Hawaii | Page 396 | Images of Old Hawaiʻi

September 23, 2017 by Peter T Young Leave a Comment

Kapu and the New Religion

With the Hawaiian Kapu, if you didn’t follow the rules, you could die.

With Christianity, “For God so loved the world that He gave His only begotten Son, that whoever believes in Him should not perish but have everlasting life.”

Pā‘ao (CA 1300,) from Kahiki (Tahiti,) is reported to have introduced (or significantly expanded) a religious and political code in old Hawai‘i, collectively called the kapu system. This forbid many things and demanded many more, with many infractions being punishable by death.

The kapu system helped the ali‘i and kahuna keep their power over the people. The people believed that breaking the kapu would bring the anger of the gods on themselves and their community. They made every effort to follow the kapu set down by the ali‘i and kahuna.

Anything connected with the gods and their worship was considered sacred, such as idols, heiau and priests. Because chiefs were believed to be descendants of the gods, many kapu related to chiefs and their personal possessions.

The Hawaiian kapu can be grouped into three categories. The first evolved from the basic precepts of the Hawaiian religion and affected all individuals, but were considered by foreign observers to be especially oppressive and burdensome to women.

One of the most fundamental of this type of prohibition forbade men and women from eating together and also prohibited women from eating most of the foods offered as ritual sacrifices to the gods (for example, it was kapu for women to eat pork or bananas.)

“One thing which the priest urged upon the king was to kill off the ungodly people, those who broke tabu and ate with the women, or who cohabited with a woman while she was confined to her infirmary, and the women who intruded themselves into the heiau.”

“Another thing he urged was that the woman who beat tapa on a tabu day, or who went canoeing on a tabu day should be put to death; also that the man who secretly left the service at the temple to go home and lie with his wife should be put to death; that the men and women who did these things, whether from the backwoods – kua‘āina – or near the court should be put to death.”

“That any man, woman, or child, who should revile the high priest, or a keeper of the idols, calling him a filth-eater, or saying that he acted unseemly with women (i ka ai mea kapu) should be put to death, but he might ransom his life by a fine of a fathom-long pig.”

“Again, that if the king by mistake ate of food or meat that was ceremonially common or unclean – noa – the king should be forgiven, but the man whose food or meat it was should be put to death, if the king was made ill. In such a case a human sacrifice was offered to appease the deity, that the king might recover from his illness.”

“Again that certain kinds of fish should be declared tabu to the women as food, also pork, bananas and cocoanuts; that if any large fish – a whale – or a log strapped with iron, should be cast ashore, it was to be offered to the gods, (i. e., it was to be given to the priests for the use of the king).” (Malo)

A second category of kapu were those relating to the inherited rank of the nobility and were binding on all those equal to or below them in status.

This system, a “sanctioned avoidance” behavior conforming to specific rules and prohibitions, prescribed the type of daily interactions among and between the classes, between the people and their gods, and between the people and nature.

By compelling avoidance between persons of extreme rank difference, it reinforced class divisions by protecting mana (spiritual power) from contamination while at the same time preventing the mana from harming others.

These kapu posed enormous difficulties for the high Ali‘i because it restricted their behavior and activities to some degree. Because these kapu prohibited the highest-ranking chiefs from easily walking around during the day, some of them traveled in disguise to protect the people and themselves from the difficulties presented by this custom.

The third category were edicts issued randomly that were binding on all subjects and included such acts as the placing of kapu on certain preferred surfing, fishing or bathing spots for a chief’s exclusive use.

In addition, the chiefs proclaimed certain kapu seasons as conservation measures to regulate land use and safeguard resources.

These had the same force as other kapu, but pertained to the gathering or catching of scarce foodstuffs, such as particular fruits and species of fish; to water usage; and to farming practices. These kapu were designed to protect resources from overuse.

While the social order defined very strict societal rules, exoneration was possible if one could reach a puʻuhonua (place of refuge) and be cleansed, as well as cleared by a kahuna (priest).

The puʻuhonua was especially important in times of war as a refuge for women and children, as well as warriors from the defeated side.

Puʻuhonua were locations which, through the power of the gods and the generosity of the chiefs, afforded unconditional absolution to those who broke taboos, disobeyed rulers, or committed other crimes. (Schoenfelder)

Ethno-historical literature, and available physical, cultural, and locational data, note at least 57-sites across the Islands. Puʻuhonua tended to occur in areas of high population and/or in areas frequented by chiefs. (Schoenfelder)

These range from enclosed compounds such as Hōnaunau, to platforms (Halulu on Lānaʻi), to fortified mountain-tops (Kawela on Molokaʻi), to unmodified natural features (Kūkaniloko on Oʻahu) and to entire inhabited land sections, as at Lāhainā on Maui. (Schoenfelder)

This intricate system that supported Hawai‘i’s social and political structure directed every activity of Hawaiian life, from birth through death, until its overthrow by King Kamehameha II (Liholiho).

Shortly after the death of Kamehameha I in 1819, King Kamehameha II (Liholiho) declared an end to the kapu system. In a dramatic and highly symbolic event, Kamehameha II ate and drank with women, thereby breaking the important eating kapu.

This changed the course of the social, political and religious structure and ended the kapu system, effectively weakened belief in the power of the gods and the inevitability of divine punishment for those who opposed them.

Some have suggested it was the missionaries that ended the kapu that disrupted the social/political system in the Islands; that is not true – the missionaries had not even arrived in the Islands, yet. On October 23, 1819, the Pioneer Company of missionaries from the northeast US, set sail on the Thaddeus for the Islands.

The Mission Prudential Committee in giving instructions to the pioneers of 1819 said: “Your mission is a mission of mercy, and your work is to be wholly a labor of love. …”

“Your views are not to be limited to a low, narrow scale, but you are to open your hearts wide, and set your marks high. You are to aim at nothing short of covering these islands with fruitful fields, and pleasant dwellings and schools and churches, and of Christian civilization.” (The Friend)

Among their teaching included, “Then Jesus declared, ‘I am the bread of life. Whoever comes to me will never go hungry, and whoever believes in me will never be thirsty.’” (John 6:35)

“For God so loved the world that He gave His only begotten Son, that whoever believes in Him should not perish but have everlasting life.” (John 6:16)

Keōpūolani is said to have been the first convert of the missionaries in the Islands, receiving baptism from Rev. William Ellis in Lāhainā on September 16, 1823. Keōpūolani was spoken of “with admiration on account of her amiable temper and mild behavior”. (William Richards) She was ill and died shortly after her baptism.

Within five years of the initial arrival of the missionaries, a dozen chiefs had sought Christian baptism and church membership, including the king’s regent Kaʻahumanu. The Hawaiian people followed their native leaders, accepting the missionaries as their new priestly class. (Schulz)

On December 24, 1825, Kaʻahumanu, six other Chiefs and one makaʻāinana (commoner) were baptized and received Holy Communion at Kawaiahaʻo Church. This was the beginning of expanded admission into the Church.

Kamakau noted of her baptism, “Kaʻahumanu was the first fruit of the Kawaiahaʻo church … for she was the first to accept the word of God, and she was the one who led her chiefly relations as the first disciples of God’s church.”

“Her influence and authority had long been paramount and undisputed with the natives, and was now discreetly used for the benefit of the nation.”

“She visited the whole length and breadth of the Islands, to recommend to her people, attention to schools, and to the doctrines and duties of the word of God, and exerted all her influence to suppress vice, and restrain the evils which threatened the ruin of her nation.” (Lucy Thurston)

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September 22, 2017 by Peter T Young 2 Comments

Hula ‘Auana

The Panama-Pacific International Exposition was held in San Francisco in 1915 to celebrate the completion of the Panama Canal, as well as support San Francisco’s recovery from the devastating 1906 earthquake and fire.

The Exposition looked to the future for innovation. Things we take for granted today – cars, airplanes, telephones, and movies – were in their infancy and were shown off at the fair, and some well-known technological luminaries were involved in the fair.

The San Francisco Exposition was also the launching site for broader awareness of hula ‘auana, contemporary hula – it was featured in the Hawaii exhibits.

There, ‘Princess Lei Lokelani’ performed traditional foot movements – ku‘i and ‘uwehe – to modern ‘ukulele and steel guitar songs – this also launched the hapa-haole (half “foreign”) hula phenomenon into broader markets. (Wianecki)

Traditional Hawaiian music was based upon mele oli and mele hula as performed in the pre-Western-contact era. Mele oli means plain chanting, while mele hula signifies chanting accompanied by hula.

There are many different types of hula. Today, hula has been divided into two main categories; hula ‘auana and hula kahiko, also known as modern hula and ancient hula.

Within the ancient hula, or hula kahiko, there are several different type; to begin with, the three basic ancient dances hula pahu, hula ku‘i and hula ‘āla‘apapa provide the starting point for the kahiko dances we see today.

The hula pahu dances were, originally a part of heiau, or temple, rituals and were danced in honor of “the akua – Kāne, Kanaloa, Kū and Lono – the ‘state gods’, who had been recognized by all Hawaiians and were intimately involved in Polynesian cosmology and the ordering of Hawaiian society”. (Kaepple)

After the overthrow of the Hawaiian religious system in 1819, by the Hawaiians themselves, the rituals were transferred to honor ‘aumākua (deified ancestors) who had not been overthrown, such as Pele, Laka and Kapo.

The hula pahu dances are defined by a certain rhythmic pattern and by certain chants. They are danced to the beats of the pahu drum.

The movements of the hula pahu originally objectified or embodied the work of kahuna (priests or spiritual mentors) and was according to legend, brought to Hawai‘i, along with the pahu drum, from Tahiti by La‘amaikahiki.

The hula ku‘i originated in the Kalākaua era, and had its first public appearance during the coronation ceremonies of King Kalākaua in 1883. The hula ku‘i is accompanied by mele, and usually instruments like the guitar or the ‘ukulele. The dance style is softer than the hula pahu, yet not as soft as the modern ‘auana

The hula ‘āla‘apapa is an ancient hula that is accompanied by chant, and danced to the rhythm of the double gourd ipu, ipu heke, with “vigorous and bombastic” movements. The dance is performed in a standing position, and the ho‘opa‘a is responsible for both the rhythm and the chanting.

The ‘ōlapa/ku‘i dances and the ‘āla‘apapa dances are very much alike to the untrained eye, but differences lie in the movement and rhythmic patterns and the flow of the chants.

Mele hula kuʻi – chant and dance style with western influences – developed in the late-19th and early 20th centuries from mele hula. These three forms served as the foundations of authentic Hawaiian music. (Torgersen)

At the corner of what is now Baker Street and Marina Boulevard in San Francisco’s Marina District was where the Hawaiian Pavilion stood during the Panama-Pacific International Exposition.

These Hawaiian shows had the highest attendance at the entire fair and launched a Hawaiian cultural craze that influenced everything from American music, to movies, to fashion. (Mushet)

“The hugely popular Hawaii pavilion … showcased Hawaiian music and hula dancing, and was the unofficial launching pad for ukulele-mania.” Hapa-haole songs were featured in the Hawaii exhibits.

The ‘Princess’ was 15-year old Elizabeth Jonia Leilokelani Shaw; she and her family were a hit at the Exposition – Shaw had moved from the Islands to Portland with her family. Her first professional performance was at the exposition; she later danced contemporary hula in vaudeville.

Hula ‘auana are always accompanied by mele, and have soft and floating movements. The ‘auana is also inspired by the hula of the 20th century up until the late 1960s, including the hapa haole styled hula. (Torgersen)

The costumes of the hula ‘auana are different from the kahiko costumes, which usually involve a pā‘ū (hula skirt) and a top to match the pā‘ū for female dancers, and a malo (loincloth) for the male dancers, as well as anklets, wristlets and a headpiece made from traditional hula plants and flowers.

The ‘auana costumes often involve mu‘umu‘u (long dress or gown) for women and black pants, a shirt and sash for the men. The women often have large headpieces made from flowers and greens and may wear shoes as part of the costume.

The kahiko dances must always be danced barefoot, and the dancer is not allowed any jewelry or excessive makeup. (Torgersen)

By 1916, there were hundreds of Hapa Haole tunes written. That same year, reportedly more Hawaiian records were sold on the mainland than any other type of music. And they came in all the popular styles of the day: in ragtime, blues, jazz, foxtrot and waltz tempos, as “shimmy” dances and–even–in traditional hula tempos, but jazzed up a bit.

In 1935, a radio program began, broadcasting live from the Banyan Court of the Moana Hotel on the beach at Waikīkī, and radios nationwide tuned in to hear “Hawaii Calls.” Not only did nearly every island entertainer cut his or her teeth on the program, many went on to become well known.

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Princess Lei Lokelani Promotional

‘Jonia and Her Hawaiians’

Hawaii Band and Dancers-(Shaw)-1916

Elizabeth L. Jonia Leilokelani Shaw-

Elizabeth L. Jonia Leilokelani Shaw

September 21, 2017 by Peter T Young Leave a Comment

Pendulum Peak

Early pendulum experiments helped calculate the force of gravity. By taking different readings at different locations across the planet, it is possible to calculate the contours of the earth, as well as the density of the interior. (A later Foucault pendulum was used to demonstrate the rotation of the Earth.)

Lt Charles Wilkes, as part of the US Exploring Expedition, came to Hawai‘i in 1840 with a 68-inch long pendulum and a pendulum clock. After suspending the pendulum from a tripod, he set up the pendulum clock nearby.

Both the clock and pendulum were swung – since they had different lengths, they swung at different rates. Every so often, they would coincide. Observing the pendulums through a telescope, he would record the time of the coincidence.

Over time, enough data was accumulated to determine the duration of a single swing of the pendulum. With the time and the length of the pendulum, he was able to calculate the force of gravity. (Philbrick)

Just after new year’s in 1841, Wilkes conducted pendulum observations on the top of Mauna Loa, at a site they named Pendulum Peak.

In the days before Christmas, with temperatures in the teens, and “water in the bags, under my pillow, froze,) “it blew a perfect hurricane for several hours, causing an incessant slamming, banging, and flapping of the tents, as though hundreds of persons were beating them with clubs”.

At other times, “at sunset, we had a beautiful appearance of the shadow of the mountain, dome-shaped, projected on the eastern sky: the colour of a light amethyst at the edges, increasing in intensity to a dark purple in the centre; it was as distinct as possible, and the vast dome seemed to rest on the distant horizon.”

“The night was clear, with moonlight, the effect of which on the scene was beautiful: the clouds floating below us, with the horizon above them, reminded us of the ice bergs and ice-fields of the Antarctic: the temperature lent its aid to the deception.”

“The 3d proved fine, and the pendulum-clock and apparatus being arranged and adjusted, the clock was put in motion, and a comparison made with the three chronometers every two hours.”

They made other observations, as well, “During our stay on the summit, we took much pleasure and interest in watching the various movements of the clouds; this day in particular they attracted our attention; the whole island beneath us was covered with a dense white mass, in the centre of which was the cloud of the volcano rising like an immense dome.”

“All was motionless, until the hour arrived when the sea-breeze set in from the different sides of the island: a motion was then seen in the clouds at the opposite extremities, both of which seemed apparently moving towards the same centre, in undulations …”

“… until they became quite compact, and so contracted in space as to enable us to see a well-defined horizon; at the same time, there was a wind from the mountain, at right angles, that was affecting the mass, and driving it asunder in the opposite direction.”

“The play of these masses was at times in circular orbits, as they became influenced alternately by the different forces, until the whole was passing to and from the centre in every direction, assuming every variety of form, shape, and motion.”

“(T)he outward variation (in temperature) still continued from 17° to 50° during the twenty-four hours.”

“On the 8th, we had a change to cold, raw, and disagreeable weather; snow began to fall, and a kona or southwest gale set in; the temperature fell soon to 20°.”

“At 10 pm, I was unable to proceed with the pendulum observations; for such was the fury of the storm, that the journeyman-clock, with a loud beat, although within three feet of my ear, could not be heard. I was indeed apprehensive that the whole tent, house, and apparatus would be blown over and destroyed.”

“This storm continued until sunrise of the 9th, when it moderated. I have seldom experienced so strong a wind; it blew over and broke one of the barometers, although its legs had been guarded carefully by large stones; and the wind was so violent at times, that it was with difficulty we could keep our footing.”

“On the 10th of January, we had snow again. The temperature rose to 32°: the snow melted fast, causing excessive dampness within and without, while other discomforts that may be imagined prevailed.”

“On the 11th, having the eprouvette mortar (a small cannon) with me, I tried some experiments on the velocity of sound, comparing it with our measured bases and the sides of the triangles: these gave results as satisfactory … The great difference was in the sound itself: the report of the gun producing a kind of hissing noise.”

“The eprouvette was of iron, and was fired with a plug driven into it very tightly after it was loaded. When fired near the level of the sea, it was necessary to close the ears when standing within twenty feet of it. The sound could be heard six miles, and the report was equal to that of a large gun.”

“But on the summit we stood close to it without any precaution whatever, and the noise it there made was more like that of a squib (a small firework that burns with a hissing sound before exploding.) … This night we finished the pendulum, and all the dip and intensity observations”.

“When day broke, on the 13th January, all was bustle on the summit of Mauna Loa. Every one was engaged in taking down and packing up the instruments and equipage, loaded with which the native labourers scampered off.”

“Previous to our departure, I had the words ‘Pendulum Peak, January 1841,’ cut in the lava within our village. JG Clarke, one of the seamen belonging to the Vincennes, who made these marks came to me and desired, on the part of the men, that I would allow them to add to it US Ex Ex, in order that there might be no mistake as to who had been there; to this I readily gave my consent.”

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Lt. Charles Wilkes campsite-Mauna Loa

Crater of Moku-A-Weo-Weo, Mauna Loa-Wilkes

Wilkes-Pendulum_Peak-(davidrumsey)

Pendulum_Peak-Layout-(Wilkes, NPS)

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September 20, 2017 by Peter T Young 4 Comments

Lewers & Cooke

What started as a lumber company of Christopher H Lewers evolved into Lewers & Dickson, and eventually Lewers & Cooke. The primary parties in this process included Lewers, Robert Lewers (his cousin,) Joshua Gill Dickson and Charles Montague Cooke.

Christopher Hamilton Lewers, a cabinet maker hailing from Dublin, Ireland, landed in Honolulu in about 1850. In 1852, he started into the business in the Islands with the purchase at auction of a cargo of eastern white pine shipped from the States via Cape Horn.

The Honolulu carpenters at that time kept on hand small lots of white pine to make sash, doors, blinds, etc, which were made entirely by hand. Lewers’ purchase cornered the market on white pine, and he found it a profitable transaction and made it the basis for a regular lumber business.

At that time lumber, mostly Douglas fir, was sent to the Hawaiian Islands from the American West Coast by the Hudson Bay Co. This trade began about 1840, and in 1860 small vessels carrying approximately 300,000-feet of lumber came regularly to the islands to supply the trade. (American Lumberman)

In early 1854, the newspaper ‘The Polynesian’ first carried an advertisement for ‘S Johnson and Christopher H Lewers, House Carpenters and Joiners.’ Their projects would include the Fort Street Church, the Royal School, Queen’s Hospital and the Royal Hotel.

CH Lewers leased a ‘spacious old beer shop’ opposite the French Hotel from Mr Piʻikoi, announcing that he intended to import a steam saw mill and planing machine. (Walker-Moody)

Among other interests, Christopher H Lewers founded Waiheʻe sugar plantation on Maui. It the mid-1860s it was managed by Samuel Thomas Alexander. Henry Perrin Baldwin hoped to earn enough money to go to medical school, and took a ‘Luna’ (foreman) job.

Baldwin never got into medicine; in 1869, Baldwin and Alexander became business partners and bought 12 acres in Hāmākuapoko (an eastern Maui ahupuaʻa (land division.) (They later formed Alexander & Baldwin, one of Hawai‘i’s ‘Big Five’ companies.)

About 1855, CH Lewers sold out his lumber business and went to the eastern US for a visit, but returned to the islands the next year, accompanied by his two sisters and Robert Lewers, his cousin. CH Lewers bought the business back.

Robert Lewers was born in New York City, NY, on March 15, 1836; he was the son of William and Mary (Lowe) Lewers. Robert Lewers came to Honolulu on February 21, 1856 and started in Honolulu as a carpenter. (Siddall)

“He was (o)ne of the last survivors of those merchants who came to Honolulu in the days of her commercial infancy and aided in the upbuilding of the Islands, industrially and socially, Robert Lewers was a link for years between that glamorous early Hawaii with its monarchial pomp and court ceremony, and the thriving business community Hawaii became under American jurisdiction.” (Orr)

“There were not many occupations then open for a young man in Honolulu and Mr Lewers got employment as a carpenter. He helped to build many of the old frame houses in Honolulu, and one or two on Kauai.”

“It was his practical knowledge of building and of frame construction that made his services valuable, when, in 1860, he was offered a position by his cousin, Christopher H Lewers. The firm was later known as Lewers & Dickson.” (Orr)

“There was but little business done in those years; but shortly the sugar plantations were started on most of the islands, and these created a better market.”

“At that time our 1-inch boards of all widths were piled together, all mixed up, and those who have charge of lumber yards can easily realize how difficult and slow it was to get out an order.”

“The cartage of lumber in those days was done mostly with handcarts. Sometimes when we had a large quantity to deliver to a schooner we would hire a 2-wheeled dray, as there were no lumber wagons in town. We shoved the lumber up over the driver’s head, or he had to sit on top of it. Delivery was made more difficult by the very bad conditions of the roads.” (Lewers, American Lumberman)

Joshua Gill Dickson was born on August 2, 1830 in Charleston, Massachusetts, the son of Captain Joshua and Sarah Dickson. His father was “for many years well known as a very popular commander of several of the Boston and Liverpool packets, and later held the honorable office of warden of the port of Boston.” (Pacific Commercial Advertiser, July 27, 1888)

Charles Montague Cooke was born in Honolulu May 16, 1849, second of four sons of missionaries Amos Starr and Juliette Montague Cooke. The family home for more than a generation was at the Mission at Kawaiahaʻo. (The Friend)

His schooling as completed by a year or two at the Massachusetts Agricultural College; he returned to the Islands in 1871 and worked for Castle & Cooke, the company started by his father and Samuel Northrup Castle (another of Hawai‘i’s Big Five companies.)

Cooke later accepted an offer from Lewers & Dickson. In 1877, following the death of Christopher H Lewers, Robert Lewers and Cooke became partners of Dickson and continued the operation as Lewers and Dickson.

Dickson died July 11, 1880. Within a few months the surviving partners (Robert Lewers and Charles M Cooke) bought the interest of the Dickson Estate and launched the new firm of Lewers and Cooke, ‘the largest dealers in the Territory of Hawai‘i in Lumber and Building Materials.’

On January 1, 1901, Lewers & Cooke Ltd succeeded Lewers & Cooke. “A noteworthy fact in the establishment of the firm of Lewers & Cooke, Ltd., was the inclusion of a clause in the articles of incorporation empowering the directors to contribute a portion of the earnings for social, benevolent and religious purposes. It was the first time this had been done in Hawai‘i.” (Orr)

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Lewers_&_Cooke-DMY

Lewers & Cooke-PP-8-14-002-00001

King St-Left foreground is the Advertiser-down the street is the Lewers & Cooke Bldg-PP-38-9-023-1925

King St looking Ewa-Hawaiian Electric Co. on left, the Occidental Hotel, and Lewers & Cooke, Ltd. PP-38-7-038-1904

Looking up Fort St (from about where Nimitz is) Includes Lewers & Cooke, Pacific House, Lucas clock tower, Wilder & Co.PP-38-5-016-1885

Lewers & Cooke Ad-January 1, 1902

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Downtown and Vicinity-Dakin-Fire Insurance- 03 -Map-1899-Lewers & Cooke

September 19, 2017 by Peter T Young Leave a Comment

Twins – Neighbors

For their services, Kamehameha appointed Keʻeaumoku, Keaweaheulu, Kameʻeiamoku and Kamanawa (the four Kona Uncles) to be his secret advisors (hoa kuka malu) and counselors (hoaʻahaʻolelo) in ruling the islands. They alone were consulted about what would be for the good or the ill of the country. (Kamakau)

The latter two of the four (Kameʻeiamoku and Kamanawa) were twins, often referred to as the Royal Twins; they are depicted on the Hawaiian Coat of Arms.

The men are “clad in the ancient feather cloak and helmet of the Islands, the one bearing a kahili (Kame‘eiamoku on the right) and the other a spear (Kamanawa on the left) as in the processions of former times.”

Their father was Chief Keawepoepoe and mother was Kanoena (Keawepoepoe’s sister.) Because their parents were high ranking siblings, Kameʻeiamoku and Kamanawa were known as nīʻaupiʻo, the offspring of a royal brother and sister.

However, Kamakau also notes that the twin chiefs as the “children of Kekaulike,” one of the ruling chiefs of Maui. (The term ‘children’ may refers to a generational difference between Kekaulike and the twin chiefs, rather than meaning that they were his direct offspring.) (Kelly)

It was the custom in Hawai‘i during the 18th and 19th centuries to have young chiefs be hanai (adopted) by and grow up under the protection of an important relative, sometimes even one who lived on another island.

Kamanawa and Kame‘eiamoku were sent to live with their uncle during their childhood years. This uncle was Kalani‘ōpu‘u, the high chief of the Island of Hawai‘i in 1779, when Captain Cook arrived at Kealakekua Bay in Kona, Hawai‘i.

Kamehameha was also raised in the court of Kalani‘ōpu‘u, along with two of the sons of Kalani‘ōpu‘u, Kīwala‘ō and Keōua.

The twins were later neighbors.

Kamanawa is reported to have been living at Kiholo at the time of the death of Kalani‘ōpu‘u in 1782, and Kame‘eiamoku at Ka‘upulehu (originally Ka‘ulu-pulehu, the roasted breadfruit), the adjacent ahupua‘a to the south of Pu‘uwa‘awa‘a. (Kelly)

When Kalani‘ōpu‘u died, his son, Kiwala‘ō was declared his heir. Kamanawa and Kame‘eiamoku expressed their opposition to Kiwala‘ō and to his plan to bring the district of Kona under the domination of the Puna and Ka‘u chiefs.

The Kona-Kohala coast had more favorable harbors for the visits of western-sailing ships than the windward (Hilo-Puna-Ka‘u) coast. Because of this, the Kona-Kohala chiefs had greater access to trade items from the foreign ships than the windward chiefs.

Keʻeaumoku “was the most noted of all the warriors of Kamehameha I, and by his personal prowess placed that eminent man on the throne of Hawaii …”

“… first by slaying with his own hand his great antagonist Kiwalaʻo, and subsequently Keōua, the only remaining enemy on that island.” (Jarves; The Friend)

Ke‘eaumoku was the father of Ka‘ahumanu, who became a wife of Kamehameha and was a very powerful woman in her own right. Her mother was Nāmāhāna, who was the daughter of Kekaulike, high chief of Maui. (Kamakau)

Keaweaheulu was at Kaʻawaloa at the time of Cook’s death; he assisted Kamehameha in his battles with Kiwalaʻō and Keōua; he was at Molokai when Kalola died and her granddaughter, Keōpūolani (Queen mother to Liholiho and Kauikeaouli,) was given to Kamehameha. Keaweaheulu was maternal great-grandfather of King Kalākaua and Queen Liliʻuokalani.

The lives of the twin chiefs of Kekaha, Kamanawa of Kiholo, and Kame‘eiamoku of Ka‘upulehu, are closely bound with the history of the Hawaiian Islands during the period of the rise of Kamehameha I, as the ali‘i nui (high chief) of the Islands.

Presumably, whoever had control over the leeward ports of the Island of Hawai‘i would play an important part in the history of the Islands during this early historical period.

As it was, that role fell to Kamehameha, Kamanawa, Kame‘eiamoku, Ke‘eaumoku, and a few others who were anxious to further their own interests. (Kelly) (Artwork by Brook Parker.)

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Kameeiamoku & Kamanawa-BrookParker