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by Peter T Young Leave a Comment
Born near Bern, Switzerland, in 1826, Paul Emmert (1826‒1867) immigrated to the United States at the age of 19, landing first in New York and then heading west with the discovery of gold in California.
In 1853, he became one of the many artist-travelers to come to Hawai‘i to satisfy the thriving market for images of the islands’ dramatic topography and singular culture.
In Honolulu, he opened a print shop, where he made prints after his own drawings of local landmarks. Eventually, he moved to Kailua-Kona and farmed the sugar plantation where he lived out the remainder of his life.
In his 14 years in Hawai‘i, Emmert made drawings of the mountains, coastlines, vegetation, and geophysical phenomena in and around O‘ahu, Maui and the Island of Hawai‘i.
While Emmert was in Honolulu he made a series of sketches of Honolulu, one from the harbor and five from the bell-deck of the Catholic Cathedral.
The Cathedral of Our Lady of Peace, located at the north end of Fort Street (and Beretania) in downtown Honolulu, is said to be the oldest Catholic cathedral in continuous use in the United States and one of the oldest existing buildings in the downtown area.
The Cathedral stands on land which was given to the Catholic missionaries by King Kamehameha III (Kauikeaouli) when the mission was established in 1827.
Here is a summary of the images in the six sketches of Honolulu:
No. 1. View of Honolulu from the Harbor (1854)
Center image is view looking mauka at Honolulu Harbor from the water.
Smaller images, circling the center image, include various buildings: (clockwise from top left) the Royal School, Custom House, interior of the Fort, market house, charity school, stone church, “Bethel” (Bethel Church?), armory, court house, palace of King Kamehameha III, Honolulu House, the steamer Akamai, the native church and the Catholic church.
No. 2. View of Honolulu from the Catholic Church (1854)
Central image is view looking toward Diamond Head.
Smaller images, circling the center image, include various residences and consulates: (clockwise from top left) John Yung; Mr. Angel, U.S. Consul; General Miller, H.B.M. Consul General; Mr. Perrin, French Consul; Prince Alexander and Lot; Mr. Armstrong; L. Anthon, Danish Consul; U.S. Consulate; King’s summer house; Mr. Hackfield, Swedish Consul; Mr. Montgomery; Mr. Gregg, U.S. Commissioner; Mr. Wyllie; Mr. Davis, Peruvian Consul; Mr. Hall; Mr. Reynolds, Bremen Consul.
No. 3. View of Honolulu from the Catholic Church (1854)
Center image is view looking toward Kakaʻako.
Smaller images, circling the center image, include various businesses and buildings: (clockwise from top left) Dentist, MacFarlane Hotel, National Hotel & Billiard Saloon, French Hotel, F. Spencer, Lafrenz & Fisher Cabinet Makers, Tailoring by Chas. Nicholson, Stuart & Rahe Cabinetmakers and Turners, Dr. Lathrop Drug Store, Hudsons Bay Company, Globe Hotel, Chas. Vincent, Reynolds, French Store, Ruggles and H Hackfeld & Co.
No. 4. View of Honolulu from the Catholic Church (1854)
Center image is view looking makai toward Honolulu Harbor.
Smaller images, circling the center image, include various businesses and buildings: (clockwise from top left) T. Spencer Ship Chandler, Rice & Co., Makee & Anthon’s Building, C. Brewer, DN Flitner Watch Maker, Dr Hoffman – Spalding, Honolulu Iron Works, H Sea – R Coady, Holt & Heuck, Melchers & Co., Mitchell & Fales – Wells Fargo & Co., BF Snow, Porter & Ogden, Allen & Co., Polynesian Office and Hawaiian Steam Navigation Office.
No. 5. View of Honolulu from the Catholic Church (1854)
Center image is view looking toward Central Oʻahu.
Smaller images, circling the center image, include various residences: (clockwise from top left) Boullion, Dubois, Capt. Snow, Cartwright, Spencer, Spalding, Ford, Capt. Crab, Sea, Newcomb, Bungalow, Dr. Wood, Sommner, Macfarlane, Porter & Ogden and Dowsett.
No. 6. View of Honolulu from the Catholic Church (1854)
Center image is view looking mauka toward Nuʻuanu Valley.
Smaller images, circling the center image, include various residences: (clockwise from top left) Dr, Lathrop, Paki, Washington Place, John Ji, Judge Andrews, Bishop, Capt. Luce, Rev. Damon, Dr. Hildebrand, Dr. Judd, Capt. Makee, Bates, Nuʻuanu Valley Waterfall, Wood, Wood and Ladd.
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by Peter T Young Leave a Comment
NBA rules state that “officials shall not permit players to play with any type of jewelry.” (NBA-com) Likewise, “exposed jewelry” is considered “prohibited equipment, apparel” by the NFL. (NFL-com)
More often than not, jewelry is not allowed to be worn by players in a game … except baseball.
Baseball rules don’t specifically come out and say it, but comments within the MLB rules suggest that players can and do wear jewelry.
Such as, “A batter shall not be considered touched by a pitched ball if the ball only touches any jewelry being worn by a player (e.g., necklaces, bracelets, etc.).” (Rule 5.05(b)(2) Comment)
Likewise, in discussion on what a ‘Tag’ is, “For purposes of this definition any jewelry being worn by a player (e.g., necklaces, bracelets, etc.) shall not constitute a part of the player’s body.” (Definitions of Terms)
However, some limitations are put on the pitcher. “The pitcher may not attach anything to either hand, any finger or either wrist (e.g., Band-Aid, tape, Super Glue, bracelet, etc.).” (Rule 6.02(c)(7) Comment)
Baseball players have picked up on the allowance of wearing necklaces and bracelets in a big way (and sometimes with big chains around their necks).
Some suggest players wear chains and other necklaces for religious beliefs (a lot include crosses with their chains), superstition (they have grown up wearing them and playing without them could impact their play), style/status and/or marketing deals.
It’s not clear when the necklace wearing first started, but some suggest it was George Scott who started to wear a puka shell necklace, and that may have stated the ‘chain gang’ craze.
After the 1971 season the Red Sox traded Scott to the Milwaukee Brewers. It was here that the puka shell made its debut.
When a writer asked him what the necklace was made of, Scott deadpanned, “Second basemen’s teeth.” (ESPN) After five seasons in Milwaukee, Scott returned to Boston for the 1977 season.
He was named to the American League All-Star Team three times and is a member of the Boston Red Sox Hall of Fame and the Mississippi Sports Hall of Fame.
Then, the bling …
ESPN describes Uni Watch, that touts “the obsessive study of athletics aesthetics”, Chain Gang – “players who insist on wearing necklaces on the field, no matter how impractical or annoying they might be.”
“But not just any necklaced player can make the Chain Gang. Like any good GM, Uni Watch is applying tough, exacting standards.”
“Simply wearing one of those bogus titanium thingies, for example, does not make you a Chain Ganger — it just makes you lame-o. So titanium devotees such as Kameron Loe, Todd Jones and Brandon Webb, among dozens of others, won’t make the cut.”
“Chain Gang roster spots are being reserved, however, for guys who wear anything shiny or knobby, with bonus points if the neckwear frequently emerges into full view, like Schilling’s does.”
“Like every team, the Chain Gang has its superstars.” George Scott made that list, as did Jeff Weaver (“The undisputed king of wayward neckwear, Weaver has the preternatural ability to wrap his gold chain around the right side of his face with virtually every pitch.”
So did Japan’s team in the 2006 World Baseball Classic. “You wouldn’t wear a Hawaiian lei on the field, right? But the Japanese WBC squad did the next best (or worst) thing, wearing braided titanium necklaces that lent a distinctly tropical air to the proceedings.”
Likewise, ESPN notes “Chain Gang Old-Timers Day, where the participants could include Joe Black, Ralph Kiner, Willie Mays, Willie Stargell, Joe Carter, Rickey Henderson and Robbie Alomar (with Joan Payson serving as owner emeritus).” (ESPN)
Gold and/or titanium chains are now so common in Major League Baseball that listing the wearers would be endless. As ESPN notes, “once you start looking, you’ll see it’s actually pretty tough to find players who aren’t sporting on-field bling”.
by Peter T Young Leave a Comment
Monkeypod (Pukui refers to it as ‘ōhai) was introduced to Hawai‘i in 1847 by Peter A Brinsmade, then consul from the Kingdom of Hawai‘i at Mexico City, who brought in two seeds.
One became a tree which was at Bishop and Hotel Streets in downtown Honolulu until 1899, when it was cut down to permit construction of a building. The other seed was planted at Kōloa, Kauaʻi, and produced a tree that was the parent of a large stand of monkeypod there. (CTAHR)
Originally from northern South America, primarily Venezuela, it goes by many names in the countries to which it has been introduced. In most English-speaking countries it is called rain tree.
A January 23, 1902 article in the Hawaiian Star notes, “Monkey Pod Valuable. Marston Campbell Shows Finely Polished Sample of the Wood.”
“Assistant Superintendent of Public Works Marston Campbell has had a section of native wood polished for exhibition to the government. The slab Is taken from the upper trunk of a monkey pod and shows a beautifully polished light wood not unlike mahogany, heavy and close grained.”
“‘This is what the people of Honolulu are burning in their stoves,’ said Mr. Campbell ‘The calabashes from the wood are splendid and I have some tables of It that cannot be beaten for polish and appearance.’”
“‘The wood is of great commercial value and there is plenty of It around.’ One tree furnishes enough material for a whole set of furniture. It is very hard and takes a splendid polish. He had to give up trying to surface it by hand and used the buffer at the planing mill for satisfactory results.”
“Wray Taylor has these notes in his agricultural report for 1900 ‘Albizzia Saman – Monkey pod – grows freely in lower portion of Tantalus forest though not to such size as In town.’ It would seem that line the algeroba, the monkey, pod nourishes best on sea level and not higher than 500-feet.”
Here, it’s typically planted for shade. In some places, the pods are feed for cattle, hogs, and goats. Some people chew the pods for the sweetish flavor like licorice.
Hawaiʻi has had a couple notable Monkeypod trees.
First, in 1866, Samuel Clemens (Mark Twain) traveled through Hawaii writing articles for the Sacramento Union, which were the basis for several chapters in Roughing It.
Twain spent four months in the islands in 1866, when he was 31 and working on becoming famous. Waiʻōhinu boasts of a monkeypod tree which was planted by Twain, when he visited there.
It stood in the front yard of the residence of Samuel Kauhane, former chairman of the Hawaii supervisors, and is an excellent specimen of the tree.
It is known as the “Mark Twain” tree. (Honolulu Star-Bulletin, November 22, 1915) In 1957, the original tree was blown down and a new tree grew from its sprouts that still stands today.
Moanalua Gardens is also the home of a large monkeypod tree (about 130-years old) that is known in Japan as the Hitachi Tree, one of the most recognizable corporate icons in Japan.
The Hitachi Tree first originated through a TV commercial for Japanese electronics manufacturer Hitachi, Ltd that first aired in Japan in 1973.
The tree is widely recognized, especially in Japan, and has become an important symbol of the Hitachi Group’s reliability, and earth-friendliness. It also enhances Hitachi’s brand value as a visual representation of its corporate slogan: “Inspire the Next.”
Over the past 40 years, the Hitachi Tree has become a valuable Hitachi Group asset as a familiar and respected image in Hitachi’s expanding messages globally.
An earlier agreement between the Damon Estate and Hitachi gave Hitachi exclusive worldwide rights to use the tree’s image for promotional purposes in exchange for annual payments. It was reported that Hitachi Ltd, has agreed to pay the owner of the Moanalua Gardens $400,000 a year for 10 years to use the garden’s famous monkeypod tree in its advertising.
The tree is registered as an exceptional tree by the City and County of Honolulu and cannot be removed or destroyed without city council approval.
We also know monkeypod for the various bowls, figures and furniture and other woodworking art/function. I suspect, like many, I have a ‘project’ monkeypod end table that needs refinishing.
by Peter T Young 1 Comment
A 2003 archaeological survey located and mapped stone platforms and ahu (rock cairns). One site is over 800-years old. Ancient Hawaiians visited Lehua for fishing and feather collecting.
Lehua was one of the first five islands sighted by Captain James Cook in 1778, which he referred to as “Oreehoua”.
Cook first sighted Oʻahu on January 18, 1778. On February 2, 1778 his journal entry named the island group after his patron: “Of what number this newly-discovered Archipelago consists, must be left for future investigation. We saw five of them, whose names, as given by the natives, are Woahoo (Oʻahu,) Atooi (Kauaʻi,) Oneeheow (Niʻihau,) Oreehoua (Lehua) and Tahoora (Kaʻula.) …. I named the whole group the Sandwich Islands, in honour of the Earl of Sandwich.” (Clement)
Lehua, part of Kauaʻi County, is approximately ¾ -mile north of Niʻihau and about 18-miles west of Kauaʻi. The largest of Hawaiʻi’s offshore islets, Lehua is about 290-acres in size and 702-feet high at the highest point. It is more than twice the size of Kaʻula.
Several sea caves are present on Lehua, including Anakukaiaiki which is home to Kukaiaiki, son of the shark god Kuhaimoana. (Kuhaimoana was a deified shark (ʻaumakua) who lived at the island of Kaʻula and had a cave so large that a small schooner could sail through it. “Kuonoono ka lua o Kuhaimoana” means, “He has a cave like Kuhaimoana’s.”) (OIRC)
The volcanic crater that formed Lehua 4.9-million years ago has been sculpted by marine erosion and is dominated by grasslands and herblands.
It is in the rain shadow of Kauaʻi and is very dry, especially during the heat of summer. Much of the island is bare rock; eroded sediment has collected only in gully bottoms, ledges and small caves. Vegetation is sparse but many plants have a growth spurt after winter rains.
The south side of the island is characterized by steep sea cliffs notched with sea caves at the water’s edge. The cliffs taper off to low-lying points that border a wide-mouthed bay opening to the north.
Lehua Island was set aside as a Lighthouse site under the control of the US Department of Commerce in a proclamation dated August 10, 1928. The island is owned by the US Coast Guard and managed by the State DLNR.
The federal government built a lighthouse on Lehua, the highest beacon operating in marine service. It is situated on a narrow ledge along the crest of the islet. (Brown, HJH)
The light became operational in April 1931 and was visible for about 15-miles. A modern light is in operation at present and is maintained by US Coast Guard personnel using a helicopter to land on the narrow crest of the island. (Brown, HJH)
Lehua is one of the largest seabird colonies in the main Hawaiian Islands. The island is designated as a State Seabird Sanctuary and DLNR-DOFAW is responsible for the management of such Sanctuaries and is a trustee for seabirds and other native plant and wildlife resources on the Sanctuaries. Lehua is home to at least eleven species of seabirds, as well as monk seals and native coastal plants. (DLNR)
Lehua is important for the number and diversity of breeding seabirds it supports and for the presence of several seabird species that are rare or have restricted breeding ranges. (Audubon)
Surveys estimate approximately 50,000-seabirds are on Lehua. Seventeen seabird species are present, including eleven species nesting or attempting to nest on the island. Some of the bird species found include Laysan and Black-footed Albatross, Red-Footed and Brown Boobies, Red-tailed Tropicbirds, Hawaiian Petrels, Band-rumped Storm Petrels, and Newell’s and Wedge-tailed Shearwaters. Migratory shorebirds also visit the island. (USFWS)
The Brown Booby colony on Lehua is the largest in the Hawaiian Islands with 521-breeding pairs, and the Red-footed Booby colony is one of the two largest in the Hawaiian Islands, with 1,294-pairs and approximately 4,288-total individuals. The colonies of Laysan Albatross (28 pairs, 93 total individuals) and Black-footed Albatross (16 pairs, 53 total individuals) are small but appear to be growing. (Audubon)
These species appear to be declining in Hawaiʻi and may be difficult to manage on the larger Hawaiian Islands. Offshore islets such as Lehua may become increasingly important in the conservation of these species because their small size makes it more feasible to eradicate predators and manage other threats. (Audubon)
When the first biologists visited Lehua in 1931, Polynesian rats and Rabbits had already been introduced. Rats eat many native species of plants, insect, seabirds and intertidal invertebrates; they are a major threat to island by decimating native plants, allowing alien plants to dominate, and impacting smaller seabird species.
In 2005, resource managers were able to eradicate the feral rabbits (with that, seabirds no longer have to fight for their burrows;) the efforts to eradicate the rats is ongoing.
Landing on Lehua requires permission from the US Coast Guard. Activities on Lehua are also subject to Hawaiʻi Department of Land and Natural Resources regulations for State Seabird Sanctuaries.
Disturbance of seabirds and other wildlife within the sanctuary is forbidden. Federal law also protects seabirds, shorebirds, and threatened or endangered species.