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July 28, 2025 by Peter T Young Leave a Comment

Hale O Keawe

To help tell the story of Hale O Keawe, the following includes quotes from John Papa ʻĪʻi (who became an attendant of Kamehameha I and later a companion and personal attendant to Liholiho (later King Kamehameha II,)) William Ellis (missionary who circled the island of Hawaiʻi in 1823) and Hiram Bingham (missionary.)

“The Hale O Keawe in Honaunau was called Ka-iki-ʻAlealea (The little ʻAlealea,) and was a puʻuhonua. Kaikiholu and Pakaʻalana on Hawaii, Kakaʻe in ʻIao, Maui; Kūkaniloko in Wahiawa, Oʻahu; and Holoholoku in Wailua, Kauaʻi, were also places to which one who had killed could run swiftly and be saved.”

“The person whose writing this is often went about them, including the Hale O Keawe. He has seen this house (hale ʻaumakua iwi) where the bones were deposited, standing majestically on the left (or south) side of Akahipapa.”

“The house stood by the entrance of a wooden enclosure, with door facing inland towards the farming lands of South Kona.”

“The heir to the kingdom entered the Hale O Keawe during his journey around to the various luakini heiau of Kanoa in Hilo, Wahaʻula in Puna, and Punaluʻu in Kaʻū. The journey began in Kailua, thence to Kawaihae and from there on around the island to the Hale O Keawe.“

“The appearance of the house was good. Its posts and rafters were of kauila wood, and it was said that this kind of timber was found in the upland of Napu’u. It was well built, with crossed stems of dried ti leaves, for that was the kind of thatching used.”

“The appearance inside and outside of the house was good to look at. The compact bundles of bones (pukuʻi iwi) that were deified (hoʻokuaʻia) were in a row there in the house, beginning with Keawe’s near the right side of the door by which one went in and out, and going to the spot opposite the door (kuʻono).”

“At the right front corner of the house where the unwrapped bones of those who had died in war, heaped up like firewood. In that pile of bones were the bones of Nahiolea, father of M Kekūanāoʻa. The person whose writing this is saw his own father remove his tapa shoulder covering and place it on a bundle among the other bundles of bones. He must have asked the caretaker about all of them and their names, and they were told to him. That was why he did so.”

“When the writer saw his father doing this he asked, ‘Have we a near kinsman in this house?’ His father assented. There are some people who have relatives in this house of ‘life’, but perhaps most of them are dead. The chiefs were descended from Hāloa and so were their retainers (kauwa kupono). The chiefs were born, such as Lono-i-ka-makahiki and Kama-lala-walu and so on down, and so were the retainers (i.e., the junior members of the family.)”

“After the chief ʻIolani (Liholiho) had finished his visit to the house, a pig was cooked and the gathering sat to worship (hoʻomana) the deified persons there. When that was done, the chief and those who went in with him ate together. After the eating was over, the kapu was removed. The travellers left the Hale O Keawe and sailed by canoe, landing at Kamakahonu in Kailua in the evening. There they met Kamehameha. That must have been in the year 1817.” (John Papa ʻĪʻi)

A few years later (1823,) William Ellis and others visited Honaunau and Hale O Keawe. Ellis documented this, noting, “Honaunau, we found, was formerly a place of considerable importance, having been the frequent residence of the kings of Hawaii, for several successive generations.”

“The monuments of the ancient idolatry, with which this place abounds, were, from some cause unknown to us, spared, amidst the general destruction of the idols, &c. that followed the abolition of the aitabu, in the summer of 1819.”

“The principal object, that attracted our attention, was the ‘hare o Keave’ (house of Keawe,) a sacred depository of the bones of departed kings and princes, probably erected as a depository for the bones of the king whose name it bears, and who reigned in Hawaii, about eight generations back.”

“It is a compact building, 24 feet by 16, constructed with the most durable timber, and thatched with ti leaves, standing on a bed of lava, which runs out a considerable distance into the sea. It is surrounded by a strong fence, or paling, leaving an area in the front and at each end, about twenty-four feet wide, paved with smooth fragments of lava laid down with considerable skill.”

“Several rudely carved male and female images of wood were placed on the outside of the enclosure; some on low pedestals, under the shade of an adjacent tree; others on high posts, on the jutting rocks that hung over the edge of the water.”

“A number stood on the fence at unequal distances all around; but the principal assemblage of these frightfull representatives of their former deities, was at the south-east end of the enclosed space, where, forming a semicircle, twelve of them stood in grim array, as if perpetual guardians of ‘the mighty dead’ reposing in the house adjoining.”

“A pile of stones was neatly laid up in the form of a crescent, about three feet wide, and two feet higher than the pavement, and in this pile the images were fixed. They stood on small pedestals three or four feet high, though some were placed on pillars eight or ten feet in height, and curiously carved.”

“The principal idol stood in the centre, the others on either hand, the most powerful being placed nearest to him. He was not so large as some of the others, but was distinguished by the variety and superior carving of his body, and especially of his head.”

“Once they had evidently been clothed, but now they appeared in the most indigent nakedness. A few tattered shreds round the neck of one that stood on the left hand side of the door, rotted by the rain, and bleached by the sun, were all that remained of numerous and gaudy habiliments, with which their votaries had formerly arrayed them.”

“A large pile of broken calabashes and cocoanut shells Jay in the centre, and a considerable heap of dried and partly rotten wreaths of flowers, branches of shrubs and hushes, and fragments of tapa, (the accumulated offerings of former days,) formed an unsightly mound immediately before each of the images.”

“The horrid stare of these idols, the tattered garments upon some of them, and the heaps of rotting offerings before them, seemed to us no improper emblems of the system they were designed to support; distinguished alike by its cruelty, folly, and wretchedness.”

“…we looked in and saw many large images, some of wood very much carved, others of red feathers, with widely distended mouths, large rows of sharks teeth, and glaring pearl-shell eyes.”

“We also saw several bundles of .human bones, cleaned, carefully tied up, and placed in different parts of the house, together with some rich shawls and other valuable articles, probably worn by those, to whom the bones belonged, as the wearing apparel, and other personal property of the chiefs, is generally buried with them.”

“Adjoining the Hare O Keave, to the southward, we found a pahu tabu (sacred inclosure) of considerable extent; and were informed by our guide, that it was one of the pohonuas of Hawaii, of which we had so often heard the chiefs and others speak. There are only two on the island, the one, which we were then examining, and another at Waipiʻo, on the north-east part of the island, in the district of Kohala.”

ʻThe zeal of Kaʻahumanu led her as early as 1829 to visit the Hale O Keawe at Honaunau, a cemetery associated with dark superstitions, and surrounded with horrid wooden images of former generations. The regent visited the place not to mingle her adorations with her early contemporaries and predecessors to the relics of departed mortals, but for the purpose of removing the bones of twenty-four deified kings and princes of the Hawaiian race….” (Bingham)

“… when she saw it ought to be done, she determined it should be done: and in company with Mr. Ruggles and Kapiolani, she went to the sacred deposit, and caused the bones to be placed in large coffins and entombed in a cave in the precipice at the head of Kealakekua Bay.” (Bingham)

Hale O Keawe is part of the Puʻuhonua O Hōnaunau National Historical Park, originally established in 1955 as City of Refuge National Historical Park (renamed on November 10, 1978.)

© 2025 Hoʻokuleana LLC

Hale O Keawe was Depository of the Kings of Hawaii, at Honaunau
Hale O Keawe was Depository of the Kings of Hawaii, at Honaunau
Sketch of Hale-o-Keawe by Dampier, 1825
Sketch of Hale-o-Keawe by Dampier, 1825
Seawalls at the east end of Hale o Keawe-1921
Seawalls at the east end of Hale o Keawe-1921
Robert_C._Barnfield_-_watercolor_painting_of_Hale_o_Keawe-1886
Robert_C._Barnfield_-_watercolor_painting_of_Hale_o_Keawe-1886
Puuhonua_O_Honaunau-Smith
Puuhonua_O_Honaunau-Smith
Puuhonua_O_Honaunau-Kekahuna-SP 201979-map
Puuhonua_O_Honaunau-Kekahuna-SP 201979-map
Puuhonua_O_Honaunau-Hale_O_Keawe-lower_left
Puuhonua_O_Honaunau-Hale_O_Keawe-lower_left
Image removed from Hale-o-Keawe and later presented to the Bishop Museum
Image removed from Hale-o-Keawe and later presented to the Bishop Museum
Hale-O-Keawe
Hale-O-Keawe
Hale-o-Keawe-(hawaiireporter)
Hale-o-Keawe-(hawaiireporter)
Hale_O-Keawe-(NPS)
Hale_O-Keawe-(NPS)
Hale_O_Keawe_Platform_and_Vicinity
Hale_O_Keawe_Platform_and_Vicinity
Hale_o_keawe
Hale_o_keawe
Hale_o_keawe
Hale_o_keawe
Hale O Keawe-Ellis-1823
Hale O Keawe-Ellis-1823
Hale o Keawe platform after the 1960s restoration-(NPS)
Hale o Keawe platform after the 1960s restoration-(NPS)
Andrew Bloxam's drawings of the exterior appearance and interior arrangement of Hale-o-Keawe
Andrew Bloxam’s drawings of the exterior appearance and interior arrangement of Hale-o-Keawe

Filed Under: Ali'i / Chiefs / Governance, Hawaiian Traditions Tagged With: Hawaii, Hawaii Island, Puuhonua O Honaunau, Puuhonua O Honaunau National Historical Park, Honaunau, Hale O Keawe

July 27, 2025 by Peter T Young Leave a Comment

“Your Affectionate & Unhappy Friend”

John Young, a Briton who came to the islands in 1790 and befriended and supported Kamehameha, was called Olohana (“All Hands!”) He had four children,—Jane, Fannie Kekelo, Grace and John Young Jr.

The daughter, Fannie Kekela was the mother of Emma (Kaleleonalani – born January 2, 1836,) who was adopted by Doctor Rooke, an Englishman. On June 9, 1856, Emma married Alexander Liholiho, King Kamehameha IV, and then was known as Queen Emma. (Restarick)

Across the globe, Victoria was born at Kensington Palace, London, on May 24, 1819. She was the only daughter of Edward, Duke of Kent, fourth son of George III. She became heir to the throne because the three uncles who were ahead of her in succession – George IV, Frederick Duke of York and William IV – had no legitimate children who survived.

On William IV’s death, she became Queen at the age of 18 on June 20, 1837. Queen Victoria is associated with Britain’s great age of industrial expansion, economic progress and, especially, empire. (At her death, it was said, Britain had a worldwide empire on which the sun never set.) (British Monarchy)

The two queens were unlike in more than the size of their realms. Victoria was almost a generation older than Emma. Victoria had nine children, the last one born in 1857, a year before Emma’s one and only child, the Prince of Hawaiʻi.

Queen Victoria and Queen Emma exchanged letters (many of them sad exchanges about the losses experienced by each.) The correspondence between the two queens began in September 1862, with Queen Emma’s announcement of the death of the Prince of Hawaiʻi, her son and Queen Victoria’s godson.

It took 6-months for letter exchanges – at least 3-months for a letter to travel each way from Hawaiʻi to England. (Kanahele)

Queen Emma’s first letter (September 10, 1862) expresses her appreciation to Queen Victoria for her willingness to be godmother to Emma’s only child, Prince Albert …”As a wife and fond mother, my heart overflows with gratitude to your Majesty, for the honour which you have been so graciously pleased to render to the King, my husband, and to our only son, in condescending to become his sponsor, at his baptism.”

However, that same letter also notified Queen Victoria that Prince Albert had died … “But, alas! Your Majesty’s spiritual relation to my beloved child has been of short duration, for it pleased Almighty God, in his inscrutable Providence, to call him away from this world, on the 17th August, only a few days after his baptism.” Queen Emma signed it: “Your Good & Grateful friend – Emma.”

Victoria, in mourning for years after the death of her husband in December 1861, replied (February 14, 1863) on her personal notepaper, marked with a wide black border on the paper and envelope and sealed with black sealing wax.

“As a Mother you will understand how fully I am able to appreciate the depth of your grief, at the sad loss which so soon succeeded to the Holy Ceremony. As a wife I can sincerely hope that you may be spared the heavier blow which has plunged me into life long sorrow,—but which makes my heart tenderly alive to all the sorrows of others.”

Later that year, Alexander Liholiho (King Kamehameha IV,) Emma’s husband, died. On February 14, 1864, she wrote to Victoria of the news and her grief, signing, “I remain Your Majesty’s afflicted but grateful friend”.

“My heart is very, very heavy while I make known to Your Majesty that God has visited me with that great trouble which in your kind and consoling letter you said you hoped I might be spared.”

“On the 30th. November my Husband, of whose danger I had never entertained one thought, expired suddenly, almost while in the act of speaking to me, and it was a long while before they could make me believe that what I saw was death and that he had really left me alone for the remainder of my life.”

“This blow has been very hard on me. It seems truly as yesterday that we lost our beautiful boy Albert, Your Majestys Godson, of whom I am afraid we were too fond and proud, and from whom we looked for such great things, flattering ourselves that his very name gave an assurance of his becoming as he grew up, every thing that is good and true and Prince-like.”

Victoria replied (June 14, 1864,) “My bleeding heart can truly sympathize with you in your terrible desolation! A dear & promising only child & a beloved Husband have both been taken from you within two years! Time does not heal the really stricken heart!”

“May God give you strength to bear up under your heavy affliction. I remain Your Majesty’s affectionate & unhappy friend Victoria R.” (The phrase “unhappy friend” was often used by Queen Victoria after the death of Prince Albert. (Hackler))

For the next 20 years, the two Queens wrote each other from time to time, sharing news of family events, happy and tragic. They exchanged photographs and small gifts and inquired about each other’s health and that of their families.

It was not until 1865 that Queen Emma travelled to England; there, she had the rare experience of spending the night with the British royal family in Windsor Castle. Victoria never made it to the Islands.

“The highlight of Emma’s visit was her audience with her son’s godmother and the ruler of the most powerful nation in the world and hence the most powerful woman in the world, Queen Victoria. She had looked forward to the meeting since her first letter recounting her son’s death.”

“But so was had Queen Victoria who, according to Prime Minister Lord John Russell, was ‘anxious to show her every attention and civility, & will be much interested in seeing her.’” (Kanahele)

In writing her appreciation for the visit, Emma wrote (December 12, 1865,) “Allow me to say with how much gratitude and affection I shall always cherish the remembrance of you and yours and with what pleasure I feel that I may subscribe myself My dear Madam, Your very sincere and faithful friend, Emma”

The last known letter exchange between the two was in 1882, Victoria responded to Emma, “My dear Friend, You wrote me a most kind letter on the occasion of the attempt on my life … We are now engaged in a war which I hope will be of short duration …”

“We were pleased to make the acquaintance of King Kalakaua and I would ask you to remember me to him. With renewed expressions of friendship and esteem, Your majesty’s affectionate friend, Victoria R.I.”

In 1883, Emma suffered the first of several small strokes and died two years later on April 25, 1885 at the age of 49; Queen Victoria died on January 20, 1901. This summary is the result of inspiration and lots of information from Hackler and her paper, ‘My Dear Friend.’

© 2025 Hoʻokuleana LLC

Queen_Emma-(with_Christening_font)-Queen_Victoria
Queen_Emma-(with_Christening_font)-Queen_Victoria
Queen_Victoria_to_Queen_Emma-partial_letter-HSA-Oct_20,_1872
Queen_Victoria_to_Queen_Emma-partial_letter-HSA-Oct_20,_1872
Queen_Victoria,_photographed_by_George_Washington_Wilson-WC-1863
Queen_Victoria,_photographed_by_George_Washington_Wilson-WC-1863
Silver christening vessel from Queen Victoria who had agreed to be Prince Albert Edward’s godmother
Silver christening vessel from Queen Victoria who had agreed to be Prince Albert Edward’s godmother
Queen_Emma_of_Hawaii,_photograph_by_John_and_Charles_Watkins-WC-1865
Queen_Emma_of_Hawaii,_photograph_by_John_and_Charles_Watkins-WC-1865
Queen_Emma_of_Hawaii_and_christening_font-WC
Queen_Emma_of_Hawaii_and_christening_font-WC
Queen_Victoria_by_Bassano-WC-1882
Queen_Victoria_by_Bassano-WC-1882

Filed Under: Ali'i / Chiefs / Governance Tagged With: Hawaii, Queen Victoria, Queen Emma, My Dear Friend

July 26, 2025 by Peter T Young 3 Comments

Clarissa Haili

Clarissa Meleka Haili, one of five children of George and Rebecca Haili, was born into a musical family on October 28, 1901 in Honolulu, Hawaii. She first went by the name ‘Clara.’

She attended Kaʻahumanu Elementary School; graduated from the Territorial Normal School. Setting out to be a teacher, Clara began teaching at Waipahu Elementary in 1923.

Though she taught English, social studies and math, her real love was teaching music and many of her students remembered her with great fondness. (Singletary)

While still teaching she started performing – singing and dancing. (“I never had a hula lesson in my life. I just learned to dance by watching others. I just do what comes naturally.” (Clara; Reading Eagle, October 11, 1972)

Clara turned professional in 1936 when she entertained with the Royal Hawaiian Girls Glee Club. They sang at the Royal Hawaiian Hotel and the Waiʻalae Country Club. (“We would get $25 for an appearance, and there were 25 of us, we each got a dollar.” (Clara; Reading Eagle, October 11, 1972)

She took part in the Kodak Hula Show. Clara participated in the summer shows from 1937 through 1940.

While traveling to Portland, Oregon in 1936 for a teachers’ convention, Clara was part of the entertainment on the ship. She became such a huge hit with the passengers. (hawaii-edu)

This was a turning point in her career. During a program of entertainment on the ship, she first performed a song written by Don McDiarmid.

McDiarmid had a much more sultry dancer in mind when he wrote the song, and he was conducting the Royal Hawaiian Hotel orchestra when a dancer fell ill and Clara performed the song in her unique comic style.

He was astounded when the audience loved Clara’s interpretation. The song would later be her theme, as well as her name.

Clara continued to teach school while performing at night, when the National Shriners’ convention put her at the top of their list of entertainers in 1938 in Los Angeles.

She and Al Kealoha Perry and his Singing Surfriders entertained all over Los Angeles. Clara’s next mainland trip was to the St Regis Hotel in New York, in 1939.

Upon returning home, Clara was told by the Board of Education that she must choose between teaching and performing. She gave in gracefully and decided to go back to school herself to get her teaching degree.

However, Harry Owens took over the band at the Royal Hawaiian Hotel and immediately hired Clara. Clara said she would probably “still be teaching if it hadn’t been for a professor at the University of Hawaiʻi who told her to stick to entertaining.” (Reading Eagle, October 11, 1972)

Owens got her into movies in Los Angeles; they also entertained in various Southern California hotels.

Then the war broke out. They entertained soldiers and sailors departing for the Pacific and participated with the Red Cross, USO and hospitals. For the next 26-weeks, they were on the road entertaining at big hotels and military bases.

After the war, Clara became a disc jockey for Honolulu radio station KPOA. Harry Owens had a television program and Clara became a regular on the Hawaiian music show in 1949. The show ran for nine years.

During the late-1940s and 50s, she criss-crossed the country in Hawaiian-themed show rooms.

Finally, after years on the road, Clara returned to Hawaiʻi and the Tapa Room at the Hawaiian Village in 1960, where she recorded her first live album. Engagements followed at the Ilikai’s Canoe House, the Halekūlani, the Kahala Hilton, the Royal Hawaiian and Moana. She continued performing until 1977.

Oh, her stage name (and later, legal name?) … Hilo Hattie. And, the song, ‘When Hilo Hattie Does The Hilo Hop.’

Here’s a link to “Hilo Hattie Does The Hilo Hop” and “Cockeyed Mayor Of Kaunakakai:”

Clara legally took the name Hilo Hattie at the insistence of Harry Owens when she performed in the 1941 film Song of the Islands. Unfortunately, she doesn’t perform her signature song in the movie, only a shortened version of ‘The Cockeyed Mayor of Kaunakakai.’

In 1971, an original line of clothing was also named after her. While attending the Merry Monarch festival in Hilo that year, Clara was approached by Evelyn and Richard Margolis and entered into an agreement for them to design and sell a line of ‘Hilo Hattie’ clothing.

The namesake store, Hilo Hattie’s, originally started in 1963 as Kaluna Hawaii Sportswear on Kauaʻi.  The name changed in 1979, with the purchase of Hilo’s Evelyn Margolis Manufacturing and Retail Co and rights to Hilo Hattie’s name.

She was married a few times: John Baxter, in 1920 (divorced); Milton Douglas, in 1926 (divorced); Theodore Inter, in 1930 (divorced) and Carlyle Nelson (a violinist), in 1949 (the last lasted for 30-years.) She died December 12, 1979. (Lots of information here from Singletary.)

© 2025 Hoʻokuleana LLC

Hilo_Hattie,_1941
Hilo_Hattie,_1941
Hilo_Hattie,_ReadingEagle-1972
Hilo_Hattie,_ReadingEagle-1972
Hilo_Hattie-honoluluadvertiser
Hilo_Hattie-honoluluadvertiser
Hilo_Hattie
Hilo_Hattie
Hilo Hattie with Al Kealoha Perry's Hawaii Calls musicians -(HSA)-1937-PP-33-1-016
Hilo Hattie with Al Kealoha Perry’s Hawaii Calls musicians -(HSA)-1937-PP-33-1-016
Hilo Hattie doing the hula, Hawaii Calls, Banyan Court, Moana Hotel-PP-33-5-043-1950s
Hilo Hattie doing the hula, Hawaii Calls, Banyan Court, Moana Hotel-PP-33-5-043-1950s
Hilo_Hattie-gravesite NMCP
Hilo_Hattie-gravesite NMCP
Hilo_Hattie-gravestone NMCP
Hilo_Hattie-gravestone NMCP

Filed Under: Prominent People Tagged With: Hawaii, Hilo Hattie

July 25, 2025 by Peter T Young Leave a Comment

Waikahalulu Falls

‘Pan-Pacific Union’ was the local expression of the larger ‘Hands-around-the-Pacific’ movement, which embraced all countries in and about the vast western ocean – the future theatre of the world’s greatest activities. (The Friend, May 1, 1918)

The projected calling of a Pan-Pacific conference to meet in Hawaiʻi, the establishment of a Pan-Pacific commercial college in Honolulu and the project of a Pan-Pacific peace exposition here after the war was launched by a number of influential business men. (Mid-Pacific Magazine, 1918)

A Pan-Pacific commercial college was considered one of the best means to bring Hawaiʻi into closer communion with the countries of the Far East while the exposition and general conference would create a sentiment in the countries of the Pacific to make the Pacific independent in its resources and make Hawaiʻi a real cross-road of the Pacific. (Oregon News, June 26, 1918)

Folks selected a site along the Nuʻuanu Stream, in the heart of Honolulu, near two waterfalls, as the nucleus of a Pan-Pacific Park; here all resident races of the Pacific might re-create their national life and customs.

It turns out the site was at the former home of the former Queen, Liliʻuokalani. Here, once stood the grass house of the parents of Hawaiʻi’s last Queen. As a child she played and bathed in the pool below the falls. (Some call it the Queen’s Bath.)

At first, the Japanese offered to make of Liliʻuokalani Gardens a bit of old Japan. With more land, they suggested different nations around the Great Ocean come for the 1920 Exposition. (Mid-Pacific Magazine, January 1917)

During initial discussions of the proposed Pan-Pacific Exposition came up, Mr Ishii announced that he would provide a Japanese tea house section that would be a credit and honor to his race in Hawaiʻi.

In the garden, and tea houses, there should be no intoxicants of any kind, and only the real lovers of simple pleasures, and those who enjoy the beautiful in nature, would be welcomed. (Mid-Pacific Magazine, August 1918)

Ishii’s Garden in Pan-Pacific Park, a bit of old Japan in Hawaii, was looked upon as one of the most charming spots in Honolulu. The entire grounds were formerly known as Yoraku-en—the Pan-Pacific tea garden.

The garden was planted with Japanese grass, and the landscape gardening there is patterned after the Land of the Cherry Blossoms. Buildings, too, are designed along Japanese lines. It was Ishii’s plan to will the park and garden to the Pan-Pacific Union as its headquarters.

For ten years, Ishii has been improving these remarkable Japanese gardens. They adjoin the Liliʻuokalani Park, one of the most beautiful bits of landscape in Hawaii. The building of a native Hawaiian village is contemplated, adjoining both Liliʻuokalani and Ishii’s gardens, so that in time all may be thrown into one Pan-Pacific park.

Here, perhaps each Pacific race in Hawaiʻi may have its individual club house and grounds. Mr. Ishii is a public benefactor in pointing the way for better understanding and co-operation among the men of all races in Honolulu. (Pan-Pacific Union, March 1923)

Glance up the Nuʻuanu Stream, beneath the finest (and most forgotten) avenue of monkeypod trees in the Island. It was a bit of Japan at its fairest, and there, far up at the end of the arching of green, were two tumbling white waterfalls.

There are many beauty spots in Hawaiʻi, but none more beautiful than those that congregate about that section of the Nuʻuanu Stream, flowing through Honolulu, where it was proposed to hold the Pan-Pacific Peace Exposition after World War I.

Their philosophy was, work hard enough and long enough for the thing you want, and you will get it; and so any good idea may be made to grow into a reality.” (Mid-Pacific Magazine, August 1918)

Unfortunately, there are no records of the Pan-Pacific Union holding the exposition (like a World’s Fair) in Honolulu. The City later acquired the Liliʻuokalani Park – it’s now a small, streamside passive park. Waikahalulu Falls are still there, too.

The City notes, portions of this garden were once the property and favorite picnic grounds of Queen Liliʻuokalani, the last reigning monarch of Hawaiʻi. She later donated her land to the City and County of Honolulu to be used for the public’s enjoyment. This developing garden is devoted to native Hawaiian plants. (C&C)

Records do note that the Nagoya Pan-Pacific Peace Exposition was a world’s fair held in Japan from March 15 to May 31, 1937.

It was intended to promote industry, transportation, education, science, construction, architecture, social welfare, tourism, fine arts and crafts. The Second Sino-Japanese War (1937–1945) erupted only two months after the Exposition closed.

© 2025 Hoʻokuleana LLC

Queen-Liliuokalani-Gardens
Queen-Liliuokalani-Gardens
Waikahalulu-Falls
Waikahalulu-Falls
Waikahalulu-Falls-HonoluluBotanicalGardens
Waikahalulu-Falls-HonoluluBotanicalGardens
Waikahalulu-Falls-arjunaheim
Waikahalulu-Falls-arjunaheim
Waikahalulu_Falls-HonoluluBotanicalGardens
Waikahalulu_Falls-HonoluluBotanicalGardens
Lili'uokalani_Botanical_Garden
Lili’uokalani_Botanical_Garden
Waikahalulu_Falls
Waikahalulu_Falls
Part of Ishii's Pan-Pacific Gardens-Pan-Pacific Union March 1923
Part of Ishii’s Pan-Pacific Gardens-Pan-Pacific Union March 1923
Main tower at the Nagoya Pan-Pacific Peace Exposition-1937
Main tower at the Nagoya Pan-Pacific Peace Exposition-1937

Filed Under: General, Economy Tagged With: Waikahalulu Falls, Pan-Pacific Park, Pan-Pacific, Hawaii

July 24, 2025 by Peter T Young Leave a Comment

Declaration of War

It starts with the delivery of a simple package … two ʻulu maika stones wrapped in kapa.

This was an announcement of war between two aliʻi. It was an offer, and a threat.

The kilo (reader of omens) and the kuhikuhipuʻuone (seer, soothsayer) were familiar with the thought behind those white and black stones, and they also understood the ki-leaf knots which were made.

The white stone signified peace and not war, showing the clean thought of the person who sent it, and it might be reciprocated by the return of that stone without a wrapping.

The black stone was a symbol of war between the one who sent it and the one to whom it was sent. (Desha)

The recipient was asked to make a choice.

If the recipient aliʻi sought peace, he returned the white stone. That would show his good intentions and that he was asking that they dwell in affection without starting a war between them.

If he agreed to war between himself and the aliʻi who had sent those stones, then he would take the black stone and wrap it in black kapa, and return it to the aliʻi who had sent the stones.

This action would announce war between them, the stone symbolizing the black thought between them. This would lead to preparations for war.

Kamehameha used this in his conquest of the Islands.

On receipt by Keawemauhili, he chose the white stone and sent it back to Kamehameha showing his good will toward him.

The messenger to Keawemauhili returned with that stone and appeared before Kamehameha and his court. Kamehameha opened up the kapa bundle and saw the white stone within and he turned and said to his chiefs:

“My makua kane (uncle) of Hilo does not desire to oppose me, and it would not be well for our side to go to war with him. It would be a cause for the god to favor him and desert us, as there is no wrongdoing on that side, and we alone desire to make war.”

However, Keʻeaumoku, his uncle and war-seeking advisor said while he returned the white stone, it was deficient. He said Kamehameha should have also asked for the sweet tasting ‘anae (mullet) and the fat awa (milkfish) of Hilo. Kamehameha sent his messenger with that request.

Keawemauhili immediately commanded the konohiki of his fishpond to fetch some fish for the ali‘i Kamehameha, saying: “Fetch four fat ‘anae and also four fat awa, and wrap them in seaweed to keep them alive until they arrive before my keiki Kamehameha.” Keawemauhili also sent back a bundle with two stones wrapped in ki leaves, both white coral.

The later death of Kanekoa at the hands of Keoua led Kamehameha to make war plans, Keawemauhili of Hilo and Keoua of Kaʻu joined forces – Kamehameha attacked Keawemauhili.

A later declaration of war was sent to Kahekili.

In the spring of 1790, Kamehameha invaded the island of Maui. One of the bloodiest battles of Kamehameha’s time was fought and won by him at ʻIao Valley. So many men were killed in this battle that their bodies filled the river, which gave the name of the battle Kepaniwai (the damning of waters.)

After the battle, Kamehameha was on the island of Molokai; he sent a messenger to Kahekili, the King of Maui and Kauai, carrying to symbolic stones, one white and the other black.

“This stone, the white one, is a symbol of farming, of fishing, of the feeding of mankind, and is a stone of rule of government also. This black stone is a stone of war.”

Kahekili paused for a while, then turned again and questioned the messenger: “Ea, does Kamehameha say by these stones that he desires to sail to O‘ahu to make war?” “Yes,” the messenger replied.

If the King returned the white stone, it was equivalent to giving Kamehameha their kingdom without battle; but if the black stone came back, he would prepare for war. Kahekili answered that when his body should be covered with the black tapa (when he was dead,) then Kamehameha could take possession of the Kingdom without battle.

This was acceptable for the time being. Kamehameha waited. Kahekili died in 1794.

“The appropriate time has now come to fulfill that thought of our uncle in giving the land. I am blameless in taking that land because it was previously conveyed to me because of those words of bequest by our uncle.” (Kamehameha; Desha)

In 1795 Kamehameha sailed from his home island of Hawaiʻi with an army of thousands of warriors, including a handful of non-Hawaiian foreigners to battle Kalanikūpule (Kahekili’s son.).

The war apparently ends with some of Kalanikūpule’s warriors pushed/jumping off the Pali. When the Pali Highway was being built, excavators counted approximately 800-skulls, believed to be the remains of the warriors who were defeated by Kamehameha.

Finally, Kamehameha’s messenger delivered to Kaumuali‘i of Kauai a black stone, which was a really beautiful ʻulu maika, and some small black ʻulu maika. Those excellent large and small stones were marked with cord (kahamaha ia). Besides these excellent large and small stones, a white maika stone wrapped in kï leaves.

The large and small black maika stones were as though Kamehameha was saying to Kaumuali‘i through these stones: “Perhaps by strength Kauai might be gotten or perhaps not.” That was the nature of those black maika stones—they were words of war.

The white maika stone wrapped in ki leaves was a denial of war, showing the white thought in Kaumuali‘i’s heart, that he did not desire war.

The fine-meshed net expressed the thought that the other islands of Hawai‘i were bound under Kamehameha, in other words, Hawai‘i, Maui, Lānai, Kahoʻolawe, Molokai, and O‘ahu. If the discussion went well, then Kauai and Ni‘ihau would be included in the fine-meshed net.

Kaumuali‘i kept the black stones which had been sent him and returned the white maika stone wrapped in kī leaves to the messenger. It was wrapped in the fine-meshed net, and also a section of bamboo was given the messenger.

Kauai’s opposing factions (Kaumuali‘i versus Keawe) were extremely vulnerable as they had been weakened by fighting each other (Keawe died and Kaumuali‘i was, ultimately, ruler of Kauai and Ni‘ihau.) Kamehameha’s two attempts at invading Kauai were foiled (by storm and sickness.)

The island was never conquered; in the face of the threat of a further invasion, in 1810, at Pākākā on Oʻahu, negotiations between King Kaumuali‘i and Kamehameha I took place and Kaumualiʻi yielded to Kamehameha. The agreement marked the end of war and thoughts of war across the islands.

The image shows Kamehameha as a young warrior. (Herb Kane) (Lots of information here from Desha.)

© 2025 Hoʻokuleana LLC

Young_King_Kamehameha-(HerbKane)
Young_King_Kamehameha-(HerbKane)

Filed Under: Ali'i / Chiefs / Governance, Hawaiian Traditions Tagged With: Hawaii, Declaration of War

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