General | Page 237 | Images of Old Hawaiʻi

July 2, 2016 by Peter T Young Leave a Comment

Wauke

“Canoe crops” (Canoe Plants) is a term to describe the group of plants brought to Hawaiʻi by the early Polynesians. It is believed that these settlers, and the settlers that followed them, introduced a variety of plant species.

One such was Wauke (Paper Mulberry.) It’s a tree that can grow up to 50-feet. It thrives in places along streams, in woods, hollows or uneven grounds, in dry taro patches, in moist land where water flows. It is a species of the Hawaiian wet forests.

Legend identifies wauke with Hina, on the island of Maui. This may indicate that the paper mulberry, like one species of bamboo, was first brought to and planted on that island, which was Hina’s home.

The legend tells of Hina and her tapa making that anciently the sun hurried across the sky so fast that her tapa had no chance to dry. So her son Maui went to the place where the sun rises (Haleakala.) There he watched and caught the first ray that rose and broke it off, so that ever since the sun has traveled the sky more slowly.

The proper time for planting wauke is at the beginning of a rainy period. The shrub is said to mature within 18 months from the time the slip is planted.

Thereafter it continues to grow, young shoots springing from the roots to replace old ones. By recultivating an old patch, a flourishing crop of stems (for bark-stripping) may be had.

According to Thrum, in the upland plantations the whole plant was sometimes pulled out for harvesting and the roots lopped off and cut into segments for replanting. (Handy)

As the wauke tree grew, planters cut off the side branches, so a straight trunk stalk without branch holes could later be stripped. In 6-10 months the trunk shoots were cut down and the roots and tops removed.

The chief use and the main purpose of its cultivation were the making of cloth. In Hawai‘i, wauke made the softest, finest, and most durable kapa (tapa – bark cloth) for dress, bed sheets and for ceremonial purposes.

Indeed, the wealth of a household was often counted in the number and quality of its fine kapa materials, and in those made available, through the industry and skill of the womenfolk, as a store from which gifts might be made to ʻohana and revered ali‘i. (Handy)

It was pounded into kapa and made into a malo: a strip of cloth nine inches wide and nine feet long for the man, and pa‘u for the woman: a strip a little wider and somewhat longer.

The Hawaiians beat the fibers with beaters that had designs carved into them, this would leave a watermark on the cloth. Second, they used colors not found on other kapa, reds, blues, pink, green, and yellow.

The method of getting wauke is the same for the various kapas which a person desires; it is only during the process of beating out the kapa that a person could make use of the pattern which she prefers. (Fornander)

The trunks were stripped of bark, as thick as a finger and about 4 feet long. The outer bark was slit and peeled off. The inner bark fibers, called bast, were then soaked in running water, such as a high tide pool, with stones placed on top of the fiber pile.

This part of the process breaks down the woody fibers and washes away the starch. A complicated process of soakings and fermentation followed, leaving the fine fibers of the moist inner bark still tough and resilient when finally removed from the waters.

At this time in the process, the women of Hawai`i would often twist cordage out of the fibers, for use as fish nets, upena and as carrying nets, koko, from which to hang calabashes of wood and gourds. (CanoePlants)

For Kapa, strips were laid edge to edge, and felted together by beating with wooden beaters of different sizes, square in cross section, having carved geometric designs on their four faces to give watermarking. Many successive beatings with lighter and lighter clubs were required to make the finest cloth. (Handy)

For the process of beating the kapa these things are prepared: The block on which to do the beating; this block is made broad and flat on top and the two ends are made thus: the top one is lengthened and the under one is shortened. Water is used through the beating process to keep the wauke continually wet. (Fornander)

The first i‘e (club – tapa beater) (a coarse-figured club) is used for hard pounding. After that is the i‘ekike, the dividing club, a smaller-figured club; then comes the printing club and the finishing club. The kapa is then cut. It is next taken to soak in water.

It is then spread to dry at a place prepared for drying it, that is the drying ground; there it is spread out and pressed down with rocks placed here and there so that the pa‘u would not wrinkle. This is continued until the pa‘u is dry. And this is done until there are five kapa; they are then sewn together. That is called a set of kapa.

The sap is used medicinally as laxative. Ashes from burned tapa was used as medicine for ‘ea (thrush). Strips of coarse tapa were worn around a nursing mother’s neck for milk flow. (kcc.hawaii-edu)

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Wauke – rolls of inner bark-kapakulture

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June 26, 2016 by Peter T Young 1 Comment

Kaumana Cave

Hilo is situated on lava flows from two of the five volcanoes that form the Island of Hawaiʻi. In the northern part of Hilo near the Wailuku River (that forms the approximate boundary between Mauna Kea and Mauna Loa Volcanoes,) Mauna Loa flows overlie much older ash deposits and flows from Mauna Kea.

Twenty-seven Mauna Loa flows (pāhoehoe and ʻaʻa) have been identified in and near Hilo. The youngest flow is from the historic Mauna Loa eruption of 1880-81, and the oldest flow yet found lies near Hoaka Road, with an age of more than 24,000 years. (USGS)

The 1881 lavas reached just north of the present University of Hawaiʻi at Hilo campus. After crossing the present Komohana and Kumukoa Streets, a very narrow section crossed what is now Mohouli Street, about 300 yards above the intersection with Kapiʻolani Street.

Several hundred homes are now built on pāhoehoe lavas of the 1881 flow and can easily be recognized by their ubiquitous “rock gardens” (no soils have yet formed on this flow). Kaumana Cave was formed at this time and was a major supply conduit for the lavas that threatened Hilo. (USGS)

Lava Caves (more commonly called lava tubes) are natural conduits through which lava travels beneath the surface of a lava flow. Tubes form by the crusting over of lava channels and pāhoehoe flows.

When the supply of lava stops at the end of an eruption or lava is diverted elsewhere, lava in the tube system drains downslope and leaves partially empty conduits beneath the ground. (USGS)

Kaumana Cave is located up the hill from the downtown area on Kaumana Drive (Saddle Road,) stretching for almost two miles. When you get to the Cave you can see a concrete stair case which leads through the old skylight down to the entrance to the Cave.

The Kaumana Cave, part of a 25-mile-long lava tube, is the centerpiece of a small park maintained by the County of Hawaiʻi. Above Hilo, near the 4-mile marker along Kaumana Drive, the cave’s entrance – actually a skylight formed when part of the lava tube collapsed – is open to curious visitors who want to explore the inside.

The roof of the tube is 20 to 25 feet thick in most places and most of the rubble on the floor fell during or shortly after the eruption, when the skylight entrance fell.

The tube was initially filled with fast-moving lava then the level dropped and a long period of flow along the floor took place and from time to time slopped over to the side creating the bench-like features seen near the cave entrance. Roof blocks fell and became embedded and coated with basalt. The lava stream later emptied leaving the evacuated tube. (Hostra)

A steep staircase leads into a collapse pit. Here the cave roof collapsed and allows entry into the lava tube. From here you can enter different sections of the cave, going mauka (uphill) or makai (downhill) paths.

Going makai, a short path leads to the entrance. There are a few boulders to step carefully through, after which sections of smooth and mostly level surfaces allow a bit easier access. About 50 yards into the downhill section you reach a choke point, a little scrambling and a bit of duck-walk is necessary to get through.

After the narrow, the cave opens back up again. After another hundred yards there are a series of ledges, old crusts left by cooling lava when it half-filled the cave. To continue from here requires crawling through another very low passage. (Cooper)

“Long ʻōhiʻa tree roots hang from overhead … Sides of Cave have dribbles of lava from above forming odd stalagmitelike objects on floor. (There is a) very noticeable slope which is quite easy to travel.”

“Another junction. This one has three branches. There are two shallow rimmed lava cones filled with water. Wedge-shaped overhang is off to one side.” (1953 Loins Club; DOI)

In periods of normal rainfall, running water sometimes is audible beneath the floor of the cave. Rainfalls of 8 to 12 inches produce waterfalls spouting from cracks high on the wall of one cave section.

They form a small stream that runs on or just beneath the floor for several hundred yads before finally sinking into cracks. Its flow is augmented by several small bubbling springs at or just above floor level and part of its flow also is lost into small floor-level cracks. (Halliday)

Kaumana Cave is an example of a lava tube cave that carries floodwater for over half-a-mile. The lower end of Kaumana Cave opens into a drainage ditch several yards below the roadway of Edita Street.

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June 24, 2016 by Peter T Young Leave a Comment

Kapiʻolani Home

“In fulfillment of the commands of His Majesty, and to carry out the views of my colleagues of the Board of Health and the community in the erection of a Home for leper girls, I now present to Your Majesty, as Lady Patroness of this benevolent institution, named after Your Majesty, the keys of this Home.” (Gibson, Dedication of Kapiʻolani Home, November 9, 1885)

“Queen Kapiʻolani took the keys in her hand and proceeded to the door leading into the refectory. She put a key, especially marked, into the door, unlocked it, and then, withdrawing the key, handed it to the Reverend Mother Superior, with the remark:”

“’I deliver these keys to you.’ The President of the Board of Health then said: ‘By command of His Majesty the King I declare the Home now open.’” (Dedication of Kapiʻolani Home, November 9, 1885)

Kapi‘olani had visited Kalaupapa in 1884 to learn how she could assist those who were diagnosed with leprosy and exiled there, and she raised the funds to build the Kapiʻolani Home for Girls. (KCC)

Queen Kapiʻolani, Father Damien de Veuster (now Saint Damien,) Dr Eduard Arning and Mother Marianne (now Saint Marianne) recognized the need for a home for the non-infected children of the leprosy patients.

On November 9, 1885, the healthy girls living in Kalawao moved into Kapiʻolani Home on the grounds of the sisters’ convent at the Kaka’ako Branch Hospital. (Hawaii Catholic Herald)

“It will accommodate fifty inmates, besides the matron, and will be under the supervision and control of the Sisters of Charity, of whom there are now seven, including the Mother Superior attached to the Convent of their order, which is within the enclosure of the Branch Hospital.”

“The Home is a two-story building, on the mauka side of the Branch Hospital, and separated from it by a high fence. The building is 70 feet by 50 feet, and is surrounded by open-railed verandas, 10 feet wide, which furnish a cool and sheltered place for play in all weather.”

“On the ground floor, which is approached by a wide flight of steps to the lower veranda, are two store rooms, an office, class room and refectory. The last two are spacious rooms, well lighted and ventilated, the height of the ceiling being 13 feet 1 inch.
A wide flight of stairs on the outside loads to the upper floor, on which are situate two large dormitories, two bath rooms and matron’s room.”

“The arrangement of these dormitories deserves mention. The one on the mauka or land side, which is the breeziest, from the prevailing wind, will be occupied by girls who have developed the disease; the other will be occupied by girls who are as yet free from it, but who, having been born of leper parents, may be reasonably suspected of having the disease latent in their blood.”

“There will be no communication between these rooms. Separate closets and baths have been provided for each class of inmates. In this way it is hoped to minimize the risk of contagion, by preventing the clean breathing the same atmosphere with the unclean at night.”

“During the daytime, when there is a free circulation of air, the risk of contagion is so slight that it need hardly be estimated. At the same time it should be stated that no bad case of leprosy will be admitted to the Home, but only such as gives hopes of yielding to cleanliness, wholesome food, moderate exercise and kind and scientific treatment.”

“A notice of this kind would be incomplete were no mention made of the Branch Leper Hospital contiguous to the Home, and the noble Christian work performed therein by the Sisters of Charity. The Branch Hospital was established in 1881, and as in the case of the Leper Settlement at Molokai, it was not well managed at the outset, nor indeed, until after the arrival of the first party of the Sisters two years ago precisely yesterday.” (Pacific Commercial Advertiser, November 9, 1885)

“I had the honor to address the Bishop of Olba a letter, dated January 4, 1883, in which I informed His Lordship that the care of the sick poor of this Kingdom had most earnestly enlisted the sympathies of Their Majesties the King and Queen and awakened the solicitude of the Government) that they appreciated the necessity for trained and faithful nurses, and felt that nowhere could such invaluable assistance be obtained so readily as among the ranks of those blessed Sisterhoods of Charity, who have, in various parts of the earth devoted themselves to the care of the sick”. (Address by Gibson, President of the Board of Health)

From 50 other religious communities in the United States, only Mother Marianne’s Order of Sisters agreed to come to Hawaii to care for people with Hansen’s Disease (known then as leprosy.)

The Sisters arrived in Hawaii on November 8, 1883, dedicating themselves to the care of the 200 lepers in Kaka‘ako Branch Hospital on Oahu. This hospital was built to accommodate 100 people, but housed more than 200 people. (Cathedral of Our lady of Peace)

Kapiʻolani Home was devoted to the care of non-leprous girls of leprous parents, not yet confirmed as lepers, and others suspected of the disease.

Under the care of the Franciscan Sisters, the government has provided a home for many little girls born of leper parents. It is exceedingly rare that a child inherits leprosy, and even where both parents are lepers, if the child be removed before it has become infected with the disease there is small danger of its developing leprosy.

These non-leprous children are generally taken from their parents when 2 years of age. Sometimes friends of the family provide for them, and in other cases they are taken to the home.

Girls, ranging from 2 to 20 years of age, who are not only given a good school education, but trained in such branches of domestic work as are necessary to fit them to become useful members of the community thereafter.

This home is for girls, and is insufficient to accommodate the present number of inmates comfortably. There is a necessity for a similar institution for boys and for enlarging the present capacity of the Kapiʻolani Home. (Hawaiian Commission, September 8, 1898) (A Boys Home was later built in Kalihi.)

After the hospital closed in 1888, the home was moved three times: first, to a more suitable new building adjacent to the Kalihi Receiving Station; second, to a temporary camp in Waiakamilo when a typhoid epidemic closed the previous home in 1900; finally, in 1912 to Kalihi where the patients’ children were housed until 1938. (Hawaii Catholic Herald)

Mother Marianne died in Kalaupapa on August 9, 1918. The Sisters of St. Francis continue their work in Kalaupapa with victims of Hansen’s Disease. No sister has ever contracted the disease. (Cathedral of Our Lady of Peace)

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June 22, 2016 by Peter T Young 1 Comment

Madge Tennent

She was born Madeline Grace Cook in Dulwich, England, on June 22, 1889. Her father owned a construction business; her mother was the editor of a women’s fashion magazine.

When she was five she moved with her family to Cape Town, South Africa. At the age of twelve, she entered an art school in Cape Town.

The following year, her parents, who recognized and encouraged her talent, moved to Paris to enable Madeline to study there In Paris, she studied figure drawing under William Bouguereau, an experience that laid the technical foundation for her later figural drawings and paintings. (Beebe)

Two years later they returned to Cape Town, where Madge taught art and illustrated fashion magazines. She was also an accomplished pianist, taught by her mother, and gave regular recitals in Cape Town. One such recital was attended by a visiting military officer from New Zealand, Hugh Cowper Tennent, who was in South Africa with his regiment.

They married (1915) and returned to his home, New Zealand, where she led the haphazard life of an army camp follower until their first son Arthur was born in 1916.

Madge directed an art school, having been appointed head instructor at the Government School of Art in Woodville, the village where Madge and Hugh lived while he awaited further military orders. (Wageman)

Hugh went off to war in Europe and returned with a seriously wounded hand; the young family was sent to Western Samoa, which had become a New Zealand protectorate after the war, with Hugh as the treasurer of the territory. Their second son, Val, was born there in Apia.

They spent six years in Samoa. During her stay in Samoa, Tennent became fascinated with Polynesians, and while on a leave of several months in Australia, Tennent studied with Julian Ashton “and learned to draw seriously for the first time.” (Beebe)

On a trip to London to enroll the boys in a British boarding school in 1923, the Tennents arrived in Honolulu with their two young sons, planning on a three-day stop-over.

They were introduced to members of the local artistic community, who saw her Samoan studies and asked her to stay and paint the Hawaiians. They stayed.

As a chartered accountant (the British equivalent of a CPA), Hugh was unable to work until he put in a year of residency. Madge supported the family by doing watercolor portraits, mostly of society children. She kept a studio downtown on Hotel Street.

Madge was fascinated by the Hawaiians from the beginning, but true inspiration struck when she was given a book of colored reproductions by Paul Gauguin in Tahiti. From that time on she devoted herself to the single-minded pursuit painting Polynesians.

Often referred to as Hawai‘i’s Gauguin, Tennent was unswerving in her devotion to the beauty of the Hawaiian people with pen, brush and palette knife. (Walls)

She was active in Hawai’i from the 1930s to the 1960s. “The Hawaiians are really to me the most beautiful people in the world … no doubt about it – the Hawaiian is a piece of living sculpture.” (Tennent; HPA)

Tennent portrayed Hawaiian women as solidly fleshed and majestic – larger than life. Her method of working with impasto – applying thick layers of paint to achieve a graceful, perfectly balanced composition – is evident in ‘Lei Queen Fantasia.’

The paint is applied in whirls in what might be called the ‘Tennent whirl’ – the colors bright and luminous. Tennent envisioned Hawaiian Kings and Queens as having descended from Gods of heroic proportion, intelligent and brave, bearing a strong affinity to the Greeks in their legends and persons. (HPA)

Over the years she was very active in the arts community in Honolulu, taught frequent classes at the Honolulu Academy of Arts, and wrote for publication on art-related subjects. (Walls)

Just a few days before her death in 1972, Tennent summed up her philosophy of life and art for a newspaper reporter who interviewed her, frail and blind, at a private nursing home overlooking Diamond Head. He asked her …

“How does it feel, Mrs. Tennent, to have your genius publicly recognized during your lifetime?” … “Genius, baloney,” she muttered, with all the strength she could muster. “It was nothing but darn hard work.” (Walls)

Major collections of her work are found at the Honolulu Academy of Arts and the University of Hawaii. In 2005, Hawai’i Preparatory Academy’s Isaacs Art Center was chosen by the Trustees of the Tennent Art Foundation to become the caretaker of the collection. (HPA) Tennent died February 5, 1972.

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June 18, 2016 by Peter T Young Leave a Comment

Hawaiian Challenge

“The Meeting at the King’s Boat House (October 19, 1885) – The meeting was called to order (and a) motion was passed that an association be formed to be called “The Hawaiian Rowing and Yachting Association.’”

“The association was to be represented by three delegates each from the Myrtle, Honolulu, and Kapiolani Clubs, and by one delegate each from all other established clubs. A committee of one from each club was appointed to make by-laws and racing rules.” (Daily Honolulu Press, October 20, 1885)

“A special meeting of the Hawaiian Yachting and Rowing Association was held last evening at the Iolani Boat Club House … After routine business had been transacted the following resolution was put and carried;”

“Resolved that the Association do hereby appropriate the sum of $350 for the express purpose of purchasing a silver cup to be sailed for annually up on the 4th of July under the auspices and conditions of the Hawaiian Yachting and Rowing Association by first class yachts of dimensions not to exceed 40 feet over all, said cup to be called the ‘Hawaiian Challenge Cup.’” (Daily Bulletin, June 19, 1889)

“The Challenge Cup, which is a very handsome one of solid silver and old silver finish in the form of a Japanese vase, is lettered on one side with the name of the Association, while the other side has a splendid view of Diamond Head with two yachts running seaward.”

“It is embellished with birds, fishes, seaweed and marine emblems. It is a perpetual challenge cup, and Messrs. Iaukea, Hatch and Cecil Brown, the owners of the Healani, hold it for one year. A pennant is given to the winner each year. The one this year is of a white silk ground with the monogram HRYA in blue letters, surmounted by a crown.” (Daily Bulletin, December 2, 1889)

“The cup is an ornate affair, etched on one side with the title of the trophy and on the other with a view of Diamond Head and racing yachts. On the shoulders cunningly wrought objects typical of the sport are attached. The names of previous winners are engraved on the cup.” (Sunday Advertiser, September 6, 1903)

“The Hawaiian Challenge Cup is an elegant silver trophy valued at $400. It was presented a number of years ago by the Hawaiian Rowing and Yachting Association, now defunct, and was to be raced for not oftener than once every year.” (Sunday Advertiser, September 6, 1903)

“Among boats that have won the cup are the Healani, Helene and Bonnie Dundee, the latter of which held it from 1893 until last year, on which occasion the Eva won.” (Pacific Commercial Advertiser, August 1, 1899)

“The Hawaiian Challenge Cup is open to all yachts over five and not exceeding ten tons measurement, this limitation not applying to yachts which were in Hawaiian waters and entered for the race previous to July 4th, 1899.”

“The course set runs from Waikiki to Pearl Harbor and back, finishing off the Oceanic wharf, making a course of twenty-three miles.”

“The cup was originally donated by the Hawaiian Rowing and Yachting Association, the conditions under which it was sailed being drawn up at a meeting of the Association in the ʻIolani Boat Club hall on June 28, 1889.” (Sunday Advertiser, September 6, 1903)

“An important event in the yachting annals of the islands took place on Saturday afternoon at the boathouse of His Majesty the King. It was the presentation of the silver challenge cup and a handsome pennant won by the yacht Healani on the 4th of July.”

“His Majesty, as president of the Hawaiian Rowing and Yachting Association, and who has always done so much in stimulating yachting and rowing in the islands as asked to make the presentation, and gracefully acceded to the request.”

“An elegant lunch was provided by His Majesty, and on the table, which was nicely decorated with flowers, stood the challenge cup. After ample justice had been done the good things His Majesty rose and said:”

“Representatives of the Hawaiian Yachting and Rowing Association and Gentlemen: At a special meeting of this Association held on the 18th of June last, it was resolved that a sum be appropriated for the express purpose of purchasing a silver cup, to be sailed for annually on the 4th of July, said cup to be called the ‘Hawaiian Challenge Cup.’”

“Subsequently a Pennant was added, and the prize then was the “Hawaiian Challenge Cup and Pennant for 1889.” The first race under the new conditions was sailed on the 4th of July. Five yachts I think started, the race was won by the Healani, being closely followed by the second boat.”

“Gentlemen, you are present on this occasion to witness the presentation of the above prize and pennant to the owners of the winning yacht. Messrs. Iaukea, Hatch, and Brown : As President of, and on behalf of the Hawaiian Yachting and Rowing Association, I take pleasure in handing over to you this handsome souvenir of an enjoyable day’s sport, and a well-contested trophy.”

“Hon. CP Iaukea, one of the owners of the yacht Healani, in receiving the challenge cup said: Your Majesty and Gentlemen, in receiving this trophy from Your Majesty’s hands, permit me on behalf of the owners of the yacht Healani, to express my great pleasure and satisfaction in now bearing away the palm during the first year of its competition.”

“It must also be highly gratifying to Your Majesty that the Healani, with which Your Majesty has so long been associated, should have successfully competed for the cup. The great interest which Your Majesty has for many years shown in yachting has no doubt animated others to a like appreciation of this healthy and instructive sport, as evidenced by the number of splendid yachts now adorning our bay.”

“In thanking Your Majesty for the honor conferred, permit me to express the hope that Your Majesty may continue to assist lovers of yachting with your gracious patronage. With Your Majesty’s permission I shall ask the gentlemen present to join me in wishing you, our royal President of HYR Association, a very good health.”

“His Majesty’s health was drunk by all standing, after which social conversation, principally on yachting matters, was indulged in for a time.” (Daily Bulletin, December 2, 1889)

“From this time the cup lay fallow for seven years until the advent of the ‘Gladys’ into our waters. A race was then sailed between the ‘Bonnie Dundee’ (now ‘Mary L’), and the Gladys on September 13, 1899, when the Gladys won by 23 minutes or one minute to the mile. Governor Dole sailed the Bonnie Dundee and T. W. Hobron the Gladys.” (Sunday Advertiser, September 6, 1903)

Reportedly, over the years, the prize became known as the ‘Kalākaua Cup.’ There were a few periods of inactivity due to disinterest and extenuating circumstances, as well as the disappearance of the cup itself.

When Castle & Cooke was moving offices, their old vault was opened and the trophy appeared it was filled with silverware belonging to the last winner, Tom Hobron, in the yacht ‘Gladys Mary’ in 1911.

The last winner of the Hawaiian Challenge Trophy was the Star class yacht ‘Roulette,’ skippered by Laurie S Dowsett, the 17-year-old son of HM Dowsett, with his crew Lloyd B. Osborne. This was the summer of 1941. Names of winning yachts and skipper/crew from 1925 through 1941 are inscribed on the trophy. (Waikiki Yacht Club)

The trophy was re-dedicated in 1986 and today is awarded annually to the winner of the Fourth of July Regatta consisting of three separate races. The first race is from Waikiki to Kaneohe, the second is an offshore race in the waters off of Kaneohe Bay, and the third is a race from Kaneohe to Waikiki. (Stowell)

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