efforts, including Environmental Review, Entitlement Process, Permitting, Community Outreach, etc. We are uniquely positioned to assist you in a variety of needs.

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