Buildings | Page 3 | Images of Old Hawaiʻi

June 1, 2018 by Peter T Young Leave a Comment

Gulick – Rowell House

In 1828, three new missionaries arrived at Waimea, Kauai, to aid the Reverend and Mrs. Samuel Whitney in the operation of the missionary station there. The new arrivals were the Reverend and Mrs. Peter Gulick (and their infant son), and Miss Maria Ogden. (NPS)

Peter Johnson Gulick (1797 – 1877) and his wife, Fanny Hinckley Thomas Gulick (1798 – 1883,) sailed with the Third Company of ABCFM missionaries from Boston on November 3, 1827 aboard the ship Parthian, and reached Honolulu on March 30, 1828, a voyage of 148 days. (Gulick)

Gulick was born in Freehold, Monmouth Co, New Jersey, March 12, 1797. His father John Gulick (Hulick, or Ulick, as some of his kindred wrote the name) was of Dutch extraction.

“Shortly after I was of age, I went again to N. Y. & was in the employ of the widdow Corwin, with whom I had formerly lived. This woman, Mrs. Corwin, first suggested to me the ideas of studying, & preparing for the ministry.”

“In the fall of 1825, I entered the Princeton Theol. Semy. where Drs. Alexander & Miller & proffessor Chas. Hodge then taught. There I spent two very happy years”.

“Near the close of my second year in the Semy. I was licensed, by the Presbytery of N. Brunswick as an evangelist to preach the Gospel; & on Sep. 5 1827, was married to … Miss (Fanny Hinckley) Thomas.” (Gulick) They then sailed to Hawai‘i.

The governor of Kauai, Kaikioʻewa, prepared a native house for them, of poles and thatching, but including a board floor. Within a year, the Reverend Gulick began the construction of a more substantial home for his family. He used coral limestone for the foundation and walls, this being cut from offshore reefs by Hawaiian workers and floated ashore.

Gulick’s Waimea home is a simple, and functional structure, yet well-proportioned with well-crafted detailing. It is an excellent example of a New England approach to residential architecture adapted to the Hawaiian climate.

He paid his Hawaiian assistants in goats, Bibles, textbooks, and other articles out of the “common stock” of the Honolulu preserved as well as one of the finest examples of early missionary residences on Kauai. (The Gulicks were stationed at Waimea, Kauai, 1828 – 1835, then were sent to Kōloa, 1835 -1843.)

The Gulick family occupied the house as soon as they could, although work continued on it. However, in 1834, they were transferred to Koloa, another mission station on Kauai, and for twelve years, the home stood unoccupied, except for the few occasions that needy Hawaiian families were housed there.

(Following their Kauai service, the Gulicks were transferred to Kaluaʻaha, 1843 – 1846 where he was superintendent of Molokai schools; then to Waialua, O‘ahu 1846 – 1857; and in 1857 retired to live in Honolulu. In 1874 the Gulicks left Hawaii to live with their son, Orramel, a missionary in Kobe, Japan.)

In 1846, the Revered George Berkeley Rowell (1815-1884) and his wife, Malvina Jerusha Chapin Rowell (1816-1901) (of the Tenth Company of missionaries) were transferred from the Waioli Mission on Kauai to Waimea, where they moved into the former Gulick home (that had been vacant since the Gulick’s left.)

Rowell, the son of Joseph and Hannah (Chase) Rowell, was born at Cornish, New Hampshire, January 22, 1815, and was prepared for college at Kimball Union Academy, Meriden, NH.

He entered Amherst in the fall of 1832, but absence from college during the third year delayed his graduation till 1837. The next four years were spent in the study of theology at Andover Seminary, and October 27, 1841, he was ordained as a foreign missionary at Cornish, NH. George and Malvina married on January 22, 1842, and sailed from Boston in May, 1842, for the Hawaiian Islands.

Reverend Rowell, a carpenter and cabinetmaker, substantially rebuilt the house, adding the rear end, all the woodwork for the verandahs, and a new roof. Rowell also made most of the furnishings for the house.

After first putting doors and windows in one room to ensure a degree of privacy from their curious parishioners, the Rowells rebuilt the house, then added to it as their family grew.

The Rowells remained at Waimea in the home until 1865. After that the home was occupied by various plantation manager’s families from the local sugar cultivation operations. Each made their share of alterations or improvements, but the end result was not a significant departure from the original design. (NPS)

Recently, the house was purchased by Jim Ballantine, a 4th generation West Kauai resident with the goal of setting up a non-profit organization to work in partnership with established community groups and local non-profits insure the survival of Gulick Rowell Hale Puna and prepare it for its third century as a valuable asset for the community of West Kauai.

HalePuna.org’s mission is to restore Gulick Rowell Hale Puna. Once restored, the house and working farm will provide for the conservation and study of the historically significant property.

The house will be used as a community center for presenting events and performances that contribute to the cultural fabric of West Kauai life and celebrate the building’s unique place in our community. (halepuna-org)

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Gulick-Rowell House Waimea, Kauai

April 22, 2018 by Peter T Young Leave a Comment

Hanailoia

Owing to the importance of the harbor of Honolulu, its central position in the Island chain and its increasing population, the principal chiefs and councilors convinced Kauikeaouli (Kamehameha III) to move the seat of government from Lāhainā to Honolulu. (Taylor)

By 1843, the decision was made to permanently place a palace in Honolulu. At about that time, Governor Mataio Kekūanāoʻa was building a house for his daughter (Princess Victoria Kamāmalu.)

Victoria Kamāmalu was the sister of Prince Alexander Liholiho and Prince Lot Kamehameha, who afterwards became, respectively, Kamehameha IV and Kamehameha V. Her mother, the High Chiefess Kīnaʻu, the Premier of the kingdom, was a half-sister of Kamehameha III, all being descendants of Kamehameha I. (Taylor)

The original coral block and wooden building called Hanailoia was built in July 1844 on the grounds of the present ʻIolani Palace. (Thrum) It has been said that in olden times a large heiau or temple existed on this spot, the name of which was Ka‘ahaimauli.

“The flight of stone steps leading to the hall, is just completed. Underneath the building is a deep cellar and outside of that, below the spacious verandah, the floor of which is raised six feet from the ground, are extensive accommodations for the guards and household servant.”

“The main-hall occupies the entire depth of the house, but disfigured at one end by an enclosed flight of stairs leading to the upper rooms.”

“On either side of the hall are lofty and spacious apartments of larger size, with broad and high windows reaching to the floor, and so constructed that they can be thrown entirely up, and give free access to the verandah, which entirely encircles the house.”

“The view from the upper story is very fine. It commands an extensive prospect, not only of the town, but the mountains and vallies, and seaward. It is divided into two rooms, and is, we believe, designed for smoking and lounging, during the heat of the day …”

“… for which, from its elevated position and coolness, the mountain breezes sweeping most delightfully through it, it is admirably calculated. With an eye to our own comfort, we could not help thinking what a nice editorial sanctum it would make.”

“The whole house, from its massive walls and deep verandah, must necessarily be very cool, in the hottest weather. The governor intends to lay out the grounds with taste, planting them with trees, &c, and has already prepared several wells to give the necessary supply of water.” (Polynesian, November 9, 1844)

“To a person who has ever visited any of the abodes of European sovereigns, such a term (‘palace’) would at once convey an idea of regal magnificence; but the residence of the Hawaiian monarch produces nothing that is superfluous, or even splendid.”

“On the contrary, every thing about it is plain, even to plebeianism, and induces a visitor to think that he may be treading the apartments of a chief rather than the palace of a sovereign. The grounds on which it stands cover between two and three acres, and are inclosed with a heavy wall of rough coral.”

“A visitor enters on the south side, between lodges occupied by sleepy sentinels. A small but beautiful grove of trees wave their stately foliage on either side of the path leading up to the royal apartments, and their cool shade reminds one of the groves of the Academy and the Lyceum, where so many of the old masters read, studied, and rambled.”

“A few steps bring you in front of the palace proper. It has a very simple, rustic appearance. The walls are composed of coral procured from the reefs along the shore of the harbor. The ground-plan covers an area of seventy-four feet by forty-four. The building is a story and a half high.”

“A noble piazza, eight or ten feet wide, and raised a few feet above the ground, entirely surrounds the building. The chief apartment is the one in which the king holds his levees. In the centre of the eastern wall of the apartment stood the chair of state. Its unpretending aspect led me to invest it rather with republican simplicity than monarchical aristocracy.” (Bates)

Various residences were placed around the grounds, the Palace being used principally for state purposes. ‘Hoihoikea’ was the name given to the large, old-fashioned, livable cottage erected in the grounds a little to ewa and mauka of the old palace, in which Kamehameha III, Kamehameha IV, and Kamehameha V resided. (Taylor)

The former Hanailoia, named Hale Ali‘i, was the palace used by Kings Kamehameha III, IV, V and Lunalilo. However, when Alexander Liholiho (Kamehameha IV) died November 30, 1863, his older brother Lot Kapuāiwa (Kamehameha V) became King and he considered a name change.

Minutes of the December 7, 1863 Privy Council note that Chancellor EH Allen “expressed the wish of the King to give a name to the Palace and that he wished it should be called St Alexander Palace.”

“After some discussion, Mr Wyllie moved that the following resolution be passed. … (However) after duly considering the Question, they would prefer the ‘‘Iolani Palace’ to the ‘Alexander Palace’ but that they respectfully defer to His Majesty right to give to his own Palace what ever name may best please himself.”

The minutes reflect that shortly thereafter, Acting Chamberlain, John O Dominis wrote, “I am ordered by His Majesty to inform You that he has styled His residence ‘‘Iolani Palace’ and you are instructed so to record it in the Minutes of the Privy Council.” (Privy Council, December 7, 1863)

So, Hanailoia was not only Honolulu’s first royal Palace, it was also the first ʻIolani Palace (although the Privy Council minutes refer to it as ‘ʻIolani Hale Ali‘i.’) It was torn down in 1878 to make way for the present ʻIolani Palace.

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White building in the front is old royal Mausoleum-Pohukaina. Wooden building behind it is original ʻIolani Palace

Old_Iolani_Palace_and_adjacent_premises,_ca._1850s

The old palace, which was built in 1845 and was replaced by Iolani Palace in 1882

Palace_of_King_Kamehameha_III,_from_the_harbor_(c._1853)

Hale_Aliʻi_with_Royal_Guards_(before 1879

Hale_Aliʻi_in_1857

Hale_Alii_illustration

Former_Iolani_Palace-before-1879

Pohukaina-in_front_of_Hale_Alii-original_Iolani_Palace-1850s

‘Io, the Endemic Hawaiian Hawk

April 12, 2018 by Peter T Young Leave a Comment

Honolulu 1848

Nineteen-year-old Gorham D. Gilman arrived in the Islands in 1841. He mastered the Hawaiian language, and pursued his career at several locations in the islands. It is likely Gilman set down his impressions of Honolulu while at sea on his way to California—lured thence by news of the gold strike. The following is his writing, compiled and edited by Sharpless & Greer:

“The first impression generally received of Hon: as the stranger rounds Dimond Pt is that of disappointment. The hills and plains if in the summer season look bare and barren—and burnt-brown by the heat of the sun …”

“… but as the vessel nears the anchorages the prospect is more pleasing the village of Waikiki amid its grove of Coconut trees—the long line of sand beach on which the surf gently roll ….”

“Leaving the vessel at anchor two or three miles from shore—the bay is entered in the boats—the passage safe and commoidious—there being 22 feet of water on the bar which—On either hand makes up and down the coast forming the protection of the harbor from the sea …”

“… on this reef the sea waves curl their tops and break the snowy crests and when old ocean is excited by a storm they crash and break with almost deafning roar—tho harmless—and it is of beautiful and exquisite music of a still evening to hear its reverberations— as it spend it strength on the coral rocks.”

“The first object that arrests the attention on approaching the shore, is the beautiful valley of Nuuanu situated just in the rear of the city and extending inland between two spurs of the Mountain. It is clothed with perpetual green and with its numerous cottages whose white walls peep forth from amid the shrubery has a cool and inviting appearance.”

“Most conspicuous of the buildings, as you near the shore is The Palace The Bungalow (a private residence)—The Large Stone Church—the Catholic Church The Bethel—and some of the larger warehouses of the merchants while from various parts of town may be seen the consular flags of which there is quite a number …”

“… sailing past the Fort which stands at the head of the passage into the harbour—and whose walls bristle with guns—the boat lands at the wharf amid a crowd of boatboys and natives assembled to see the strangers.”

“The first impression of the people as received from the motley crowd of men, women & children here assembled is not apt to be very favorable—their chattering like so many parrots quite amuses one.”

“The city is regularly laid out all the principle streets crossing at right angles cuts up the place into regular squares and makes it easy to find the way from one part to another without difficulty.”

“The most of the streets are wide and pleasant the most unpleasant feature of them is, the high adobie walls which generally line either side sperating the yards & premises of the citizens from the street—these are often plastered and white washed and when the sun is bright the reflection of this light and heat is very unpleasant …”

“… but these unsightly walls are fast giving away to neat picket fences set upon stone foundations which while they protect the premises from the street—afford the passerby a pleasant view of the cultivated yards within and the residences amid the shrubery.”

“The streets present a bustling active appearance during business hours—merchants—and traders are busy transacting their business the drays loaded with [illeg.] imported & for Export—the wharfes filled with goods and all the machinery in motion of an active place.”

“It is amusing to the stranger to stand and study the people as they pass before him—clad in every variety of costume. Some of which is unique in.”

“If it is a hot sweltering day in summer he will be likely to see some native who has become possessed of an old cast off pea jacket, and with this on buttoned up close to the chin—and with neither pants draws nor stockings to cover his legs he will walk up the streets as dignified as possible.”

“Another & quite as common sight is to see a man with a old hat shirt & vest on while his neither limbs have nothing but a pair of thick shoes upon his feet—but who is this? that with her silk parrasol comes by—she is dressed in the richest satin made like a loose dress worn by the laides at home an expensive Canton Crepe tied by two of the corners hangs upon her back …”

“There has been a very great improvement in the appearance of the people in the streets in the last few years—a few years since & it was very common to see some stout backwoodsman from the other Islands walking thru the street clad only with the Malo and the Kehei (Kihei – shawl) …”

“It is supprising almost to see the amount of silks and other rich goods that are worn by the females for they dress much more and better than the males—for a half clad female without some article of foreign fabric is seldom or ever seen in the streets of Hon.”

“I never saw but one of them clad in the ancient cloth & fashion —& she was just in from the backparts of Hawaii—and in an hour was genteelly fitted out by her friends.”

“The females are very ambitious to appear well dressed and strive to imitate as far as possible the fashions set by the Queen & the other female chiefs—and a good many support themselves by the use of their needle being easy to learn and very good seamstresses and commanding good pay for their labour …”

“Broadway (King Street) is the principal street of the city—th’o there is not so much business done here as at some of the others but it is the widiest & longest and the most of a thoroughfare & favorite resort …”

“… this street runs parallel with the harbour thro the whole length of the town—from the river on the most northern side to the plain on the South Eastern—& is two to three miles long.”

“There are a number of stores but all of them retail establishments. Broadway of a Saturday afternoon presents a gay and amusing spectacle—Saturday being a general holiday—and the afternoon particularly so for all classes of natives they strive to press as much amusement possible into the few hours—between the Meridian sun.”

“Consequently, they may be seen at an early hour on horseback—starting off in gay parties for a ride to some of the places of resort in the suburbs every half hour a very perceptable increase of their number may be seen—and at Four O’Clock the plain and valley roads are filled with equestairans riding at any rate from a wild race to the sober jog …”

“… and upon a variety of animals—From the noble horse proud to distinguish himself from the vulger herd—to the demure looking donkey with two or three rouges of boys on his back who try in vain to urge him along …”

“… and some wag not to be out done mounts a half broken in steer and stears his way among the crowd by a single string attached to a ring in the nose of the animal.”

“The women ride across the saddle and with their long flowing robe of silk or bright calico which conceals the leg of the rider— their loose dress—and head either ornamented with a wreath of Flowers or Feathers—or a strawhat with a good quantity of Ribbon flowing Cut quite a dash they are very expert riders indeed …”

“… and seldom got thrown & will accept a chalange to a race over the plain without the least hesitation and will ride fearlessly and ply the whip if likely to be beaten—as the sun sets the crowds turn to town, and now Broadway is all life—the streets are thronged with men & women all dressed out in their very best …”

“… lining the street its whole length it looks like a great gala day—they seem to enjoy the scene very much and their faces seldom can be seen to express more animation than as they pass & repass one another—among hundreds you scarce can find one that is not well dressed …”

“… the horseman & women make Broadway their point of display and come in in crowds or singly—and the bystanders amuse themselves by critizising the riders—like the crowd in the carnival some will be hailed with shouts of laughter at their appearance …”

“…and then words of praise as some good riders go prancing by – women as well as the men enter this gauntlet of opinion & sometimes call forth loud applause.”

“Soon His Maj’s (King Kamehameha III) coming is announced the streets are closed for his approach. He generally on this P.M. has some dozen or twenty in his train—he is a fine rider and makes appearance on horseback. All is hushed as he passes—and the crowds soon disperse to their homes.”

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View_of_Honolulu_Harbor_and_Punchbowl_Crater._(c._1854)

Auguste_Borget_-_’Honolulu_Waterfront’,_graphite_on_paper,_1838

Honolulu Harbor-Ships pulled by canoes-Henry Walker-1843

The old palace, which was built in 1845 and was replaced by Iolani Palace in 1882

Bethel_Church,_Honolulu,_Hawaii

Our Lady of Peace Cathedral, Honolulu, 1843

Kawaiahao_Church,_Honolulu,_in_1857

Photograph_of_the_Royal_School,_probably_after_1848

Paul_Emmert_-_’Diamond_Head_from_Aliapaakai’,_c._1853-59

No._2._View_of_Honolulu._From_the_Catholic_church._(c._1854)-center image

No._1._View_of_Honolulu._From_the_harbor._Burgess-(c._1854)

John_Prendergast_(English)_-_’Honolulu_Looking_Toward_Diamond_Head’_1848

Interior_of_the_Fort,_Honolulu_Harbor-1830s-1840s

Honolulu Hale-gov’t bldg of Kingdom -Paul_Emmert-1853

Honolulu Hale-governmental building then post office from 1853-1871

Hiram Bingham House, Mission Houses Museum

Downtown_Honolulu-Land_Commission_Awards-Map-1847-Black & White

Downtown and Vicinity-Street_Names-Map-1843

Honolulu_Harbor-Downtown-1847

April 4, 2018 by Peter T Young 1 Comment

Missionary Sewing Circle

Kalākua (also Kaheiheimālie) (c. 1778–1842) was daughter of Keʻeaumoku (a chief from Hawaiʻi Island) and Nāmahana, from the royal family on Maui. She was described as physically being ‘tall and gigantic,’ like her siblings. (Bingham)

“Kalākua, a widow of Kamehameha … asked (the missionary women) to make a gown for her in fashion like their own.” (Bingham) “(She) was told that it was the Lord’s day, and that they would make it tomorrow.” (April 2, 1820, Thaddeus Journal)

The next day, the first Hawaiian sewing circle was held on the decks of the Thaddeus, “Kalākua brought a web of white cambric to have a dress made for herself in the fashion of our ladies, and was very particular in her wish to have it finished while sailing along the western side of the island, before reaching the king.”

“Monday morning April 3d (1820,) the first sewing circle was formed that the sun ever looked down upon in the Hawaiian realm. Kalākua was directress. She requested all the seven white ladies to take seats with them on mats, on the deck of the Thaddeus.”

“The dress was made in the fashion of 1819. The length of the skirt accorded with Brigham Young’s rule to his Mormon damsels, – have it come down to the tops of the shoes. But in the queen’s case, where the shoes were wanting, the bare feet cropped out very prominently.” (Lucy Thurston, part of the Pioneer Company)

Later, another ‘sewing circle’ was presented by some of the early missionary descendants. But first, some background …

About 30-years after the first sewing circle (June 5, 1832), the Hawaiian Mission Children’s Society (HMCS) was formed. At the time, “there were no places of entertainment, for social enjoyments or organized mission work, or any society for the missionary children, no uplifting influences at their disposal.”

“The family rules were strict. Native prayer meetings at five o’clock in the morning and long Sunday services, mostly in Hawaiian, were the only change the poor children had, and the formation of the HMCS was a beautiful and wise undertaking. It has done its work faithfully and well.” (Cooke; HMCS, 1900)

Then in 1900, the HMCS membership was asked, “What is the future of the Society?” Outgoing HMCS president, AF Cooke noted, “Having fulfilled its original design, let us now form a new society with broader aim …”

“… and with a more extended scope for membership, and plan to become a historical centre for all missionary efforts in the wide Pacific. … A historical or commemorative society offering occasion for missionary intelligence and personal reminiscences of the lives of our fathers and mothers …”

“…would give to us and to our children and to the Christian world, a most valuable record and much history might be preserved that would otherwise remain unknown.” (Cooke; HMCS, 1900)

The Society acquired the 1821 Mission House in 1907 and later the coral block Chamberlain house. The making of a museum was underway (and remains under HMCS control to today).

A House warming was given here on April 4th, 1908. The officers of the Society and others received the Cousins and their friends in the old historic reception room where royalty was entertained in the long ago, and where, no doubt, every missionary to these sunny islands has gathered in consultation and knelt in prayer.

Many guests went up the winding stairs to the chambers above, out to the stone kitchen and down to the cellar dining and store rooms before going through to the makai lawn where chairs were arranged for the audience.

A dramatic performance of an old-time missionary sewing circle, supposedly held during the General Meeting of 1840, was presented.

“Our Cousin James A. (Judd) Wilder has with a most sympathetic hand, woven together various incidents and anecdotes from unwritten missionary history, into a brief drama of one scene, apologies need be made for any anachronisms as to pretense to be more than a composite picture.”

“The missionary mothers are represented by grand and great-grand-daughters, and the old-time dress will enhance family resemblances and are sure to be pleasing to those who remember dear faces gone.” (HMCS Annual Report, 1908)

“The acting was good and the whole scene very realistic. The play was given at the rear of the Old Mission Home, between that and the vine-clad coral kitchen, and the audience were seated on the lawn.”

“A platform was built in front of the stage, between trees and draped with flags, ferns and ilima wreaths, on which sat the guests of honor, Queen Lili‘uokalani, Gov. Pinkham, Admiral Moore and General Macomb.” (HMCS Annual Report, 1912)

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‘OLD MISSION HOUSE’ (LOC)-photo ca 1907

April 3, 2018 by Peter T Young Leave a Comment

Mānoa Heritage Center

Mānoa Heritage Center is a non-profit organization, whose mission is to promote stewardship of the natural and cultural heritage of Hawai‘i. The site consists of Kūali‘i, a Tudor-style house built in 1911, Kūka‘ō‘ō Heiau and a Native Hawaiian garden.

The site is the former home of Charles Montague Cooke, Jr. Charles Montague Cooke Sr gave the land to his son in 1902. On it his son established Kaimi dairy.

In 1911, Emory & Webb, a major architectural firm in Honolulu, designed this house, and it stands as one of their major works from this period. Other works of theirs from this time include the YMCA and the First Methodist Church.

Amos Starr Cooke came to Hawai‘i in 1837 as a missionary. He and his wife Juliette, were selected by King Kamehameha III to educate the next generation of Hawai‘i leadership (including Kamehameha IV and V, Lunalilo, Kalākaua, Lili‘uokalani and others)

Cooke later founded the firm of Castle & Cooke in 1851, which became one of the ‘Big Five’ sugar companies, which dominated so much of Hawai’ i’s economic, social and political history up through World War II.

Charles Montague Cooke Jr. was the grandson of Amos Starr Cooke and the son of Charles Montague Cooke. His father was the President of both C Brewer, another of the ‘Big Five’ firms, and the Bank of Hawai’i.

Dr. Charles Montague Cooke Jr. was born in Honolulu in 1874, and attended Punahou and Yale. In 1901 he received his PhD and went to Europe to do scientific work in London and Paris.

In 1902 he returned to Hawai’i to work at the Bishop Museum, where he made valuable contributions to the field of malachology, the branch of zoology that deals with mollusks, especially with regards to the study of Hawaiian land snails. He headed a number of scientific expeditions throughout Polynesia and was the author of 45 scientific works. (NPS)

Kūali‘i, the house on the site, is a two-story Tudor revival style house. It is situated at the top of a hill in Mānoa Valley and has a large front lawn gracefully landscaped with several mature monkey pod and shower trees. The front of the house is separated from Mānoa Road by a stone wall, and a circular drive provides vehicular access to the property. (NPS)

The lava rock basement and first floor support half-timber and stucco second and third floors. The home has three bays with a large 2-story porte cochere off the center bay. Two stonewall chimneys anchor the outside bays. The stone was quarried in the front year where the driveway now circles between two stone pillars of the front rock wall.

The house was originally going to be sited where a heiau (temple) was situated – and use the stone from the heiau as the foundation. Instead, the house was located so as not to disturb the heiau. (Ferraro; Pōhaku) The heiau was later restored.

According to legends, the menehune built a fort and heiau at the top of the hill ‘Ulumalu. They were driven away from their fort by the high chief Kūali‘i during his reign (sometime in the 1700s). Kuali‘i rebuilt it after his seizure of the fort. (Cultural Surveys)

This heiau was the center piece of a string of heiaus that strung across the Kona district. The existence of such an important heiau at the mouth of the valley could be taken as an indication of the early importance of Mānoa.

Another legend says that the menehune were driven from their fort and temple by the owls, who became their bitter enemies.
The legends say that the fairy people, the Menehunes, built a temple and a fort a little farther up the valley above Pu‘u-pueo, at a place called Kūka‘ō‘ō.

Surrounding Kūka‘ō‘ō Heiau is a Native Hawaiian garden featuring endemic and indigenous plants, as well as Polynesian introductions.

In addition, a Polynesian Introduced Garden offers an array of ‘Canoe Plants’ representing those that may have come with ancient seafarers from the Marquesas, Tahiti, Samoa and other South Pacific archipelagoes.

The first settlers of Hawaiʻi arriving by canoe, brought many of their favorite plants for food, seasoning, medicine, making household items and implements to farm, build structures and use for clothing.

Taro (kalo) became the staple of the Hawaiian diet and they developed hundreds of varieties, adapted to suit diverse terrain and weather conditions. Sweet potato (uala) was sometimes substituted for taro in the drier areas.

Tumeric (ʻolena) was used to produce a brilliant yellow orange dye for clothing, coconut (niu) for bowls, drums and roof tops, and kawa (ʻawa) to ease a painful headache were treasured supplies. (Mānoa Heritage Center)

The house, heiau and gardens are part of the Mānoa Heritage Center, a non-profit organization whose mission is to promote stewardship of the natural and cultural heritage of Hawai‘i. It was the home of Sam and Mary Cooke and the restoration of the property was through their efforts.

Currently, Kūka‘ō‘ō Heiau and garden tours are available, guided by volunteer docents. Reservations are needed with two-week advance notice preferred.

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