Images of Old Hawaiʻi

  • Home
  • About
  • Categories
    • Ali’i / Chiefs / Governance
    • American Protestant Mission
    • Buildings
    • Collections
    • Economy
    • Missionaries / Churches / Religious Buildings
    • General
    • Hawaiian Traditions
    • Other Summaries
    • Mayflower Summaries
    • Mayflower Full Summaries
    • Military
    • Place Names
    • Prominent People
    • Schools
    • Sailing, Shipping & Shipwrecks
    • Voyage of the Thaddeus
  • Collections
  • Contact
  • Follow

July 3, 2016 by Peter T Young 1 Comment

The Clinic

He was born Georg Franz Straub on March 14, 1879 to Georg and Margaretha Straub in Edenkoben, Germany. He was a pre-med graduate from University of Wurzburg and in 1903, earned a Medical Degree, summa cum laude, from University of Heidelberg.

In 1903, he immigrated from Germany to London to America. (Apparently, at a family party that year, he struck a drunk relative (an officer in the German army;) the penalty was either to face a court-martial or leave the country.) He left. (Magaoay)

He met and later married Adele Germains on November 20, 1907 in Manhattan, New York. That year, they moved to Honolulu and he started his medical practice. (He ‘Americanized’ the spelling of his name to George Francis Straub.)

He was a consulting physician of the Honolulu Institute for Physiotherapy, that offered “All kinds of Electric Light Baths (blue, red, white and violet), Steam Baths; Turkish, Russian, Pine Needle, Nauheim. Carbonic Acid and Oxygen, or Medical Baths; Massage, X-Rays and High Frequency, etc.”

He was also a surgeon; “Yesterday afternoon there was a Caesarian operation performed in Queen’s Hospital on Mrs. Hopii Kolo by Dr George F Straub with the assistance of Doctor Hobdy.”

“The operation was in every respect a great success, mother and baby doing well. This is the second time that Doctor Straub has performed this operation successfully in these Islands and these are the only.” (Pacific Commercial Advertiser, September 14, 1910)

Then a fire destroyed “the old McGrew residence on the corner of Beretania and Richards … Dr Straub, who was consulting physician of the Honolulu Institute of Physiotherapy, which was located in the building, sustained a loss of about $4,000, and all his Instruments were destroyed.”

“… it was a very old house and burnt like a box of matches once it had caught alight. … Dr Straub resides in another cottage at the rear of the burnt building,… Dr. Straub has not decided upon what to do as regards his Institute, but he will make up his mind within a day or two, when he finds out exactly where he stands.” (Evening Bulletin, October 20, 1910)

He built a 15-room, 2-story wood-frame building at 410 South Beretania Street (at Miller Street across from Washington Place – he had his office on the first floor and his home on the second.) By 1916 his practice had grown to the point that he recruited an assistant, Dr. Guy C Milnor.

Straub began to envision a clinic providing specialized care in five major fields of medicine: Obstetrics and Gynecology; Surgery; Internal Medicine; Ear Nose & Throat; and Clinical Pathology. He and Milnor joined with Dr Arthur Jackson, a specialist in internal medicine in 1920 and the group operated for a short time as Straub, Milnor, and Jackson. (AfterCollege)

After the turn of the century, residents of Honolulu found it fashionable to have a ‘country place’ and beach houses began to spring up on Mōkapu. Straub preferred the coastal breezes and bird-shooting spots of Ft Hase and Nu‘upia Pond. (Steele)

It was first a one-room cottage; “If you could call a shipping crate a room.… Whenever I could get hold of another crate, it meant another room. It was simple construction. Just nail them together, cut a door, and there it was, an additional room bigger.” (Straub)

It could well be called the first “ranch-style” home on the island. Straub later gave the building to the military and moved to Waikiki. (His Mōkapu retreat served as an officer’s club for the growing military presence on the peninsula.) (Steele)

Straub divorced Adele in 1917 (“alleging extreme cruelty and desertion.”) (Star Bulletin, December 3, 1917) He went back to the mainland for a while.

Many of his Hawai‘i patients signed a petition asking him to return to the island, offering him passage via the Panama Canal. The cold weather of New England helped him decide on a Honolulu practice. (Windward Marine, October 25, 1962) He married Gertrude Scott and returned to the Islands.

In 1920, Straub’s medical partnership with Milnor and Jackson expanded; after leaving the Army, Dr Howard Clarke joined as a specialist in Eye, Ear, Nose and Throat, and Dr Eric A Fennel joined the group as pathologist.

On January 1, 1921, the five founding doctors formally organized themselves as a legal partnership. At Dr. Straub’s insistence the group he founded did not bear his name, and it was to be known simply as “The Clinic”. (AfterCollege)

The Clinic expanded and moved to the Strode Building on Young Street. In 1952, after years of success and growth, The Clinic was renamed ‘Straub Clinic’ in honor of Dr Straub, its principal founder. (HonoluluTown)

January 6, 1970, ground was broken for a 159-bed hospital and adjacent parking structure. Later that year, the Straub Clinic Partnership became a corporation and renamed Straub Clinic, Inc. February 4, 1973, it became Straub Clinic & Hospital, and Straub Hospital opened its doors. Straub opened its first satellite clinic on the Leeward side of O‘ahu in 1977.

Later, anchored by its four hospitals with the merger of Straub, Wilcox, Pali Momi and Kapiʻolani Hospitals (as well as its numerous satellite facilities,) Hawai‘i Pacific Health became one of the largest health care delivery systems in Hawai‘i.

Straub played cello with the Honolulu Symphony; after he retired from his medical practice (1933,) he turned his passion to hand-crafting violins. (Nakaso) Straub died May 21, 1966 in Honolulu.

Follow Peter T Young on Facebook 

Follow Peter T Young on Google+ 

Follow Peter T Young on LinkedIn  

Follow Peter T Young on Blogger

© 2016 Hoʻokuleana LLC

Straub's Residence and Office-Beretania-Miller
Straub’s Residence and Office-Beretania-Miller
George_F_Straub-Adv
George_F_Straub-Adv
StraubClinic-HonoluluMag
StraubClinic-HonoluluMag
Straub-Clinic-Hospital
Straub-Clinic-Hospital
Strode_Building-Straub
Strode_Building-Straub
Mokapu-(Kailua_Side)-UH-Manoa-2444-1952-noting Straub House
Mokapu-(Kailua_Side)-UH-Manoa-2444-1952-noting Straub House
Mokapu-Straub House-MCBH
Mokapu-Straub House-MCBH

Filed Under: General, Prominent People, Economy Tagged With: Hawaii, Mokapu, The Clinic, Straub Clinic, George Francis Straub

July 2, 2016 by Peter T Young Leave a Comment

Wauke

“Canoe crops” (Canoe Plants) is a term to describe the group of plants brought to Hawaiʻi by the early Polynesians. It is believed that these settlers, and the settlers that followed them, introduced a variety of plant species.

One such was Wauke (Paper Mulberry.) It’s a tree that can grow up to 50-feet. It thrives in places along streams, in woods, hollows or uneven grounds, in dry taro patches, in moist land where water flows. It is a species of the Hawaiian wet forests.

Legend identifies wauke with Hina, on the island of Maui. This may indicate that the paper mulberry, like one species of bamboo, was first brought to and planted on that island, which was Hina’s home.

The legend tells of Hina and her tapa making that anciently the sun hurried across the sky so fast that her tapa had no chance to dry. So her son Maui went to the place where the sun rises (Haleakala.) There he watched and caught the first ray that rose and broke it off, so that ever since the sun has traveled the sky more slowly.

The proper time for planting wauke is at the beginning of a rainy period. The shrub is said to mature within 18 months from the time the slip is planted.

Thereafter it continues to grow, young shoots springing from the roots to replace old ones. By recultivating an old patch, a flourishing crop of stems (for bark-stripping) may be had.

According to Thrum, in the upland plantations the whole plant was sometimes pulled out for harvesting and the roots lopped off and cut into segments for replanting. (Handy)

As the wauke tree grew, planters cut off the side branches, so a straight trunk stalk without branch holes could later be stripped. In 6-10 months the trunk shoots were cut down and the roots and tops removed.

The chief use and the main purpose of its cultivation were the making of cloth. In Hawai‘i, wauke made the softest, finest, and most durable kapa (tapa – bark cloth) for dress, bed sheets and for ceremonial purposes.

Indeed, the wealth of a household was often counted in the number and quality of its fine kapa materials, and in those made available, through the industry and skill of the womenfolk, as a store from which gifts might be made to ʻohana and revered ali‘i. (Handy)

It was pounded into kapa and made into a malo: a strip of cloth nine inches wide and nine feet long for the man, and pa‘u for the woman: a strip a little wider and somewhat longer.

The Hawaiians beat the fibers with beaters that had designs carved into them, this would leave a watermark on the cloth. Second, they used colors not found on other kapa, reds, blues, pink, green, and yellow.

The method of getting wauke is the same for the various kapas which a person desires; it is only during the process of beating out the kapa that a person could make use of the pattern which she prefers. (Fornander)

The trunks were stripped of bark, as thick as a finger and about 4 feet long. The outer bark was slit and peeled off. The inner bark fibers, called bast, were then soaked in running water, such as a high tide pool, with stones placed on top of the fiber pile.

This part of the process breaks down the woody fibers and washes away the starch. A complicated process of soakings and fermentation followed, leaving the fine fibers of the moist inner bark still tough and resilient when finally removed from the waters.

At this time in the process, the women of Hawai`i would often twist cordage out of the fibers, for use as fish nets, upena and as carrying nets, koko, from which to hang calabashes of wood and gourds. (CanoePlants)

For Kapa, strips were laid edge to edge, and felted together by beating with wooden beaters of different sizes, square in cross section, having carved geometric designs on their four faces to give watermarking. Many successive beatings with lighter and lighter clubs were required to make the finest cloth. (Handy)

For the process of beating the kapa these things are prepared: The block on which to do the beating; this block is made broad and flat on top and the two ends are made thus: the top one is lengthened and the under one is shortened. Water is used through the beating process to keep the wauke continually wet. (Fornander)

The first i‘e (club – tapa beater) (a coarse-figured club) is used for hard pounding. After that is the i‘ekike, the dividing club, a smaller-figured club; then comes the printing club and the finishing club. The kapa is then cut. It is next taken to soak in water.

It is then spread to dry at a place prepared for drying it, that is the drying ground; there it is spread out and pressed down with rocks placed here and there so that the pa‘u would not wrinkle. This is continued until the pa‘u is dry. And this is done until there are five kapa; they are then sewn together. That is called a set of kapa.

The sap is used medicinally as laxative. Ashes from burned tapa was used as medicine for ‘ea (thrush). Strips of coarse tapa were worn around a nursing mother’s neck for milk flow. (kcc.hawaii-edu)

Follow Peter T Young on Facebook 

Follow Peter T Young on Google+ 

Follow Peter T Young on LinkedIn  

Follow Peter T Young on Blogger

© 2016 Hoʻokuleana LLC

Wauke - rolls of inner bark-kapakulture
Wauke – rolls of inner bark-kapakulture
Wauke-stalk-theothershoedropped
Wauke-stalk-theothershoedropped
Wauke-pealing the stalk-theothershoedropped
Wauke-pealing the stalk-theothershoedropped
Wauke strips soaking-kapakulture
Wauke strips soaking-kapakulture
wauke_kapa_cordage-BM
wauke_kapa_cordage-BM
wauke_kapa-BM
wauke_kapa-BM
Wauke_leaves-davesgarden
Wauke_leaves-davesgarden
Wauke_stalks
Wauke_stalks
Wauke stalks
Wauke stalks
Wauke_trunk-davesgarden
Wauke_trunk-davesgarden

Filed Under: General, Buildings, Hawaiian Traditions Tagged With: Tapa, Hawaii, Kapa, Wauke

June 26, 2016 by Peter T Young 1 Comment

Kaumana Cave

Hilo is situated on lava flows from two of the five volcanoes that form the Island of Hawaiʻi. In the northern part of Hilo near the Wailuku River (that forms the approximate boundary between Mauna Kea and Mauna Loa Volcanoes,) Mauna Loa flows overlie much older ash deposits and flows from Mauna Kea.

Twenty-seven Mauna Loa flows (pāhoehoe and ʻaʻa) have been identified in and near Hilo. The youngest flow is from the historic Mauna Loa eruption of 1880-81, and the oldest flow yet found lies near Hoaka Road, with an age of more than 24,000 years. (USGS)

The 1881 lavas reached just north of the present University of Hawaiʻi at Hilo campus. After crossing the present Komohana and Kumukoa Streets, a very narrow section crossed what is now Mohouli Street, about 300 yards above the intersection with Kapiʻolani Street.

Several hundred homes are now built on pāhoehoe lavas of the 1881 flow and can easily be recognized by their ubiquitous “rock gardens” (no soils have yet formed on this flow). Kaumana Cave was formed at this time and was a major supply conduit for the lavas that threatened Hilo. (USGS)

Lava Caves (more commonly called lava tubes) are natural conduits through which lava travels beneath the surface of a lava flow. Tubes form by the crusting over of lava channels and pāhoehoe flows.

When the supply of lava stops at the end of an eruption or lava is diverted elsewhere, lava in the tube system drains downslope and leaves partially empty conduits beneath the ground. (USGS)

Kaumana Cave is located up the hill from the downtown area on Kaumana Drive (Saddle Road,) stretching for almost two miles. When you get to the Cave you can see a concrete stair case which leads through the old skylight down to the entrance to the Cave.

The Kaumana Cave, part of a 25-mile-long lava tube, is the centerpiece of a small park maintained by the County of Hawaiʻi. Above Hilo, near the 4-mile marker along Kaumana Drive, the cave’s entrance – actually a skylight formed when part of the lava tube collapsed – is open to curious visitors who want to explore the inside.

The roof of the tube is 20 to 25 feet thick in most places and most of the rubble on the floor fell during or shortly after the eruption, when the skylight entrance fell.

The tube was initially filled with fast-moving lava then the level dropped and a long period of flow along the floor took place and from time to time slopped over to the side creating the bench-like features seen near the cave entrance. Roof blocks fell and became embedded and coated with basalt. The lava stream later emptied leaving the evacuated tube. (Hostra)

A steep staircase leads into a collapse pit. Here the cave roof collapsed and allows entry into the lava tube. From here you can enter different sections of the cave, going mauka (uphill) or makai (downhill) paths.

Going makai, a short path leads to the entrance. There are a few boulders to step carefully through, after which sections of smooth and mostly level surfaces allow a bit easier access. About 50 yards into the downhill section you reach a choke point, a little scrambling and a bit of duck-walk is necessary to get through.

After the narrow, the cave opens back up again. After another hundred yards there are a series of ledges, old crusts left by cooling lava when it half-filled the cave. To continue from here requires crawling through another very low passage. (Cooper)

“Long ʻōhiʻa tree roots hang from overhead … Sides of Cave have dribbles of lava from above forming odd stalagmitelike objects on floor. (There is a) very noticeable slope which is quite easy to travel.”

“Another junction. This one has three branches. There are two shallow rimmed lava cones filled with water. Wedge-shaped overhang is off to one side.” (1953 Loins Club; DOI)

In periods of normal rainfall, running water sometimes is audible beneath the floor of the cave. Rainfalls of 8 to 12 inches produce waterfalls spouting from cracks high on the wall of one cave section.

They form a small stream that runs on or just beneath the floor for several hundred yads before finally sinking into cracks. Its flow is augmented by several small bubbling springs at or just above floor level and part of its flow also is lost into small floor-level cracks. (Halliday)

Kaumana Cave is an example of a lava tube cave that carries floodwater for over half-a-mile. The lower end of Kaumana Cave opens into a drainage ditch several yards below the roadway of Edita Street.

Follow Peter T Young on Facebook 

Follow Peter T Young on Google+ 

Follow Peter T Young on LinkedIn  

Follow Peter T Young on Blogger

© 2016 Hoʻokuleana LLC

Kaumana_Cave
Kaumana_Cave
Kaumana_Cave
Kaumana_Cave
Kaumana_Cave
Kaumana_Cave
Kaumana_Cave
Kaumana_Cave
Kaumana_Cave
Kaumana_Cave
Kaumana_Cave
Kaumana_Cave
Kaumana Cave-Map-Halliday
Kaumana Cave-Map-Halliday
Kaumana_Cave
Kaumana_Cave
Kaumana_Cave
Kaumana_Cave

Filed Under: General, Place Names Tagged With: Hawaii, Hawaii Island, Hilo, Kaumana, Kaumana Cave

June 24, 2016 by Peter T Young Leave a Comment

Kapiʻolani Home

“In fulfillment of the commands of His Majesty, and to carry out the views of my colleagues of the Board of Health and the community in the erection of a Home for leper girls, I now present to Your Majesty, as Lady Patroness of this benevolent institution, named after Your Majesty, the keys of this Home.” (Gibson, Dedication of Kapiʻolani Home, November 9, 1885)

“Queen Kapiʻolani took the keys in her hand and proceeded to the door leading into the refectory. She put a key, especially marked, into the door, unlocked it, and then, withdrawing the key, handed it to the Reverend Mother Superior, with the remark:”

“’I deliver these keys to you.’ The President of the Board of Health then said: ‘By command of His Majesty the King I declare the Home now open.’” (Dedication of Kapiʻolani Home, November 9, 1885)

Kapi‘olani had visited Kalaupapa in 1884 to learn how she could assist those who were diagnosed with leprosy and exiled there, and she raised the funds to build the Kapiʻolani Home for Girls. (KCC)

Queen Kapiʻolani, Father Damien de Veuster (now Saint Damien,) Dr Eduard Arning and Mother Marianne (now Saint Marianne) recognized the need for a home for the non-infected children of the leprosy patients.

On November 9, 1885, the healthy girls living in Kalawao moved into Kapiʻolani Home on the grounds of the sisters’ convent at the Kaka’ako Branch Hospital. (Hawaii Catholic Herald)

“It will accommodate fifty inmates, besides the matron, and will be under the supervision and control of the Sisters of Charity, of whom there are now seven, including the Mother Superior attached to the Convent of their order, which is within the enclosure of the Branch Hospital.”

“The Home is a two-story building, on the mauka side of the Branch Hospital, and separated from it by a high fence. The building is 70 feet by 50 feet, and is surrounded by open-railed verandas, 10 feet wide, which furnish a cool and sheltered place for play in all weather.”

“On the ground floor, which is approached by a wide flight of steps to the lower veranda, are two store rooms, an office, class room and refectory. The last two are spacious rooms, well lighted and ventilated, the height of the ceiling being 13 feet 1 inch.
A wide flight of stairs on the outside loads to the upper floor, on which are situate two large dormitories, two bath rooms and matron’s room.”

“The arrangement of these dormitories deserves mention. The one on the mauka or land side, which is the breeziest, from the prevailing wind, will be occupied by girls who have developed the disease; the other will be occupied by girls who are as yet free from it, but who, having been born of leper parents, may be reasonably suspected of having the disease latent in their blood.”

“There will be no communication between these rooms. Separate closets and baths have been provided for each class of inmates. In this way it is hoped to minimize the risk of contagion, by preventing the clean breathing the same atmosphere with the unclean at night.”

“During the daytime, when there is a free circulation of air, the risk of contagion is so slight that it need hardly be estimated. At the same time it should be stated that no bad case of leprosy will be admitted to the Home, but only such as gives hopes of yielding to cleanliness, wholesome food, moderate exercise and kind and scientific treatment.”

“A notice of this kind would be incomplete were no mention made of the Branch Leper Hospital contiguous to the Home, and the noble Christian work performed therein by the Sisters of Charity. The Branch Hospital was established in 1881, and as in the case of the Leper Settlement at Molokai, it was not well managed at the outset, nor indeed, until after the arrival of the first party of the Sisters two years ago precisely yesterday.” (Pacific Commercial Advertiser, November 9, 1885)

“I had the honor to address the Bishop of Olba a letter, dated January 4, 1883, in which I informed His Lordship that the care of the sick poor of this Kingdom had most earnestly enlisted the sympathies of Their Majesties the King and Queen and awakened the solicitude of the Government) that they appreciated the necessity for trained and faithful nurses, and felt that nowhere could such invaluable assistance be obtained so readily as among the ranks of those blessed Sisterhoods of Charity, who have, in various parts of the earth devoted themselves to the care of the sick”. (Address by Gibson, President of the Board of Health)

From 50 other religious communities in the United States, only Mother Marianne’s Order of Sisters agreed to come to Hawaii to care for people with Hansen’s Disease (known then as leprosy.)

The Sisters arrived in Hawaii on November 8, 1883, dedicating themselves to the care of the 200 lepers in Kaka‘ako Branch Hospital on Oahu. This hospital was built to accommodate 100 people, but housed more than 200 people. (Cathedral of Our lady of Peace)

Kapiʻolani Home was devoted to the care of non-leprous girls of leprous parents, not yet confirmed as lepers, and others suspected of the disease.

Under the care of the Franciscan Sisters, the government has provided a home for many little girls born of leper parents. It is exceedingly rare that a child inherits leprosy, and even where both parents are lepers, if the child be removed before it has become infected with the disease there is small danger of its developing leprosy.

These non-leprous children are generally taken from their parents when 2 years of age. Sometimes friends of the family provide for them, and in other cases they are taken to the home.

Girls, ranging from 2 to 20 years of age, who are not only given a good school education, but trained in such branches of domestic work as are necessary to fit them to become useful members of the community thereafter.

This home is for girls, and is insufficient to accommodate the present number of inmates comfortably. There is a necessity for a similar institution for boys and for enlarging the present capacity of the Kapiʻolani Home. (Hawaiian Commission, September 8, 1898) (A Boys Home was later built in Kalihi.)

After the hospital closed in 1888, the home was moved three times: first, to a more suitable new building adjacent to the Kalihi Receiving Station; second, to a temporary camp in Waiakamilo when a typhoid epidemic closed the previous home in 1900; finally, in 1912 to Kalihi where the patients’ children were housed until 1938. (Hawaii Catholic Herald)

Mother Marianne died in Kalaupapa on August 9, 1918. The Sisters of St. Francis continue their work in Kalaupapa with victims of Hansen’s Disease. No sister has ever contracted the disease. (Cathedral of Our Lady of Peace)

Follow Peter T Young on Facebook 

Follow Peter T Young on Google+ 

Follow Peter T Young on LinkedIn  

Follow Peter T Young on Blogger

© 2016 Hoʻokuleana LLC

Gibson_and_Mother_Marianne_Cope-Kakaako_Leper_Detention_Center
Gibson_and_Mother_Marianne_Cope-Kakaako_Leper_Detention_Center
Kapiolani Girls Home-1907
Kapiolani Girls Home-1907
Kapiolani Girls Home-new_dormitory-1907
Kapiolani Girls Home-new_dormitory-1907
Kapiolani Girls Home-Sisters_Residence-1907
Kapiolani Girls Home-Sisters_Residence-1907
Queen Kapiolani Statue
Queen Kapiolani Statue
Mother_Marianne_Cope_in_her_youth
Mother_Marianne_Cope_in_her_youth

Filed Under: General, Ali'i / Chiefs / Governance, Missionaries / Churches / Religious Buildings, Prominent People Tagged With: Hawaii, Oahu, Saint Marianne, Molokai, Kapiolani Home

June 22, 2016 by Peter T Young 1 Comment

Madge Tennent

She was born Madeline Grace Cook in Dulwich, England, on June 22, 1889. Her father owned a construction business; her mother was the editor of a women’s fashion magazine.

When she was five she moved with her family to Cape Town, South Africa. At the age of twelve, she entered an art school in Cape Town.

The following year, her parents, who recognized and encouraged her talent, moved to Paris to enable Madeline to study there In Paris, she studied figure drawing under William Bouguereau, an experience that laid the technical foundation for her later figural drawings and paintings. (Beebe)

Two years later they returned to Cape Town, where Madge taught art and illustrated fashion magazines. She was also an accomplished pianist, taught by her mother, and gave regular recitals in Cape Town. One such recital was attended by a visiting military officer from New Zealand, Hugh Cowper Tennent, who was in South Africa with his regiment.

They married (1915) and returned to his home, New Zealand, where she led the haphazard life of an army camp follower until their first son Arthur was born in 1916.

Madge directed an art school, having been appointed head instructor at the Government School of Art in Woodville, the village where Madge and Hugh lived while he awaited further military orders. (Wageman)

Hugh went off to war in Europe and returned with a seriously wounded hand; the young family was sent to Western Samoa, which had become a New Zealand protectorate after the war, with Hugh as the treasurer of the territory. Their second son, Val, was born there in Apia.

They spent six years in Samoa. During her stay in Samoa, Tennent became fascinated with Polynesians, and while on a leave of several months in Australia, Tennent studied with Julian Ashton “and learned to draw seriously for the first time.” (Beebe)

On a trip to London to enroll the boys in a British boarding school in 1923, the Tennents arrived in Honolulu with their two young sons, planning on a three-day stop-over.

They were introduced to members of the local artistic community, who saw her Samoan studies and asked her to stay and paint the Hawaiians. They stayed.

As a chartered accountant (the British equivalent of a CPA), Hugh was unable to work until he put in a year of residency. Madge supported the family by doing watercolor portraits, mostly of society children. She kept a studio downtown on Hotel Street.

Madge was fascinated by the Hawaiians from the beginning, but true inspiration struck when she was given a book of colored reproductions by Paul Gauguin in Tahiti. From that time on she devoted herself to the single-minded pursuit painting Polynesians.

Often referred to as Hawai‘i’s Gauguin, Tennent was unswerving in her devotion to the beauty of the Hawaiian people with pen, brush and palette knife. (Walls)

She was active in Hawai’i from the 1930s to the 1960s. “The Hawaiians are really to me the most beautiful people in the world … no doubt about it – the Hawaiian is a piece of living sculpture.” (Tennent; HPA)

Tennent portrayed Hawaiian women as solidly fleshed and majestic – larger than life. Her method of working with impasto – applying thick layers of paint to achieve a graceful, perfectly balanced composition – is evident in ‘Lei Queen Fantasia.’

The paint is applied in whirls in what might be called the ‘Tennent whirl’ – the colors bright and luminous. Tennent envisioned Hawaiian Kings and Queens as having descended from Gods of heroic proportion, intelligent and brave, bearing a strong affinity to the Greeks in their legends and persons. (HPA)

Over the years she was very active in the arts community in Honolulu, taught frequent classes at the Honolulu Academy of Arts, and wrote for publication on art-related subjects. (Walls)

Just a few days before her death in 1972, Tennent summed up her philosophy of life and art for a newspaper reporter who interviewed her, frail and blind, at a private nursing home overlooking Diamond Head. He asked her …

“How does it feel, Mrs. Tennent, to have your genius publicly recognized during your lifetime?” … “Genius, baloney,” she muttered, with all the strength she could muster. “It was nothing but darn hard work.” (Walls)

Major collections of her work are found at the Honolulu Academy of Arts and the University of Hawaii. In 2005, Hawai’i Preparatory Academy’s Isaacs Art Center was chosen by the Trustees of the Tennent Art Foundation to become the caretaker of the collection. (HPA) Tennent died February 5, 1972.

Follow Peter T Young on Facebook 

Follow Peter T Young on Google+ 

Follow Peter T Young on LinkedIn  

Follow Peter T Young on Blogger

© 2016 Hoʻokuleana LLC

Lei_Queen-Tennent
Lei_Queen-Tennent
Madge Tennent
Madge Tennent
Hawaiian Girl-Tennent
Hawaiian Girl-Tennent
Hawaiian Lady in Holoku, Facing Right-Tennent
Hawaiian Lady in Holoku, Facing Right-Tennent
Hawaiian Singer-Tennent
Hawaiian Singer-Tennent
Hawaiian_Bride-Tennent
Hawaiian_Bride-Tennent
Hawaiian_Girl-Tennent
Hawaiian_Girl-Tennent
Lei_Sellers-Tennent
Lei_Sellers-Tennent
Mother and Daughter-Tennent
Mother and Daughter-Tennent
Three_Musicians_Subdued
Three_Musicians_Subdued
Woman in Holoku Looking Left-Tennent
Woman in Holoku Looking Left-Tennent
Woman in Holoku Looking Right-Tennent
Woman in Holoku Looking Right-Tennent
Woman Staring-Tennent
Woman Staring-Tennent
Young Hawaiian Girl-Tennent
Young Hawaiian Girl-Tennent
Signature_of_Madge_Tennent,_1945
Signature_of_Madge_Tennent,_1945

Filed Under: General, Prominent People, Economy Tagged With: Hawaii, Madge Tennent

  • « Previous Page
  • 1
  • …
  • 237
  • 238
  • 239
  • 240
  • 241
  • …
  • 268
  • Next Page »

Images of Old Hawaiʻi

People, places, and events in Hawaiʻi’s past come alive through text and media in “Images of Old Hawaiʻi.” These posts are informal historic summaries presented for personal, non-commercial, and educational purposes.

Info@Hookuleana.com

Connect with Us

  • Email
  • Facebook
  • LinkedIn
  • Twitter
  • YouTube

Recent Posts

  • Universal Remedy
  • Aiʻenui
  • Victoria Kamāmalu
  • Ginaca
  • Bill Anderson
  • Foreign Mission School
  • 250 Years Ago … Common Sense

Categories

  • Missionaries / Churches / Religious Buildings
  • Hawaiian Traditions
  • Military
  • Place Names
  • Prominent People
  • Schools
  • Sailing, Shipping & Shipwrecks
  • Economy
  • Voyage of the Thaddeus
  • Mayflower Summaries
  • American Revolution
  • General
  • Ali'i / Chiefs / Governance
  • Buildings

Tags

Albatross Al Capone Ane Keohokalole Archibald Campbell Bernice Pauahi Bishop Charles Reed Bishop Downtown Honolulu Eruption Founder's Day George Patton Great Wall of Kuakini Green Sea Turtle Hawaii Hawaii Island Hermes Hilo Holoikauaua Honolulu Isaac Davis James Robinson Kamae Kamaeokalani Kameeiamoku Kamehameha Schools Lalani Village Lava Flow Lelia Byrd Liberty Ship Liliuokalani Mao Math Mauna Loa Midway Monk Seal Northwestern Hawaiian Islands Oahu Papahanaumokuakea Marine National Monument Pearl Pualani Mossman Quartette Thomas Jaggar Volcano Waikiki Wake Wisdom

Hoʻokuleana LLC

Hoʻokuleana LLC is a Planning and Consulting firm assisting property owners with Land Use Planning efforts, including Environmental Review, Entitlement Process, Permitting, Community Outreach, etc. We are uniquely positioned to assist you in a variety of needs.

Info@Hookuleana.com

Copyright © 2012-2024 Peter T Young, Hoʻokuleana LLC

 

Loading Comments...