New York | Images of Old Hawaiʻi

“(I)f you are really lucky … If you are one of those of whom refreshing and enchanting things sometimes happen. You will have wandered into the Hawaiian Room at the Lexington …” (Tucker, Man About Manhattan, June 14, 1938)

The Hotel Lexington (on Lexington Avenue and 48th Street, New York City) was completed just six months before the market crash of 1929.

The iconic hotel became an instant favorite for global leaders, celebrities, business executives and some of America’s most famous sports icons including Joe DiMaggio, who famously lived in a penthouse suite during his whole career playing for the Yankees. (Lexington)

However, in the basement, hotel management realized they were stuck with a large and useless lower dining room. In 1932, they opened the SilveL Grill, featuring bandleaders Ozzie Nelson, Little Jack Little, Artie Shaw and Carl Ravel.

Popularity waned, and hotel owners were in need of a show that would attract wealthy society members and keep the hotel in the black. The manager decided to experiment for a few months with all-Hawaiian entertainment in a cafe decorated with South Sea motifs and featuring Polynesian food.

At the time, Hawaiian and Polynesian cultures were growing in popularity and interest across the country. However, the creation of the Hawaiian Room was still a bold move not only because of the Great Depression, but also an increasingly complicated global scene as world conflicts were escalating in both Asia and Europe. (Akaka)

On June 23, 1937, the Hawaiian Room opened in the Hotel Lexington, the first major showroom for live Hawaiian entertainment in the US and the one that became the most renowned.

The Room itself was the first of its kind and featured a glamorous dining room with island decor, large dance floor and American orchestra, and a Hawaiian music and floor show that was unmatched in its professionalism, elegance and beauty.

It was New York after all – the land of Broadway shows, fast-paced lifestyles, ethnic diversity and celebrities. (Hula Preservation Society)

The initial band, named “Andy Iona and His Twelve Hawaiians,” included Andy Iona (born Andrew Aiona Long,) composer-singer Lani McIntire and Ray Kinney as featured singer.

Kinney assembled the dance troupe in Honolulu: the solo dancer Meymo Ululani Holt, plus Pualani Mossman, Mapuana Bishaw and Jennie Napua Woodd – they became known as the “Aloha Maids” – they became the faces of Hawai‘i in New York.

While numerous American showrooms featured live Hawaiian entertainment, the Hawaiian Room served as the industry standard to beat. In many cases, performers in other American showrooms appeared at the Hawaiian Room sometime during their careers.

A few other notable entertainers who helped “make” the Room over the years include Alfred Apaka, Aggie Auld, Keola Beamer, Eddie Bush, Johnny Coco, Leilani DaSilva, Ehulani Enoka, Leila Guerrero, Meymo Holt, Keokeokalae Hughes, Clara Inter “Hilo Hattie,” Alvin Isaacs, Momi Kai, George Kainapau, Sonny Kalolo, David Kaonohi, Nani Kaonohi, Kui Lee, Sam & Betty Makia, Tootsie Notley, Lehua Paulson, Telana Peltier, Luana Poepoe and Dennie Regore. (Akaka)

The venue became “the place to be” for celebrities in New York City, and it was the people who worked in the Hawaiian Room who made it such a success. Because of their talents, island ways and authentic aloha many were able to enjoy a piece of Hawaiʻi, even if they were on another “island” 5,000 miles away. (Akaka)

The Hawaiian Room was a place where dancers could establish viable careers. In the Islands, career options were limited. Hula dancers could earn between $50 and $100 a week, compared with $4 to $10 a week in the pineapple canneries.

For many Hawaiian women, hula presented a dream ticket out of Hawai‘i, promising fame, glamour and middle-class status difficult for them to achieve in the plantation and service industries. (Imada)

They became minor celebrities as performers in what was referred to in New York papers as an “off-Broadway show not to be missed.”

Big-time celebrities like Arthur Godfrey and Steve Allen sought out the Hawaiian Room entertainers to be on their television shows. The Hawaiian Room dancers were featured on the very first broadcast of color television in the United States. (Hula Preservation Society)

“They say (dancer, Pualani Mossman) is the most photographed girl in the Islands …” She became known as the “Matson Girl” for her pictures in Time and Life magazines.

Although the Hawaiian Room was in New York, it played an ever important role in the spread of Hawaiian culture across the continental United States, as well as the development of Hawaii’s major industry … tourism.

The nightly exposure of business executives, celebrities and New York’s working men and women to the Hawaiian songs, sceneries and hula at Hotel Lexington was sure to have put dreams of a Hawaiʻi vacation in the minds of more than a few over the years. (Akaka)

Over the course of its 30-years, millions of people from all over the world experienced the Hawaiian Room, its melding of Hawaiian music and hula traditions with current American musical trends, and its people of aloha. (Hula Preservation Society)

In 1966, a hula dancer at another venue was seriously injured when her grass skirt caught on fire. That prompted new federal workplace fire laws. (KITV) The Hawaiian Room closed that year because the needed fireproofing renovations were too expensive. (honolulu)

“The ‘Polynesian Registry’ is a kind of who’s who and where of Hawaiians in New York”. (Lois Taylor, SB, Jan 9, 1963)

“In 1958 [Newton Kulani Purdy] founded the Polynesian Registry to help locals and expats keep up with each other, and has watched it grow from 50 names to more than 1,000, and his newsletter, which started out at two pages, is now more than 30.” (Donnelly, SB Dec 13, 2002)

“Newton Kulani Purdy was born Oct. 15, 1928, in Kalaupapa, Molokai. His father, Robert Waipa Purdy, was a leprosy patient who lived in Kalaupapa with Kulani’s mother, Marcy Kepalai Kinney. Kulani’s mother did not have leprosy but had volunteered to accompany his father to Kalaupapa to care for him as a family helper.”

“State law at the time required the separation of all children at birth from their parents. Most of the children grew up with other relatives or were taken to an orphanage. Immediately after Kulani was born, he was taken from his parents and was raised outside the Kalaupapa settlement by an aunt.”

“Though Kulani was born in Kalaupapa, his birth certificate listed his place of birth as Honolulu. This was a common practice by the Health Department for birth certificates of the children born in Kalaupapa. At the time it was done to spare children born at Kalaupapa the stigma of having a parent or parents with leprosy.” (Machado)

“Kulani attended Roosevelt High School but left before graduating to join the Army. He was in the Army for seven years, serving as an infantry soldier, military police officer and Army Signal Corps. At one point during his service in the Army, he served under Gen. “Ike” Eisenhower.”

“His final Army assignment was in New York City, where he was honorably discharged. He decided to stay in New York and ended up living there for more than 50 years.” (Machado)

“The Registry took five years to prepare and was originally the brain child of Honolulu born Kulani Purdy, 31, who combined his job as a cutter in New York’s garment district with his love – being with other Hawaiians and collecting lore about the Islands.”

“Kulani accidentally bumped into a cousin, Everett R Kinney, one night in New York and discovered that Everett was living nearby on Long Island. The encounter so impressed Purdy, that he deserted his collection of more than 200 books about Hawaii and set out to compile the Registry.”

“He enlisted a number of other Island ‘exiles’ in the endeavor, principally Cousin Everett and Ed Kenney, now one of the principals in Broadway’s ‘Flower Drum Song.’ … they want no profit and plan to plough any extra receipts back into enlarging the Registry”. (Adv, Dec 26, 1959)

“How often have you stood alone in the midst of a strange city and speculated about the people milling about you? And as you walked aimlessly along the streets, you suddenly bumped into a familiar face and miraculously, the city no longer seemed cold and unfriendly. Or, have you idly sat alone with your thoughts, wondering if per chance your unknown neighbors could be Islanders?”

“We believe that Islanders away from home sooner or later begin a quest for people and things that serve to make them feel a little more in Hawaii-foods, Island talk, an exchange of memories. Our cultural heritage is unique and we somehow like to be able to express it wherever we may be.”

“Who can be listed in this book? Anyone who comes from Polynesia. Island Friends throughout the world or anyone in the business world who deals with things typical of Island culture and interest.”

“Those who want their names to appear in the Registry need only notify the Registry of this intention, for there is no fee attached to this privilege.” (Polynesian Registry Inro by Edward Mana Keeney, SB Feb 2, 1960 )

“Intended basically to permit homesick Islanders to locate each other, the 44-page volume contains the names and ‘off-island’ addresses of 800 individuals and a listing of scores Polynesian clubs, restaurants, gift shops and service establishments. (SB, Dec 26, 1959)

Purdy’s newsletter, “The Polynesian Registry, kept Hawaiians who were living in the Big Apple in touch with one another. Hawaiians performing in the Hawaiian Room of the Lexington Hotel belonged to Kulani’s network. “

“They included: Mahi Beamer, Ray Kinney, Manu Kanemura Bentley, Mona Joy, Leilani Kaleikini, Betty Makia, Momi Kai Gustafson, Lei Becker, Joyce Ontai, Io Cabanos, Tutasi Wilson and Te Moana Makolo.”

“His newsletter also reached Hawaiians in Delaware, Pennsylvania and Maryland. ‘He also was an integral part of organizing Hawaiian luau in Central Park every May Day, and later held on June 1 as it was too cold in May,’ Hale Kaohu Rowland said.”

“‘The luaus are still being held. Kulani would have us gather at Nainoa and Pat Brett’s little restaurant called The Poi Bowl on 71st Street. Later on, we all met at Janu Cassidy’s shop called Radio Hula, in Soho, and also at The Symphony Cafe, a restaurant on 56th and 8th that my husband, Manny, and I had part-ownership,’ Hale said.” (Ben Wood)

“Kulani was a confirmed bachelor, and his ‘ohana consisted of all the ‘local’ expats in and around the New York area, extending into New Jersey, Pennsylvania, Delaware and Maryland.”

“He was known as the glue that held everyone together and was the first to reach out to homesick Hawaiians in Manhattan. Everyone knew him for his kindness and generosity.” (Machado)

Purdy left New York in 2006 to return home to Molokai; he died February 11, 2012 at the in Leahi Hospital at the age of 83.