Hukilau | Images of Old Hawaiʻi

In March 1865, Brigham Young (President of The Church of Jesus Christ of Latter-day Saints from 1847 until his death in 1877,) in a letter to King Kamehameha V, requested permission to locate an agricultural colony in Lāʻie. The king granted his request.

That year, Mormon missionaries (Francis Asbury Hammond and George Nebeker) purchased about 6,000-acres of the ahupuaʻa of Lāʻiewai to Lāʻiemaloʻo (in Koʻolauloa) from Mr. Thomas T Dougherty for the Mormon Church. The missionaries hoped to create a gathering place for converts to their faith to settle in.

On April 5, 1882, King Kalākaua visited the village of Lāʻie as guest of honor for the ceremonial placement of four cornerstones for a new chapel being built by the Mormons.

The chapel remained until 1915 when the Hawaiʻi Temple was started and the chapel was moved. Unfortunately, the historic chapel burned down during renovations on July 11, 1940.

1945 saw the end of World War II. With the end came the return of the simple island life.

To replace the church they needed to raise funds. After a few unsuccessful attempts at fundraising, the decision was made in 1947 to pull together a hukilau as a fundraising event. (PCC)

Hukilau (Huki = pull; lau = leaves, specifically, ki (ti) leaves) is a community fishing technique with long ropes, with dried ti leaves attached to frighten the fish.

The net was taken out and surrounds fish out in the water; then, the ends of the net are pulled into shore, corralling the fish. The fish are either caught in the nets or picked up by hand. This operation in the old days brought together men, women and children of the whole community. (Maly)

A well-known expert fisherman, Hamana Kalili supplied the nets for fishing. (Kalili is credited for starting the ‘shaka’ hand sign (but that is the subject of another story.))

Beatrice Ayer Patton (Mrs. George S Patton – her husband was stationed on Oʻahu during the mid-1920s) described Kalili as “a magnificent example of the pure Hawaiian. A man in his sixties, with white hair and a deeply carven face, he had the body and reactions of a teenager. He lived and fished on the windward side of the island”. (Patton-Totten)

“… they would go out in the ocean, in a semicircle and pull the nets to shore, and that was the hukilau, part of it. After the fish was all caught and so on, then they would go to the luau part. And the luau, as you know, is a place where you can have lots of food, and have lots of entertainment.” (Roland Maʻiola “Ahi” Logan; Kepa Maly)

January 31, 1948, members of the Lāʻie Ward started the hukilau. (PCC) A $5 fee was charged to enjoy the hukilau, food and hula show. Two hundred and fifty people arrived for the first fundraiser and the church raised $1,250.

Jack Owens enjoyed this Hukilau. That night, suffering sunburn, aches and pains, he was inspired to write this song. Introduced publicly at a Methodist lūʻau in Honolulu, it became an instant hit. (Our Honolulu, Bob Krauss, Advertiser, April, 1998)

“So that became the Church fund raiser. After the success of the first one. That was done. … Hukilau gave the people of Lāʻie the impact of economic growth. Next thing you knew, the ladies went into making crafts, the children were making coconut hats … the Hukilau was something that strengthened the people in the community.” (Logan; Maly)

During that time, it was one of the most popular visitor attractions. To actually pull in the hukilau nets, feast on the lau lau and watch as the ʻama ʻama went swimming by was truly a Hawaiian activity. (PCC) (The Hukilau continued to 1971.)

In 1959 students and faculty at the Church College of Hawaiʻi (BYU-Hawaiʻi) organized the “Polynesian Institute” (later renamed “Polynesian Panorama”) and took the show on the road. Students performed first at the International Market Place, then put on larger performances in the Kaiser Hawaiian Dome in Waikīkī.

Two years of shuttling Church College students back and forth to Waikīkī for performances convinced decision-makers that a spirited, tourist-oriented Polynesian revue with a student cast was definitely marketable.

And although some argued that Lāʻie was too far from Honolulu, others insisted that the success of the hukilau demonstrated that they could draw audiences large enough to make the venture profitable. (Webb) Thus, the Polynesian Cultural Center was born.

Click HERE for a link to Owen’s Hukilau Song.

“The Mormons are said to have commenced their mission in 1850. Their converts are scattered over all the islands. They number about nine per cent of all those who in the census returns have reported their religious affiliations. This mission owns a small sugar plantation at Laie, on the island of Oʻahu.” (The Friend, December 1902)

The Mormon mission purchased approximately 6,000-acres of land in Lāʻie in 1865; at the time, sugar production was growing in scale; in addition to farming for food for the mission, the Lāʻie land was considered to have a good potential for growing sugar cane.

In 1867, the first sugar cane was planted and was later expanded with the Lāʻie Plantation. Sugar provided the positive economic impact and gave financial support to the Mormon Church in Hawaiʻi. However, in the 1920s, the plantation had financial problems and the Church later leased sugar lands to Kahuku Plantation Company.

As the Lāʻie sugar industry declined, tourism to Hawaiʻi was growing,

Looking for new sources of revenue to the Church and its members, they looked to exploit the tourism market through the ‘hukilau’ at Lāʻie Bay (visitors pulling (huki) an arced net with leaves (lau) from the beach -to pull [a] rope with ti leaves [and a net attached.])

Each hukilau attracted several hundred tourists from Honolulu. After the tourists helped pull the nets and the fish to shore, the residents of Lāʻie entertained them with songs, dances, activities, storytelling and feasting. (Webb)

Then, in 1955, the Mormons started the “Church College of Hawaiʻi” (CCH) in Lāʻie (in 1974, the school changed its name to Brigham Young University-Hawaiʻi Campus (BYU-Hawaiʻi.) Church officials looked for ways to provide jobs for the growing student population.

The success of the hukilau and the diversity and number of Polynesian students at the College led to expanded entertainment, including free tram rides to the nearby temple grounds.

In 1959 students and faculty at the Church College of Hawaiʻi organized the “Polynesian Institute” (later renamed “Polynesian Panorama”) and took the show on the road. CCH students performed first at the International Market Place, then put on larger performances in the Kaiser Hawaiian Dome in Waikīkī.

Two years of shuttling Church College students back and forth to Waikiki for performances convinced decision-makers that a spirited, tourist-oriented Polynesian revue with a student cast was definitely marketable. And although some argued that La’ie was too far from Honolulu, others insisted that the success of the hukilau demonstrated that they could draw audiences large enough to make the venture profitable. (Webb)

The Polynesian Cultural Center (PCC) was born.

Over 100 “labor missionaries” volunteered to help build the Polynesian Cultural Center’s original 39 structures on a 12-acre site that had previously been planted in taro. Skilled artisans and original materials from the South Pacific were imported to ensure the authenticity of the village houses.

When it opened on October 12, 1963, the PCC adopted some of the successes of the hukilau. The general pattern of cultural activities, a sumptuous meal and a culminating performance of songs and dances became the basic PCC program. Many of those who performed at the hukilau became part of the Center’s original cast. (Webb)

Since opening, over 33-million visitors have been introduced to the Polynesian people, their arts and customs, and nearly 15,000-BYU-Hawaiʻi students have helped finance their educational objectives while working as the friendly guides, performers and other PCC employees serving people from all over the world.

Each of the major Polynesian cultures has its own section, centered on a traditional village. Hourly performances and cultural learning experiences take place in these villages. Villages include: Hawaii, Samoa, Aotearoa (present-day New Zealand,) Fiji, Tahiti, Tonga and the Marquesas Islands.

In addition to the villages, the PCC has a special exhibit dedicated to Rapa Nui (Easter Island or Isla de Pascua) and a tribute to the 1850s LDS mission.

Over the years, the program and PCC footprint expanded. An amphitheater built in 1975 now seats almost 2,800 guests. A 1,000-seat restaurant opened in 1979, and IMAX films, shopping plaza and other features were added.

Now, there are things to do and shows to see, day and night (with Kamaʻaina rates)

The image shows some of the entertainment at Hukilau Beach, Lāʻie in 1949 (BruceBean) – forerunner to the eventual Polynesian Cultural Center. In addition, I have included other related images in a folder of like name in the Photos section on my Facebook and Google+ pages.

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