Lanai | Images of Old Hawaiʻi

May 1, 2020 by Peter T Young 4 Comments

May Day

May 1 is a special day in many cultures. The Celts and Saxons and others in pre-Christian Europe celebrated the first planting and the beauty of spring.

These agrarian celebrations continued down through the centuries and remain today. In much of Europe, May 1 is also a labor holiday, honoring the labor workers. (Akaka)

The first of May, however, has a unique and very special significance to the people of Hawaiʻi. May Day is Lei Day in Hawaiʻi. (Akaka)

Lei making in Hawaiʻi begins with the arrival of the Polynesians. Polynesians, across the South Pacific, adorned their bodies with strings of flowers and vines.

When they arrived in Hawai`i, in addition to the useful plants they brought for food, medicine and building, they also brought plants with flowers used for decoration and adornment.

Lei throughout Polynesia were generally similar. Types included temporary fragrant lei such as maile and hala, as well as non-perishable lei like lei niho palaoa (whale or walrus bone), lei pupu (shell) and lei hulu manu (feather.)

“The leis of Old Hawaii were made of both semi-permanent materials – hair, bone, ivory, seeds, teeth, feathers, and shells; and the traditional flower and leaf leis – twined vines, seaweed and leaf stems, woven and twisted leaves, strung and bound flowers of every description.”

“Leis were symbols of love, of a spiritual meaning or connection, of healing, and of respect. There are many references to leis, or as the circle of a lei, being symbolic of the circle of a family, embracing, or love itself: “Like a living first-born child is love, A lei constantly desired and worn.” (Na Mele Welo, Songs of Our Heritage, (translated by Mary Kawena Pukui,) Gecko Farms)

Robert Elwes, an artist who visited the Hawaiian islands in 1849, wrote that Hawaiian women “delight in flowers, and wear wreaths on their heads in the most beautiful way.”

“A lei is a garland of flowers joined together in a manner which can be worn. There are many different styles of lei made of numerous types of flowers. The type of flower used determines the manner in which the lei is woven.” (Akaka)

Reportedly, Don Blanding, writing in his book ‘Hula Moons,’ explained the origins of Lei Day: “Along in the latter part of 1927 I had an idea; not that that gave me a headache, but it seemed such a good one that I had to tell some one about it, so I told the editors of the Honolulu Star-Bulletin, the paper on which I worked.”

“They agreed that it was a good idea and that we ought to present it to the public, which we proceeded to do. It took hold at once and resulted in something decidedly beautiful.”

“… The custom of weaving and wearing flower leis originated with the Hawaiians so long ago that they have no record of its beginning. … When tourists discovered Hawaii, they loved the charming gesture and they spread the word of it until the lei became known around the world.”

“… Hawai`i observed all of the mainland holidays as well as those of a number of the immigrant nationalities in the Islands. But there was no day that was peculiarly and completely Hawaii’s own; that is none that included all of the polyglot population there.”

“So, the bright idea that I presented was, “Why not have a Lei Day?” Let everyone wear a lei and give a lei. Let it be a day of general rejoicing over the fact that one lived in a Paradise. Let it be a day for remembering old friends, renewing neglected contacts, with the slogan “Aloha,” allowing that flexible word to mean friendliness on that day.”

In 1929, Governor Farrington signed a Lei Day proclamation urging the citizens of Hawaiʻi to “observe the day and honor the traditions of Hawaii-nei by wearing and displaying lei.”‘ (Akaka) Lei Day celebrations continue today, marking May 1st with lei-making competitions, concerts, and the giving and receiving of lei among friends and family.

Reportedly, the “tradition” of giving a kiss with a lei dates back to World War II, when a USO entertainer, seeking a kiss from a handsome officer, claimed it was a Hawaiian custom.

In 2001, Hawaiʻi Senator, Dan Akaka, during a May 1 address, said, “’May Day is Lei Day’ in Hawaiʻi. Lei Day is a nonpolitical and nonpartisan celebration.”

“Indeed, its sole purpose is to engage in random acts of kindness and sharing, and to celebrate the Aloha spirit, that intangible, but palpable, essence which is best exemplified by the hospitality and inclusiveness exhibited by the Native Hawaiians — Hawaii’s indigenous peoples — to all people of goodwill.”

The lei of the eight major Hawaiian Islands become the theme for Hawai‘i May Day pageants and a lei queen chosen with a princess representing each of the islands, wearing lei fashioned with the island’s flower and color.

Hawai‘i – Color: ‘Ula‘ula (red) – Flower: ‘Ōhi‘a Lehua
Maui – Color: ‘Ākala (pink) – Flower: Lokelani
Kaho‘olawe -Color: Hinahina (silvery gray) – Flower: Hinahina
Lāna‘i – Color: ‘Alani (orange) – Flower: Kauna‘oa
Molokai – Color: ‘Ōma‘oma‘o (green) -Flower: Kukui
O‘ahu – Color: Pala luhiehu (golden yellow) or melemele (yellow) Flower: ‘Ilima
Kauai – Color: Poni (purple) – Flower: Mokihana
Ni‘ihau – Color: Ke‘oke‘o (white) – Flower: Pūpū (shell)

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May Day

Lei_Sellers-(HSA)-PP-33-8-023-1901

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Lei sellers displaying lei and flowers on sidewalk-(HSA)-PP-33-8-021

Lei sellers at the waterfront, Honolulu Harbor-(HSA)-PP-33-9-002

Lei sellers at the waterfront, Honolulu Harbor-(HSA)-PP-33-8-005

Lei sellers at entrance to the Bank of Hawaii, King and Bishop Sts-(HSA)-PP-33-8-022

February 3, 2020 by Peter T Young 1 Comment

The Sinclairs

The family dates back to early-Europe. They took the name of Saint Claire from the place, probably Normandy, where their estate was located. (Von Holt)

A senior Saint Claire married a daughter of Richard Duke of Normandy, father of William the Conqueror (their son fought in the Battle of Hastings, 1066.) By 1481, the spelling of their name started to appear as Sinclair. (Von Holt)

OK, let’s bring this closer to home.

Looking at genealogies and relationships between folks in Hawaiʻi, you tend to see a pretty tight group of people who are either related to each other, or the families had worked together for a long time.

On Kauai, you hear the names, but the relationships aren’t evident.

Sinclair – Gay – Robinson – Knudsen

Keeping track of these folks is best done with the family tree.

You’ll see that the gang above are all in the family. And, they link back to the Saint Claire clan of old.

It started in January 1824 when Captain Francis S Sinclair married Elizabeth (“Eliza”) McHutchison (sometimes spelled McHutcheson) – they were both from Glasgow, Scotland.

In 1840, the Sinclairs and their three sons and three daughters – George, Jane, Helen, James, Francis and Anne – made the move to New Zealand. Exchanging their Scotland land, they established the farm ‘Craigforth’ in a cove on the western side of Pigeon Bay on South Island.

Craigforth was largely self-sufficient. There were no servants and the Sinclairs made their own shoes and clothes. The Sinclair girls “could manage a boat as well as their brothers, they were fearless riders…crack shots, and capable workers, so that the hardships and roughing of those early years were not too much for their buoyant spirits.” (TeAra-govt-nz)

In 1846, Eliza’s husband and her eldest son, George, set off for Wellington. The ship, loaded with produce and with all the family’s savings on board, was wrecked somewhere along the coast. There were no survivors.

Under the shadow of this tragedy, the widow and family persevered.

One of the captains of the whaling ships that regularly visited Pigeon Bay, Thomas Gay, married Jane Sinclair in 1848 and they built a house at the bay. Then, Helen Sinclair married Charles Barrington Robinson, the former magistrate at Akaroa and the owner of extensive land holdings in Canterbury.

Are you starting to see the connections? Wait, there’s more.

In 1863, the Sinclairs decided to sell the Pigeon Bay farm and settle in Canada. Eliza and 13 members of her family sailed for Canada via Tahiti (captained by her son-in-law, Thomas Gay.) California was considered as an alternative place to settle, but they were persuaded to try Hawaiʻi. They travelled to Honolulu via Los Angeles, arriving there in September 1863.

The family was anxious to find land on which to settle and they were offered several large tracts on Oʻahu (at Kahuku, Ford Island and ʻEwa.) When King Kamehameha IV heard the family might leave the Islands, the King offered to sell them the island of Niʻihau. (Joesting)

After inspecting the place, they offered $6,000. The government countered – $10,000 outright, or a lease at $750 per year. Brothers James and Francis Sinclair bought it for the government’s price, $10,000. (Joesting)

Kamehameha IV died on November 30 before the closing, so Land Grant No. 2944 shows his brother, Kamehameha V, completed the transaction in 1864.

As he signed the contract, the king said: ‘”Niihau is yours. But the day may come when Hawaiians are not as strong in Hawaii as they are now. When that day comes, please do what you can to help them.’” (New York Times)

“It is said that the transfer of the island involved some hardships, owing to a number of the natives having neglected to legalize their claims to their kuleanas, but the present possessors have made themselves thoroughly acquainted with the language, and take the warmest interest in the island population.” (Isabella Bird, 1894)

Sinclairs also bought land at Makaweli and Hanapepe on the adjoining Island of Kauai. Ownership was subsequently passed down through the family.

Eliza Sinclair’s daughter, Anne Sinclair, married Valdemar Knudsen on Niʻihau in 1867. Later, that family (with 5 children) lived in Waiawa and Halemanu in Kokeʻe (on Kauai.)

The connections of the family names got a bit tighter when Aubrey Robinson (son of Helen Sinclair and Charles Robinson) married his cousin, Alice Gay (daughter of Jane Sinclair and Thomas Gay.)

The legacy continues.

Francis Gay formed a company with his brother-in-law (and cousin) Aubrey Robinson – Gay & Robinson.

Today, although the state records list them separately, if you combined the Robinsons’ holdings of nearly 51,000 acres on Kauai and some 46,000 acres on Niʻihau, the family would be the sixth largest landowner in the state. (sfgate-com)

The 2011 report lists Aylmer Robinson as the owner of Niʻihau, although he left it to his brother’s family when he died in 1967, and nephews Bruce and Keith Robinson assumed control several years before the death of their mother, Helen, in 2002. (sfgate-com)

Eric Knudsen, son of Anne Sinclair and Valdemar Knudsen, established the Eric A Knudsen Trust with extensive land holdings on Kauai, as well.

Niʻihau isn’t the only island this extended clan owned in the Islands.

After methodically buying up individual parcels, by 1907, Charles Gay, youngest son of Captain Thomas Gay and Jane Sinclair Gay, acquired the island of Lānaʻi (except for about 100-acres.) He was the first to establish the single-ownership model for Lānaʻi (with roughly 89,000 acres.)

Around 1919, Gay experimented with planting pineapple on a small scale. He eventually sold his interest and James Dole’s Hawaiian Pineapple Company, Ltd. began the subsequent establishment of its pineapple plantation.

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Sinclair_family_at_Makaweli_House,_1893

Anne_Sinclair_Knudsen,_c._1875

Knudsen Family Group, Vienna-(knudsen-trust)-1885

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Halemanu_House-Kokee-(knudsen_trust)

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November 19, 2019 by Peter T Young 1 Comment

Ke-ahi-a-Kawelo

Ka‘ā (literally translated means, “the rocky area”) is the largest ahupuaʻa on Lānaʻi, and covers almost 19,500-acres of land, the entire north end of the island.

At one time Ka‘ā supported many near-shore settlements, upland agricultural fields, resource collection/workshop areas and ceremonial sites. The residents of Ka‘ā regularly traveled between the coast and uplands, and several named localities in both climatic regions are found in native traditions and historical literature.

Traditional features, including ceremonial sites, burials, trails, residences (both long term and temporary,) salt making sites, agricultural features, lithic workshops, petroglyphs, modified caves, contest fields and sites of undetermined uses are found throughout Ka‘ā.

Native Hawaiian chants and traditions passed down over time speak loudly of the cultural and historical significance of this area.

The honu (turtle) population at Polihua is integral to the account of Pele’s migration to Hawaiʻi, and in the time when ancient Hawaiians lived at Ka‘ā the honu provided important resources for traditional subsistence.

The tradition of the Lānaʻi priest, Kawelo, and a priest of Moloka‘i identified in various accounts as either Lani-kāula or Waha – is of regional importance to the people of Lānaʻi and Moloka‘i.

Kawelo was a famous priest of Lānaʻi, who is remembered in several written accounts, dating back to at least 1868. Information collected by Kenneth Emory from Lānaʻi in 1921-1922, and accounts by other native residents, place prominent sites associated with this legend in the ahupua‘a of Ka‘ā.

In the latter tradition, we see that at Ka‘ā, Lānaʻi, Kawelo kept an altar on which a fire was burned to protect the well-being of the people of his island.

There are several narratives, with varying circumstances and different characters, but each focusses on the central theme of the priest Kawelo burning a fire on an altar in order to protect the well-being of the residents of Lānaʻi.

Kewalo on Lānaʻi and Waha on Molokaʻi challenged each other to keep a fire burning on their respective island longer than the other, and the winner’s island would be rewarded with great abundance.

The Lānaʻi kahuna, Kawelo, used every piece of vegetation in Keahiakawelo to keep his fire burning, which is why this area is so barren today.

In 1873, Walter Murray Gibson published “A Legend of Lanai” in the newspaper “Nu Hou.” Titled “Keahiakawelo” (The fire of Kawelo), in the account there are details on events of the legend and reference to the upland region of Ka‘ā:

“In the district of Kaa, on the western side of Lanai, there are several tumuli of large stones, and some rude contrivance of sacrificial altar, surrounded by a low round enclosure.”

“Here three generations anterior to the reign of Kahekili, who was King of Maui and Lanai, lived the prophet Kawelo, who kept up a constant fire burning day and night upon this altar; and a similar fire responsive to it, was maintained by another prophet Waha, on the opposite side of Molokai.”

“Now Kawelo had a daughter to assist in keeping watch and to feed the sacred fire, and Waha had a son; and it was declared to the people by these prophets, that so long as the fire burned, hogs and dogs would never cease from the land; but should it become extinguished these animals would pass away, and the kanakas would only have fish and sea-weed to eat with their poi. . . “

Gibson described how the boy Nui, of Moloka‘i, and the girl Pepe, of Lānaʻi, came to fall in love, and how on one fateful night, they failed to keep the fires on their respective islands lit – the fire on the “altar of Keahiakawelo” had died. Upon discovering their error, Nui and Pepe fled to Maui, and Kawelo:

“… threw himself headlong from a precipice of the barranca [bluff] of Maunalei. And many natives of Lanai believe to this day, that their native hogs and dogs have passed away, in consequence of the prophecy of Kawelo.”

Keahiakawelo is an otherworldly rock garden at the end of rocky Polihua Road. Located roughly 45-minutes from Lānaʻi City on the northwest side of the island, its landscape is populated with boulders and rock towers.

The region around Keahiakawelo is one of the most significant storied landscapes on Lānaʻi; there are numerous traditions describing how native Hawaiians were able to survive on Lānaʻi, and why, at one time, Lānaʻi was noted for purple colored lehua blossoms.

As the tradition of the area known as Keahiakawelo reveals, the Ka‘ā region of Lānaʻi, with the view plain to the eastern end of Moloka’i and the famed kukui tree grove of Lanikāula and Mokuhoʻoniki, is one of great significance to the history of Lānaʻi and connected by history to the larger Maui group of islands.

The rock towers, spires and formations formed by centuries of erosion are at their most enchanting at dusk. The setting sun casts a warm orange glow on the rocks illuminating them in brilliant reds and purples.

One Island legend says that the rocks and boulders were dropped from the sky by the gods tending their gardens. Another ancient tale explains that the rocks house the spirits of ancient Hawaiian warriors.

And still another legend says that the gods enjoyed creating art, and this spot on the island is where they made their favorite sculptures. They created powerful winds to literally sculpt each rock formation (perhaps explaining why there is no vegetation.)

Science suggests that these formations are the result of thousands of years of erosion that created pinnacles and buttes in one remote canyon area. Just one look, however, and you’ll wonder whether each rock has been placed for some divine purpose.

Today, many refer to this area as “Garden of the Gods.”

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Garden-of-the-Gods-NationalGeographic

Lanai-Monsarrat-Reg1394-1878-noting_general_area_of_Ke-ahi-a-Kawelo

Lanai-GoogleEarth-noting_location_of_Ke-ahi-a-Kawelo ('the-fire-of-Kawelo' - Garden of the Gods, Lānaʻi)

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October 26, 2019 by Peter T Young Leave a Comment

Kaunolū

Lānaʻi was under the control of nearby Maui before written history. Its first inhabitants may have arrived as late as the 15th century.

The first people to migrate here, most likely from Maui and Molokaʻi, probably established fishing villages along the coast, initially; but later branched out into the interior where they raised taro in the fertile volcanic soil.

Lānaʻi was first seen by Europeans in February 25, 1779, when Captain Charles Clarke sighted the island from aboard James Cook’s HMS Resolution. Clarke had taken command of the ship after Cook was killed at Kealakekua Bay on February 14 and was leaving the islands for the North Pacific.

Kaunolū Village is located on the south coast of the island of Lānaʻi. This former fishing village, abandoned in the 1880s, is the Island’s largest surviving ruins of a prehistoric Hawaiian village.

Old house foundations, terraces and petroglyphs are found at Kaunolū along with the remains of an ancient sacred area called Halulu Heiau, high on the edge of a cliff above the bay.

The archaeological site is very well-preserved and covers almost every phase of Hawaiian culture. It was designated a US National Historic Landmark in 1962 and added to the National Register of Historic Places in 1966.

The site consists of two historical villages straddling Kaunolū Gulch, a dry stream bed subject to occasional flash floods after rainstorms at higher elevations. The village on the western side was named Kaunolū; the one on the eastern side was called Keāliakapu.

The land is parched, with little fresh water, but the sheltered bay at the end of the gulch offers access to rich fishing in the deep seas below the high cliffs along the south coast of the island. Ancient Hawaiian bone lures used to troll for pelagic fish were found in Ulaula Cave, a small lava tube near the village.

After Kamehameha had conquered all the islands, he visited the village of Kaunolū to fish and sport. His residence was on the bluff which forms the east side of the bay, overlooking the village, the heiau and the bay.

Between 1778 and 1810, he is said to have held ceremonies at this heiau. During the late 18th century, Maui high chief Kahekili, a rival of Kamehameha, also used to visit here.

One of Kahekili’s many legendary feats was performed through the ancient Hawaiian sport of lele kawa (to leap feet first from a cliff into water without splashing.)

Northwest of the heiau there is a natural stone wall running along the sea cliff. Near the cliff’s edge, there is a break in the wall (called Kahekili’s Leap) and a steep 80-foot drop.

Kahekili was a formidable competitor and reportedly demanded his warriors follow his lead and ordered them to dive into the sea below to prove their courage.

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Halulu Heiau from across gulch at Kaunolu Village Site, Lanai

Walls of Halulu Heiau at Kaunolu Village Site, Lanai

Site of Kamehameha I's house at Kaunolu Village Site, Lanai

Kahekili's Leap starting point, Kaunolu Village Site, Lanai

May 7, 2019 by Peter T Young 1 Comment

Kapihaʻā Village Interpretive Trail

He Wahi Pana O Lānaʻi – A Storied Place of Lānaʻi – the Kapihaʻā Interpretive Trail is an approximate one-mile round trip. The Kapihaʻā preservation area contains at least fifteen distinct sites, made up of more than 60 features, by which we may see how Hawaiians lived, worked and worshiped on Lānaʻi.

Interpretive signs found along the trail identify several different types of sites, including agricultural fields, residences, ceremonial sites and lithic (stone) workshops.

Sign 1 – ”Wahi Pana” are storied and sacred places on the Hawaiian landscape.
Walking the trail from this point, you will step back in time, and glimpse life on Lānaʻi prior to the arrival of westerners in 1778.

Sign 2- Kapihaʻā: Life Along The Leeward Shore Of Lānaʻi
Close to 800 years ago, native Hawaiians settled along sheltered areas of the coast line on Lānaʻi, and then extended inland where extensive dry land agricultural fields were developed.

Because water resources were limited even then, most agricultural pursuits were in the form of dry land crops planted upon the kula (plains) and under the canopy of now reduced forests that collected fog drip.

Along the trail there is evidence of permanent and temporary dwellings, agricultural plots, lithic (stone) workshops and ceremonial sites, and the ancient setting of Kapihaʻā Village.

Sign 3 – Puʻupehe Islet
Native lore describes the platform with an upright stone in it as either a burial place for a woman who bore the name of Puʻupehe, or as a shrine dedicated to the god of bird catchers.

In traditional times, sea birds were an important part of the Hawaiian diet, and koʻa (shrines) were placed on “bird islands to sustain the land with plenty of birds.”

Sign 4 – Heiau (Temple) of Kapihaʻā Village
This heiau is a significant architectural feature on the cultural landscape of Kapihaʻā. There are five features associated with the heiau, which include a walled platform, terraces and an ʻahu (altar or cairn).

The prominence of this site, and the fact that it commands an imposing view of the ocean and surrounding lands, suggests that it was a temple associated with prayers and offerings to promote the abundance of the fisheries, or perhaps to pray for rains and sustainable growth of crops on land.

Sign 5 – Dry Land Agricultural Terraces
Because of the arid nature of Lānaʻi, most of the crops grown here were adapted to the kula (open flat lands), and planted in kīhāpai, and moʻo (walled fields or shallow terraces). Passing showers born by the nāulu (southerly) breezes and the early morning kēhau (dew born upon mountain breezes) provided enough water for the plants to grow.

Both natural terraces, some of which were modified, and formal terraces, in which mulch was developed to support plant growth, may be found in this area. Crops such as ʻuala (sweet potatoes), uhi (yams), hue (gourds), lau ki (ti plants) and clumps of kō (sugarcane) could be grown here.

Sign 6 – Kauhale and Hale Pāpaʻi House Sites, Temporary Habitation Sites and Shelters
On the leeward side of Lānaʻi, Kapihaʻā and neighboring villages of the Hulopoʻe-Mānele vicinity supported a population of at least several hundred people at any given time.

The small house sites were basically shelters from bad weather, with most activities – such as making fishing gear, working on stone tools, and food preparation – occurring outside.

Poles of wood, gathered from the uplands, would have been placed upon the stone foundations of these house sites and shelters as support posts, beams and purloins. Thatching of native pili grass, leaves of loulu (pritchardia) palms, niu (coconut fronds), and leafy branches from shrubs would then be lashed to the poles on narrow cross pieces, thus providing protection from rain, cold and heat.

The house foundation has multiple terraces and separate leveled areas, each of which would have served a special use in domestic life. Generally the highest area on the upslope side was reserved for special functions associated with family worship.

Sign 7 – Koʻa, a Fisherman’s Shrine and Triangulation Station
A significant wealth of this part of Lana’i lay in its fisheries, as marine resources supplied protein for the native Hawaiian diet. In addition to fish, various pūpū (shellfish), papaʻi (crabs), and several varieties of limu (seaweeds) were also collected along the shore and from the sea. These fishery resources, together with crops from the uplands sustained the residents of Kapihaʻā over many generations.

A significant Hawaiian ceremonial site, a koʻa or fishing shrine, lies to the west of this trail, perched on a promontory overlooking the ocean and the fisherman’s trail. Portions of the koʻa have collapsed, but the large mound of coral set upon the stone foundation is symbolic of the god Kūʻula and makes this koʻa one of the most unique sites of its kind anywhere in Hawai’i.

Fishermen sought protection during fishing trips and continued abundance of the fisheries through offerings of fish, urchins, and shell fish to the gods and ʻaumakua (guardians). Offerings would again be made upon return from fishing expeditions to thank the gods for their successful catch and safe return.

Sign 8 – The Kapihaʻā Preservation Area and Interpretive Trail (Coastal Section)
Sections of the Fisherman’s Trail along this coast follow a traditional ala hele (trail) traveled by ancient Hawaiian residents of Lānaʻi for generations.

The ala hele linked coastal communities together, and provided residents with access to various resources. The ala hele that turns mauka (upland) at this point enters the ancient village site known as Kapihaʻā. (Information on the Kapihaʻā interpretive trail is from Lānaʻi Culture & Heritage Center, prepared by Kepā Maly, Kumu Pono Associates LLC.)

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