Images of Old Hawaiʻi

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Morse and the Missionaries

Jedidiah Morse was a country boy from Woodstock, Connecticut who attended Yale during the American Revolution. In the middle of his college career, a spiritual awakening came to Yale.

Jedidiah fell under conviction of sin, and, in the spring of 1781, gave his life to Christ – this energized him in all parts of his life.

Daniel Webster said Jedidiah was “always thinking, always writing, always talking, always acting.” Jedidiah’s motto was “better wear out than rust out.”  (Fisher)  Morse was a pastor, a graduate of Yale and a former teacher of young girls in New Haven.  (Spoehr)

Recognizing the inadequacy of the textbooks available in America at the time, Morse compiled and published the first American geography book.  Morse has been informally accredited by some as being “the father of American geography.”

Jedidiah and his sons started the first Sunday school in New England. (The family continued this kind of work when they moved to Connecticut; his son, Samuel, became the first Sunday school superintendent in New Haven.)    (Fisher)

Morse had set up a separate Theological Seminary at Andover in 1805. The Andover Seminary served as the recruitment and educational base of operations for a new American project, international missions to evangelize the world as the “School of Nations”.

In 1810, a group of Americans (including Rev. Jedidiah Morse) established the American Board of Commissioners of Foreign Missionaries (ABCFM) at Farmington, Connecticut.  (Wesser)

Jedidiah brought all the separate strands of the Christian community in New England together to found Andover Theological Seminary.  Out of Andover’s first graduating class came America’s first foreign missionaries, and the school became known as a missionary training ground. (Fisher)

To them, Christianity was not a “personal religious question” or “feeling,” but rather as a profound philosophical passion to “do good works”.  (Wesser)

Morse was an abolitionist and friend of the black community in Boston, when abolitionists were few. Also, a significant portion of his life was spent looking for ways to benefit Native Americans and preparing the way for missions among them.  (Fisher)

ABCFM accounted for 80% of all missionary activities in America; reformed bodies (Presbyterians and Congregationalists, in particular) made up nearly 40% of the participants.

On October 23, 1819, the Pioneer Company of American Protestant missionaries from the northeast US set sail on the Thaddeus for the Sandwich Islands (now known as Hawai‘i.)  There were seven American couples sent by the ABCFM to convert the Hawaiians to Christianity in this first company.

These included two Ordained Preachers, Hiram Bingham and his wife Sybil and Asa Thurston and his wife Lucy; two Teachers, Mr. Samuel Whitney and his wife Mercy and Samuel Ruggles and his wife Mary; a Doctor, Thomas Holman and his wife Lucia; a Printer, Elisha Loomis and his wife Maria; and a Farmer, Daniel Chamberlain, his wife and five children.

With the missionaries were four Hawaiian students from the Foreign Mission School, Thomas Hopu, William Kanui, John Honoliʻi and Prince Humehume (son of Kauaʻi’s King Kaumuali‘i.)

Prior to departure, a portrait of each of the company had been painted by Samuel Morse; engravings from these paintings of the four native “helpers” were later published as fund-raisers for the Sandwich Islands Mission and thereby offer a glimpse of the “Owhyhean Youths” on the eve of their Grand Experiment.  (Bell)

Over the course of a little over 40-years (1820-1863) (the “Missionary Period”,) about 180-men and women in twelve Companies served in Hawaiʻi to carry out the mission of the ABCFM in the Hawaiian Islands.

In addition to his religious endeavors, son, Samuel, showed enough artistic promise for his father to send him abroad to study painting after he graduated from Yale University in 1810.

Painting provided Samuel with pocket money to help pay his term bills at Yale. He became one of the small handful of important American painters in his generation, and many famous depictions of notable Americans are his work.

The portrait of Noah Webster at the front of many Webster dictionaries is his, as are the most familiar portraits of Benjamin Silliman, Eli Whitney, and General Lafayette.  (Fisher)

The problem was not a lack of talent, for Morse showed great promise as a painter, but he offered Americans grand paintings with historical themes, when all his paying patrons really wanted were portraits of themselves.

Eventually Morse accepted many portrait commissions, but even they did not bring the steady income he needed to support himself and his family.

At the same time, Morse was also deeply involved in trying to make a go of his newfound vocation as a daguerreotypist. Morse enthusiastically embraced this startling new technology and became one of the first to practice photography in America.  (LOC)

Morse the artist also became known as “the Father of American photography.” He was one of the first in the US to experiment with a camera, and he trained many of the nation’s earliest photographers.  (Fisher)

Oh, one more thing about Samuel Morse, while he did not invent the telegraph, he made key improvements to its design, and his work would transform communications worldwide.

First invented in 1774, the telegraph was a bulky and impractical machine that was designed to transmit over twenty-six electrical wires. Morse reduced that unwieldy bundle of wires into a single one.

Along with the single-wire telegraph, Morse developed his “Morse” code. He would refine it to employ a short signal (the dot) and a long one (the dash) in combinations to spell out messages.

Following the routes of the quickly-spreading railroads, telegraph wires were strung across the nation and eventually, across the Atlantic Ocean, providing a nearly-instant means of communication between communities for the first time.

Newspapers, including as the Associated Press joined forces to pool payments for telegraphed news from foreign locales. Railroads used the telegraph to coordinate train schedules and safety signaling. Morse died in 1872, having advanced a practical technology that truly transformed the world.  (PBS)

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by Peter T Young 1 Comment

Susanna Wesley Home

Born on January 20, 1669 in England, the 25th of 25-children, Susanna Wesley never preached a sermon, built a church or published a book, but she is identified as the “Mother of Methodism.” She managed her household, raised and educated more than a dozen children.  (Adams)

Following the example set at home by their mother, behaving methodically and purposefully, her sons, John Wesley and Charles Wesley, helped people reshape their lives for the better; a movement started from this that would reform not only individuals, but the church and the society of England – they became known as the “Method-ists.”  (Pellowe)

Fast forward a couple centuries to the Islands.

“Members of the Methodist Episcopal church in (San Francisco) interested in Oriental mission work have decided to establish a Japanese Christian home in Honolulu.”  (That was in 1902; Methodist mission work started in the Islands in 1887.)

“The Japanese women working in the island rice fields are particularly anxious to have the home established and are willing to contribute to the cause. … the name of the new institution (was suggested to) be the Susanna Wesley Home and the suggestion met the approval or all present.”  (Hawaiian Star, November 20, 1902)

“(T)he Home was open in May, 1903. About 85 women have been cared for and instructed in the Christian life. …. the Home receives both orphans and half-orphans (typically Japanese and Korean.)  There is a comfortable home for 40 children.  San Francisco and Honolulu people have aided the home ….”  (Pacific Commercial Advertiser, December 29, 1905)  (It also took in disillusioned picture brides.)

“The work of the Susanna Wesley Home has been conducted for some time in the old Dickey Homestead on Nuʻuanu Street under the direction of Miss Jayne assisted by Miss Morrison.  The object of the home is to care for unprotected women and children, and much work of this kind has been done among the Japanese and Koreans.”  (Hawaiian Star, January 30, 1906)

“To teach them the right, protect them in their helplessness, and try by precept and example to lead them to the Christ, has been our aim. Seeds have been sown. Our faith is not strong enough to believe that all have taken deep root, yet we believe some will spring up and bear fruit.”

“The most encouraging part of our work, as has often been repeated, is among the children. Here we can see results and take courage. We now have six children less than three years of age. … Some years ago it was decided to admit only children old enough to attend school, but we have always had children under school age.”  (Report of Susanna Wesley House)

“It has been my aim since the beginning of my work here to make a real home, and be a real mother to these helpless little children, many of whom know no other mother’s love and care.”

“We do not want Susannah Wesley Home to be merely a boarding school, or institution, but a home in the truest, and best sense of the word, using our best efforts to train the children for lives of usefulness, and tenderly leading them to Him who said ‘Suffer the little children to come unto me.’” (Report of Susanna Wesley House)

They later moved into and converted the ‘Melrose Hotel’ on King Street “near the Waikiki turn” into an expanded Susanna Wesley Home.

“There are three main buildings, two of which face on King Street.  These are connected by a spacious lanai.  The grounds are greatly improved and there are 50-rooms.”  (Hawaiian Gazette, January 30, 1906) (It was about where the parking lot of the Department of Agriculture is located.)

Though they were residents at the Home, the girls received their education from schools within the area. At the end of the school day, they would return to the Home where they were required to complete homework assignments.

In addition to their education, the house mothers at the Home taught the girls to sew their own clothing, cook meals, keep house and learn social etiquette. Older girls worked during the summer school vacation. Religious worship was encouraged, and the girls were free to attend the church of their own choosing.  (legacy-com)

One notable girl who temporarily resided at the Home was 14-year-old Kame Imanaga, orphaned at an early age.  Initially raised on Maui by Japanese neighbors, then a Hawaiian couple, it was arranged for her to move to Honolulu and enter the Home.

Shortly after arriving, Daniel Kleinfelter, a Caucasian minister, visited the home on an official inspection. Walking through the property, Kleinfelter handed a piece of candy to each child he met.

Kame declined the gift, explaining the only thing she wanted was a family of her own.  Kleinfelter was so impressed by the outspoken teenager that he promptly invited Kame to live with him, his wife and their two daughters in their Honolulu home.

Kame converted to Christianity and began to attend River Street Methodist Church.  Six years after her adoption, a young man – Hyotaro – caught her eye at a church social. A year later, they were married.

On September 7, 1924, almost 1-year after their wedding, Kame and Hyotaro became the proud parents of a baby boy.  His name combined Japanese and American culture, beliefs and values.

Kame gave him his first name, Daniel, in honor of her adoptive father, Daniel Kleinfelter – and recognition of the West.  Hyotaro gave the boy the middle name, Ken (a Japanese word for ‘to build,’) following customs of the East.

Hyotaro was the eldest son of the eldest sons for four generations – he hoped his firstborn would continue to build the family by someday fathering a son of his own.  (Slavicek)

That young child of Kame and Hyotaro eventually continued the tradition and had a son, Ken.

Oh, the child of Kame and Hyotaro … he was better known to us in the Islands and those in the US Senate as Daniel K Inouye.

The Susanna Wesley Home moved to Kaili Street in Kalihi in 1919 (the King Street land was subdivided into ‘cottage lots.’)  Others benefitted at the home.

“We were raised in Susanna Wesley Home on Kalihi Street until we finished high school after my parents divorced when I was eight…. It was a good plan because otherwise I would be still ignorant of a lot of things…. We went to public school, and we were raised in Kalihi Union Church, so we had a very good life.”

“I liked it in the Susanna Wesley Home, they educated me…. We had a beach house in Mokulēʻia. And so every summer we went to Mokuleʻia and spent the time there. And even sometimes when we were older, if we wanted to go Mokuleʻia spend the time, Susanna Wesley Home had it.” (Lum)

When the need for orphanages declined, the residence was closed and the center in the 1950s began its transformation to its present structure: a multipurpose community center that today offers services such as counseling to high-risk youths, mental health services to children, clothes for the poor and hot meals for the elderly.  (Tighe) (It’s now known as Susannah Wesley Community Center.)

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Keanianileihuaokalani – Healing Stone of Wahiawa

Cultures collided at Keanianileihuaokalani.

Keanianileihuaokalani was a large tongue-shaped stone that has since been split into three pieces. Hawaiians view it as a healing stone; Hindus see it as an embodiment of the god Shiva.  (According to reports, they appear to have worked (working) out how they work together.)

Reportedly, originally found in Kaukonahua gulch by a Waialua Sugar worker, the 6-foot stone broke when it fell off a wagon while being moved.  (They are now situated at the lower end of California Avenue in Wahiawa.)

Hawaiians believe that the stone has sacred healing properties. It was believed that all children of royal lineage were thrice blessed and elevated to a higher status if born at nearby Kūkaniloko, the center of the earth.  (Reveria)

After childbirth, the new mothers would bath in the cool springs of Helemano. It was this mingling of blood and water that culminated into the healing mystic rains that fell upon the land, people and most importantly Keanianileihuaokalani giving the healing stone its healing powers.  (Reveria)

On the day of a royal birth, all work stopped in anticipation of the first healing rains generated from the blessed event. These rains were Waiʻihiawa, mystical rains tainted with the blood of royalty. This healing rain fell freely on the people who lived and worked in Kūkaniloko.  (Reveria)

“This rock being visited by people to worship these days is becoming something that truly is stirring the thoughts of some people here in Honolulu, and some who are living near Wahiawa are appealing to the Government and to the power of the Board of Health to move that rock from where it first stood, because in their opinion, this action by the people will cause an epidemic to grow here where all ethnicities are going and touching themselves against the bodies of others, and this will perhaps cause sicknesses to spread from one to another.”

“The Board of Health refused to step in and block this action by people who believe their ailments will be healed by touching the sick area to that rock of Wahiawa, and the birthing stones of the High Chiefs of this land in ancient times.”

“Some people have said that their weakness due to rheumatism by them going there and touching their areas of pain to that rock. Some say that their weak areas were not cured by touching the rock.”  (Hoku o Hawaiʻi, November 1, 1927)

According to practitioners, the stone should be anointed with Waiʻihiawa rainwater.  Appropriate and appreciated gifts are awa root, olena sprigs, herbs, lei and flowers.  (Reveria)

In 1971 the Wahiawa Community and Businessmen’s Association asked the Hawaii Visitors Bureau to put up a sign to again call public attention to the “Healing Stone of Wahiawa.”

Hindu, who assumed a caretaker role for the stone also revere it as a manifestation of their deity, Shiva (it is interpreted to have a phallic shape.)

The Hindu recognized it as a Shiva image in 1988.  At the time, the structure that enclosed the stones on three sides was a dilapidated concrete shed; a Hindu family turned the shed into a white marble shrine.

Hindus anoint themselves with smoke from sacred candles, part of the ceremonial cleansing of the stones.  In their ritual, the stone is bathed in milk, rubbed with honey and draped with lei.  (Reportedly, contrary to some claims, Hindus do not put oil or candle wax on the stone.)

The “healing stones” of Wahiawa drew hundreds of pilgrims in the 1930s, but few local people or tourists find their way to the off-the-beaten-path location these days.   (star-bulletin)

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“Love Always For Hawaiʻi”

When the Hawaiian Music Hall of Fame honored ‘Hawaiʻi Aloha’ as one of five traditional songs as a ‘Famous Song’ (1998,) they noted,

“For more than 100 years, love of the land and its natural beauty has been the poetry Hawaiian composers have used to speak of love. Hawaiian songs also speak to people’s passion for their homeland and their beliefs.”

The Hawaiian Music Hall of Fame further noted, Hawaiʻi Aloha is “widely regarded as Hawaiʻi’s second anthem”.  (Hawaiian Music Museum)

“It is performed at important government and social functions to bring people together in unity, and at the closing of Hawaiʻi Legislative sessions. Today, people automatically stand when this song is played extolling the virtues of ‘beloved Hawaiʻi.’”

Hawaiʻi Aloha was written by a Protestant missionary, Lorenzo Lyons.

“In 1998, The Advisory Board honored these traditional songs for their beauty and their messages, which have made them popular, with concert performers and recording artists, as well as the public.”

Hawaiʻi Aloha has three verses, but most typically sing the first verse and repeat portions of the chorus:

E Hawaiʻi e kuʻu one hānau e
Kuʻu home kulaiwi nei
ʻOli nō au i nā pono lani ou
E Hawaiʻi, aloha ē

Hui:
E hauʻoli nā ʻōpio o Hawai`i nei
ʻOli ē! ʻOli ē!
Mai nā aheahe makani e pā mai nei
Mau ke aloha, no Hawaiʻi

Reverend Lorenzo Lyons was fluent in the Hawaiian language and composed many poems and hymns; his best known and beloved work is the hymn “Hawaiʻi Aloha” sung to the tune of “I Left It All With Jesus.”  He wrote it in about 1852.

Here’s the English translation:

O Hawaiʻi, o sands of my birth
My native home
I rejoice in the blessings of heaven
O Hawaiʻi, aloha

Chorus:
Happy youth of Hawai`i
Rejoice! Rejoice!
Gentle breezes blow
Love always for Hawaiʻi

Click HERE for a link to Hawaiʻi Aloha – sung by Ledward Kaʻapana, Dennis Kamakahi & Nathan Aweau – written by a missionary.

Collaboration between native Hawaiians and the American Protestant missionaries resulted in, among other things, the introduction of Christianity, the creation of the Hawaiian written language, widespread literacy, the promulgation of the concept of constitutional government, making Western medicine available and the evolution of a new and distinctive musical tradition.

Oli and mele were already a part of the Hawaiian tradition. “As the Hawaiian songs were unwritten, and adapted to chanting rather than metrical music, a line was measured by the breath; their hopuna, answering to our line, was as many words as could be easily cantilated at one breath.” (Bingham)

Some songs were translations of Western songs into Hawaiian; some were original verse and melody.  Hawaiʻi Aloha is an example of the music left as a lasting legacy by the missionaries in the Islands.

Missionaries used songs as a part of the celebration, as well as learning process. “At this period, the same style of sermons, prayers, songs, interrogations, and exhortations, which proves effectual in promoting revivals of religion, conversion, or growth in grace among a plain people in the United States, was undoubtedly adapted to be useful at the Sandwich Islands. … some of the people who sat in darkness were beginning to turn their eyes to the light”. (Bingham)

“The king (Kamehameha III) being desirous to use his good voice in singing, we sang together at my house, not war songs, but sacred songs of praise to the God of peace.” (Bingham)

Hawaiʻi Aloha was not the only popular song written by the missionaries.

One of the unique verses (sung to an old melody) was Hoʻonani Hole ‐ Hoʻonani I Ka Makua Mau.  Missionary Hiram Bingham wrote/translated it to Hawaiian and people sang it to a melody that dates back to the 1600s – today, it is known as the Hawaiian Doxology.

“In 1872, (Lyons) published Buke Himeni Hawaiʻi containing over 600 hymns, two thirds his own composition. Some years later he prepared the Sabbath School Hymn and Tune Book Lei Aliʻi.””

“The Hawaiians owe entirely to his exertions their introduction to modern enlivening styles of popular sacred music.”  (Hawaiian Gazette, October 19, 1886)  The image shows the lyrics in Hawaiian and English

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Podmore Building

Joseph William Podmore was an English sailor who became a clerk for JT Waterhouse & Co from 1886 to 1900.  He then opened his own firm for insurance, shipping, commission, and as agent of the Anglo-American Crockery & Glass Co. of San Francisco.  He was active as a real estate investor in the early 1900s.

On February 26, 1902, Peter Cushman Jones, Ltd. leased the vacant lot it owned at Merchant and Alakea Streets to Podmore.

The lease was for a period of twenty-five years from April 1, 1902 at $60 per month net rent, with the condition that Podmore “within six months from April 1, 1902 at his own cost and charge, erect and complete a good and substantial building .., and shall lay out and expend therein not less than $7,000.”

The April 17, 1902 Advertiser listed a building permit issued to Lee Wai for a 2-story store at 901 Alakea Street. Apparently, PC Jones, Ltd. lent Podmore part of the money to construct the building, for on June 25, 1902 Podmore mortgaged his lease to PC Jones, Ltd.

It was called the Podmore Building.

It is believed that the building was built for investment, as Podmore was not an occupant. The City Directory of 1903-04 lists merchant tailor Joseph P Rodrigues  as occupying the corner store, with Edward C Rowe, a painter, paperhanger and decorator occupying the mauka office. The upstairs was occupied from 1902-06 by the Mercantile Printing Co, Ltd.

The Podmore Building is a two story cut stone building constructed primarily of Hawaiian blue-gray basalt, measuring 72 feet by 34 feet, with a hip roof, situated at the northeast corner of Merchant and Alakea Streets.

The building is representative of a style of rusticated stone construction utilized for commercial buildings in Hawaii from 1894 to 1907, derived from the Romanesque Style popularized by Henry Hobson Richardson.

The building is characterized by massive, rough-faced stonework, sparse ornamentation, a flat facade divided by symmetrical windows and storefront openings, with arches over the entry doors to the second floor stairway, and a stone railing parapet with peaked capstones at the corners and midpoint of the facades.

The masonry work was typical in Honolulu when Hawaiian basalt was widely used for durable construction, with five quarries in operation on Oʻahu. The stone was finished and dressed by hand at the construction site, with much of the work performed by immigrant Portuguese stonemasons.

The massive stones were lifted into position by block and tackle from wooden hoists and scaffolds. Its use was discontinued due to economic considerations and the tendency of some stones to explode if heated by a fire and then doused with water.

On the curb on Alakea Street, between King and Merchant, in Honolulu, fronting this area is evidence of other aspects of old-Honolulu – remnants of the tethering rings.  (By the 1840s, the use of introduced horses, mules and bullocks for transportation was increasing; circular indentations in curbs adjoining streets show the location of hitching rings used to tether horses outside businesses.)

(In 1868, horse-drawn carts operated by the Pioneer Omnibus Line went into operation in Honolulu, beginning the first public transit service in the Hawaiian Islands; the first automobile arrived in October 1899 (it was steam-powered,) the first gasoline-powered automobile arrived in the Islands in 1900.)

During 1906-07 Podmore apparently sold his lease back to Jones.  On February 7, 1907 Jones donated the land and building to the Hawaiian Board of Missions for use as a permanent home.  From March 1907 until April 1916 the Hawaiian Board of Missions used the property as their headquarters.

“The Hawaiian Board is the organization which carries on the home missionary work of the Congregational Church throughout the Territory of Hawaiʻi. The full name of this organization is The Board of the Hawaiian Evangelical Association. This Board is the child of the early mission begun in 1820 by the American Board of Foreign Missions; not only the child, but the direct successor and inheritor of that great enterprise.”  (Erdman, The Friend, April 1, 1937)

The property was purchased by Charles M. Cooke, Ltd. in 1913. The Board continued to rent the premises until the completion of the new Mission Memorial Building on Beretania Street in 1916.

In 1924 the property was purchased by the Advertiser Publishing Co. Ltd who owned the adjacent property where the Honolulu Advertiser was published until 1928. (Lots of information here from NPS.)

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