Kona Coast

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December 28, 2017 by Peter T Young Leave a Comment

Kona Cattle

“…the meat-eating population has increased, while the areas devoted to grazing and the numbers of cattle have gradually diminished, so that at the present time we are face to face with a situation in which the supply will no longer cover the demand.”

“Formerly (cattle) had wider ranges to rove over and feed upon; they were possessors of the land, and their value consisted chiefly in the labor and hides that they yielded.”

“At that time the plantations, which were of smaller areas than now, were almost wholly worked by bullock labor… In the course of time, and that very recent, the sugar industry has undergone great expansion.”

“The lands, some of which formerly were among the best for meat-making uses, have been absorbed by the plantations, and the cattle have been gradually forced within narrower limits at higher altitudes.” (Walter Maxwell; Thrum 1900)

Let’s look back …

With the arrival of Western ships, new plants and animals soon found their way to the Hawaiian Islands. In 1793, Captain George Vancouver gave a few cattle to Kamehameha I. When Vancouver landed additional cattle at Kealakekua in 1794, he strongly encouraged Kamehameha to place a 10‐year kapu on them to allow the herd to grow.

In the decades that followed, cattle flourished and later turned into a dangerous nuisance. (By 1846, 25,000-wild cattle roamed at will and an additional 10,000-semi‐domesticated cattle lived alongside humans.)

Kamehameha III lifted the kapu in 1830 and the hunting of wild cattle was encouraged. The king hired cattle hunters from overseas to help in the effort; many of these were former convicts from Botany Bay in Australia.

Wild cattle were hunted for consumption, as well as provisioning ships with salt beef, and hides and tallow to the growing whaling fleets replenished their stocks.

In addition, Kamehameha III had vaqueros (Mexican-Spanish cow hands) brought to the islands to teach the Hawaiians, the skills of herding and handling cattle.

“The formalization of ranching operations on Hawai‘i evolved in response to the growing threat of herds of wild cattle and goats to the Hawaiian environment, and the rise and fall of other business interests leading up to the middle 1800s.” (Maly)

The vaqueros found the Hawaiians to be capable students, and by the 1870s, the Hawaiian cowboys came to be known as the “paniola” for the Espanola (Spanish) vaqueros who had been brought to the islands (though today, the Hawaiian cowboy is more commonly called “paniolo”). (Maly)

“The forest areas of the Hawaiian Islands were very considerable, covering the upland plateaus and mountain slopes at altitudes above the lands now devoted to sugar growing and other cultures.”

“Those areas, however, have suffered great reduction, and much of the most valuable forest cover has been devastated and laid bare. The causes given, and to-day seen, of the great destruction that has occurred are the direct removal of forest without any replacement by replanting.”

“Again, in consequence of the wholesale crushing and killing off of forest trees by cattle which have been allowed to traverse the woods and to trample out the brush and undergrowth which protected the roots and trunks of trees, vast breadths of superb forests have dried up, and are now dead and bare.”

“All authorities of the past and of the present agree in ascribing to mountain cattle, which were not confined to ranching areas, but allowed to run wild in the woods, the chief part in the decimation of the forest-covered lands. (Maxwell; Thrum)

“While the visits of the whaleships were confined to a few ports, the effects were felt in many other parts of the kingdom. Much of the domestic produce, such as potatoes, vegetables, beef, pork, fowls, and firewood, that was supplied to the ships was raised in the back country and had to be taken to the ports for sale.”

“The demand for firewood to supply so many ships over so great a period of time must have had an appreciable effect in reducing the forest areas and helping to create a serious problem for later generations.”

“Cattle for beef were, where possible, driven to the ports on the hoof and slaughtered as needed; at times they were led carelessly through the streets, to the annoyance and danger of the peaceful populace.” (Kuykendall)

In the years prior to the Māhele of 1848, nearly all of the cattle (as well as goats and sheep) belonged either to the King, the government, other chiefs close to the King, and a few foreigners who had been granted the right to handle the cattle. By 1851 there were around 20,000 cattle on the island of Hawai‘i, and approximately 12,000 of them were wild. (Maly)

The issuance of land title through the Māhele and Royal Patent Grant program of the Hawaiian Kingdom facilitated the development of large scale ranching activities on Hawai‘i. Every ahupua‘a in the area between Keauhou to Kealakekua (as well as on lands to the north and south) was put into ranching.

Ranchers, such as Samuel Rice, Charles Hall, William Johnson, Henry N. Greenwell, John D. Paris, James Atkins, Preston Cummings, Henry Weeks, George Trousseau and several others, operated in the uplands of Kona. (Maly)

The ranches of this region were generally situated between the 1,500 to 4,500-foot elevation, above the lands that in the same period were being turned over to the cultivation of coffee and other crops.

There were also important mauka-makai trails at various locations in the Keauhou-Kealakekua vicinity (such as Honalo, Kawanui, Lehu‘ula, Honua‘ino, Kalukalu, Onouli, and Ka‘awaloa), where ranchers would drive their cattle to the lowlands for grazing and shipping.

Māhele records also tell us that the native Hawaiian land owners in the same region, kept pigs and goats (and probably cattle and horses) on their own lands at lower elevations as well.

By 1855, the King signed a law requiring all cattle owners on Hawai‘i to register their brands between April 1st to September 30th 1855. On October 16, 1855, SL Austin (secretary to Governor of Hawai‘i), reported to John Young (Minister of the Interior), that 13 individuals had submitted the necessary documentation. (Maly)

For the most part, Kona Ranching operations continued on leased or fee lands by descendants of the earlier ranchers – Greenwell, Johnson, Paris, Wall and Roy.

Most of the ranching was/is in the uplands (areas extending from the Māmalahoa Highway vicinity to around the 4,800-foot elevation).

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Kailua Bay looking down on beach by pier

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October 3, 2017 by Peter T Young 1 Comment

Ahole Hōlua

“A fair road leads across a barren a-a flow to Miloli‘i, the largest and best specimen of an exclusively Hawaiian village on the Island, which is seldom visited.”

“It is splendidly situated by a sand beach, the sea coming right up to the yard walls, and is inhabited by a rather large population of Hawaiians, who prosper through the fishing which is almost phenomenally good.”

“A fair trail leads south to Honomalino, where there are no houses, but a splendid sand beach, where turtle abound. The trail leads south, along the beach, to the Okoe landing, where there is only one house, and to Kapu‘a, used as a cattle shipping point, where there are two houses.”

“Just south of this is Ahole, where there is a perfect papa hōlua, about 400 to 500 feet long, appearing as if it had been built but yesterday.” (Kinney, 1913)

Hōlua are massively constructed ramps, made of stacked stone, that were used as tracks for wooden sleds by the ancient Hawaiians.

The flat slope was covered with grasses to make the narrow fragile sleds able to reach high rates of speed on their downward runs. It starts with a running platform along which the sledder raced before flopping down on the sled at the beginning of the slope down. (NPS)

Hōlua sledding was restricted to the chiefs. A track of rock, layered with earth and made slippery with grass, was made for tobogganing on a narrow sled.

Hōlua sledding was the most dangerous sport practiced in Hawai‘i. The rider lies prone on a sled the width of a ski and slides down a chute made of lava rock.

The sled or papa consisted of two narrow and highly polished runners (three inches apart,) from 7- to 18-feet in length, and from two to three inches deep. The papa hōlua (canoe sled) is a reflection of the double-hulled canoe.

The two runners were fastened together by a number of short pieces of woods varying in length from two to five inches, laid horizontally across the runners.

“Coasting down slopes… Sliding on specially constructed sleds was practiced only in Hawaii and New Zealand,” wrote historian Kenneth Emory. “The Maori sled, however, was quite different from the Hawaiian… One of the Hawaiian sleds, to be seen in [the] Bishop Museum, is the only complete ancient sled in existence.”

“The narrowness and the convergence of the runners toward the front should be noticed. Coasting on these sleds was a pastime confined to the chiefs and chieftesses.”

The Reverend Hiram Bingham provides a descriptive account of this sport: “In the presence of the multitude, the player takes in both hands, his long, very narrow and light built sled, made for this purpose alone, the curved ends of the runners being upward and forward, as he holds it, to begin the race.”

“Standing erect, at first, a little back from the head of the prepared slippery path, he runs a few rods to it, to acquire the greatest momentum, carrying his sled, then pitches himself, head foremost, down the declivity, dexterously throwing his body, full length, upon his vehicle, as on a surf board.”

“The sled, keeping its rail or grassway, courses with velocity down the steep, and passes off into the plain, bearing its proud, but prone and headlong rider, who scarcely values his neck more than the prize at stake.” (Bingham)

The Ahole Hōlua consists of a steeply sloping sliding ramp (about 200-feet long) and runway (75-feet long – high on the eastern or top end of the slide.)

An alignment of water-worn stones and a rise in height of approximately 1-foot marks the beginning of the slide itself. Aside from these water-worn stones, the rest of the slide surface and facing is constructed with aa stones of varying size.

The height of the slide varies to make a smooth steep slope. The first meter or so from the top is fairly flat; the next 100-feet are steeply sloping, at least 1:3. The next 50-feet form a very steep slope 5′:11′. The last 65-feet are again flat and the surfaces change to ‘ili‘ili and coral with only in small amounts of aa strewn about.

On the aa bluff to the north of the hōlua are large numbers of what appear to be the gallery terraces and platforms, walls, stepping stone trails, shelters and walled enclosures.

These are situated in such a manner as to present a good view of the slide and it is not improbable that these features were used for just that function.

The surface of the entire area between these features is covered with the ‘popcorn and peanuts’ of the day – opihi, cowrie, pipipi and conus together with kukui nut shells, animal bone and coconut fragments. (NPS)

This is one of the best preserved hōlua on Hawai‘i Island, arid within the entire state. Interesting and significant here is the presence of a number of platforms constructed of stone that are located alongside the hōlua. These were undoubtedly for the spectators who watched the sport.

A hōlua of this magnitude and elegance indicates the complexity of ancient Hawaiian culture wherein large labor forces could be marshalled to produce a luxury structure dedicated to a recreational use by the higher ranking Hawaiians.

The creation of a proper slide, with its required slope (much like that of a western ski jump), flatness of top, and proper length to ensure both sled speed and a deacceleration area, are indicative of the highly developed skills of the ancient Hawaiians in stonework engineering. (NPS)

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May 3, 2016 by Peter T Young Leave a Comment

Kamakahonu

“The view of the king’s camp was concealed only by a narrow tongue of land, consisting of naked rocks, but when we had sailed round we were surprised at the sight of the most beautiful landscape.”

“We found ourselves in a small sandy bay of the smoothest water, protected against the waves of the sea; on the bank was a pleasant wood of palm-trees, under whose shade were built several straw houses …”

“… to the right, between the green leaves of the banana-trees, peeped two snow-white houses, built of stone after the European fashion, on which account this place has the mixed appearance of a European and Owhyee village”.

“(T)o the left, close to the water, on an artificial elevation, stood the morai (heiau) of the king, surrounded by large wooden statues of his gods, representing caricatures of the human figure.” (Kotzebue, visiting in 1816)

Several large and densely populated Royal Centers were located along the shoreline between Kailua and Hōnaunau. One such center was located along the north end of Kailua Bay at Kamakahonu.

Kamakahonu (lit. turtle eye) was possibly established as early as the sixteenth century by ʻUmi-a-Līloa. It was during the early nineteenth century that Keawe a Mahi, a kahu of Keaweaheulu presided over Kamakahonu, and upon the death of Keawe a Mahi, Kamakahonu became the residence of Kamehameha I.

During Kamehameha’s tenure at Kamakahonu several structures were erected using both traditional materials and techniques and more “modern” materials and techniques.

Kamehameha first moved into the former residence of Keawe a Mahi. He then built another house on the seaward side of that residence, that was referred to as hale nana mahina ‘ai.

This house was built high on stones and faced directly upland toward the planting fields of Kūāhewa. Like an observation post this house afforded a view of the farm lands and was also a good vantage point to see canoes coming from South Kona and from the Kailua vicinity. (Rechtman)

Much of the following is from John Papa ‘Īʻi’s book, ‘Na Hunahuna no ka Moʻolelo Hawaii’ (Fragments of Hawaiian History;) he was a member of the Kamehameha household.

‘I‘i describes that the “King erected three houses thatched with dried ti leaves,” a sleeping house (hale moe) and separate men’s (hale mua) and women’s (hale ‘āina) eating houses. The hale ‘āina belonged to Kaʻahumanu, and as ‘I‘i described:

“This house had two openings in the gable end toward the west, and close to the second opening was the door of the sleeping house. A third opening was in the end toward the upland.”

“There were three openings in the sleeping house. The one in the middle of the west end, one which served as a window on the upland side of the southwest corner, and one mauka of the window. This window lay beyond the men’s house (mua) on the south. The door mauka of the window was the one entered when coming from the men’s house.”

“The door of the men’s house closest to the sleeping house was the one used to go back and forth between these two houses. There was also a door in the end wall on the west side of this house, and two small openings in the south seaward corner, one in the upper side and one on the lower side of the corner.”

“These faced the many capes of Kona and took in the two extremities of this tranquil land and the ships at anchor. However, should the ships be more to the ocean side, only the masts were visible.”

“A fifth opening was a little on the seaward side of the northeast corner, where the upland side of the men’s house extended a little beyond the sleeping house, and it was only through this entrance that the men went in and out. It was near the door that was used to enter from the sleeping house.”

“Near the door facing westward in the mua, was the king’s eating place. On the upper side were large and small wooden containers that served as bowls and platters, together with a large poi container always filled with poi from the king’s lands.”

“The men’s eating house, the sleeping house, and the women’s eating house were at the end of a 7- to 8-foot stone wall that ran irregularly from there to the shore at the back of the hale nana mahina ‘ai. Outside of the wall was the trail for those who lived oceanward of Kamakahonu. Immediately back of the wall was the pond of Alanaio, where stood some houses.”

“Two eating houses were built for Kaheiheimālie and her daughter, Kekāuluohi, opposite the three houses thatched with ti leaves. They stood back of the kou trees growing there at Kamakahonu, both facing northwest.”

“Kaheiheimālie’s eating house had two doors, but Kekāuluohi’s had but one door. In front of her house was a bathing pool, at the upper bank of which were some small houses and that of the king.”

“A stone house was built between the three houses thatched with ti and those of these chiefesses. Its builder was either a Frenchman or a Portuguese named Aikona. He was skilled in such work…”

“When Aikona began building the end and side walls of the house at Kamakahonu he built a third wall between them and arranged stones in the center of this middle wall to from a door.”

“The walls rose together until the house, from one end to the other, was finished. When Aikona later removed the stones set up in the doorway of the center wall, the doorway looked like the fine arched bridge of Pualoalo at Peleula in Honolulu.”

“As he removed the stones, Aikona explained that had they been piled inexpertly, the whole house might have collapsed. This house was well completed.”

“In the stone house were stored the king’s valuables and those of Aikona’s. These valuables were kegs of rum and gunpowder and guns, of which the guns and powder were placed on the inside near the inner wall. “

“Later, another storehouse was built in Kamakahonu, on the north side of the hale nana mahina ‘ai. It had stone walls and was constructed like a maka halau. The upper of its two stories was for storing tapa, pa‘u, malos, fish nets, lines, and olona fiber; and all other goods went into the lower story.”

“The thatching was of sugar-cane leaves, the customary thatching on the house along that shore. Dried banana trunk sheaths were used for the inside walls and were cleverly joined from top to bottom. Banana trunk sheaths were also used in the hale nana mahina ‘ai.”

“After these houses were built, another heiau house, called Ahuʻena, was restored (ho‘ala hou). This house stood on the east side of the hale nana mahina ‘ai, separated from it by about a chain’s distance.”

“The foundation of Ahuʻena was a little more than a chain from the sand beach to the westward and from the rocky shore to the eastward. Right in front of it was a well-made pavement of stone which extended its entire length and as far out as the place where the waves broke.” (ʻĪʻi, Na Hunahuna no ka Moʻolelo Hawaiʻi’ (Fragments of Hawaiian History))

Kamakahonu map by Rockwood based on Ii-Rechtman

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Hale ʻIli Maiʻa, the Royal storehouse of King Kamehameha I, Kailua, Kona, Hawaii.

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March 11, 2016 by Peter T Young 4 Comments

“Her name was Woman … Her other name was Excitement … She belonged to Hawaiʻi’s Kona Coast like the surf riders and the beach bums.”

Whoa, let’s look back …

Richard Allen Boone was born June 18, 1917 in Los Angeles County, California; his father was a descendant of Squire Boone who was the younger brother of frontiersman Daniel Boone. Like Daniel Boone, Richard Boone had a heroic side: was an aerial gunner in the Navy during World War II. (Bloom)

Following the war, he studied with the New York Actors Studio on the GI Bill. In 1947 he made his Broadway debut with Judith Anderson’s Medea, and made his motion picture debut in 1951 in The Halls of Montezuma.

His career in motion pictures, often cast as a western badman (City of Badmen, The Siege at Red River, Man Without a Star, Robber’s Roost, Ten Wanted Men, Star in the Dust, The Tall T, Big Jake, The Shootist and Hombre) or the good guy (Dragnet, The Alamo, The War Lord and The Raid.) (ancestry)

In 1957, Have Gun-Will Travel (with Boone as Paladin) made its TV debut, and soon became one of the most popular programs of the fifties. It ranked in the top five almost immediately and after that trailed only Gunsmoke and Wagon Train for the rest of its run. The theme song, co-written by star Boone, even became a hit single.

Boone moved to and became a permanent resident of Honolulu in 1965 and was a regular commuter between Honolulu and Hollywood. He “considers himself the world’s most satisfied actor – because he can afford the luxury of living in the Hawaiian Islands and working in Hollywood”. (Chicago Tribune, October 35, 1968)

While living on Oʻahu, it was Boone who helped persuade Leonard Freeman to film Hawaiʻi Five-O exclusively in Hawaiʻi. Prior to that, Freeman had planned to do “establishing” location shots in Hawaii but principal production in southern California.

Boone and others convinced Freeman that the islands could offer all necessary support for a major TV series and would provide an authenticity otherwise unobtainable. (Correa)

Then, in 1967, Boone (with Vera Miles, Joan Blondell, Kent Smith, Duane Eddy and a bunch of folks from Kona) filmed ‘Kona Coast,’ a pilot that he hoped CBS would adopt as a series. (Instead, CBS chose Hawaii Five-O.) (It was released in 1968 – with its premier in the Kona Theater.)

“Kona Coast” was an adventure story about a Honolulu charter-boat captain (‘Sam Moran,’ played by Boone) who leads fishing expeditions and later hunts down the man responsible for his daughter’s death.

It did not receive favorable reviews; “… most of Kona Coast utilizes actual locations and this is the film’s single greatest asset.” (Pfeiffer)

Kona Coast Movie Trailer

Kona Coast Movie Preview

The story often takes you to a bar, Akamai Barnes (run by a man of the same name – in real life it was later the Red Pants; today, it’s a vacant lot under the banyan tree on Aliʻi Drive in the middle of Kailua Bay.)

Later (1970,) the bar was the scene of a brawl – “Chuck Norwood pulled a .45-caliber handgun and shot and killed another man. Although he claimed he blacked out and does not remember what happened, he was convicted of second-degree murder and sentenced to 35-years in prison.”

“Norwood, 48, was elected to one of the 13 seats on Hawaiʻi’s Board of Education (1984.) While in prison, Norwood attended classes at Leeward Community College. In 1975, he was paroled and elected student body president.” (Reading Eagle, November 7, 1984) Norwood served back to back two terms (1976-1977) as Associated Students of the University of Hawaiʻi president.

In 1971, Richard Boone moved to his wife’s hometown of St Augustine, Florida where he taught acting classes at Flagler College. Richard Boone died January 10, 1981 in St Augustine of throat cancer. At the time of his death, he was serving as cultural ambassador for the State of Florida.