King Kalakaua | Images of Old Hawaiʻi

June 10, 2019 by Peter T Young Leave a Comment

Pūowaina

Pūowaina (hill of placing [human sacrifices]) was formed some 75,000 to 100,000 years ago during the Honolulu period of secondary volcanic activity. A crater resulted from the ejection of hot lava through cracks in the old coral reefs which, at the time, extended to the foot of the Ko‘olau Mountain Range.

A 1916 article in Scientific Monthly described it: “The Hawaiian name for this venerable crater is Pu-o-Waina and it has a tragic significance. The original form, from which the modern spelling is abbreviated, was Puu O waiho ana, literally the hill of offering or sacrifice.”

The people “were dominated by the dreadful tabu system that once ruled all Polynesia. The penalty for any violation of its intricate regulations was death. Pu-o-waina was one of the places near Honolulu where the bodies of the offenders were ceremoniously burned” (the penalty for any violation of kapu.)

Later, during the reign of Kamehameha dynasty, a battery of two cannons was mounted at the rim of the crater. “There were only three men in the fort … The guns were mounted on a platform at the very edge of the precipice that overlooked the harbor and town.”

“They were thirty-two pound caliber. … The situation is very commanding, and notwithstanding the distance, the battery would be formidable to an enemy in the harbor.” (Lieutenant Hiram Paulding, USN, 1826)

Early in the 1880s, leasehold land on the slopes of the Punchbowl opened for settlement and in the 1930s the crater was used as a rifle range for the Hawaii National Guard (the military references to uses include Reservation, Punchbowl Battery or Fort Kekūanaō‘a.)

Punchbowl Battery under King Kalākaua consisted of six four-pounders, though the “fort” was no longer manned; an observer noted that upon this “novel promontory…a few rusty old cannon slumber in the ruins of what may have been once considered a fort.” (Hemenway 1887)

During the late 1890s, a committee recommended that the Punchbowl become the site for a new cemetery to accommodate the growing population of Honolulu.

The idea was rejected for fear of polluting the water supply and the emotional aversion to creating a city of the dead above a city of the living.

Toward the end of World War II, tunnels were dug through the rim of the crater for the placement of shore batteries to guard Honolulu Harbor and the south edge of Pearl Harbor.

In 1943, the governor of Hawaiʻi offered the Punchbowl for use as a national memorial cemetery; in February 1948 Congress approved funding and construction began. The first interment was made Jan. 4, 1949.

The cemetery opened to the public on July 19, 1949, with services for five war dead: an unknown serviceman, two Marines, an Army lieutenant and one civilian—noted war correspondent Ernie Pyle.

Initially, the graves at National Memorial Cemetery of the Pacific were marked with white wooden crosses and Stars of David; however, in 1951, these were replaced by permanent flat granite markers.

The National Memorial Cemetery of the Pacific was the first such cemetery to install Bicentennial Medal of Honor headstones, the medal insignia being defined in gold leaf. On May 11, 1976, a total of 23 of these were placed on the graves of medal recipients, all but one of whom were killed in action.

The National Memorial Cemetery of the Pacific contains a memorial pathway that is lined with a variety of memorials that honor America’s veterans from various organizations – most commemorating soldiers of 20th-century wars, including those killed at Pearl Harbor.

More than five million visitors come to the cemetery each year to pay their respects to the dead and to enjoy the panoramic view from the Punchbowl.

Follow Peter T Young on Facebook

Follow Peter T Young on Google+

Follow Peter T Young on LinkedIn

Follow Peter T Young on Blogger

Easter_Cross_at_Punchbowl_1941

A scenic view of Waikiki from high up on Punchbowl provided for a leisure drive in the early 1900s.

Puowaina (Punchbowl) 1940

Directional and distance markers embedded on Punchbowl-PP-39-1-024-Oct 1 1934

‘View_of_Honolulu_from_Punchbowl,_oil_on_canvas_painting_by_Ejler_Andreas_Jorgensen_,_1875

Punchbowl-Google_Earth

National_Memorial_Cemetery_of_the_Pacific

Punchbowl-1949-Babcock

May 29, 2019 by Peter T Young Leave a Comment

Ka Pā Nui o Kuakini

Captain George Vancouver gave a few cattle to Kamehameha I in 1793; Vancouver strongly encouraged Kamehameha to place a kapu on them to allow the herd to grow.

In the decades that followed, cattle flourished and turned into a dangerous nuisance. By 1846, 25,000 wild cattle roamed at will and an additional 10,000 semi‐domesticated cattle lived alongside humans.

John Adams Kuakini was an important adviser to Kamehameha I in the early stages of the Kingdom of Hawai‘i.

When the Kingdom’s central government moved to Lāhaina in 1820, Kuakini’s influence expanded on Hawaiʻi Island, with his appointment as the Royal Governor of Hawaiʻi Island, serving from 1820 until his death in 1844.

During his tenure, Kuakini built many of the historical sites that dominate Kailua today. The Great Wall of Kuakini, probably a major enhancement of an earlier wall, was one of these.

The Great Wall of Kuakini extends in a north-south direction for approximately 6 miles from Kailua to near Keauhou, and is generally 4 to 6-feet high and 4-feet wide.

Built between 1830 and 1840, the Great Wall of Kuakini separated the coastal lands from Kailua to Keauhou from the inland pasture lands.

The mortar-less lava-rock wall has had varying opinions regarding the purpose of its construction.

Speculation has ranged from military/defense to the confinement of grazing animals; however, most seem to agree it served as a cattle wall, keeping the troublesome cattle from wandering through the fields and houses of Kailua.

It is likely that the function of the wall changed over time, as the economic importance of cattle grew and the kinds and density of land use and settlement changed.

Kuakini was responsible for other changes and buildings in the Kona District during this era.

He gave land to Asa Thurston to build Moku‘aikaua Church.

He built Huliheʻe Palace in the American style out of native lava, coral lime mortar, koa and ‘ōhi‘a timbers. Completed in 1838, he used the palace to entertain visiting Americans and Europeans with great feasts.

Hulihe‘e Palace is now a museum run the Daughters of Hawaiʻi, including some of his artifacts.

He made official visits to all ships that arrived on the island, offering them tours of sites, such as the Kīlauea volcano.

He was born about 1789 with the name Kaluaikonahale. With the introduction of Christianity, Hawaiians were encouraged to take British or American names.

He chose the name John Adams after John Quincy Adams, the US president in office at the time. He adopted the name, as well as other customs of the US and Europe.

Kuakini was the youngest of four important siblings: sisters Queen Kaʻahumanu, Kamehameha’s favorite wife who later became the powerful Kuhina nui, Kalākua Kaheiheimālie and Namahana-o-Piʻia (also queens of Kamehameha) and brother George Cox Kahekili Keʻeaumoku.

He married Analeʻa (Ane or Annie) Keohokālole; they had no children. (She later married Caesar Kapaʻakea. That union produced several children (including the future King Kalākaua and Queen Liliʻuokalani.)

A highway is named “Kuakini Highway,” which runs from the Hawaii Belt Road through the town of Kailua-Kona, to the Old Kona Airport Recreation Area.

He is also the namesake of Kuakini Street in Honolulu, which is in turn the namesake of the Kuakini Medical Center on it.

Follow Peter T Young on Facebook

Follow Peter T Young on Google+

Follow Peter T Young on LinkedIn

Follow Peter T Young on Blogger

Great_Wall_of_Kuakini-WC

‘John Adams’ Kuakini, royal governor or the island of Hawai’i, circa 1823

Great_Wall_of_Kuakini-vicinity_of_Lowes-Kailua-Kona-(GoogleEarth)

Great-Wall_of_Kuakini

‘John Adams’ Kuakini, royal governor or the island of Hawai’i, circa 1823

Great-Wall_of_Kuakini

Kahului-Kuamoo-USGS_Quadrangle-1924-(note_alignment_of_Great_Wall_of_Kuakini)

Kailua_Town_and_Vicinity-Map-Kanakanui-Reg1676 (1892)-(note_Great_Wall_of_Kuakini)

Kailua_Town_and_Vicinity_Map-Kanakanui-Reg1676 (1892)-(note_Great_Wall_of_Kuakini)

April 17, 2019 by Peter T Young 1 Comment

Alick

Alexander “Alick” Cartwright worked as a clerk for a broker and later for a bank, and, weather permitting, played variations of cricket and rounders in the vacant lots of New York City after the bank closed each day.

Rounders, like baseball, is a striking and fielding team game that involves hitting a ball with a bat; players score by running around the four bases on the field (the earliest reference to the game was in 1744.)

“In New York City in the 1830s and ’40s, young Alick Cartwright grew up playing all kinds of games that used bats, balls and bases — but none of them were called baseball, for that game had not yet been created.”

“In his teens, Alick and his friends ventured into other neighborhoods to play various ball games, including at the grassy squares at Madison Square and Murray Hill, and he earns a reputation as one of the best players in the city …”

“… whatever the game, be it cricket, rounders, barn ball, burn ball, stick ball, soak ball, goal ball, town ball or several “old cat” games — one old cat (one base), two old cat (two bases), etc.”

“But one thing drove Alick crazy – every area played by different rules, sometimes using two bases, sometimes five, and the number of players on the field varied from just a few to more than 20.”

“Sometimes a base was a tall wooden stick in the ground, sometimes a rock, sometimes a barrel top or just an old hat. Plus, the distances between bases were always different.”

“Worse, because the rules were always different, they spent as much time arguing about the rules as playing the game. Alick played for one reason, to have fun, and arguing was not fun.”

“After a particularly contentious argument that nearly comes to blows until Alick intervenes, he sits down with pencil, paper and ruler to create a more perfect game.”

“After his best pal nearly dies after getting hit in the head by a thrown ball during a game of town ball, Alick writes down the rules of modern baseball.” (Chapman; Amazon)

Baseball was based on the English game of rounders. Rounders become popular in the United States in the early 19th century, where the game was called “townball”, “base” or “baseball”.

In 1845, Cartwright organized the New York Knickerbockers team with a constitution and bylaws, and suggested that they could arrange more games and the sport would be more widely-played if it had a single set of agreed-upon rules.

Many of these ball-playing young men, including Cartwright, were also volunteer firemen. They named their team after a volunteer fire department in which Alexander Cartwright and several other players belonged to.

One of these wrote in his notes, “We were all men who were at liberty after 3 o’clock in the afternoon and played only for health and recreation… and merely wanted to join a club to set up new uniform rules”.

Cartwright played a key role in formalizing the first published rules of the game, including the concept of foul territory, the distance between bases, three-out innings and the elimination of retiring base runners by throwing batted baseballs at them.

The man who really invented baseball spent the last forty-four years of his long life in Hawai‘i and laid out Hawai‘i’s first baseball diamond, now called Cartwright Field, in Makiki.

When he left Manhattan, Cartwright took with him a bat, ball and a copy of the old manuscript rule book, that he helped to draft. Fifteen years later, he sent a letter from Honolulu …

“Dear old Knickerbockers, I hope the club is still kept up, and that I shall some day meet again with them on the pleasant fields of Hoboken. I have in my possession the original ball with which we used to play on Murray Hill. “

“Many is the pleasant chase I have had after it on Mountain and Prairie and many an equally pleasant one on the sunny plains of Hawaii … Sometimes I have thought of sending it home to be played for by the clubs, but I cannot bear to part with it, so linked in it, is it with cherished home memories.”

Cartwright went on to teach people in Hawai‘i how to play the game; and, he did a lot more when he was here.

In Hawaiʻi, he continued the volunteer fire fighting activities he had learned as a member of the Knickerbocker Engine Company No. 12 in New York City – and, he was part of Honolulu’s first Volunteer Fire Brigade.

Shortly thereafter, the Honolulu Fire was established on December 27, 1850, by signature of King Kamehameha III, and was the first of its kind in the Hawaiian Islands, and the only Fire Department in the United States established by a ruling monarch.

Then, on December 27, 1850, King Kamehameha III passed an act in the Privy Council that appointed Cartwright Chief Engineer of the Fire Department of the City of Honolulu. Shortly thereafter, he became Fire Chief.

Aside from his duties at the Honolulu Fire Department, Cartwright also served as advisor to the Queen. Cartwright was the executor of Queen Emma’s Last Will & Testament, in which she left the bulk of her estate to the Queen’s Hospital when she died in 1885.

Cartwright also served as the executor of the estate of King Kalākaua.

As part of its customs and traditions, cornerstone ceremonies were held for the construction of new Hospital buildings. Cartwright participated in the first public Masonic ceremony on the islands at the laying of the Queen’s Hospital cornerstone in 1860.

He also was appointed Consul to Peru, and was on the financial committee for Honolulu’s Centennial Celebration of American Independence held on July 4, 1876.

A group of men, Cartwright among them, founded the Honolulu Library and Reading Room in 1879. In the local newspaper, the Commercial Pacific Advertiser, editor J. H. Black wrote, “The library is not intended to be run for the benefit of any class, party, nationality, or sect.”

Some of the founders wanted to exclude women from membership, but Cartwright disagreed, writing to his brother Alfred: “The idea keeps the blessed ladies out and the children. What makes us old geezers think we are the only ones to be spiritually and morally uplifted by a public library in this city?” It wasn’t long before the committee changed the wording of the constitution to make women eligible for membership.

Born in New York City on April 17, 1820, Mr. Baseball, Alexander Cartwright died at the age of 72 in Honolulu on July 12th, 1892. A large, pink granite monument in Oʻahu Cemetery marks the final resting-place of Alexander Joy Cartwright, Jr.

Many baseball greats, such as Babe Ruth, have visited this spot to pay tribute. Today, baseballs and notes can regularly be found lying at the foot of his large grave marker.

Follow Peter T Young on Facebook

Follow Peter T Young on Google+

Follow Peter T Young on LinkedIn

Follow Peter T Young on Blogger

cartwright

Alexander_Cartwright_1855_Daguerreotype

Alexander Cartwright (back row center) and some of the Knickerbockers

Alexander Cartwright, with apparently Mr. Kerr of Honolulu and friend of Cartwright-1855

Cartwright-PP-69-3-002-00001

Cartwright-Alexander_2134-77_Hawaii-State-Archives-crop

Cartwright-PP-21-2-019-00001

Cartwright Field plaque-KHON

alexander-cartwright-baseball hall of fame

Alexander-Cartwright-Jr-grave-in-Oahu-Cemetery

April 7, 2018 by Peter T Young Leave a Comment

Hui Lei Mamo

Hawaiʻi’s last King, Kalākaua, has been referred to as a Renaissance man. Concerned about the loss of native Hawaiian culture and traditions, Kalākaua encouraged the transcription of Hawaiian oral traditions, and supported the revival of and public performances of the hula.

He advocated a renewed sense of pride in such things as Hawaiian mythology, medicine, chant and hula. Ancient Hawaiians had no written language, but chant and hula served to record such things as genealogy, mythology, history and religion.

While seeking to revive many elements of Hawaiian culture that were slipping away, the King also promoted the advancement of modern sciences, art and literature.

He is remembered as the “Merrie Monarch” because he was a patron of culture and arts, and enjoyed socializing and entertaining.

All of Kalakaua’s dancers were kept on retainer and were given a place to live on the palace grounds. These dancers, musicians, and chanters were all compensated for performing. Dancing the hula for entertainment was their source of income. (Tong)

Kalākaua believed his nation and people would prosper with cultural rebirth and brought hula teachers from the countryside and neighboring islands to his court. At his 1883 coronation and 1886 50th birthday jubilee, Kalākaua’s dancers performed publicly on palace grounds for about two weeks on each occasion. (Imada)

“Kalākaua always had dancers in his court dancing for his pleasure…. There were parties for his guests from the mainland on their way to Australia with dancers as well. They weren’t only for his friends, but for everyone in Honolulu.” (Kupahu; Tong)

Through chanted poetry and bodily movements, these hula performers celebrated the births and achievements of ali‘i, recorded the genealogies of high chiefs, and relayed Hawaiian epics. Hula was also embedded in a culture of sexual arousal.

In 1886, the same year of his jubilee, Kalākaua assembled Hui Lei Mamo, a group of eight Hawaiian women and girls under the age of 20. Hui Lei Mamo was a ‘glee club’; it performed acculturated hula performance as well as choral music. (Imada)

As a member of the royal family and the reigning monarch of Hawai‘i, King Kalākaua had the rightful authority to dictate when the hula would be performed. (Tong)

While Kalākaua’s older court dancers performed pre-contact forms of hula with indigenous instrumentation and chanting, the young women of Hui Lei Mamo performed only the hula ku‘i, ‘the modern hula’.

An acculturated dance that developed in the king’s cosmopolitan court, hula ku‘i merged Western music and instruments with traditional hula steps. It is suggested that Kalākaua himself was the inventor of this hybrid genre …

“[The king] took some steps out of the old-fashioned [hula] and put them into the modern [hula] with guitar. He was the first one to start this.” (Kapahu; Imada)

Performed in Hawaiian language and accompanied by guitar and ’ukulele, this hula utilized polka or waltz tempos, couplet verses and a vamp that separated the verses.

Every Thursday afternoon from 2 to 5 pm, Kalākaua invited friends and out-of-town guests to Healani, his boathouse in Honolulu Harbor, where his younger court dancers performed hula ku‘i. (Imada)

When Kalākaua died in 1891, the dancers no longer had a place in court. Nevertheless, they continued to benefit directly from Kalākaua’s cultural renaissance through training in hula ‘schools’.

Called hālau hula or pā hula, these schools became gendered institutions through which a critical subset of Hawaiian women received rigorous training in performance, history, religion and protocol.

Namake‘elua (who is sometimes recorded as Nama-elua), a hula teacher Kalākaua summoned for his jubilee, had decided to remain in Honolulu instead of returning to his home on the island of Kaua‘i.

The handful of students undertook training in hula genres associated with Indigenous pre-European contact traditions, very different from the hula ku‘i of the court. (Imada)

Four women entered the hālau hula. Three of them were Hui Lei Mamo dancers. Their intensive training commenced in 1892, with the young women taking residence in the teacher’s home.

For about six weeks, the dancers were kapu (sacred or consecrated). They dedicated themselves to the goddess Laka, the patron of hula, and erected a hula kuahu (altar), imploring Laka to give them knowledge.

They danced for about six hours a day, taking swims in the ocean and meals in between practices. The repertoire was ‘very religious’. Hula practice was a part of a sacred realm and governed by strict rules, because hula performances manifested the gods’ and ali‘i’s mana (sacred power) and rank.

On the day of the ‘ūniki (ritual graduation), graduates of other hula schools came to watch the four women dance. Only after undergoing ‘ūniki were they released from sacredness and became noa (free). The following day, they celebrated their release with a feast and public performance for friends and family.

In 1893, some of these dancers went to the Chicago World’s Fair as part of the Midway Plaisance, a street of themed villages from around the world. The 1893 Chicago World’s Fair was the 400th anniversary of Christopher Columbus’s arrival in the New World.

The Midway Plaisance was inspired by the 1889 Paris Universal Exposition, where the French government and prominent anthropologists turned representations of the French colonies into ethnological villages featuring people from Africa and Asia. (Tong)

The performers who went abroad directly benefited from King David Kalākaua’s national revival of hula and traditional cultural arts during his reign from 1872 to 1891. (The image is believed to be the members of Hui Kei Mamo.)

Follow Peter T Young on Facebook

Follow Peter T Young on Google+

Follow Peter T Young on LinkedIn

Follow Peter T Young on Blogger

Lei_Mamo_Singing_Girls_(PP-32-8-014)

January 17, 2018 by Peter T Young Leave a Comment

Overthrow

Some suggest the overthrow of the Hawai‘i constitutional monarchy was neither unexpected nor sudden.

Dissatisfaction with the rule of Kalākaua and Lili‘uokalani initially led to the ‘Bayonet Constitution,’ then, the overthrow. “(M)ounting dissatisfaction with government policies and private acts of officials led to the formation of the Hawaiian League, a group of Honolulu businessmen.” (Forbes)

Challenges with Kalākaua
• Polynesian Confederacy
• “(Gibson) discerned but little difficulty in the way of organizing such a political union, over which Kalākaua would be the logical emperor, and the Premier of an almost boundless empire of Polynesian archipelagoes.” (Daggett; Pacific Commercial Advertiser, February 6, 1900)

Opium License Bribery Case
• Initially the king, through his minister of foreign affairs, disclaimed any involvement. However, “To cap the climax of the opium matter, the Attorney General proceeds to acknowledge that the money was paid over by the Chinese … (H)e informed the gentlemen interested in getting the money back that he would never accomplish his object so long as he allowed the newspaper to speak of the affair.” (Hawaiian Gazette, May 17, 1887)

Extravagance/Debt
• Although Kalākaua had been elected and serving as King since 1874, upon returning from a trip around the world (1881), it was determined that Hawaiʻi’s King should also be properly crowned.
• “ʻIolani Palace, the new building of that name, had been completed the previous year (1882), and a large pavilion had been erected immediately in front of it for the celebration of the coronation. This was exclusively for the accommodation of the royal family; but there was adjacent thereto a sort of amphitheatre, capable of holding ten thousand persons, intended for the occupation of the people.” (Liliʻuokalani)

Bayonet Constitution (1887)
• In 1887, the struggle for control of Hawaiʻi was at its height with David Kalākaua on the throne. But some of the businessmen were distrustful of him. “So the mercantile element, as embodied in the Chamber of Commerce, the sugar planters, and the proprietors of the ‘missionary’ stores, formed a distinct political party, called the ‘down-town’ party, whose purpose was to minimize or entirely subvert other interests, and especially the prerogatives of the crown, which, based upon ancient custom and the authority of the island chiefs, were the sole guaranty of our nationality.” (Liliʻuokalani)

Concern with Lili‘uokalani’s Attempt to Rewrite the Constitution
• “When Lili‘uokalani became Queen, she took the following oath: ‘I solemnly swear in the presence of Almighty God, to maintain the Constitution of the Kingdom whole and inviolate, and to govern in conformity therewith.’” (UH Law School)
• “On January 14, 1893, Lili‘uokalani was prepared to ignore the constitutionally mandated approval-by-two-successive Legislatures process for amending the 1887 Constitution by announcing a new constitution in place of Kalākaua’s 1887 Constitution.” (UH Law School)
• “She did not do so because the Cabinet she appointed on January 13, 1893, refused her authorization request. The members of that Cabinet were Samuel Parker, William Henry Cornwell, Jr,, Arthur P. Peterson and John Colburn. Parker was a Native Hawaiian.” (UH Law School)

Some Native Hawaiian Dissatisfaction with the Acts of Kalākaua and Lili‘uokalani
• Robert W Wilcox – the man who figured so prominently & conspicuously in the revolution of 1889 (All quotes from Wilcox, Morgan Report)
o “Queen Lili‘uokalani brought these evils upon herself and the country both by her personal corruption, and that of her Government.”
o “I believe that if we can be annexed to the United States, the rights of all of our citizens, and especially those of the native Hawaiians, will be protected more carefully than they have ever been under the monarchy.”
o “They are naturally somewhat prejudiced against (the Provisional Government), as monarchy is the only form of Government with which they are familiar, but this feeling will quickly wear away as the Hawaiians are led to see that the Government is friendly to them and their interests. They already have confidence in the integrity and patriotism of President Dole.
o “I have repeatedly (advocated annexation to the United States) in public meetings held in this city. … but I am compelled to move cautiously or I shall lose my influence over them. I believe I am doing a good work by constantly conversing with them on the subject.”
o “I have told my countrymen that the monarchy is gone forever, and when they ask me what is the best thing to follow it I tell them annexation, and I firmly believe that in a very short time every Hawaiian will be in favor of that step.” (Robert W Wilcox – the man who figured so prominently & conspicuously in the revolution of 1889; Morgan Report)

Repeated Changes in Cabinet Ministers in the Kalākaua and Lili‘uokalani Reigns
• “Under every constitution prior to 1887 the ministers were appointed by the King and removed by him; but until Kalākaua’s reign it was a very rare thing that any King changed his ministry. They had a pretty long lease of political life.” (Judd; Blount Report)
• “It was a very rare political occurrence, and made a great sensation when a change was made.” (Judd; Blount Report) if

January 14, 1893 Lili‘uokalani’s Ministers Refused to Support Her Constitution – Threats of Bloodshed were Made Against Her Cabinet Ministers
• “The Queen retired to the blue room and summoned the ministers (Samuel Parker – Minister of Foreign Affairs; John F Colburn – Minister of Interior; William H Crowell – Minister of Finance; Arthur P Peterson – Attorney General) who repaired at once to the palace. The Queen was at a table, still dressed in the magnificent costume of the morning, and sparkling in a coronet of diamonds.”
• “She at once presented them with the draft of the new constitution, demanded their signatures, and declared her intention to promulgate the same at once.”
• “Attorney-general Peterson and Minister of Interior Colburn decidedly refused to do so, and Ministers Cornwell and Parker, though more hesitatingly, joined their colleagues in this refusal.”

The Provisional Government (and subsequent Republic, Territory & State) did not steal the land from the Hawaiian people – Crown Lands Remain in the Public Trust
• Crown and Government Lands, though under the control of changing sovereigns and governments (Kingdom to Provisional Government to Republic to Territory to State,) were in and continue to remain in the ‘public domain’ for the public good.
• US Court of Claims concluded, “The constitution of the Republic of Hawai‘i, as respects the crown lands, provided as follows: ‘That portion of the public domain heretofore known as crown land is hereby declared to have been heretofore, and now to be, the property of the Hawaiian Government …” (Lili‘uokalani v The United States, 1910)
• We now generally refer to the Crown and Government Lands as ‘ceded’ lands. Under the Admission Act, about 1.2-million acres are to “be held by (the) State as a public trust” to promote one or more of five purposes:
o support of the public schools and other public educational institutions
o betterment of the conditions of native Hawaiians (per the Hawaiian Homes Act, 1920)
o development of farm and home ownership on as widespread a basis as possible
o making of public improvements
o provision of lands for public use

The United States does not have to acquire property only through a Treaty of Annexation with a concurring vote by the US Senate.
• Annexation of Hawai‘i to the US was not a hostile takeover, it was something the Republic of Hawai‘i sought. “There was no ‘conquest’ by force in the annexation of the Hawaiian Islands nor ‘holding as conquered territory;’ they (Republic of Hawai‘i) came to the United States in the same way that Florida did, to wit, by voluntary cession”. (Territorial Supreme Court; Albany Law Journal)
• “There is no provision in the Constitution by which the national government is specifically authorized to acquire territory; and only by a great effort of the imagination can the substantive power to do so be found in the terms of any or all of the enumerated powers.” (Legal Issues Raised by Proposed Presidential Proclamation To Extend the Territorial Sea, October 4, 1988)

http://imagesofoldhawaii.com/wp-content/uploads/Overthrow.pdf

One more correction to the many misconceptions … on January 17, 1893, the Hawai‘i constitutional monarchy was overthrown, not the Hawaiian race.

Follow Peter T Young on Facebook

Follow Peter T Young on Google+

Follow Peter T Young on LinkedIn

Follow Peter T Young on Blogger

Raising_of_American_flag_at_Iolani_Palace-1898