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March 5, 2017 by Peter T Young 1 Comment

Emma Kaili Metcalf Beckley Nakuina

“The green mountains of our Islands are still smiling in their beauty and the lovely borders of Hawaii Kuauli (a poetical appelation given to Hawaii nei by the Hawaiians), of the land known to the foreigners as the ‘Paradise of the Pacific,” still remain for us to enjoy.” (Hawaiian Gazette, January 11, 1898)

“The Hawaiian Race is universally recognized as foremost among those of the Pacific archipelagoes, and there is much in its history to arouse interest. With an unwritten record extending back 1,030 years, this people appeals to every student and observer.”

“Gifted with an imaginative faculty well developed, a capacity to clothe thought in ornate language, and adorn recital with word picture, as well as a vocabulary that lends itself to poetic expression, the meles, or historical songs, are virile and have the swing of the trade wind.” (Nakuina)

“Our newly arrived citizens are probably unaware that there are but few ladies in Hawaii nei who have wrought so much by deed, pen and words for the benefit of her race as (Emma Kaʻilikapuolono Metcalf.)”

“Full of the most accurate information as to her people their history traditions, manners and customs, she is endowed with the happy facility of wielding a pen cleverly and to the point.”

“In the various public positions she has held through many years she invariably brought to bear a bright intellect and a tactful experience with strict fidelity to truth and integrity.” (Independent, March 8, 1897)

Emma “challenged haole efforts to claim the right to rule by asserting genealogical connections to Hawai‘i and Hawaiians. She insisted on the primacy of indigenous genealogies and the insufficiency of their Western counterparts.” (Skwiot)

Emma Kaʻilikapulono Metcalf was born on March 5, 1847, at Kauaʻaia in Honolulu’s Mānoa Valley to Theophilus Metcalf, Hawai‘i’s first photographer, a civil engineer and sugar planter and Chiefess Kailikapuolono of Kūkaniloko. (Preface, Nakuina)

(Metcalf Street in Mānoa is named for Theophilus Metcalf; he arrived in the Islands on May 19, 1842 and became a naturalized citizen on March 9, 1846. He owned the property that most of the University of Hawai‘i campus sits on today. (Hopkins))

Emma “springs from blood lines which touch Plymouth Rock, as well as midseas islands. High priests, statesmen and warriors join hands in their descendants with pilgrims, lawmakers and jurists.”

“Broadly and liberally educated under the immediate care of her father, a Harvard man, nephew of the late Chief Justice Metcalf of Massachusetts, (she) is fitted to present legends which bring out strongly characteristics of her people. (Preface, Nakuina)

Emma attended Sacred Hearts’ Academy, Oʻahu College (Punahou School) and the Mills’ Seminary for Young Ladies in Benicia, California.

She was also privately tutored by her father in Greek, Latin, Hebrew, French, German, English and Hawaiian. She was also brought up with a thorough knowledge of traditional Hawaiian practices and protocol. (HHS)

In 1867, Emma married Frederick William Kahapula Beckley (eldest child of William Charles Malulani Beckley and Kahinu.) Beckley was a plantation owner and eventually chamberlain to King Kalākaua (1875) and governor of Kauai (1880). They had seven children.

While she was attached to the court of Kamehameha IV, the king had Emma trained in laws about water rights. One of the many native Hawaiian intellectuals of the 19th century, she was an expert on a wide variety of topics including water rights and laws.

She served the government of Alexander Liholiho (King Kamehameha IV) in the courts as Commissioner of Private Ways and Water Rights for Honolulu.

In 1875, King Kalākaua named her as curator for the Hawaiian National Museum, making her one of the first, if not the first, female curator of a national museum anywhere in the world. (HHS)

Beckley died in 1881 at the age of 36. “Immediately after the death of my husband I went up to the palace and stayed two or three weeks and then went home to my mother at Kalihi.” (Nakuina; Supreme Court Records) In 1887, she married Rev. Moses Keaea Nakuina.

She wrote many articles on Hawaii, including “Ancient Hawaiian Water Rights and Some Customs Pertaining to Them.” She also wrote of Hawaiian folklore and published Hawaii: Its People and Their Legends in 1904. (Scanlon) Emma Nakuina died on April 27, 1929.

Emma Nakuina lived through six monarchs and five governments. She was not a queen, but not a commoner either. She was caught somewhere in the middle: a kaukau aliʻi.

As the first child of a high-born Hawaiian chiefess and an American Sugar Planter, Emma lived in close proximity to both the Hawaiian monarchy and to those who would later overthrow it.

Like her rank, the era she lived in was also caught somewhere in the middle, between Hawaiian tradition and Western modernization. It was a time when all Hawaiians were struggling to live pono in an environment full of unfamiliar influences and importations.

Throughout her life, Nakuina chose to serve out her chiefly duties by being a teacher, historian, museum curator, water commissioner and judge, and she did so in an era when women were discouraged from holding positions of authority.

She was caught in a tumultuous world of underhanded politics, shifting governments, and the reluctant need to transition from a ‘Hawaiian’ way of life to that of the ‘civilized world.’ (Hopkins, UH)

Here is a video showing Emma Nakuina (portrayed by Kahana Ho;) it was part of a Hawaiian Mission Houses ‘Cemetery Pupu Theatre’ event at O‘ahu Cemetery, where Nakuina is buried.

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Emma_Kaili_Metcalf_Beckley_Nakuina
Emma_Kaili_Metcalf_Beckley_Nakuina
Emma_Beckley,_photograph_by_Charles_L._Weed,_1865
Emma_Beckley,_photograph_by_Charles_L._Weed,_1865
Emma_Nakuina
Emma_Nakuina
Emma Kaili Metcalf Beckley Nakuina (1847-1929), Curator of the Hawaiian National Museum-BM
Emma Kaili Metcalf Beckley Nakuina (1847-1929), Curator of the Hawaiian National Museum-BM
Kahili_Valley,_Mrs._Emma_Beckley's_house,_photograph_by_Eduard_Arning,_1884
Kahili_Valley,_Mrs._Emma_Beckley’s_house,_photograph_by_Eduard_Arning,_1884
Emma_Metcalf_(1910)
Emma_Metcalf_(1910)
Judge Archibald Scott Mahaulu, Rev Moses Kuaea Nakuina, CE Peter N. Kahokuoluna and Judge William Werner-1909
Judge Archibald Scott Mahaulu, Rev Moses Kuaea Nakuina, CE Peter N. Kahokuoluna and Judge William Werner-1909

Filed Under: General, Ali'i / Chiefs / Governance, Place Names, Prominent People, Economy Tagged With: Hawaii, Emma Nakuina

June 28, 2016 by Peter T Young Leave a Comment

Muses of Hawai‘i

Hawaiian Mission Houses Historic Site and Archives recently produced another Cemetery Pupu Theatre event at Oʻahu Cemetery – Muses of Hawai‘i.

It’s a unique dinner theatre experience where history comes alive for the evening, brought to you by Mission Houses and Oʻahu Cemetery.

Mission Houses discovers stories from the lives of prominent Hawaiʻi residents and brings those stories back to life – in the cemetery, at the place where that person is buried.

Muses of Hawai‘i – the current version of ‘dinner theatre in a cemetery’ is focused on a small sample of people – historians and authors, a dramatist and actor, a museum curator, and a musician – who have contributed to the humanities in the history of Hawai‘i.

These characters all speak from their own perspectives about the same place and approximate time. These people all knew one another, or at least knew about one another, and often had something to say about each other.

See if you can catch their references to each other during their performances.

Standing at five different headstones, actors perform a monologue of the lives of the people buried at Oʻahu Cemetery.

Actors are dressed in period costume, telling the life events of select individuals, at their respective grave sites.

There was nothing ghoulish about it; rather, it was very effective storytelling.

Johnny Noble (Portrayed by Zach Thomas Woods)

Johnny Noble (1892-1944,) who took his inspiration from Sonny Cunha, who created hapa haole music in 1900 by mixing traditional Hawaiian music with American ragtime. Noble took Cunha’s idea a step further and mixed Hawaiian music with jazz and blues with for a new style of hapa haole music.

Critics said it degraded and commercialized Hawaiian music, but audiences loved it. “Sing Me a Song of Hawaii,” “My Little Grass Shack,” “Hula Blues,” and “Hawaiian War Chant” are among some of his most recognizable songs. He also recorded hundreds of traditional Hawaiian songs. (Wayne Paakaula is the Ukulele player.)

Ethel Damon (Portrayed by Alicia Rice)

Ethel Moseley Damon (1883 – 1965) authored several plays including Punahou’s 75th Anniversary Pageant and The Romance of Reality: A Historical Play in Two Acts, a centennial missionary memorial play.

She also authored Samuel Chenery Damon (a biography of her grandfather), Early Hawaiian Churches and Their Manner of Building, and her seminal history of Kaua‘i Koamalu: A Story of Pioneers on Kauai.

Thomas Thrum (Portrayed by Eli Foster)

Thomas Thrum (1842 – 1932) operated a book and stationery store. In 1875 he produced the first issue of Hawaiian Almanac and Annual which is commonly referred to as Thrum’s Annual.

He was the first editor of Paradise of the Pacific in 1888 and published several collections of Hawaiian legends and several publications on Hawaiian heiau.

Emma Nakuina (Portrayed by Kahana Ho)

Emma Nakuina (1847 – 1929) was the first woman curator of a museum in Hawai‘i. She became curatrix of the Hawaiian National Museum in the Judicial Building during Kalakaua’s reign and authored Hawaii: Its People and Their Legends and Ancient Hawaiian Water Rights and Some Customs Pertaining to Them, among many others.

Nathaniel Emerson (Portrayed by Christopher Denton)

Nathaniel B. Emerson (1839 – 1915) was a physician, author, and husband of Dr. Sarah Emerson. He was the author of The Unwritten Literature of Hawaii: the Sacred Songs of the Hula; and Pele and Hiʻiaka: A Myth from Hawai‘i.

This Cemetery Pupu Theatre was researched by Mike Smola, script was written by Zach Thomas Woods, wardrobe by Peggy Krock and directed by William Haʻo.

The next Mission Houses program, 5:30 – 8 pm, Saturday, July 16, 2016, will be the ‘Aloha Ho‘oipoipo’ portion of Mission Houses ‘Na Mele Aloha’ series ($30 each in advance, or $35 at door.) (To be held at Mission Houses.)

This performance will explore romantic love through songs, mele ho‘oipoipo, both those which openly reveal the individuals in such a relationship and those songs which use kaona or hidden meanings to obscure the specific relationships.

Click HERE to make your reservation for 5:30 – 8 pm, Saturday, July 16, 2016,  ‘Na Mele Aloha’ series ‘Aloha Ho‘oipoipo’:

Check out the Mission Houses website for future programs and events, as well as the many other activities at the historic site on King and Kawaiahaʻo Streets. Click HERE.

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Mission Houses Museum - Cemetery Pupu Theatre - Muses of Hawaii
Mission Houses Museum – Cemetery Pupu Theatre – Muses of Hawaii
Johnny Noble (Portrayed by Zach Thomas Woods-Wayne Paakaula on Ukulele)
Johnny Noble (Portrayed by Zach Thomas Woods-Wayne Paakaula on Ukulele)
Ethel Damon (Portrayed by Alicia Rice)
Ethel Damon (Portrayed by Alicia Rice)
Thomas Thrum (Portrayed by Eli Foster)
Thomas Thrum (Portrayed by Eli Foster)
Emma Nakuina (Portrayed by Kahana Ho)
Emma Nakuina (Portrayed by Kahana Ho)
Nathaniel Emerson (Portrayed by Christopher Denton)
Nathaniel Emerson (Portrayed by Christopher Denton)

Filed Under: Prominent People Tagged With: Hawaii, Hawaiian Mission Houses Historic Site and Archives, Cemetery Pupu Theatre, Johnny Noble, Ethel Damon, Thomas Thrum, Emma Nakuina, Nathaniel Emerson

Images of Old Hawaiʻi

People, places, and events in Hawaiʻi’s past come alive through text and media in “Images of Old Hawaiʻi.” These posts are informal historic summaries presented for personal, non-commercial, and educational purposes.

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