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February 9, 2022 by Peter T Young 1 Comment

“Excuse my back”

Conversation at Waikīkī: “I see Ed Sawtelle’s back” “I didn’t know he had been away” “I said that I see Ed Sawtelle’s back’s the best known back in Honolulu. I want to see the face in front of the back for once.”

“Ed Sawtelle doesn’t need to say ‘Excuse my back’ when he sits at the console of the great Robert Morton Organ in the Waikīkī Theater: that tall swaying silhouette under the proscenium lights is his signature. (Blanding, Honolulu Star-Bulletin, March 27, 1954)

Born in Cambridge, Massachusetts, Sawtelle is a graduate of Harvard, where he majored in music, and a graduate of the New England Conservatory of Music where he studied under two of the nation’s outstanding authorities, Professor Henry Dunham and Professor Wallace Goodrich.

For some time, Sawtelle was with the Boston Symphony, and for three years was accompanist with the Boston Opera House. He entered the theatrical field in New York, and has been organist and musical director in theaters in San Francisco, Los Angeles, Denver, Atlanta, and Boston.

For many years, Sawtelle was associated with the Robert Morton Organ Company demonstrating and installing theatrical organs. In this particular field he was considered one at the greatest authorities in the country.

Sawtelle first came to Hawaiʻi in 1922 as organist at the opening of the Princess Theater. While here he was organist at the Hawaiʻi Theater, and went to Hilo to open the Palace Theater as organist and musical director. He returned to Honolulu to open the new Waikīkī Theater.

Leaving Hawaii in 1929, Sawtelle was featured on the radio in San Francisco, Los Angeles and New York. A concert tour took him through the major centers of the nation.

Mrs. Sawtelle returned to Honolulu with her husband. She, too, is noted in the field of music, having appeared throughout the country on concert tour as Carmen Prentice, mezzo-soprano.

Not only did Sawtelle supervise the building of the Hammond organ for the Waikīkī Theater, but he brought it to Honolulu with him, and has supervised the installation at the new playhouse. (Honolulu Advertiser, August 20, 1936)

As organist for the Consolidated Amusement Company since 1922 with only a break of seven years from 1929 to 1936, Ed meant “moods, memories and music” to Honolulu audiences.

During the war years his audiences extended far beyond the limits of the movie palaces to little lonely atolls in the deep Pacific, to hospitals and observation posts in the Islands, and to ships at sea as his Star Dust Serenade went out over the airwaves to reach and sooth the homesick hearts of men and women in the service. (Blanding, Honolulu Star-Bulletin, March 27, 1954)

Starting in 1937, Sawtelle played the new organ at intermissions and on weekly live radio broadcasts heard throughout the Pacific during World War II. For a time, Sawtelle played two shows a day, seven days a week. He eventually retired in 1955, but a succession of organists carried on the tradition through 1997.

The 1,353-seat Waikīkī Theater opened with great fanfare on August 20, 1936. “This first-class theatre survived as a single-screen house its entire life.” (TheatresOfHawaii) Dickey created an environment as charming and artificial as the image on the screen. (Charlot)

In 1939, the Waikīkī Theatre was equipped with a Robert Morton theatre organ, which had originally been installed (with a twin console) in the Hawaiʻi Theatre in 1929. (Peterson)

“No theater in the world has a more picturesque setting than Waikīkī. Situated on the beach at Waikīkī, it stands on the site where once Hawaiʻi’s royalty played. The playhouse now becomes a glorious new addition to the beach made famous in song and story. It is the new center of activity of that district which long been the mecca of travelers from the world over.” (Honolulu Advertiser; Alder)

“Inside the theater, it felt as if you were in a tropical paradise. A full-colored rainbow arched over the curtains that hid the screen. Along the side walls, there were palm trees that reached from floor to ceiling and lush jungle plants, which appeared absolutely real to my child’s eyes.”

“Then, a distinguished gentleman named Ed Sawtelle would appear and sit down at a large organ console, located just below and in front of the stage, and begin a concert that filled the hall with rolling music that vibrated off the walls.” (Richard Kelley)

February 8, 2022 by Peter T Young Leave a Comment

Treason

The Penal Code of the Hawaiian Kingdom of 1850 notes, Section

1. Treason defined.
2. Allegiance.
3. Local allegiance.
4. Ambassadors and others.
5. An overt act is requisite to levying war.
6. The war must be levied for the dethroning or destruction of the King, or for some general purpose.
7. An accessory before the fact.
8. The testimony of two witnesses requisite to convict of treason.
9. Punishment.
10. Punishment for concealing knowledge of the commission of treason.

1. Treason is hereby defined to be any plotting or attempt to dethrone or destroy the King, or the levying of war against the King’s government, or the adhering to the enemies thereof, giving them aid and comfort, the same being done by a person owing allegiance to this kingdom.

2. Allegiance is the obedience and fidelity due to the kingdom from those under its protection.

3. An alien, whether his native country be at war or at peace with this kingdom, owes allegiance to this kingdom during his residence therein, and during such residence, is capable of committing treason against this kingdom.

4. Ambassadors and other ministers of foreign states, and their alien secretaries, servants and members of their families, do not owe allegiance to this kingdom, though resident therein, and are not capable of committing treason against this kingdom.

5. To constitute the levying of war, contemplated in the first section of this chapter, it shall be requisite that the persons concerned therein be parties to some overt act, in or towards procuring, preparing or using force, or putting themselves in a condition in readiness to use force, either by being present at such overt act, or by promoting, aiding in, or being otherwise accessory before the fact to the same.

6. In order to constitute the levying of war, the force must be employed or intended to be employed for the dethroning or destruction of the King or in contravention of the laws, or in opposition to the authority of the King’s government, with an intent or for an object affecting some of the branches or departments of said government generally …

… or affecting the enactment, repeal or enforcement of laws in general, or of some general law; or affecting the people, or the public tranquility generally; in distinction from some special intent or object, affecting individuals other than the King, or a particular district.

7. An accessory before the fact to treason is guilty of treason, and shall be subject to prosecution, trial and punishment therefor, though the principals more directly concerned have not been convicted, or are not amenable to justice.

8. No person shall be convicted of treason but by the testimony of two or more lawful witnesses to the same overt act of treason whereof he stands charged, unless he shall in open court, confess such treason.

9. Whoever shall commit the crime of treason, shall suffer the punishment of death; and all his property shall be confiscated to the government.

10. If any person who shall have knowledge of the commission of treason against this kingdom, shall conceal the same, and shall not, as soon as may be, disclose and make known such treason to the Governor of the island on which he resides, he is guilty of a great crime …

… and shall be punished by a fine not exceeding five thousand dollars, or imprisonment at hard labor not exceeding ten years, in the discretion of the court. (Penal Code of the Hawaiian Kingdom, 1850) (Image shows Fort Kekuanohu, Fort Honolulu, later the prison – Judiciary, Yee)

Honolulu Waterfront-Fort-Prison-Judiciary

February 7, 2022 by Peter T Young Leave a Comment

Arrows and Snake Skin

At the period when the Mayflower came to anchor in Plymouth harbor, Massasoit exercised dominion over nearly all the south-eastern part of Massachusetts from Cape Cod to Narragansett Bay.

The south-western section of his kingdom was known as Pokanoket, Sowams, or Sowamsett. It included what now comprises the towns of Bristol, Warren, Barrington, and East Providence in Rhode Island, with portions of Seekonk, Swansea, and Rehoboth in Massachusetts.

The Indians were always particular to locate their permanent villages in the vicinity of springs of running water. Its soil is generally fertile and its climate agreeable and healthy, as, owing to its somewhat inland position, it escapes the full rigor of the fierce winds, that, during the winter months, sweep the unsheltered shores of Bristol.

Wampanoag

In the days when the Wampanoags inhabited its territory, it was well timbered, and grapes, cherries, huckleberries, and other wild fruits grew abundantly in field and swamp. Its rivers teemed with fish of many varieties, and also yielded a plentiful supply of lobsters, crabs, oysters, clams, quahaugs, and mussels.

Flocks of wild fowl haunted its marshes; deer and smaller game frequented its woods. Even in those seasons when food became generally scarce, the dwellers at Sowams probably suffered little from hunger in comparison with the inhabitants of many sections of New England less favored by nature. (History of Swansea, Wright)

In the spring of 1621, Ousamequin, the Massasoit (a title meaning head chief) of the Wampanoag Indians, made a treaty with the Pilgrims who settled at Patuxet (in what is now Plymouth, Massachusetts).

Massasoit, who led the Wampanoags for about a half-century, is best remembered for this diplomatic skill and for his successful policy of peaceful co-existence with the English settlers.

The Pilgrim-Wampanoag Peace Treaty is the document drafted and signed on March 22, 1621 CE between governor John Carver (l. 1584-1621 CE) of the Plymouth Colony and the sachem (chief) Ousamequin (better known by his title Massasoit, l. c. 1581-1661 CE) of the Wampanoag Confederacy.

The treaty established peaceful relations between the two parties and would be honored by both sides from the day of its signage until after the death of Massasoit in 1661 CE.

Although the treaty reads as though it favors the settlers, the provisions were understood as applying to both sides even when not specified. The treaty and peace lasted for more than 50 years.

Narragansett

The Narragansett Indians are the descendants of the aboriginal people of the State of Rhode Island. Archaeological evidence and the oral history of the Narragansett People establish their existence in this region more than 30,000 years ago.

Certain Nipmuck bands, the Niantics, Wampanoag, and Manisseans all paid tribute to the Narragansett tribe. These tribes all resided in areas of Rhode Island at the time of the first European settlement.

Historically, tribal members had two homes; a winter home and a summer home. The winter home would be called a long house in which up to 20 families would live in over the cold winter months.

Governor Bradford states that the Narragansetts and Pequots grew “rich and potent” by the manufacture of wampum and, presumably, wealth contributed in no small degree towards establishing the prestige of the Wampanoags.

This tribe, properly speaking was a confederation of clans each clan having its own headman who was, however, subservient to a chief sachem.

Canonicus, Leader of the Narragansett Challenges the Pilgrims

One of the most renowned sachems among the New England tribes was Canonicus, the head of the Narragansets when the Pilgrims founded New Plymouth.

He regarded the advent of the white men with a jealous fear; feeling strong, with about five thousand fighting men around him, he sent a challenge to Governor Bradford, of the Plymouth colony.

This was not-withstanding that Massasoit (the chief sachem of the Wampanoags) was the friend of the Pilgrims.

Bradford noted (in November 1621):

“After ye departure of [the Fortune in 1621] (which stayed not above 14. days,) the Gover & his assistante having disposed these late comers into severall families, as yey best could, tooke an exacte accounte of all their provissions in store, and proportioned ye same to ye number of persons, and found that it would not hould out above 6. months at halfe alowance, and hardly that.”

“And they could not well give less this winter time till fish came in againe. So they were presently put to half alowance, one as well as an other, which begane to be hard, but they bore it patiently under hope of supply.”

“Sone after this ships departure, ye great people of ye Narigansets, in a braving maner, sente a messenger unto them with a bundl of arrows tyed aboute with a great sneak-skine; which their interpretours tould them was a threatening & a chaleng.”

The next morning when Squanto returned, the snake skin of arrows was shown to him. “What do you understand these arrows to mean?” asked Captain Standish.

Squanto’s eyes flashed with anger. “Arrows say, ‘Come out and fight.’ Soon many arrows fly in this village. Many white men die.”

“Our bullets fly farther than arrows. not afraid,” answered Bradford. He threw the arrows upon the ground and filled the snake skin with powder and shot. Handing it to Squanto, he said, “Take that to the chief. Tell him we have done him no harm, but we are ready to fight if he comes.” (Stories of the Pilgrims, Pumphrey)

“Upon which ye Govr, with ye advice of others, sente them a round answere, that if they had rather have warre then peace, they might begine when they would; they had done them no wrong, neither did yey fear them, or should they find them unprovided.” (Bradford)

The Narragansett chief had never seen the like before, and he regarded these substances with superstitious awe. They were sent from village to village, and excited so much alarm, that the sachem sued for peace, and made a treaty of friendship, which he never violated …

… notwithstanding, he often received provocations that would have justified him in scattering all compacts to the winds.

The Indians had heard of the deadly weapon of the white man. A few of them had even heard its thunder, but none of them had ever touched a gun or seen powder and shot.

The Indians crowded around to see the strange bundle, but not one of them would touch it. The chief would not have it in his wigwam a minute. He ordered Squanto to take it back to Plymouth, but he would not. “There is plenty more there,’ said Squanto. “When you come you shall have it.” Then he turned and left the village. (Stories of the Pilgrims, Pumphrey)

“And by another messenger sente ye sneake-skine back with bulits in it; but they would not receive it, but sent it back againe. But these things I doe but mention, because they are more at large allready put forth in printe, by Mr. Winslow, at ye requeste of some freinds.”

The chief then called another messenger and told him to take the hated bundle away, anywhere out of his country. So the messenger carried it to another tribe, but they would have none of it. It was passed from one Indian village to another, leaving terror in its path. At last, after many weeks, the snake skin of powder returned unopened to Plymouth.

That was all the Pilgrims ever heard of war with those Indians. But they thought it wise to protect their town better, so a high fence of pointed posts was built all about the town. For many weeks a watchman was kept at the gate night and day. (Stories of the Pilgrims, Pumphrey)

Click the following link to a general summary about Arrows and Snake Skin:

https://imagesofoldhawaii.com/wp-content/uploads/Arrows-and-Snake-Skin.pdf

February 6, 2022 by Peter T Young 2 Comments

Hā

As you might suspect, being a former math major – and, for a while, high school math teacher – I start a discussion about Hawaiian numbers and counting by simply saying that numbers matter.

Numbers talk to me, they help me see and explain the world around me … they help me tell stories.

It’s interesting to see that the Hawaiian word Hā – to breath, exhale; essentially, the breath of life – is also the word for four (4.)

Hmmm … you see, numbers do matter.

Four (and decimal multiples of it) shows up in other important Hawaiian things.

There were four Great Gods in Hawaiian tradition, Kāne, Kū, Lono and Kanaloa. Each has his area of responsibility or “departments” (essentially covering life’s needs.) (Kanahele)

Kāne heads the areas of procreation, fresh water, forests, certain plants and animals. Kū oversees war, politics, certain fish and shrubs, and trees. Lono is in charge of the peace, agriculture, the weather and healing. Kanaloa’s responsibilities suggest an important role of the oceans, voyaging and fishing.

When Hawaiians prayed, in order to include all aspects of God (not to omit or offend any of the akua,) they added to the prayer the words, “E Hoʻoulu ana I kini o ke akua, ka lehu o ke akau, na mano o ke akua” (Invoke we now the 40,000 gods, the 400,000 gods, the 4,000 gods.) (Beckwith)

Hoʻoulu ana I kini o ke akua (cause the growth to reach the edge or realm of the multitude of the gods,) Ka lehu o ke akau (the 400,000 of the North, or along the direction of the sunʻs course,) na mano o ke akua (within the repeated increase or multiplier from the gods,) seen in the symbol of the sharks as Mano-kalani-po. (Yardley)

There were four Kū days and were called the cluster days – Ku-kahi, Ku-lua, Ku-kolu and Ku-pau (planting potatoes, bananas or melons these days meant the bearing would be good.) (Fornander)

There were four ends of the earth – Kai Koʻolau, Kai Kona, Kahiki-ku and Kahiki-moe – north, south, east and west. (Fornander)

In Hawaiian, specific numerals involving four are reported for fish (kaʻau is used for counting fish,) kapa (ʻiako in counting tapa,) canoes (ʻiako) and tubers (kanahā in counting rope, cord, bundles of food) (Beller; Schmitt)

Fornander notes that the Polynesian language gives undoubted evidence that at one time the people who spoke it did not count beyond four, and that its ideas of higher numbers were expressed by multiples of four. They evidently counted one, two, three, four, and that amount called “kāuna” was their tally, when the process was repeated again. (Fornander)

A unit of four is kāuna, a term that perhaps arose, according to Alexander, “from the custom of counting fish, coconuts, taro etc., by taking a couple in each hand, or by tying them in bundles of four.”

Other speculation for using four as a secondary base assumes that it originates from the main patterns of basket-weaving and in astronomy. Beyond this pragmatic reason, four was also of extreme significance in a spiritual context. (Johnson; Beller)

Present day counting is generally based on a decimal system, where ten is the base number. Ancient Hawaiians used a mixed-base system, comprised of base 4 elements and base 10 elements.

Although words for numbers from one (ʻakahi) to ten (ʻumi) were typically short, larger numbers were often polysyllabic. Early foreign residents like missionary EW Clark recorded numbers as high as 40,000 (kini), 400,000 (lehu) and even 4,000,000 (nalowale.) (Schmitt)

“When they had arrived at 40, they returned to one and counted to 40 again,” Clark noted. “The words ʻiako and kaʻau are sometimes used for 40 instead of kanakā.” (Schmitt)

Four was a formulistic number (adhering or conforming to some recognized formula.) Pukui uses the term ‘pāhā’ to describe this – meaning, by fours, four at a time, four times; to distribute to four; to divide by four.

Numbers matter.

(The HĀ image is from the Polynesian Cultural Center’s Hā Breath of Life.)

February 5, 2022 by Peter T Young Leave a Comment

Frank Lloyd Wright

“The mission of an architect is to help people understand how to make life more beautiful, the world a better one for living in, and to give reason, rhyme, and meaning to life.” (Frank Lloyd Wright, 1957)

Frank Lloyd Wright was born in Richland Center, Wisconsin, on June 8, 1867, the son of William Carey Wright, a preacher and a musician, and Anna Lloyd Jones, a teacher whose large Welsh family had settled the valley area near Spring Green, Wisconsin.

His early childhood was nomadic as his father traveled from one ministry position to another in Rhode Island, Iowa, and Massachusetts, before settling in Madison, Wis., in 1878.

Wright’s parents divorced in 1885, making already challenging financial circumstances even more challenging. To help support the family, 18-year-old Frank Lloyd Wright worked for the dean of the University of Wisconsin’s department of engineering while also studying at the university.

He knew he wanted to be an architect. In 1887, he left Madison for Chicago, where he found work with two different firms before being hired by the prestigious partnership of Adler and Sullivan, working directly under Louis Sullivan for six years.

In 1911, he began construction of Taliesin near Spring Green as his home and refuge. There he continued his architectural practice and over the next several years received two important public commissions: the first in 1913 for an entertainment center called Midway Gardens in Chicago; the second, in 1916, for the new Imperial Hotel in Tokyo, Japan.

Wright always aspired to provide his client with environments that were not only functional but also “eloquent and humane.” Perhaps uniquely among the great architects, Wright pursued an architecture for everyman rather than every man for one architecture through the careful use of standardization to achieve accessible tailoring options to for his clients.

Over the course of his 70-year career, Wright became one of the most prolific, unorthodox and controversial masters of 20th-century architecture, creating no less than twelve of the Architectural Record’s hundred most important buildings of the century.

Realizing the first truly American architecture, Frank Lloyd Wright’s houses, offices, churches, schools, skyscrapers, hotels and museums stand as testament to someone whose unwavering belief in his own convictions changed both his profession and his country.

Designing 1,114 architectural works of all types – 532 of which were realized – he created some of the most innovative spaces in the United States. With a career that spanned seven decades before his death in 1959, Wright’s visionary work cemented his place as the American Institute of Architects’ “greatest American architect of all time.” (Frank Lloyd Wright Foundation)

Two of his designs are in Hawai‘i; one, an unbuilt plan done in 1954, originally conceived for the Cornwell Family in Pennsylvania, was constructed in 1995 in Waimea on Hawai‘i Island.

It envisioned to be part of master-planned community that would include many unbuilt Wright designs within a 450 acre plot on Hawai‘i Island. The “Hawai‘i Collection” development never got off the ground.

The other Hawai‘i Frank Lloyd Wright design was also an unbuilt design for a prior client of Wright’s that he designed in 1949. This was originally a home called Crownfield; but the couple who commissioned the home never built it.

When Wright was approached in 1952 to design a home for the cliffs of Mexico’s Acapulco Bay, he began with the Crownfield plans, and added a covered terrace and lower level. Unfortunately, the plans were shelved once again.

Again, after further modification in 1957, Crownfield almost became the home of Marilyn Monroe and her husband Arthur Miller. Monroe and Miller separated the next year and the home was never built.

For several decades the plans for the Crownfield House were archived in Taliesin West, Wright’s former winter camp near Scottsdale, Arizona, which became the headquarters for the Frank Lloyd Wright Foundation.

There they remained until, in 1992, owners of the Ted Robinson-designed Waikapu Valley Country Club looked for a Wright design for the golf clubhouse.

The Crownfield House’s various reincarnations were reworked and expanded yet again . The finished building, now called the King Kamehameha Golf Clubhouse, is 74,788 square feet. The concrete and steel building was completed in 1993 and is split into three levels with two-thirds of the structure underground. It is the largest golf clubhouse on Maui.

Many of the interior touches reiterate other famous Wright design triumphs. The focus of the main banquet room is a 32-foot diameter dome with a convex chandelier made of one-and-a-half-inch acrylic tubing that echoes the concave chandelier in the Johnson Wax Building’s executive suite (1944) in Racine, Wisconsin.

The art glass on the front double doors was adapted from the Johnson Wax Building as well. The etched design on the glass of the main stairwell’s koa railing, the foyer’s six-foot-diameter art glass window, and the brass elevator doors can all be traced to Wright’s Avery Coonley House (1907) in Riverside, Illinois.

The ten-foot diameter art glass in the foyer ceiling was translated from a 1957 woven living room carpet at Taliesin West and the skylight above the main stair recalls the curved ransom over the Susan Lawrence Dana House’s entrance (1902) in Springfield, Illinois.

Six years after it was built the country club shut down during an economic downturn. The property was pretty much neglected and abandoned. However, the clubhouse stayed open and was used for special events. In 2004 a buyer bought the place and refurbished it. It was reopened in 2006 as the King Kamehameha Golf Clubhouse. (Maui 24/7, King Kamehameha Golf Course)