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August 14, 2023 by Peter T Young Leave a Comment

‘Ue o Muite Arukou’

On December 10, 1941, Hiroshi Sakamoto welcomed his ninth child into the world with his second wife Iku. Called Hisashi, the alternate kanji reading of his given name was Kyu (pronounced ‘cue’), meaning nine. He was subsequently given the nickname Kyu-chan.

During World War II, Hisashi and his family were forced to evacuate from Kawasaki and headed to his grandparents’ house in Kasama City, Ibaraki Prefecture.

On the way there, they were riding in a vehicle that collided with a train at Tsuchiura Station and fell into a river resulting in a number of fatalities. Fortunately for the Sakamotos, they had transferred to another vehicle shortly before the accident.

Kyu was just 20 months old at the time, but when told about the incident, he believed the God of Kasama Inari Shrine protected his family.

When his parents divorced in 1956, Kyu and two other siblings adopted their mother’s maiden name, Oshima. The older children kept their father’s surname, Sakamoto.

In 1958, 16-year-old Sakamoto joined The Drifters (then known as Sons of Drifters), but ended up quitting after six months due to in-house fighting. One of the main reasons for this was his dissatisfaction with being the second vocalist.

He then joined his classmate in a band called Danny Iida & Paradise King before going solo. The Drifters, meanwhile, went on to become the most famous rock/comedy group in the country and, in 1966, supported The Beatles at the Budokan.  

Kyu became famous for a song.  First released in Japan in 1961, Sakamoto’s seminal track, “Ue o Muite Arukou” was composed by Hachidai Nakamura with lyrics by Rokusuke Ei.

“Ue o Muite Arukou” became a global phenomenon and in 1965 an instrumental version was played over the radio by NASA for astronauts aboard Gemini 7, on what was the 21st crewed spaceflight.

Down the years it has been covered or sampled in various languages by numerous artists including A Taste of Honey, 4 PM, Selena and Avicii on his posthumous album “Tim.” The original has featured in several movies and dramas such as “M*A*S*H,” “Charlie’s Angels,” “Mad Men” and the Ghibli Film “From Up on Poppy Hill.”

More than just a one-hit-wonder, Sakamoto continued to have a successful career after “Ue o Muite Arukou” as an actor, presenter and more famously as a singer thanks to tracks such as “Ashita ga Arusa” (“There’s Always Tomorrow”) and “Miagete Goran Yoru no Hoshi o” (“Look up at the Stars at Night”).

Though Sakamoto is most well-known as a singer, he also appeared in numerous films including the movie adaption of Higuchi Ichiyo’s famous novel “Takekurabe,” Seijun Suzuki’s “Subete ga Kurutteru” (“Everything Goes Wrong”) and Yoji Yamada’s “Kyu-chan no Dekkai Yume” (“Kyu-chan’s Big Dream”).

In 1965, he provided the voice for lead character Ted in the animated feature, “Gulliver’s Travels Beyond the Moon.” A young Hayao Miyazaki, working as an in-between artist, impressed Toei with his contribution to the end of the animated production.

Wanting to use his fame to help give back to those less fortunate, Sakamoto did a lot of work for charity during his career. In the 1960s, he held a concert to raise money for the Tokyo Paralympics, which was struggling for funding. He was most passionate about supporting children with disabilities, particularly those who were blind or visually impaired.

In 1979, he released “Soshite Omoide,” Japan’s first song in sign language. At that time, sign language was prohibited at deaf schools so people studied it independently.

Tragically, Sakamoto was killed when Japan Airlines Flight 123 crashed in 1985. He was 43 years old. Due to faulty repairs, the plane crashed into a ridge near Mount Osutaka just over 30 minutes into the journey.

All 15 crew and 505 out of 509 passengers died, for a total of 520 deaths and only 4 survivors. It was one of the worst single airline disasters in history.

Oh, Kyu Sakamoto’s famous song “Ue o Muite Arukou”, we know it as ‘Sukiyaki.’  (They named it such as it is easier to pronounce for Americans, and it is a word that people associate with Japan. Sukiyaki is a kind of Japanese dish and has nothing to do with the song.)

The song topped the US pop charts for three weeks in 1963. It is the only Japanese language song to hit #1 in the US. It sold over 13 million copies internationally.  (ThoughtCo)

Here is Kyu Sakamoto and Ue o Muite Arukou, “Sukiyaki:”

During a stop in Hawai‘i, Sakamoto told reporters, “Songs and laughter have a common language all over the world.  I hope to show American audiences what the Japanese younger generation actually is and to let them know the wonderful meaning of the original title of the sukiyaki song.” (Sakamoto, SB, Aug 14, 1963).

“Ue o Muite Arukou,” is a song about loss that translates across languages and cultures. It’s at once sorrowful and hopeful. The light melody bubbles at the surface and sparks joy in listeners.

Yet the lyrics are more bittersweet and sad. It’s a song about loss, love and alienation. And it perfectly captures the mixed emotions listeners may feel in the wake of a loved one’s death.

Although “Ue o Muite Arukou” is a song that any listener can understand on an emotional level, the tune actually has layers of meaning under the surface. For instance, when you first read the song’s lyrics, they appear to be about a young couple falling out of love.

Kyu Sakamoto sings, “Ue o muite arukou” (I look up as I walk); “Namida ga kobore naiyouni” (So the tears won’t fall); “Omoidasu harunohi” (Remembering those happy spring days); “Hitoribotchi no yoru.” (But tonight I’m all alone.)

But the inspiration for the song’s mournful lyrics wasn’t love or the loss of a loved one at all. Lyricist Rokusuke Ei wrote these words in response to political tension and protests in Japan during the 1950s. 

Although WWII had ended, the US still had a strong military presence in Japan, and many Japanese youth felt alienated by this continued military occupation.

Young people in Japan were protesting against the Japanese government’s security treaty with the US.  Yet despite their efforts, the two governments agreed to the Treaty of Mutual Cooperation and Security. (SevenPonds)

Later, the group A Taste of Honey recorded English words to the melody, turning it into a hit for a second time in the 1980s. The English words made popular by A Taste of Honey were not a translation of the Japanese version of the song but probably revived interest in the original Japanese version. (Hawaii Herald) (Lots of information here is from TokyoWeekender.)

© 2023 Ho‘okuleana LLC

Filed Under: General, Prominent People, Economy Tagged With: Sukiyaki, Ue o Muite Arukou, Kyu Sakamoto

August 13, 2023 by Peter T Young Leave a Comment

Dreamwood

Lyman Herbert Bigelow came to Hawaii as a civil engineer and construction superintendent in the United States army quartermaster corps in 1911.

Shortly after arrival, he started work in the private sector, then was appointed as Superintendent of Public Works by Gov. Charles McCarthy for a four-year term. He was reappointed by Governors Wallace Farrington and Lawrence Judd.

He was charged with the task of supervising the expenditure of millions of dollars for improvements throughout the Territory.  He held the dual position of superintendent of public works and chairman of the board of harbor commissioners for more than a decade.

“‘Mr. Bigelow had the difficult and important task of beading the City’s Building Department during and following World War II.’”

“‘In directing the City’s tremendous construction program to catch up with the backlog of building needs and to provide the many new facilities needed after the war, he contributed much to the building of present day Honolulu.’”

“‘The City was indeed fortunate to have had a man like Mr. Bigelow in its service during such a critical period. He gave generously of himself to his work and won not only the high respect but warm regard of his associates.’” (Blaisdell, Star Bulletin, June 20, 1966)

He also built his home, Dreamwood, along Kaneohe Bay.  “‘Dreamwood,’ which grew out of a haole koa wilderness, is a ready-made park. There are graceful wrought iron gates guarding the entrance. A private driveway, bordered by palms, crotons and bougainvillea, leads to the three-story Bigelow home.”

“There are six tropical fish ponds, lily pools and fountains on the grounds. Walkways are bordered by orchids. There are secluded

picnic areas.  Three large greenhouses are used to cultivate orchids and rare ferns.  A long pier extends into Kaneohe Bay. It has a boat shed on it.”

“Bigelows’ life-long interest in horticulture has brought rare and unusual plants to ‘Dreamwood.’ His professional skill as an engineer is seen in the intricate pools, walkways, patios and terraces.” (Advertiser, August 11, 1966)

“Dreamwood,. his 2½ acre estate at the end of Waikalua Road on Kaneohe Bay, was a gardener’s showplace which, Mayor Blaisdell said, ‘he shared generously with the community.’”

“In recent months the Bigelows, Kaneohe community leaders and City Councilmen have discussed the possibility of acquiring Dreamwood for public park purposes.”

“The bayfront estate apparently becoming too much to keep up, and Mr Bigelow wanted the tropical property to be enjoyed rather than subdivided.  He and his wife said they would build a smaller home a portion of the Dreamwood estate.”

“An orchid hobbyist for more than 40 years, Mr. Bigelow won his share of prizes. He spent three decades designing, planting and

improving his gardens.”  (Star Bulletin, June 20, 1966)

“Kaneohe Community leaders are proposing that the acre and a half estate with its home and marine peir be purchased and added to an existing City park at the end of Waikalua Road which borders the Bigelow property.”

“The Bigelows are planning to build a small home on the portion of ‘Dreamwood’ property which they have reserved for their own use.” (HnlAdv, Jan 13, 1966)

Other thoughts on future use suggested that the “home could house a restaurant with its operation and menu tailored to a botanical garden setting. The home’s many rooms could be set up to provide breakfast, luncheon or dinner meeting places for groups of under 100 persons.”

“Other portions of the house could be used for music club gatherings, monthly club meetings and art exhibits.  The grounds would be maintained as a park where the public and tourists could enjoy the tropical plantings, orchid and fern houses.” (HnlAdv, Jan 22, 1966)

The City acquisition and park plans did not move forward. “It really is a shame the City can’t acquire more of these.  But in the end it all boils down to the finances of the matter.” (City Council Chairman, Herman Lemke, HnlAdv, Jan 22, 1966)

Following Bigelow’s death, repeated advertisements noted that the 1.47-acre waterfront ‘Dreamwood’ estate was listed for sale for $275,000.

Then, the Dreamwood School was initiated on the site; it was “an experiment in therapeutic learning” offering “a therapeutic educational experience to the drug user who wants to stop and to the school drop-out”.  Star Bulletin, Sep 22, 1970)

“The name is incidental, kept at the request of the owner of Bigelow mansion, which is part of Dreamwood Acres. The name fits.”

“Dr Fred Weaver and the 25 people inside the mansion have a dream they believe can come true. They are creating a school for disenchanted and alienated young to help teach them how to live happily, creatively, constructively, in today’s society while fulfilling their own dreams.”

“Weaver, psychiatrist and adolescent unit chief at Hawaii State Hospital, is acting as consultant to Dreamwood School. … The school’s primary aim is to reintegrate adult and young relationships and satisfy learning needs which the staff feels are often not supplied within the system.”

“‘We have a philosophy that sometimes the system kills initiative,’ Weaver explained. ‘You have to be turned on to learning and we want to make the turn-on natural.’”

“‘’We feel that human values are the most important – feeling good, doing what uou do, being responsible for yourself in your relationships and in what you do.’ Weaver believes that alienation occurs often because adults ‘manipulate or push the young into things.”

“‘The crisis today is too severe to allow us the luxury of treating symptoms, It is time to work on the cause.’” (Star Bulletin, Sep 22, 1970)

Then in 1971, Habilitat “signed a five-year lease with Mrs Lyman Bigelow for her Kaneohe property”.  Habilitat bought the property in 1976 and continues to be the fee owner and operates its programs there.

Vinny Marino founded Habilitat on January 27, 1971 as a long term addiction treatment programs.  “My idea of survival is strength found in the family. Family life is the most important experience in our lives; a good family life does shape character, and is reflected in a person’s attitude about survival. Good family life is hard to find these days; you either have it or you don’t.”

“That’s why Habilitat exists today. Habilitat believes in the family as the basis of survival. Habilitat believes the family unit must be preserved. Habilitat offers positive survival to those who want to learn. Through the family structure at Habilitat, our residents form their values, morals, conscience, and a way of life that will help them survive in this mad, mad, mad, mad world.”

“Very simply, Habilitat is an extended family of individuals who realize they need help to change, and survive without sick dependencies.” (Vinny Marino)

© 2023 Ho‘okuleana LLC

Filed Under: Buildings, Prominent People, Economy Tagged With: Dreamwood School, Habilitat, Lyman Herbert Bigelow, Dreamwood

August 9, 2023 by Peter T Young Leave a Comment

James Melville Monsarrat

James Melville Monsarrat was born June 13, 1854, in Honolulu.  On his paternal side Monsarrat is descended from Nicholas Monsarrat, who went to Dublin, Ireland, in 1755 from France. MC Monsarrat, his father, resided in Canada before coming to Hawaii.

The elder Mr. Monsarrat was a figure in the public life of Hawaii in the 1850s, being at one time deputy collector of customs and later entering the lumber firm of Dowsett & Co., which was eventually absorbed by S. G. Wilder &  Co. He died on October 18, 1871.

Through his mother Monsarrat is a descendant of Captain Samuel James Dowsett, a native of Rochester, Kent, England, and a commander in His Majesty’s Colonial Service, who, as owner and master of the brig “Wellington,” came to Hawaii from Sydney July 27, 1828, and established his family in Honolulu.

James Monsarrat was educated at Episcopal Grammar School (Honolulu), Oahu College (Punahou).  Returning to his father’s native land in 1871, he studied at Kilkenny College, Ireland.

For two years, and, traveling extensively, he was privately tutored in the French language at Brussels, Belgium, in 1873. He later attended Harvard University Law School, receiving  his LL.B. degree, class of 1878.

Before returning to Hawaii, he was with the law firm of Ely & Smith, New York City, for a short time. He was then admitted to the bar of the Supreme Court of the Hawaiian Islands, Aug. 22, 1879.

He became active in public life, holding the office of deputy attorney general under W Claude Jones, Attorney General, and was secretary of the legislative assembly in 1880.

During his practice Judge Monsarrat drew the will of Queen Emma and of Princess Likelike. The will of Queen Emma was later contested without success by Prince Albert Kunuiakea.

“There are many legacies mentioned in the will. Some are to native Hawaiians, one is to a Chinaman, and to the St. Andrew’s School for Girls, and the Queen’s Hospital, a chartered institution, a large share of the property is left.” (Hawai‘i Supreme Court)

Queen Emma left the bulk of her estate, some 13,000 acres of land on the Big Island and in Waikiki on Oahu, in trust for the hospital that honors her.

The Queen’s Medical Center mission is to fulfill the intent of Queen Emma and King Kamehameha IV to provide in perpetuity quality health care services to improve the well-being of Native Hawaiians and all the people of Hawaii.

Princess Likelike was the sister of a King and Queen – and the daughter of High Chief Kapaʻakea and Chiefess Analeʻa Keohokālole – her sister became Queen Liliʻuokalani and her brothers were King Kalākaua and William Pitt Leleiōhoku.

On September 22, 1870, Princess Likelike was married to Honolulu businessman Archibald Scott Cleghorn.  The Cleghorns had one child Kaʻiulani (born on October 16, 1875) – “the only member of the Royal Family having issue.” (Daily Herald, February 3, 1887)

In 1887 when Master of Hawaiian Masonic Lodge, Monsarrat assisted in conferring the Mark Master’s degree on King Kalakaua at Iolani Palace.

Monsarrat married Carrie Capitola Tuttle in Honolulu, February 11, 1907. He was appointed District Magistrate of Honolulu, May 8, 1911 to May 31, 1917.  He was later an examiner of titles for the Land Court.  

Judge Monsarrat consolidated his professional interests in 1926, when he organized the Monsarrat Abstract and Title Co., his nephew, Marcus R Monsarrat, became associated with him at that time.

Judge Monsarrat was a member of the Outrigger Canoe, Harvard and British Clubs, and the Harvard Law School Association.  He died September 20, 1943 in Honolulu.

© 2023 Ho‘okuleana LLC

Filed Under: General, Prominent People, Economy Tagged With: Hawaii, James Melville Monsarrat was born June 13

August 7, 2023 by Peter T Young Leave a Comment

Inter-Island Hula Contest

David and Lydia Bray sought to reinsert hula into everyday public life.  A group of influential Hawaiians – a princess, a famed hula dancer, and a composer – gathered at a Honolulu home in 1919 to judge a private hula performance.

The Brays, a young Hawaiian couple who were dancers themselves, had staged this unofficial “hula trial.”  They sought to address the question, Was hula truly vulgar and vile? All we know is that girls from the ages of eight to fourteen presented their hula repertoire before the panel.

At the end of the presentation, the judges conferred and delivered a “not guilty” verdict. The hula was clean; its practitioners should not fear performing before Hawaiian and American audiences. (Imada)

For many Hawaiian women, hula presented a dream ticket out of Hawai‘i, promising fame, glamour, and middle-class status difficult for them to achieve in the plantation and service industries. Hula dancers could earn between fifty and one hundred dollars a week, compared with four to ten dollars a week in the pineapple canneries.

Talent recruiters from the US continent took advantage of the ample labor pool in the islands. Orchestra leaders, Hollywood film studios, and American nightclubs periodically scouted for dancers in Hawai‘i, where women often faced stiff competition for coveted hula contracts. (Imada)

Then, in 1938, sponsored by Hollywood’s Metro-Goldwyn-Mayer Studios (MGM) and the Hawai‘i-based Consolidated Amusement Company, the “Inter-Island Hula Contest” sought to crown a “hula queen.”

In the “greatest hula contest ever staged in the Islands,” nearly five hundred young Hawaiian women competed for the title for more than a month, going through several rounds of competition. Each hoped to win the grand prize: a trip to Hollywood and a chance at stardom in the United States.

On almost every island, audiences followed the competition with great enthusiasm, buying tickets for preliminary rounds held at movie theaters and rooting for their favorites.

On Friday nights on O‘ahu, local people attended elimination rounds at the Hawai‘i Theater and indicated by applause their choices of finalists. (Imada)

In September 1938 five finalists from five different islands gathered in Honolulu for a “Hula-Nui Nite” (Big Hula Nite).  Finalists were Keahi Bright, Oahu; Rita Lum Ho, Maui; Dorothy K Dudoit, Molokai; Ethel Moniz, Hawaii and Kealoha Holt, Kauai.  In an overflowing theater, a board of judges crowned the contestant from Kauai, Alice Kealoha Pauole Holt, “Hula Queen.”

Holt was born on February 10, 1919 into a life of modest means with a lineage directly tied to the royal families of Hawai‘i. Her introduction to the world of movies came by way of MGM, who sponsored the event, and sent her to Hollywood to play the part of the native dancer in the movie Honolulu with Robert Young and Eleanor Powell.  (IMDb)

Holt subsequently passed her MGM screen test in Hollywood and spent three months there, touring as an “ambassador of good will” and dancing in the American stage and film productions of Honolulu.

Holt may have been MGM Studio’s only official “Hula Queen,” but she was only one of a generation of Hawaiian women who began leaving Hawai‘i in the 1930s for the US continent. (Imada)

“Hollywood knew Hawaii’s brightest and best hula dancer, Kealoha Holt, for a brief few months, before the young lady suffered pangs of homesickness and returned to the islands.” (SB, Sep 30, 1939)

American nightclubs and showrooms packaged hula as middlebrow American entertainment, and hula dancers joined circuits that routed them between Hawai‘i and Manhattan. Hula became the ticket out of Hawai‘i for many women, promising fame and glamour in the United States. (Imada)

“And now, the newest crop of hula dancers, singers and musicians are in New York .… Most of the girls, in long letters home, write of their longing for Hawaii. Some, like Kealoha Holt, just pack up and return.”

“Their jobs pay from $75 to top prices of $100 a week. They put on three shows a night, six nights a week. They usually live at the hotel where they work, or in apartments adjoining night clubs where they are featured. … They pick up pin money making recordings, if they sing; posing for advertising, teaching the hula to patrons.”

“Today, with Hawaii’s good will emissaries stationed in strategic centers such as San Francisco, New Orleans, Chicago and New York, synthetic shimmies of yesterday are giving way to real Hawaiian hulas.”

“These singing and dancing islanders who invade mainland night spots provide splendid advertising for Hawaii.  They take with them the charm and grace of an island paradise where two thirds of America longs to visit. They are fresh and blood representatives of a South Seas island lure of which escapists dream.”  (MacDonald, SB, Sep 30, 1939)

© 2023 Ho‘okuleana LLC

Filed Under: General, Hawaiian Traditions, Prominent People, Economy Tagged With: MGM, Alice Holt, Hula Queen, Hawaii, Hilo, Hula, Consolidated Amusement, Inter-Island Hula Contest

August 2, 2023 by Peter T Young Leave a Comment

‘Duck Bill’

For a time, he was known as “Duck Bill” because of his sweeping nose and protruding upper lip (covered with a mustache later in life). He was also nicknamed “Wild Bill” for his daring fighting in the Union army during the Civil War, which included service as a spy, a scout, and a sharpshooter.

James Butler Hickok was born May 27, 1837 at Homer (now Troy Grove), Illinois.  His family emigrated from England in 1635 to Massachusetts, where his great-grandfather responded to the British march on Lexington and Concord at the beginning of the American Revolution.

Hickok’s father moved his family from Vermont to Maine to Illinois. There the family’s small farm served as a stop on the Underground Railroad. (Britannica)

William A Hickok, father of “Wild Bill,” constructed a hidden trap door in the floor of his house that led to a secret room between the first floor and the cellar.  Runaway slaves would hide in this secret room before continuing on to Canada and freedom.

William Hickok and other residents of Troy Grove would hide the runaway slaves during the day, but then at night, cover the slaves with hay in the bottom of William Hickok’s wagon and travel under the cover of darkness to the next Underground Railroad station.  (LaSalle County Historical Society Museum)

Hickok left home at age 17 and worked as a canal boat pilot in Utica, Illinois, before heading west in 1856 to Bleeding Kansas, which was embroiled in a violent conflict over whether slavery should be permitted there.

During this period Hickok prevented a man from beating an 11-year-old boy, who grew up to become Buffalo Bill Cody, Hickok’s longtime friend. (Britannica)

Buffalo Bill later wrote in his memoirs that he first met Wild Bill when Hickok saved him from a serious beating by an irate teamster while they were all working for a freighting company.

Cody had recently been hired as an “extra”, the term generally used at that time for a young boy too small to drive the teams or load freight, but who was able to perform various camp duties for the crew as an extra hand. When the teamster chose to pick on Cody, Hickok intervened. (Center of the West)

Hickok later joined the antislavery Free State Army of Jayhawkers and, having already become skilled with a gun as a youth, served as a bodyguard for Union General James H Lanes.

Hickok’s growing reputation for fairness and courage earned him, in 1858, a position as a constable in Monticello, Kansas. Later that year he became a teamster with the great freighting enterprise Russell, Majors and Waddell, creators of the Pony Express, for which he was too tall and heavy to be a rider.

It was at this time that Hickok came across a bear blocking a road, an encounter that would become part of the lore surrounding him: Hickok shot the bear, which only angered it, and a struggle ensued, during which Hickok used a knife to slit the bear’s throat, but not before he was nearly crushed to death.

Hickok was bedridden for months before he went to southern Nebraska in the summer of 1861 to work at the Pony Express station at Rock Creek. (Britannica)

There are many versions of the shootout that occurred at Rock Creek on July 12, 1861, shortly after the start of the Civil War, and all, in one way or another, contributed to Hickok’s legend.

David McCanles acted as the Pony Express’s Rock Creek station manager and had reputedly ridiculed Hickok during his convalescence from his injuries.

The first major description of the incident appeared in Harper’s New Monthly Magazine in February 1867.  In quick succession, Hickok was said to have then killed five members of McCanles’s gang and knocked out another before three more gang members threw him down on a bed, only to be bested in hand-to-hand combat by the knife-wielding Hickok.

Later historians, however, have presented a radically different portrayal of the events at Rock Creek. Hickok was charged with murder but found not guilty.

After the fact, there was much speculation as to whether romantic rivalry had had a role in the incident: Hickok was apparently involved with a woman who had also been involved with the married McCanles. (Britannica)

On July 21, 1865, in a shootout in Springfield, Missouri, he killed David Tutt, a skillful gunfighter who had been flaunting the watch he won from Hickok in a poker game.

Hickok was arrested for murder, tried, and acquitted. This incident added to his fame as a gunslinger, which skyrocketed when journalist and later explorer Sir Henry Morton Stanley reported as fact in the New York Herald in 1867 Hickok’s exaggerated claim that he had killed 100 men. (Britannia)

Hickok was a favorite of George Armstrong Custer and his wife, Libbie, who described him “as a delight to look upon.” Hickok’s physical appearance was by many accounts arresting.

One account of him, written in the late 1860s, described Hickok as “six feet tall, lithe, active, sinewy, [a] daring rider, [a] dead shot with pistol and rifle, [with] long locks, fine features and mustache, buckskin leggings, red shirt, broad-brim hat, twin pistols in belt, rifle in hand.”

Despite his rough-and-ready ways, Hickok was also said to have been genteel and courteous and to have enjoyed dressing with panache in the latest styles of the day.

In 1869 Hickok became sheriff of Hays City, Kansas, where he killed several men in shootouts. In 1871 he took over as the marshal of the tough cow town of Abilene, Kansas. There, again, he killed several men, including his deputy marshal, whose death – the result of an accidental shooting – led to Hickok’s dismissal.

Hickok tried acting in Wild West shows, which were growing in popularity. His own show, The Daring Buffalo Chase of the Plains, did not fare well, but in 1873 he joined Buffalo Bill Cody’s The Scouts of the Prairie, which was based in Rochester, New York.

Although the show brought Hickok some much-needed income, he was unhappy, began drinking heavily, and returned to the West in March 1874.

In 1876 in Cheyenne, Wyoming Territory, Hickok married Agnes Lake Thatcher, a former circus performer. A month or so later, he left their honeymoon in Cincinnati for the goldfields of the Black Hills in the Dakota Territory, where he hoped to make enough money to send for her.

He traveled west to Deadwood, South Dakota, in a wagon train that included Martha Jane Cannary (“Calamity Jane”), who later claimed she had secretly married him.

Deadwood was overrun with miners, gunmen, and gamblers when Hickok became a peace officer there in July 1876, relying as much on his reputation as on his diminishing gun skills, which were compromised by failing eyesight.

Throughout his lifetime, Hickok would work as a wagon-master for the Union Army during the Civil War, serve as a sheriff and city marshal, and kill at least six men in gunfights.

Hickok is widely regarded as the greatest gunfighter who ever lived, is the winner of the first recorded quick-draw duel, and was posthumously inducted into the Poker Hall of Fame in 1979. (Denver Library)

On August 2, 1876, during a poker game in a saloon that found him with his back uncharacteristically to the door, Hickok was shot in the back of his head by Jack McCall, who may have been hired to kill him.  (Initially acquitted, McCall was retried in Laramie, Wyoming Territory, found guilty, and hanged on March 1, 1877.)  (Britannica)

The cards Hickok had been holding when he was shot and killed – a pair of black aces and a pair of black eights plus an unknown fifth card – became known as the “Dead Man’s Hand.”

© 2023 Ho‘okuleana LLC

Filed Under: General, Prominent People Tagged With: Wild Bill Hickok, James Butler Hickok, Deadwood, Wild Bill

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Images of Old Hawaiʻi

People, places, and events in Hawaiʻi’s past come alive through text and media in “Images of Old Hawaiʻi.” These posts are informal historic summaries presented for personal, non-commercial, and educational purposes.

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Hoʻokuleana LLC

Hoʻokuleana LLC is a Planning and Consulting firm assisting property owners with Land Use Planning efforts, including Environmental Review, Entitlement Process, Permitting, Community Outreach, etc. We are uniquely positioned to assist you in a variety of needs.

Info@Hookuleana.com

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