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July 16, 2024 by Peter T Young Leave a Comment

Major Warren’s Hotel

“Major (William R) Warren was Honolulu’s first restauranteur. His establishments, both in Honolulu and California, were famous for their excellent cuisine.” (Hoyt)

Warren ‘The Major’ – he of the big paunch, red face, and blonde eyebrows – was in the hotel business in 1817 and offered a July 4 dinner in 1818. (Greer)

Land Commission Award records note, “this lot was first occupied by William R Warren, who originally obtained it from Kaikioʻewa (governor of Kauai) before the year 1819.” (avakonohiki)

In 1819 he obtained property at what is now Hotel and Bethel Streets, and around 1825 built a structure referred to as the ‘Warren House’ and ‘Major Warren’s Hotel.’ (Schmitt)

It apparently also served as town hall, or general meeting place for the public to assemble and plan for celebrations, or discuss questions of importance in the community, or serving as a ball room. (Thrum)

“(Warren) gave the use of his large dining room to the ‘Oahu Amateur Theatre.’ Major Warren had moved his Honolulu establishment several times, but in 1834 he was located approximately, on the makai-ewa corner of Fort and Beretania Streets, almost opposite the present Catholic Cathedral. (Hoyt)

So prominent was this Warren name in the community that in 1836, when the naming of the streets was being considered the suggestion was made that ‘the open space near Messrs. Peirce & Brewer’s establishment” (corner of Fort and Hotel) “from Rooke & Peabody’s house to Major Warren’s old stand be named Warren Square.’ (Thrum)

Warren’s pioneering enterprise, ‘Major Warren’s Hotel,’ gave ‘Hotel Street’ its name in downtown Honolulu (although in the 1830s that part of Hotel between Fort Street and the hotel was also called Warren Square.) (Greer, Clark)

Warren went to California. “That this boniface had a winning personality may be judged by the following description of him on his departure in February, 1838: ‘A gentleman with a smiling visage, a rotund figure, a disposition like a sunbeam, and a heart as big as the Island of Hawaii was Major Warren.’” (Thrum)

Dr. Ed. Espiner took over Warren’s interest in the premises and continued for some time without change of name. In December, 1840, Espiner sold the property to Wm. French and the ‘Warren Hotel’ name continued until 1844.

On June 15, 1844, French made a 50/50 partnership deal for operation of the hotel with Ahung, a Chinese. He brought in three Chinese copartners – Atai, Ahsing, and Ahlan – all doing business as Hungtai. Ahung soon died; at his death Hungwa bought into the enterprise and became the proprietor of the Canton Hotel – featuring Chinese cooks and waiters. (Greer)

Hungwa ran advertisements in the local paper noting, “Canton Hotel. The undersigned having taken the premise formerly known as the ‘Warren Hotel,’ begs to assure the public that he has spared no expense in fitting up the same for the comfort and convenience of residents and visitors, and solicits a share of the public patronage. Billiard Room and newly fitted Bowling Alleys attached.” (Polynesian, April 26, 1845)

Samuel Thompson, one of the town’s celebrities, succeeded to it in July, 1849, to maintain it as a first class hotel under the same name. His term was brief, John Bartlett as proprietor of the ‘Canton’ when it was fitted up and became a noted resort for officers of ships in the flush whaling days.

“Jack Bartlett,” as he was familiarly called, was cash-keeper for many of the officers and he served them honestly. Bartlett passed away in May, 1858. Following his death the ‘Canton Hotel’ was maintained by various parties for several years until September of 1865, when Samuel Loller of the International leased the premises and opened up the same January, 1866, under the changed name of Eureka Restaurant (it later changed to Eureka Hotel and Restaurant.) (Thrum)

In 1878, F. Horn, put his Horn’s Bakery at the property; Horn died August 5th, 1896, but the business was continued by his widow for several years, then she sold it to the New England Bakery business. (Thrum)

Later, the Aloha Park, then the Collegia Theatre was on the site (across the street from Empire Theatre – the building there still goes by the Empire name.)

Today, the property ( at the mauka-Diamond Head Corner of Hotel and Bethel Streets) is known as the Marine Finance (built in 1910 – it was known as the National Building when National stores occupied a bunch of it; it’s the home to the Plumbers and Fitters Union and several other shops and offices.

July 15, 2024 by Peter T Young 1 Comment

Kōnane

Lawe ʻili keokeo, paʻani, ka ʻeleʻele
Removing the whites is playing with the blacks

It starts with a papamū, a generally rectangular flat stone whose surface is marked with shallow pits in regular order and of considerable number. Later more mobile boards were used.

The center of the board was called piko (navel) and frequently marked with an inset human molar; sometimes every position had an inset tooth (or a chicken or human bone.) The row along the borders of the board was termed kakaʻi. (Ernst)

“They have a game somewhat resembling draughts (checkers,) but more complicated. It is played upon a board about twenty-two inches by fourteen, painted black, with white spots, on which the men are placed; these consist of black and white pebbles, eighteen upon each side, and the game is won by the capture of the adversaries pieces.”

“Tamaahmaah (Kamehameha) excels at this game. I have seen him sit for hours playing with his chiefs, giving an occasional smile, but without uttering a word. I could not play, but William Moxely, who understood it well, told me that he had seen none who could beat the king.” (Campbell)

Captain James Cook also noted Konane in his journal. “It is very remarkable, that the people of these islands are great gamblers. They have a game very much like our draughts; but, if one may judge from the number of squares, it is much more intricate.”

“The board is about two feet long, and is divided into two hundred and thirty-eight squares, of which there are fourteen in a row, and they make use of black and white pebbles, which they move from square to square.” (Cook)

Kōnane boards do not follow any established pattern in size and range from 6×6 boards to well over 14×14 boards. (Some suggest even larger boards are used.)

To begin the game, the ﬁrst player (black) must remove one of their pieces, either the center piece, one laterally next to it or one at a corner. The second player (white) now removes a piece of their own, adjacent to the space created by black’s ﬁrst move.

Then, the players take turns making moves. A player moves a stone of his color by jumping it over a horizontally or vertically (not diagonally) adjacent stone of the opposite color, into an empty space. Stones so jumped are captured, and removed from play. Thereafter players take turns making moves on the board.

A stone may make multiple successive jumps in a single move, as long as they are in a straight line; no turns are allowed within a single move. The winner of the game is the last player able to make a move.

Kōnane figures in the saga of Lonoikamakahiki, a great chief credited with creating the first kahili and instituting the Makahiki games.

In a fit of jealous rage over rumors that she had been unfaithful, he killed his wife during a game of kōnane by beating her over the head with the heavy board. Later learning of her steadfastness, he was crazed with grief, but eventually nursed back to health by a faithful retainer. (Yuen)

King Kalākaua and his Queen Kapiʻolani were experts at kōnane, and it is well known that the goddess Pele did not refuse to play the game with the demigod Kamapuaʻa. (Brigham)

An alternative name for kōnane was mū, and for the board, papamū. Brigham notes that mū was the name of the official who captured men for sacrifice or for judicial punishment and suggests this name was adopted for the game. (Ernst)

July 14, 2024 by Peter T Young Leave a Comment

Liholiho – Kamehameha II

Liholiho was born circa 1797 in Hilo, on the island of Hawaiʻi, the eldest son of Kamehameha I and his highest-ranking consort Queen Keōpūolani.

Kamehameha the Great died in 1819, and Liholiho officially inherited the role of King; however, Ka‘ahumanu would serve as kuhina nui (the rough equivalent of the 19th-century European office of Prime Minister.)

His birth name was Liholiho and full name was Kalaninui kua Liholiho i ke kapu ʻIolani. It was lengthened to Kalani Kaleiʻaimoku o Kaiwikapu o Laʻamea i Kauikawekiu Ahilapalapa Kealiʻi Kauinamoku o Kahekili Kalaninui i Mamao ʻIolani i Ka Liholiho when he took the throne.

Liholiho had five wives, Kamāmalu, Kekāuluohi, Kalanipauahi, Kekauʻōnohi and Kīna‘u; he had no children with any of his wives.

The new king was generally well-liked and admired. As one American missionary observed, “There is nothing particularly striking about his countenance, but his figure is noble, perhaps more so than that of any other chief; his manners polite and easy, and his whole deportment that of a gentleman.”

Kamehameha II is best remembered for the ‘Ai Noa, the breaking of the ancient kapu (taboo) system of religious laws six months into his reign when he sat down with Kaʻahumanu and his mother Keōpūolani and ate a meal together.

The religious and political code of old Hawai‘i, collectively called the kapu system, was abolished.

While the islands were united by his father, after the abolition of the kapu, Keaoua Kekuaokalani (Liholiho’s cousin) led the forces supporting the ancient Hawaiian religion; Kekuaokalani, his wife Manono and his warriors were overwhelmed. Lekeleke Burial Grounds, 7 miles south of Kailua, commemorates the battle.

Sandalwood was an important export at the time. In 1819, Liholiho ended the controls on harvesting ‘iliahi initiated by his father. In their rush to collect wood, the chiefs ordered even young trees to be cut down.

New trees were not planted to replace those cut down. Soon there was little ʻiliahi worth gathering in Hawaiʻi. As the supply dwindled the trading of ʻiliahi came to an end.

On April 4, 1820, the initial group of missionaries came to Hawai‘i and Liholiho granted them permission to stay in the Hawaiian Islands.

Later, in 1820, Liholiho bought a Royal Yacht known as Cleopatra’s Barge in exchange for reportedly 1-million pounds of sandalwood; he renamed the yacht Ha‘aheo o Hawaii (Pride of Hawaiʻi).

Kamehameha II was quite proud of his ship; in the words of Charles Bullard, the agent for the ship-owner: “If you want to know how Religion stands at the Islands I can tell you; all sects are tolerated but the King worships the Barge.”

Whaling soon replaced the sandalwood trade of ʻiliahi wood in economic importance. It lasted about fifty years, from 1820 to 1870. During this time Hawaiʻi provided support services to the whaling ships; people grew crops and sold fresh fruits, vegetables and salted-meat to the ships.

Liholiho’s reign was also noted for his efforts to ensure the lasting independence of the Hawaiian kingdom. In 1823, Liholiho and his favorite wife, Kamāmalu, sailed to England to meet with King George IV, the first Ali‘i to travel to England.

King George IV scheduled a meeting for June 21, but it had to be delayed; Liholiho and Kamāmalu became ill. The Hawaiian court had caught measles, to which they had no immunity.

It is believed they probably contracted the disease on their visit to the Royal Military Asylum (now the Duke of York’s Royal Military School).

Virtually the entire royal party developed measles within weeks of arrival, 7 to 10 days after visiting the Royal Military Asylum housing hundreds of soldiers’ children.

On the 8th of July the Queen died at half-past six in the evening from inflammation of the lungs. A few days later, King Liholiho died. His reign was approximately 5-years.

The moments just before he died, he said faintly: “Farewell to you all – I am dead, I am happy.”

Then upon their arrival back to Hawai‘i, in consultation between the Kuhina Nui, Ka‘ahumanu, and other high chiefs, and telling them about Westminster Abbey and the underground burial crypts they had seen there, it was decided to build a mausoleum building on the grounds of the royal palace.

The Sacred Mound (previously a stone mausoleum) – Pohukaina – was constructed in 1825 to house the remains of Kamehameha II (Liholiho) and his consort, Queen Kamāmalu.

The mausoleum was a small eighteen-by-twenty-four foot Western style structure made of white-washed coral blocks with a thatched roof; it had no windows.

Kamehameha II (Liholiho) and Queen Kamāmalu were buried on August 23, 1825. The name ‘Pohukaina’ begins to be used to reference the site at the time of their burial. (Pohukaina – is translated as “Pohu-ka-ʻāina” (the land is quiet and calm.))

For the next forty years, this royal tomb and the land immediately surrounding it became the final resting place for the kings of Hawai‘i, their consorts and important chiefs of the kingdom.

July 13, 2024 by Peter T Young Leave a Comment

Pua Akala

The Polynesian settlers of Hawai‘i brought with them their primary plants used for food and other uses, and four animals, the moa (chicken), ‘īlio (dog), pua‘a (pig), and, inadvertently, the ‘iole (rat). The first three animals were the primary meat of the Hawaiians.

It wasn’t until the arrival of Captain Vancouver in 1793 that cattle were introduced to Hawai‘i. Vancouver dropped one bull and one cow at Kawaihae, and took the remaining five cows to Kealakekua as a gift for King Kamehameha I. The bull died, so it was lucky that a year later Captain Vancouver returned with more cattle, four bulls and eight cows.

A 10 year kapu (taboo) was placed on introduced cattle to feed on the rich green grasslands of Hawai‘i Island. These first cattle, or bullocks, were longhorn cattle and soon grew very wild. The first “ranchers” were bullock hunters, who rode to the uplands of Mauna Kea to shoot cattle or trap them in pits. (DLNR) The meat was used for food and the hides for export.

By the 1820s, there were as many as 30,000 head of cattle on the islands. Historically, agriculture has played a large role in the economy of the island, and the Islands as a whole. During the 19th and 20th centuries, the main industries were sugar cultivation and cattle ranching. (FWS)

As early as 1831, portions of the land on the slopes of Mauna Kea and neighboring forest lands were being worked by Daniel Castle; and, later, by the Castle and Hitchcock brothers for lumber milling and bullock hunting operations. (Kumu Pono)

The Hitchcock brothers, David Howard Hitchcock and Edward Griffin Hitchcock, were the sons of Harvey Rexford and Rebecca (Howard) Hitchcock, American Protestant missionaries who arrived with the 5^th Company of ABCFM missionaries.

In 1875, the Hitchcock brothers purchased the ‘O‘ōkala sugar plantation. In addition, DH Hitchcock was a land surveyor whose work focused not only on parcels of land being sold, but also on land divisions.

In 1883, the Hitchcock brothers built a house at Puakala at the upper boundary of the ahupua‘a, described as being “heavily timbered with ohia, koa, and other Hawaiian woods. Wild cattle and hogs abound in the upper woods”. (Tuggle)

“The house is built almost entirely of Koa sawed in the neighborhood … it was put up by Messrs. Devereaux and Tenny, and was finished in July”. (Pua ‘Ākala Guest Book, Oct 16, 1883)

“But Puakala – what of that? It is situated in the hollow of an amphi-theatre of hills. The hills to the west are mostly barren of trees, but well covered … Puaakala grows the finest of koa wood found on the islands. It is far handsomer than mahogany, some of it beautifully dark, some knotted and some curly.”

“The cattle are fast destroying the koa trees with other trees of the original forests … Of this wood, then, the house is built. The boards were sawed by hand and excellently well done, straight and true.”

“There has been no attempt at planing the lumber except for the doors, and this little handwork sends the polish out and shows the hard smooth grain of the wood. The wide boards are battened to keep out the cold, but cracks enough are left to keep the air always fresh and sweet.”

“At one end of the living-room is a capacious stone fire-place 3 x 4 feet. The opposite end of the building is divided into two sleeping rooms.”

“But the sleeping capacity of the house is not limited to these two bed-rooms, for there is an attic and the living room has lounges and a cot-bed to be used in emergencies. In the fire-place a fire is kept burning day and night.” (Paradise of the Pacific, January 1890)

The private koa-plank cabin known as Pua ‘Ākala (also referred to as Puakala) was used as an aristocratic hunting retreat. (Mills) The cabin was in the area known as Puakala or Kapuakala, a place at the upper edge of Papa‘ikou and is also the name of a watercourse in the area. The Hitchcock family mountain home eventually became known as Pua ‘Ākala Ranch. (Tuggle)

When staying at their mountain home at Pua ‘Ākala, the Hitchcocks hunted wild cattle and pigs, and “the occasional bills of fare written in the [guest] book by appreciative guests always included roast beef, usually pork as well”. (Tuggle)

As described by Kingdom land surveyor, ED Baldwin, “we … headed for Puu Oo, where we found the trail leading around the mountain towards Waimea, which we followed, reaching Puakala – Hitchcock’s mountain house – at five o’clock P.M.”

“This house is sixteen and a half miles in a direct line from Hilo, but about thirty-five by the trail. The Hitchcocks had kindly invited us to make this point our headquarters.”

“What a surprise it was to find, at this distance, such a large comfortable house, built of solid koa, all of which had been sawed out by hand! It was surely mountain luxury to lay off in comfortable rocking chairs before the large, open, old-fashioned fireplace. The elevation at this point is 6,325 feet. …”

“We lived high and well at Puakala; neither did our six cooks spoil the broth; but a specialty from each one helped to swell the bill of fare each meal. One made such fine biscuit, another such soup, another veal pies, another oyster fritters, and another still hit the climax by making akala (wild raspberry) pies.” (Baldwin, Kumupono)

An 1887 entry in the guest book of their mountain house recounts: “A series of hunts ⎯ all successful ⎯ gave the usual spice to the stay here of a short nine days.”

“No thrilling encounters with wild bulls this time but several racy runs after cattle resulted in a total of four bulls, three cows, three yearlings, killed ⎯ two heifers and two small bulls captured ⎯ (one since escaped) with a boar or lean sow shot here and there.” (D Howard Hitchcock, Tuggle)

By the end of the century, there were at least two major ranches in the upper Hakalau Forest area. Kukaiau Ranch was started by Charles Notley in 1887 and was shortly thereafter sold to John M. Horner. By 1929, it covered 35,000 acres between 2,300 to 7,600 feet.

The other ranch was Pu‘u ‘Ō‘ō Ranch, which covered 23,000 acres between 5,000 to 6,500 feet. John Baker started the ranch in 1896. (Tuggle)

In 1902, William ‘Willie’ Herbert Shipman secured leases on the lands of Pāpa‘ikou, Makahanaloa and other Hilo District lands, which were incorporated into the Pu‘u ‘Ō‘ō ranching operation. (Kumu Pono)

WH Shipman was born on December 17, 1854, at Lahaina, Maui to William Cornelius Shipman and Jane Stobie Shipman. Willie’s parents had signed up as missionaries destined for Micronesia. They stopped over at Lāhaina, Maui because his mother was due to deliver within 2 months. His parents then took a mission station in Kaʻū, Hawaiʻi, based in Waiʻōhinu.

In 1920, WH Shipman, leasing Pi‘ihonua and operating out of Pu‘u ‘Ō‘ō, extended his lease on Makahanaloa, and added the uplands of Pauka‘a and Pāpa‘ikou (the Pua‘ākala house and ranch of the Hitchcocks), to his Pu‘u ‘Ō‘ō Ranch operation. (Kumu Pono)

Pua ‘Ākala Ranch served as a satellite operation to Pu‘u ‘Ō‘ō Ranch. (Roy Shipman Blackshear, Tuggle) WH Shipman, Ltd sold its interest in the Pu‘u ‘Ō‘ō parcel in the 1970s. (Kumu Pono)

Pua ‘Ākala cabin and the surrounding property are now part of the Hakalau Forest National Wildlife Refuge. The Refuge notes “The cabin is well-suited as a location for interpreting the refuge’s forest resources and Hawaii’s unique history.”

“The cabin’s ties with the land survey and divisions, missionary families, politicians, hunting, Koa forests, birds of the forest, and current management strategies provides a wealth of interpretive materials. It is frequently visited by special use permit holders as they lead guided tours on the refuge.” (Messer)

David Howard (D Howard) Hitchcock, son of David Howard (David) Hitchcock and grandson of American missionaries, has ties to Pua ‘Ākala. He is perhaps one of the most important and loved artists from Hawaiʻi. Although born and raised in Hawaiʻi, he left the islands to study art in San Francisco and Paris.

Before his formal training abroad, Hitchcock was inspired by other Volcano School painters and was encouraged by Jules Tavernier to endeavor life as an artist. Hitchcock admits to following Tavernier and Joseph Strong around, ‘like a parasite.’ (NPS HAVO)

“Hitchcock was early hailed as ‘our island painter’ and his early canvases met an enthusiastic reception in Hilo and Honolulu. The Honolulu press commented on them at length. His early work, up to his European trip in 1890, shows great indebtedness to (Jules) Tavernier…” (Forbes)

He spoke fluent Hawaiian and traveled extensively throughout the islands, documenting the natural and cultural features in a sketch book and photographs, which he converted into paintings. During his long career he completed more than 1200 paintings, published 700 photographs. (Messer)

D Howard Hitchcock’s lasting mark at Pua ‘Ākala Ranch was a “charming study of akala berries” on a door which survives, well-preserved, in the possession of one of the Shipman descendants. (Roy Shipman Blackshear, Tuggle)

As described 1922 by Charmian London, wife of Jack London, “Puaakala, roofed in red corrugated iron, was otherwise even more picturesque, more hand-made in appearance than the PuuOO eyrie, even the washing-bowl and the bath-tub being dubbed out of koa. …”

“That night, when I shut the koa panel that was my bedroom door, I became aware that Gauguin had not been the only young painter who left his mark upon wood.”

“I found on the inner side an oil, manifestly not new, of a spray of akala berries and leaves. It had been done … by Howard Hitchcock, who has since attracted much attention by his fine canvases of Hawaii.” (Our Hawaii, London) (D Howard Hitchcock painted it on July 13, 1885.)

Click the following link for additional information on Pua ‘Ākala:

Click to access Pua_Akala-Hakalau_Forest_National_Wildlife_Refuge.pdf

July 12, 2024 by Peter T Young Leave a Comment

Billy

“David Douglas has no rival as a collector of Northwest plants. He introduced thousands of them to Europe, some 215 of which were new, and many were named for him.”

“He noted 7,032 in totaling his mileage for the two years of his first expedition, April 1825-April 1827, and another time mentioned adding some 7,000 distinct species of flowering plants to the collection—a plant a mile, it might be said.”

Of note, “He laid in specimens of pinus taxifolia (Douglas fir) with pine cones which were eventually distributed to nurserymen and to fellows of the Horticultural Society to plant on their estates. He even sent samples (two planks 20 feet long) of this durable, tough, straight-grained wood that is unsurpassed in the qualities that render lumber most valuable.”

“It has become on the one hand, the world’s greatest structural timber—the most important tree in the American lumber trade—and on the other, the favorite Christmas tree in millions of homes.” (Gould; Vassar)

Douglas’s little terrier, Billy, accompanied him on these trips and in all his travels. The botanist once wrote in his journal: “my old terrier, a most faithful and now to judge from his long grey beard, venerable friend …”

“… who has guarded me throughout all my journies, and whom, should I live to return, I mean certainly to pension off on four penny-worth of cat’s-meat per day.” (Memoir of David Douglas-in Companion to the Botanical Magazine Vol II-1836)

“You may judge of my situation, when I say to you that my rifle is in my hand day and night; it lies by my side under my blanket when I sleep, and my faithful little Scotch terrier, the companion of all my journies, takes his place at my feet.”

“We are now come to the most interesting period of Mr. Douglas’s life, when he was about to undertake a long voyage, and to explore remote regions, hitherto untrodden by the foot of any Naturalist.”

“In these situations, far indeed from the abodes of civilized society, frequently with no other companion than a faithful dog, or a wild Indian as a guide …”

“… we should have known little or nothing of his adventures, were it not for a Journal which he kept with great care, (considering the difficulties, not to say dangers, which so frequently beset him in his long and painful journeyings,) and which has been deposited in the library of the Horticultural Society of London. (Memoir of David Douglas-in Companion to the Botanical Magazine Vol II-1836)

“At the Stoney Islands (now Fort George Canyon) on the Fraser, his canoe was dashed to pieces while shooting the rapids. Douglas was in the whirlpool an hour and forty minutes before being washed unconscious onto the rocky shore.”

“He lost everything—notes—specimens and equipment. Sick and discouraged he took a ship via California for Hawaii.” (Gould) “In Hawai‘i, he was called kauka, the Hawaiian word for doctor.” (Greenwell)

“As Douglas recuperated from his rheumatism and eye troubles in Hawaii, he botanized again. In 10 days he had a ‘truly splendid collection’ of some 50 species. The giant ferns especially awakened his admiring comment. In the crater of a volcano he found the Silver Sword plant which is named for him.”

“In his enthusiasm for Hawaii he wrote, ‘One day here is worth a year of common existence.’ It was while waiting for a ship to take him to England that Douglas met the Rev. John Diell. They enjoyed climbing and botanizing together and early in July agreed to meet in Hilo on the Island of Hawaii.” (Gould; Vassar)

As stated by Douglas, “my gun, which, with my faithful dog, always is placed under my blanket by my side, with the muzzle to my feet”. (Memoir of David Douglas)

Then, on “The morning of July 12, 1834, he was crossing the north side of Manna Kea, when about six in the morning he appeared at the hut of Ned Gurney who was an English runaway convict from Botany Bay.”

“After breakfast, Douglas walked for about three quarters of an hour along the path. Gurney claimed he had warned Douglas to watch out for three bull pits ahead.”

“It was a native custom to trap the wild long-horned Spanish cattle by digging pits and covering them with brush. Douglas passed safely by the three pits, then retraced his steps to the third pit. When some natives came by later in the morning, they first saw the feet of a man sticking out of a mass of rubbish and stones.”

“A bull was already entrapped in the pit and the angry beast was standing on the chest of the young plant-hunter. … “

“They went in pursuit of the guide, who returned, shot the beast in the hole, took out the corpse, and hired the natives at the price of four bullocks, which he killed immediately, to convey the body to the seashore.”

“After a few moments’ search, the dog was heard to bark, at a little distance a-head on the road to Hido. On coming up to the spot … the dog and bundle were found.”

“On further scrutiny, it appeared that Mr. D. had stopped for a moment and looked at the empty pit, … and also at that where the cow was; and that after proceeding about fifteen fathoms up the hill, he had laid down his bundle and returned to the side of the pit where the bullock was entrapped …”

“…which was situated on the side of the pond opposite to that along which the road runs; and that whilst looking in, by making a false step, or some other fatal accident, he fell into the power of the infuriated animal, which speedily executed the work of death.”

“The body was covered in part with stones, which probably prevented its being entirely crushed.” (Memoir of David Douglas-in Companion to the Botanical Magazine Vol II-1836)

“A suspicion of murder became so strong that it was eventually decided to pack the body in salt and take it to Consul Charlton at Honolulu, on Oahu. There was considerable evidence. The horns of the bullock were blunt and could not make such deep gashes.” (Gould; Vassar)

“A bullock hunter named Hall was so convinced of this that he took the head of the animal to show the missionaries. A large purse of gold seemed to be missing too. Yet Ned Gurney was finally let go for lack of evidence. “

The funeral was held August 4, and David Douglas was buried in the native churchyard of Kawaiaha‘o Church. Thus ended 9 years of botanical adventure along the Pacific for David Douglas.

“His death at 35 is one of the tragedies of botanical history. But in his short span of life, as one scientist wrote, ‘No other explorer personally made more discoveries, or described more genera or species. No other collector of rare plants ever reaped such a harvest or associated his name with so many economically useful and beautiful plants as David Douglas.’” (Gould; Vassar)

“Gurney brought Billy, the faithful little terrier down from Mauna Kea and gave him to the missionaries. They, in turn, sent him to Honolulu in the care of a Captain Martin, to be delivered to the British Consul, Charlton.”

“Charlton had the dog sent back to England in charge of Captain Peter Corney of the brig Eagle. Billy was then given to James Bandinel.” (Greenwell)