Images of Old Hawaiʻi

by Peter T Young 2 Comments

Hawaiian Room

“(I)f you are really lucky … If you are one of those of whom refreshing and enchanting things sometimes happen. You will have wandered into the Hawaiian Room at the Lexington …” (Tucker, Man About Manhattan, June 14, 1938)

The Hotel Lexington (on Lexington Avenue and 48th Street, New York City) was completed just six months before the market crash of 1929.

The iconic hotel became an instant favorite for global leaders, celebrities, business executives and some of America’s most famous sports icons including Joe DiMaggio, who famously lived in a penthouse suite during his whole career playing for the Yankees. (Lexington)

However, in the basement, hotel management realized they were stuck with a large and useless lower dining room. In 1932, they opened the SilveL Grill, featuring bandleaders Ozzie Nelson, Little Jack Little, Artie Shaw and Carl Ravel.

Popularity waned, and hotel owners were in need of a show that would attract wealthy society members and keep the hotel in the black. The manager decided to experiment for a few months with all-Hawaiian entertainment in a cafe decorated with South Sea motifs and featuring Polynesian food.

At the time, Hawaiian and Polynesian cultures were growing in popularity and interest across the country. However, the creation of the Hawaiian Room was still a bold move not only because of the Great Depression, but also an increasingly complicated global scene as world conflicts were escalating in both Asia and Europe. (Akaka)

On June 23, 1937, the Hawaiian Room opened in the Hotel Lexington, the first major showroom for live Hawaiian entertainment in the US and the one that became the most renowned.

The Room itself was the first of its kind and featured a glamorous dining room with island decor, large dance floor and American orchestra, and a Hawaiian music and floor show that was unmatched in its professionalism, elegance and beauty.

It was New York after all – the land of Broadway shows, fast-paced lifestyles, ethnic diversity and celebrities. (Hula Preservation Society)

The initial band, named “Andy Iona and His Twelve Hawaiians,” included Andy Iona (born Andrew Aiona Long,) composer-singer Lani McIntire and Ray Kinney as featured singer.

Kinney assembled the dance troupe in Honolulu: the solo dancer Meymo Ululani Holt, plus Pualani Mossman, Mapuana Bishaw and Jennie Napua Woodd – they became known as the “Aloha Maids” – they became the faces of Hawai‘i in New York.

While numerous American showrooms featured live Hawaiian entertainment, the Hawaiian Room served as the industry standard to beat. In many cases, performers in other American showrooms appeared at the Hawaiian Room sometime during their careers.

A few other notable entertainers who helped “make” the Room over the years include Alfred Apaka, Aggie Auld, Keola Beamer, Eddie Bush, Johnny Coco, Leilani DaSilva, Ehulani Enoka, Leila Guerrero, Meymo Holt, Keokeokalae Hughes, Clara Inter “Hilo Hattie,” Alvin Isaacs, Momi Kai, George Kainapau, Sonny Kalolo, David Kaonohi, Nani Kaonohi, Kui Lee, Sam & Betty Makia, Tootsie Notley, Lehua Paulson, Telana Peltier, Luana Poepoe and Dennie Regore. (Akaka)

The venue became “the place to be” for celebrities in New York City, and it was the people who worked in the Hawaiian Room who made it such a success. Because of their talents, island ways and authentic aloha many were able to enjoy a piece of Hawaiʻi, even if they were on another “island” 5,000 miles away. (Akaka)

The Hawaiian Room was a place where dancers could establish viable careers. In the Islands, career options were limited. Hula dancers could earn between $50 and $100 a week, compared with $4 to $10 a week in the pineapple canneries.

For many Hawaiian women, hula presented a dream ticket out of Hawai‘i, promising fame, glamour and middle-class status difficult for them to achieve in the plantation and service industries. (Imada)

They became minor celebrities as performers in what was referred to in New York papers as an “off-Broadway show not to be missed.”

Big-time celebrities like Arthur Godfrey and Steve Allen sought out the Hawaiian Room entertainers to be on their television shows. The Hawaiian Room dancers were featured on the very first broadcast of color television in the United States. (Hula Preservation Society)

“They say (dancer, Pualani Mossman) is the most photographed girl in the Islands …” She became known as the “Matson Girl” for her pictures in Time and Life magazines.

Although the Hawaiian Room was in New York, it played an ever important role in the spread of Hawaiian culture across the continental United States, as well as the development of Hawaii’s major industry … tourism.

The nightly exposure of business executives, celebrities and New York’s working men and women to the Hawaiian songs, sceneries and hula at Hotel Lexington was sure to have put dreams of a Hawaiʻi vacation in the minds of more than a few over the years. (Akaka)

Over the course of its 30-years, millions of people from all over the world experienced the Hawaiian Room, its melding of Hawaiian music and hula traditions with current American musical trends, and its people of aloha. (Hula Preservation Society)

In 1966, a hula dancer at another venue was seriously injured when her grass skirt caught on fire. That prompted new federal workplace fire laws. (KITV) The Hawaiian Room closed that year because the needed fireproofing renovations were too expensive. (honolulu)

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Queen of the Silver Strand

Everybody loves the circus …

Howard R Valentine “was 17 when he went to Ringling Brothers Circus as a member of the famous 16-man Jackson family.  After a year with Ringling a partner act called Valentine and Dooly began a six-month tour of South and Central America. The pair played Panama during construction of the Panama Canal.”

“When the partnership dissolved, Valentine returned to the United States to marry Rae Bell another member of the Jackson family.” (SB, May 23, 1956) “The little lady is unusually attractive while the expert cyclist is a wizard as an equilibrist.” (Montgomery Adv, Jan 30, 1920)

“Valentine and Bell became a hit as a bicycle comedy and in 1911 played Hammerstein’s Victoria Theatre in New York – at that time tops in billing.”  (SB, May 23, 1956)

“No well balanced vaudeville bill would be complete without a big laugh act. This is provided in those comedy cyclists, Valentine and Bell. … Incidentally, it is remarkably clever and unusual bicycle riding.”

“Their act is a novelty and their string of stunts a long and daring one, But laughter is the main thing that was considered by these artists.  They will please you.” (Portland Telegram, March 21, 1915)

Travelling across the country. the Valentine and Bell “comedy … trick bicycle riders” act included “a comedy cycling oddity called the ‘Furniture Removers’”. (Louisville Courier-Journal, Jan 4 & 6, 1920)

A “unique feat which was thrilling to the extreme was the fancy bike riding of Valentine and Bell, who performed the astonishing stunt of riding about the stage on various articles of furniture …

“… in addition to the exhibition of bicycle feats that for daring and grace have not been equaled in Montgomery in many months.” (Montgomery Adv, Jan 30, 1920)

 “Valentine and Bell have perhaps the best bicycle act seen on a local stage this season. It has an unusual setting. And along with regular stunts which all bicyclists know, this pair of acrobats has several tricks which are uncommonly difficult.” (The Tennessean, Jan 9, 1920)

“The couple was getting top billing with Haag Brothers Circus … when a daughter, Patricia [‘Pat’ Adrienne Valentine], was born [May 9, 1919].  The Valentines were back in Honolulu with EK Fernandez shows in 1935 – 36.”

“In 1941 the Valentines decided it was time to settle down and picked the Islands as an ideal spot.” (SB, May 23, 1956)

They “had first set foot [in the Islands] in 1912, and where in 1915 they had performed at the Old Opera House at the present site of Honolulu’s main post office.” (Alton Slagle, SB, Feb 23, 1960)

“Patricia was born in Chicago … She went on the road at the delicate age of 10 weeks.  There followed a childhood of tinsel and glitter, sawdust and one-night stands, spills and thrills as Patricia learned the tricky operation of walking a tight rope.”

‘‘’At first I went on the road as excess baggage,’ she said. ’Then I joined the act.’ (Pat Valentine). … Soon she was riding a unicycle on the wire.” (Alton Slagle, SB, Feb 23, 1960)

“To circus goers a few years back she was known as ‘Patricia Valentine, Queen of the Silver Strand.’” (Alton Slagle, SB, Feb 23, 1960)  She was also called the Wizard of the Wire.  (SB, June 16, 1942)

In 1942,  Patricia married Herman Meyers, who ‘worked the circus as a sort of stage manager.’  She attended Cannon’s Business School, worked for several years as secretary to the Central YMCA physical director, and joined the Board of Water Supply … ‘In civil service there’s security,’ she explained. (Alton Slagle, SB, Feb 23, 1960)

“Patricia wouldn’t trade her circus upbringing, but she’s happy now to be settled down away from it, she confided.”

“‘I am very happy where I am,’ she said. ‘Besides, they’ve been kidding me that I’d never get all this up on that wire now.’ She patted her ample frame and laughed heartily.”

“‘I wouldn’t want to try after all these years.’” (Alton Slagle, SB, Feb 23, 1960) Pat V Meyers died January 5, 1994.

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Maliko Gulch Inverted Siphon

At the time of Haiku Sugar Company’s charter in 1858, there were only ten sugar companies in the Kingdom of Hawaiʻi.  Five of these sugar companies were located on the island of Maui:  East Maui Plantation at Kaluanui; Brewer Plantation at Haliʻimalie; LL Torbert and Captain James Makee’s plantation at Ulupalakua; Haiku Plantation; and Hana.

In 1869, Samuel Thomas Alexander and Henry Perrine Baldwin became business partners and bought 12-acres in Hāmākuapoko (an eastern Maui ahupuaʻa (land division.))  (They later formed Alexander & Baldwin, one of Hawai‘i’s ‘Big Five’ companies – and the only Big Five still in Hawai‘i.)

“The early years of the partnership of Alexander & Baldwin, represented a continual struggle against heavy odds. Haiku plantation had to have water.” (Men of Hawaii)

Then, the government granted Haiku Plantation the right to use the water flowing in streams down the broad slopes of Haleakala to the east of the plantation, and work was at once commenced on a ditch.

“The line, some seventeen miles in extent, with the exception of a few miles near the plantation, passes through the dense forest that covers the side of the mountain, and in running the levels for the work many large ravines and innumerable small valleys and gulches were encountered.”

“In the smaller of these the ditch winds its way, with here and there a flume striding the hollow, while through nine of the larger the water is carried in pipes twenty-six inches in diameter.”

“The digging of the ditch was a work of no small magnitude. A large gang of men, sometimes numbering two hundred, was employed in the work, and the providing of food, shelter, tools, etc, was equal to the care of a regiment of soldiers on the march.”

“As the grade of the ditch gradually carried the work high up into the woods, cart-roads had to be surveyed and cut from the main road to the shifting camps.”

“All the heavy timbers for flumes, etc., were painfully dragged up hill and down, and in and out of deep gulches, severely taxing the energies and strength of man and beast, while the ever-recurring question of a satisfactory food supply created a demand for everything eatable to be obtained from the natives within ten miles, besides large supplies drawn from Honolulu and abroad.”

“At the head of the work many difficult ledges of rock were encountered, and blasting and tunneling were resorted to, to reach the coveted water.” (FL Clarke, Thrum’s Annual, 1878)

Then came Maliko Gulch.

Maliko Gulch was too wide (and it was too expensive) to pipe the water via a bridge. They installed an inverted siphon in order to cross Maliko Gulch.  Maliko Gulch is a deeply incised stream valley with some sections of the valley floor more than 400 ft below the upland surface. (USGS)

“As the East Maui Irrigation Company report notes, Alexander planned to ‘pipe water across the gulch by means of a 1,110-foot-long inverted siphon.” (Witcher, Civil Engineering)

An inverted siphon uses a leakproof pipe that the ditch water flows into; the pipe is laid down, across and back up the Gulch ( and ends at a lower elevation than the where the ditch collects the water) – gravity pushes the water up the other side, into another ditch at the other side of the gulch.

“While work on the ditch was thus progressing, pipe makers from San Francisco were busied riveting together the broad sheets of iron to make the huge lengths of tube fitted to cross the deep ravines.” 

“These lengths had each to be immersed in a bath of pitch and tar which coated them inside and out, preserving the iron from rust, and effectually stopping all minute leaks.”

“The lengths thus prepared being placed in position in the bottom of the ravines, the upright lengths were fitted to each other (like lengths of stove-pipe) with the greatest care, and clamped firmly to the rocky sides of the cliffs.”

“Their perpendicular length varies from 90 feet to 450 feet; the greatest being the pipe that carries the water down into, across, and out of Maliko gulch to the Baldwin and Alexander Plantations.”

“At this point every one engaged on the work toiled at the risk of his life; for the sides of the ravines are almost perpendicular, and a ‘bed’ had to be constructed down these sides.”

“Then each length of pipe was lowered into the ravine and placed carefully in position; after which the perpendicular lengths were built up to the brink.”  (FL Clarke, Thrum’s Annual, 1878)

“When the ditch builders came to the last great obstacle, the deep gorge of Maliko, it became necessary in connection with the laying of the pipe down and up the sides of the precipices there encountered, for the workmen to lower themselves over the cliffs by rope, hand over hand.”

“This at first they absolutely refused to do. The crisis was serious.”

Just a few years before, “In 1876, while engaged in adjusting machinery at the sugar mill at the Pā‘ia plantation. Mr. Baldwin almost lost his life by being drawn between the rolls.”

“The engineer fortunately witnessed the accident and reversed the engine, but not before the right arm had been fearfully mangled almost up to the shoulder blade. The amputation was not followed by any serious results, but the handicap was a severe one to so energetic a worker as was Mr. Baldwin all his life.” (Mid Pacific, February 1912)

Back to the Maliko Gulch inverted siphon installation … while the workers initially refused, “[the one-armed] Baldwin met it by himself sliding down the rope, using his legs and his one arm, with which he alternately gripped and released the rope to take a fresh hold lower done.” (Arthur Baldwin)

“This was done before his injured arm had healed and with a straight fall of two hundred feet to the rocks below! The workmen were so shamed by this exhibition of courage on the part of their one armed manager, that they did not hesitate to follow him down the rope.”

“To keep the heart in them and to watch the progress of the work, Mr. Baldwin day after day went through this dangerous performance.” (Arthur Baldwin)

“Straining their financial resources almost to the breaking point, the young partners [Alexander and Baldwin] succeeded in bringing to completion the Hāmākua-Haiku ditch, the first important irrigation project in the islands.”

“The eventual enormous success of this enterprise made possible the great future of Alexander and Baldwin. Pā‘ia plantation was started and other extensive acreages were added to the partners’ holdings.” (Men of Hawaii)

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Ah Ping

Chun “Ah Ping left Yen Ping district, China. when onJy 20 years old and sailed to Los Angeles where he remained one year. Here he signed a three year contract to come to Hawaii with about 150 other Chinese as a laborer in Hawaii’s growing sugar industry.”

“Upon arrival he was sent to Molokai with 13 of his countrymen to work on the Kamalo sugar plantation owned by Dan McCorriston. He found only two Chinese on Molokai upon his arrival.”

“He laughs out loud when he is reminded of the first Kamalo sugar plantation mill.  This mill was wind powered and only one stalk of cane at a time could be fed to the tiny rollers.  ‘Sometime cane too big must cut in half,’ he says. …”

“After two years at this plantation, they were suddenly informed that the plantation was being closed down … Receiving no funds. the little group of Chinese disbanded in disgust and moved to other islands. From here, he went to Puunene plantation where he was employed as u camp cook for five years.”

He then went to Kipahulu plantation and became its manager. He remained there for nine years. “He then left for Honolulu in 1915, bought what is now the Nuuanu hotel and retired.  In 1921.”

“However, the urge to do things became so insistent that he moved to his present location at Kilohana where he has been operating a large store with the help of his sons.” (SB, Sep 8, 1939)  The store was “Right across the road [from] the fish pond, ‘Ualapu‘e Fishpond.” (Joseph Ah Hong Ah Ping, UH Oral History)

“I had to leave school when I was sophomore to help my father in the store, ’cause he cannot go haul freight thirteen miles from our store to Kaunakakai Wharf. Hard, eh? That’s why I left school to go home help my father.”

After Chun Ah Ping’s death (July 9, 1948), his son Joseph Ah Hong Ah Ping and his brothers ran the store – the only store on the east end of Molokai with a gasoline pump.

“Yeah, general merchandise. Working shoes, all kinds, shirt, pants, canned goods, sugar, rice, flour, all kind.  Grass knife, you know, cane knife, all the hoe and that pick and shovel.”

“All the kind people want, eh. General merchandise, mix up all kind. Country, eh. Sometimes we order nails, too. Sometimes people like paper roofing, we order paper roofing, you know, all that. Regular country store.” (Joseph Ah Hong Ah Ping, UH Oral History)

“I do regular general merchandise and the poi shop. There’s a little building on the side … We used to get our taro from Halawa Valley. Every week we grind. Sometimes ten bags, like that, twelve bags of [taro]”. (Joseph Ah Hong Ah Ping, UH Oral History)

“Early days had plenty wholesalers. Theo [H] Davies used to be grocery, American Factors had grocery department. All that. Early days, salesmen, every month they come take order.”

“We [used to] deliver [groceries]. See, cause when they buy rice, they no buy ten pound, twenty pound. They buy all hundred-pound bag rice, you know, for the whole month.”

“And feed for the hog; barley, scratch feed, and middling for the pigs or whatever it is, chicken like that. Used to get the feed from Fred Waldron Feed Store [in Honolulu]. Those feed barley come in eighty-five-pound bag.” (Joseph Ah Hong Ah Ping, UH Oral History)

“They get horse those days and get the hitching post where you tied your horse. You go in the back [of Ah Ping Store], all the old folks live in this district all behind, gambling. And they carry gun; they get their gun with them.”

“Get maybe five, six Hawaiians sitting down gambling, all talking Hawaiian and laughing. We used to go watch them. But you no see that [anymore]. Everybody owned horse in the old days. Was dirt road, yeah, over here. Never had the paved road, nothing.” (William “Billy” Kalipi, Sr, UH Oral History)

“And then that was really handy ‘cause he had liquor, too. (Chuckles) Yeah, whiskey. And [Joseph] Ah Hong [Ah Ping] was terrific. Anytime at night (he’d open up), ‘Oh, we want a bottle.’” (Laura Duvauchelle Smith, UH Oral History)

“Crack seed, too, was selling. They say ono, the crack seed. I said, ‘Honolulu get.’ The retail stores. And they say, ‘No ‘ono, Honolulu kind.’ They come they buy two pound, three pound, take Honolulu. Some of them buy about four pound to send to the states.”

“I said, ‘Why? Honolulu get.’ ‘Chee, we get from Honolulu. But funny, the taste is different.’  … Shave ice, once in a while we made. … Yeah, those days all gone.” (Joseph Ah Hong Ah Ping, UH Oral History)

“[They sold] dry goods and perishables. They (sold) all kinds (of things). Not bad. (It) was a good store.  They had everything in there. They (sold) gasoline, (crack seed from China, cans of corned beef, sardines, Vienna sausage. Also dried fish, salt salmon, butterfish, and even laahp cheung).”

“They made poi, too. You know, they (used to) grind (the taro in the) machine (to make poi. The machine was operated by gasoline using the pulley system.) People were fortunate to get the store (in ‘Ualapu‘e). They (didn’t) have to (go) all the way to Kaunakakai because the store (was) centralized.” (John K. Iaea, Sr, UH Oral History)

People used to meet at the store to talk story … “Oh, sometimes some politician come over, stop, see people there and talk. Early days. … They used to come [from Maui] on a sampan, about three miles away from our store.”

“Then get a car and come check on different county matters. Then they go back. … Yeah, all those old politicians all gone.” (Joseph Ah Hong Ah Ping, UH Oral History)

“[I]f you get good health, you like live in the country, [Molokai is] all right. If your health is not good, it’s no use. When you sick, doctor far away, no specialist. It’s hard, you know. You go on a diet, you cannot have the proper food. You shorten your life.”

“Country, mostly eat canned goods, you know, people. They don’t go hunting. Goat, deer, or what, you no can go hunting every time. Most times in country they eat canned goods, corned beef, tomato sardine. All that eat all the time. Dried codfish, all kind.”

“The doctor no recommend you eat that kind. You see, that’s why you go visit all right, but live permanent – your health not good – no use. Better stay Honolulu.” (Joseph Ah Hong Ah Ping, UH Oral History)

“Ah Ping Store was like a family store. You know, people who didn’t have money, they charge it until payday. Then they have a book that they write it down, you know, how much you charge on what day. And then when you get paid, they go down there and pay.” (Shizue Murakami Johnson, UH Oral History)

As for working in stores … “’Nough. Tired already, store life.” (Joseph Ah Hong Ah Ping, UH Oral History)

They also had knives … when I was a kid, a coveted pocketknife was the ‘Ah Ping’ knife from Molokai, at least that is what we called it. Lots of sizes, wooden handles in a regular pocketknife format (the larger was the most favored).

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Honolulu’s General Store

In 1806, Focke and Melchers, a shipping and trading company, was founded in Bremen, Germany by Carl Melchers and Carl Focke. Its business was centered on emigration to the US and transportation of goods from Cuba, Mexico and the US.

Three brothers, Heinrich (1822-1893,) Georg (1827-1907) and Gustav (1830-1902) formed branches of Melchers Company, first in Mazatlán, Mexico (1846,) then seven years later in Honolulu (1853.) In 1854, with the death of founder Carl Melchers, eldest son Laurenz Henrich Melchers took over; the company was renamed to C Melchers & Co and started to expand into the Asian market.

That year, Gustav Cornelius Melchers and Gustav Reiners completed their building on Merchant Street in downtown Honolulu. Once the main street of the financial and governmental functions in the city, Merchant Street was Honolulu’s earliest commercial center. (Melchers building is still there and today is the oldest commercial building in Honolulu.)

Melchers and Reiners were German importers, commission merchants, and ship chandlers (retail dealers who specialize in supplies or equipment for ships.) Their store was on Merchant Street back then, what is now known as Queen Street was actually the water’s edge.

The store was officially opened on February 20, 1854, with a celebratory luncheon. The structure was fitted with koa counters and glass-enclosed shelving. It sold mostly European goods, items found in most dry goods stores of that time, including fabrics, cigars and china goods. It served as Honolulu’s general store.

On April 26, 1856, RC Wyllie, through the Polynesian, Melchers was acknowledged as Consul of Bremen, Germany for the Hawaiian Islands and later (1858) Lubeck, Germany. Gustav Reiners served as Royal Prussian Consul (and appointed Melchers to that position when Reiners was away.)

It appears Melchers returned to Germany in the late-1850s. Reiners returned to Germany in 1861, leaving the business in the hands of Frederick August Schaefer.

In 1867, Schaefer, who had been a clerk of the store in the 1850s, purchased the firm from Melchers and Reiners and continued to operate the business. Schaefer was Consul of the Kingdom of Italy. (HABS)

Schaefer was born in Bremen, Germany in 1836 and came to Hawaii in 1857, to work for Melchers & Co in Honolulu. He became a partner in the firm in 1861 and bought out his partners in 1867, continuing the business as FA Schaefer & Co. on the same premises.

On the 50th anniversary of Shaefer’s company, the newspaper noted, “Mr. Schaefer has resided In Honolulu all of these years, and now has a beautiful home in Nuʻuanu (the former residence of R. C. Wyllie (foreign minister in the 1850s-1860s.)) He still comes down to his office each morning although he is getting along in years. The firm itself has long been one of Hawaiʻi’s substantial assets.” (Honolulu Star-bulletin, July 18, 1917)

Upon Schaefer’s relocation in 1920, Melchers’ building became the home office of Hawaiian Dredging Company, Ltd, an engineering and construction firm with seven branches elsewhere in the islands. Hawaiian Dredging, in turn, sold the building on April 6, 1954 to the City and County of Honolulu. (Greer)

The original structure was a three-by-four-bay building, its Merchant Street facade being the longer, the Kaʻahumanu Street facade the shorter. The structure has a basement, which was unusual at that time for a building so close to the ocean. The coral stone building was topped by a hipped roof above a simple cornice.

Probably in 1937-38, the Building was significantly enlarged (by about 75%) by the addition to the west/ʻEwa of another two bays, each with two windows at the second level. The connecting bay has a wide door at the lower floor. The lower level of the corner bay has no doors. These two bays may be conversions of the earlier alley and one-story warehouse-style structure.

Stucco and paint now cover most of the building. However, take the time to check the back of the building (makai side) to see the coral blocks. A good way is to take the breezeway down through Harbor Court (you’ll be walking on what once was Kaʻahumanu Street (also called Laulau Lane, due to the products sold along the former street.))

Here are a couple other Melchers mementos – the site where the Melchers building sits was the center of controversy in the early-1840s.

April 25, 1825, Richard Charlton arrived in the Islands to serve as the first British consul. A former sea captain and trader, he was already familiar with the islands of the Pacific and had promoted them in England for their commercial potential (he worked for the East India Company in the Pacific as early as 1821.)

In 1840, Charlton made a claim for several parcels of land in Honolulu. To substantiate his claim, Charlton produced a 299-year lease for the land in question, granted by Kalanimoku. There was no disagreement over the parcel, Wailele, on which Charlton lived, but the adjoining parcel he claimed, Pulaholaho, had been occupied since 1826 by retainers and heirs of Kaʻahumanu (a portion of which is where the Melchers Building is situate.)

In rejecting Charlton’s claim, Kamehameha III cited the fact that Kalanimoku did not have the authority to grant the lease. At the time the lease was made, Kaʻahumanu was Kuhina Nui, and only she and the king could make such grants. The land was Kaʻahumanu’s in the first place, and Kalanimoku certainly could not give it away. (Hawaiʻi State Archives) The dispute dragged on for years.

This, and other grievances purported by Charlton and the British community in Hawai‘i, led to the landing of George Paulet on February 11, 1843 “for the purpose of affording protection to British subjects, as likewise to support the position of Her Britannic Majesty’s representative here”.

Following this King Kamehameha III ceded the Islands and Paulet took control. After five months of British rule, Queen Victoria, on learning the injustice done, immediately sent Rear Admiral Richard Darton Thomas to the islands to restore sovereignty to its rightful rulers. On July 31, 1843 the Hawaiian flag was raised. The ceremony was held in area known as Kulaokahuʻa; the site of the ceremony was turned into a park, Thomas Square.

Here’s another Melchers memento; in the Hawaiian legislature of 1878, Walter Murray Gibson, then a freshman member from Lahaina, Maui, proposed a monument to the centennial of Hawaiʻi’s “discovery” by Captain James Cook. The legislature approved and he chaired the monument committee.

At the request of the monument committee, a bronze statue of ‘heroic size’ (about eight-and-a-half-feet tall) of King Kamehameha was designed, depicting the King at about 45-years old.

The statue was shipped on August 21, 1880, by the bark ‘GF Haendel,’ and was expected about mid-December. On February 22, 1881, came word that the Haendel had gone down November 15, 1880, off the Falkland Islands. All the cargo had been lost.

The statue had been insured for 50,000 marks (about $12,000) with Gustav C Melchers of Bremen through FA Schaefer of Honolulu. With the proceeds, a replica was ordered.

Ultimately, the original was recovered and repaired and set in Kapaʻau, Kohala on the Island of Hawaiʻi (May 8, 1883.) The duplicate was set in front of Aliʻiolani Hale on King Street in Honolulu (February 14, 1883.

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